Ep.248 – Slasher: Valentine Screams - When Movies Get DEADLY

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It's Valentine's Day, and what says
love more than filming a gory horror movie.

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But what happens when a monster shows
up on the set That isn't a

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special effect at all. In fact, not only is it bigger, scarier

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and slimier, but it wants more
than just a starring role. What's that

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You want to be scared? Come
with me. You will experience tales over

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opera, ghosts and death. It
is not recommended for a week at heart

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heart listeners in the dark. It's
more fun at that way way. This

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is weekly speaking. Well, hello, my spookies. Love is in the

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scare. It's Valentine's Day, and
whether you're spending the day with someone special

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or just little old me, I'm
so happy to have you here, and

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I've brought you a very very special
Valentine Our stric Field, Maestro and good

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buddy Rob Fields is cooked up a
full novella just for you to enjoy this

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love day. But before we get
to that, I want to say thank

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you so much for joining me right
here on the show. This is what

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we call the slower time in the
spooky This is the time when the spooky

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stalwarts stick around for scares every single
week, while many of our listeners really

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only come around in September and October. You are the folks who keep us

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going and going all year long,
and I'm very thankful for each and every

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one of you. But I do
have a small request of you. If

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every thirty days. That's right.
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It does make a big difference.
Oh and I want to mention this

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story tonight has a very special cameo. A certain someone appears in the story

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you just recognize, So get yourself
comfortable bust out that box of chocolates because

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we're about to dive into this story
after these quick words. Slasher Valentine screams

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by Rob Fields perspective, Vicky Valentine, I'm sitting on my throne on my

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set at Channel sixty one in North
Ridgeway. Who'd have thought I'd go from

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being the Queen of porn to being
both a high profile scream queen and the

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Queen of the Night. Seriously,
if you'd have told me years ago that

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I'd be a premier horror movie star, I'd have asked you what you were

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smoking and where I could get some. Of course we all know I'd have

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eaten those words. Huh. Anyway, I'm sitting here in my black ball

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gown and blood colored hair dyed that
makes me look like an evil version of

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Jessica Rabbit. If you don't know, Googler. I first started playing my

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Friday Night character in the original Veranda
Queen of the Night, which was made

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by the Eerie City players from their
university. That movie became such a hit

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that Channel sixty one out of North
Ridgeway sat down with the players and worked

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out an agreement to get the rights
to Veranda for a weekly horror host program.

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Next, Channel sixty one contacted me
and asked if I'd consider reprising Veranda

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every Friday night to feature a horror
movie. At our in person meeting,

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they presented me with a very generous
contract and the rest was history. I'm

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currently filming the segments for the Valentines
episode where I'm presenting Lover's Lane. Yeah,

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that movie that had Anna Ferris before
anybody knew who she was from her

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scary movie franchise Fame. My contract
was originally for one year, but Channel

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sixty one has since signed me to
an extension to continue hosting Up All Night

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with Veranda. In fact, my
show's gotten so popular that I'm doing two

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movies every Friday night now. I
already did my segments for the first movie,

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which was Valentine. After I finished
my final segment, my director's happy

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with my performance. As always,
this time, my girlfriend Bethany Miron accompanied

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me. You see, after I
finished taking a shower and putting on street

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clothes, my honey and I will
be driving to Ridgeway Heights to attend the

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Saint Valentine's Day Massacre Horror Convention,
where the world premiere of Slasher Valentine's Screams

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will be screening. When we filmed
the original Slash, it was just a

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college project that the Corgan twins,
Jesse and Jenny put together. The movie

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was a movie within a movie.
Last year, we filmed scenes at the

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convention for Slasher two Valentine's Day.
Along the way, Bethany and me encountered

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people from the backwoods of Strickfield in
the form of ghules. No shit,

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ghules are very real. Victoria,
the matriarch of her family, had this

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giant of a son named Flint.
Apparently he fell in love with me while

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watching me on Channel sixty one,
believing me to really be Veranda. Long

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story short, I was kidnapped and
taken to their mansion in the backwoods of

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Strickfield, where Victoria damn near turned
me into a ghoul myself. Fortunately,

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Bethany and the Corgan twins came to
my rescue. Afterwards, we showed those

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ghuls that you never mess with people
who make slasher movies for living. Now,

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the third movie in the Slasher series
will have its world premiere at the

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Saint Valentine's Day Massacre Horror con It's
already got a theatrical run lined up with

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regular showtimes. Come on, you
just knew there would be another Slasher right

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as long as the movies keep making
money. Like I said, Bethany and

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Me are gonna be heading to Ridgeway
Heights to spend the weekend at the con

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to be guests and sign autographs and
sit through the new Slasher screening. I'll

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even be wearing my black Ball gown
to be Veranda. As soon as Bethany

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and me arrive at the Hilton,
We're already checked in thanks to our smartphone

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apps, and our phones also double
as our room keys. As we're about

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to turn and head to our room, Vicky Bethany, a familiar voice calls

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out. We both turn to see
the Corgan Twins coming toward us. We

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put our bags down in exchange hugs. Now, normally Bethany and me like

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to just have some alone time on
Thursday night since we both have very busy

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schedules. I'm going around and making
more and more horror movies and Bethany's been

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busy in my old profession as a
porn star. Looks like tonight we're going

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to make an exception. After Bethany
and me put our bags in our room.

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We meet up with everybody in the
hotel bar to hang out. Thursday

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nights are the calm before the storm, if you will. Yeah, there

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are horror fans who come on Thursday
night to party and meet up with people

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they know. Dealers come to set
up in the Big Room, which is

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where many of us will be sitting
and doing our meet and greets and photos.

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The Corgan Twins tell everybody that drinks
are on them tonight. Anyway,

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this is the present. What I'm
sure all of you want to know is

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what happened during the filming of Slasher
Valentine's screen. I'm sure we're all going

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to be hanging out in the hotel
bar for quite a while. So let's

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go back in time, shall we. Last year, I'm finishing a scene

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from my latest movie, Spoiled Brat, another slasher from the Corgan Twins.

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In this one, I play this
boored housewife who's just so unhappy with my

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husband. Forget that he gives me
whatever I want, so I go out

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and have a few affairs. Next
thing I know, bodies are piling up

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because of them. Now I'm in
the final scene where the killer you know

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what No, I'm not going to
say how this ends. That wouldn't be

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fair to all of you planning on
seeing it, especially after both Fangoria and

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Room Org magazine did big write ups
on it. After we wrap, I'm

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taking a shower washing off all the
fake blood and makeup. When I finish,

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I get dressed and come out to
find my girlfriend Bethany mir And waiting

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for me as she's talking with the
Corgan Twins. And then things are about

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to get a little odd because now
I'm seeing Enrique Cuto's here too. In

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case you've never heard of this guy, he's an independent filmmaker from Dayton,

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Ohio. What's he done? Ever
hear of Babysitter Massacre? How about Scare

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Waves or the Haunted House on soraty
Row? Maybe his Found footage series.

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He also directed Boggie Creek the series. Okay, there's a good chance some

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of you have at least heard about
Babysitter Massacre. I know Bethany and me

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both have. In fact, the
two of us have a little bit of

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a history with mister Kuto. It
was around the time when Slasher two opened

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in theaters that Bethany and me were
filming Babysitter, Massacre, Daddy's Little Killer

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Together. Yeah. Enrique Cuto took
the first book in the series, written

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by David O'Hanlon, and turned it
into a full length feature film. I

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played Larkin Combs and Bethany played Aaron
Mercer. Let's just say Enrique got his

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money's worth out of both of us, Not to mention significant screen time in

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our sexy birthday suits. Bethany sees
me and gives me that look that says

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I'm probably not gonna like what's coming? What's going on? I asked the

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twins. We're still gonna shoot Slasher
three, right, Oh, definitely,

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Jesse Corgan assures us. In fact, after our little powow here, we're

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all going to be taking off and
heading to Ridgeway Heights. Okay, cool,

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I tell her. Then I point
to Enrique. But what's he doing

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here? Jenny Corgan smiles, Well, that's what this pow wow's about.

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There's going to be a little change. We're not going to be directing Slasher

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three like we originally planned after all. Oh oh does that ever get Bethany's

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head in a whirl? Excuse me? What? Jenny and Jesse both look

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regretful a little. Yeah, it
turns out the special effects we're planning for

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this movie are going to be some
of my best work yet. And with

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the new creature suit we're using for
the movie, I'm gonna need Jesse's help

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to get everything off smoothly. Bethany
and me look at each other. When

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we did our Babysitter Massacre film with
Enrique Kuto, the Corgan twins did the

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special effects, Actually, Jenny did
them and Jesse assisted. I mean,

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Enrique really wanted some great effects for
his movie. He'd seen what Jenny could

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do for many of the Corgan's movies
and had a meeting with them. The

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hen Man got his money's worth,
no two ways about it. Getting back

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to now, Jesse says, since
it'll take the both of us to do

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Jenny's special effects for the new Slasher, we hired Enrique to direct it.

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You both okay with that, Jenny
finishes. Bethany and me look at each

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each other again. Yeah, we're
both gonna be in a world of shit

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perspective. Bethany, Miren, Vicky
and I are still looking at each other.

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Then we turn back to look at
Enrique. Hell no, we both

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say together Enrique's jaw drops. Oh, come on, don't tell me you're

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both still sore about all those rewrites
for Daddy's Little Killer. I point right

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at him for your information. Vicky
and I both read David O'Hanlon's original book.

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Nowhere is it written that Larkin or
Aaron are both naked in any way.

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Okay, I get that I was
supposed to make like I was giving

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my hubby movie theater Head, which
was in the book. But the book

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never had anything about Aaron having a
full on sex scene with britt Let alone

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a few of them, or Larkin
having a few fuck arounds with a few

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of the other guys in the story. Vicky adds, although kudos on making

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one of them Larkin's new boyfriend.
I did like that, and Enrique raises

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his finger. Correct me if I'm
wrong, But I never once heard either

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of you. Tell me no,
He lowers his finger. Besides, how

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many times have you two been naked
in front of a camera before doing my

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movie? He laughs a little.
Vicky Valentine, you're an ex adult film

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star. Bethany Mirren also known as
Belinda Barnett, you're a current one,

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and you two are in a relationship, so being naked should feel natural to

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the both of you. Vicky points
sharply at him. Then why don't you

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get naked on camera? Because I
damn sure ain't as sexy as you,

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two fine ladies, he answers without
hesitation. Also, you should know by

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now that movies don't always emulate their
books. One for one To describe Enrique

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Kuto, He's one of the most
unusual people you'll ever meet. He always

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wears a Hawaiian shirt open with a
black horror T shirt underneath. Usually s

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something with Joe Bob Briggs, weird
pants that I think his mom must have

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made for him, and crocs.
He's got long hair, wears circular lensed

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glasses with bright green frames, has
a swashbuckler's mustache, and his beard hairs

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braided to make it points straight out. Oh, but I ain't letting Enrique

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off so fast. Okay, you're
directing Slasher three, but I wouldn't put

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it past you to rewrite the Corgan
Twins script to make sure we show even

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more skin. He laughs. My
contract specifically states I can't change the scenes

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that the Corgans have already written.
Vicky glares at him. Now, but

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you're up to something. I just
know it. Enrique sighs. Look,

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you've both been paid. I've been
paid. Now we just need to make

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the movie and we're gonna do that. At the con, he quickly raises

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his finger. Oh I almost forgot
the Corgan's told me we actually have an

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Academy Award winner working with us on
this movie. Oh bullshit, I grown

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no, it's true, Jesse says. Remember Lizzie Jones from the original Slasher.

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I believe she goes by Elizabeth Jones. Now Jenny corrects her. Enrique

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takes over. Well, I think
we all know she's won two Oscars for

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Best Actress. Then what the fuck's
she doing shooting Slasher three with us?

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I ask she didn't want anything to
do with us again once Hollywood signed her.

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My agent told me she didn't want
to be involved with Slasher two since

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a porn star was involved and I
wasn't even acting in the goddamn movie.

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Hello, Bethany's acting in this next
movie, now, Vicky reminds everybody.

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Then she raises her finger. I
got it from a few reliable sources.

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Lizzy turned out to be another Hollywood
diva who thought she could write her own

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paychecks since she won her Oscars.
Except she ain't been in Hollywood long enough

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and didn't have enough movies under her
belt, So Jesse nods, sounds about

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right. As for what Lizzie's doing
in our movie, her agent negotiated with

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us to get her apart in it. Lizzie even signed her contract. Jenny

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adds, Supposedly, if Lizzie does
slash her three, that can put her

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back on the map for some bigger
movies because she'd be starring with you.

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Vicky. Let's face it, you're
actually a bigger name than Lizzie Jones.

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00:17:21.079 --> 00:17:25.960
Right now. I thought Vicky always
was. I say, hell, Vicky

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here had top billing in the original
movie. I point to Enrique. I

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00:17:30.279 --> 00:17:36.160
still say, he plans on hijacking
your script again. Enrique cannot rewrite our

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00:17:36.200 --> 00:17:40.240
movie in any way. Jesse reminds, us, Hey, come on,

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00:17:40.440 --> 00:17:44.720
ladies, Enrique says, in a
suave tone, how bad do you think

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00:17:44.759 --> 00:17:48.920
I really am? Vicky and I
both look at each other again. Yeah,

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00:17:49.160 --> 00:17:53.599
we're totally fucked. After the meeting's
over, we leave the house where

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00:17:53.640 --> 00:17:59.519
Spoiled Brat just wrapped and get in
our cars to leave Strickfield. I already

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00:17:59.599 --> 00:18:03.119
packed my in Vicki's bags so we
wouldn't have to stop by our apartment at

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00:18:03.160 --> 00:18:07.880
Strickfield Cove. After a drive,
we're in Ridgeway Heights and pulling in at

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00:18:07.880 --> 00:18:11.559
the Hilton where the Saint Valentine's Day
massacre horror con is going to be taking

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place this Valentine's weekend. Valentine's Day
itself is Sunday. On the way,

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Vicky and I checked into the hotel
on our apps. We're ready to hit

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00:18:21.920 --> 00:18:25.839
our room and skip the front desk
completely. As soon as Vicky and I

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00:18:25.920 --> 00:18:29.680
reach our room, we go in
and put our bags down, Vicki falls

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00:18:29.720 --> 00:18:33.720
back on our bed and stretches herself. I really want to get drunk tonight,

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00:18:34.279 --> 00:18:38.880
especially after finding out Kuto's directing our
new Slasher. I get on the

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bed with the love of my life
and look deep into her eyes. We're

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00:18:42.559 --> 00:18:48.480
easing our arms around each other before
I savor those sweet, delicious lips of

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00:18:48.480 --> 00:18:52.240
hers. This coming Valentine's Day will
be one year that Vicki and I have

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00:18:52.319 --> 00:18:57.359
been together as a full on couple. Ironic huh. Vicki and I practically

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00:18:57.400 --> 00:19:02.759
hated each other when we first did
Slash her. How the fuck did the

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00:19:02.799 --> 00:19:07.279
two of us ever lower the walls
and even become friends? How did we

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00:19:07.359 --> 00:19:11.240
even become roommates? Like I said, we're still living in our apartment together

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at Strickfield Cove. Fuck. It
really hurts in the pit of my tummy

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00:19:15.640 --> 00:19:19.720
whenever Vicky's near me. I can't
believe how much I've fallen for her.

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00:19:21.599 --> 00:19:23.960
I wanted her so bad. I
tried convincing her to come back into porn

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00:19:25.039 --> 00:19:30.200
with me. Then she showed me
that wasn't necessary. You okay, I

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00:19:30.279 --> 00:19:34.559
asked her. When we stop kissing, She gazes at me. I am

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00:19:34.680 --> 00:19:40.640
now you always know how to keep
me away from the hotel bar. Well,

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00:19:40.720 --> 00:19:42.119
if you really want to get drunk, I'm sure we can go.

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00:19:42.680 --> 00:19:48.319
I start to say. Our eyes
meet again. Then Vicky and I kiss

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00:19:48.400 --> 00:19:52.160
with more passion and hunger. Before
long, our clothes are coming off.

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At least, the sex my honey
and I have is completely honest, as

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00:19:56.759 --> 00:20:03.279
in no cameras, no scripts,
and pure emotions. I know I'm Vicky's

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00:20:03.319 --> 00:20:07.799
first real relationship, and I'm always
trying to do right with her. I

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00:20:07.799 --> 00:20:11.000
don't want her to ever regret being
with me. She told me she trusts

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00:20:11.039 --> 00:20:15.160
me. Completely and doesn't care in
the slightest that getting laid is my day

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00:20:15.240 --> 00:20:18.640
job. I'm the one you always
come home to at the end of the

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day, she said, and she's
a thousand percent right after VICKI and I

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00:20:26.400 --> 00:20:29.839
fuck a couple of times. We're
under the covers and holding each other.

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I still say enriquet, Kuto's got
something up his sleeve for Slasher three,

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00:20:34.200 --> 00:20:40.039
Vicky says, I laugh a little. I don't doubt it. The question

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00:20:40.240 --> 00:20:44.799
is what exactly will he do.
He probably already knows how he's getting more

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00:20:44.880 --> 00:20:48.960
nudity out of us, I'm sure. Then we both hear chimes on our

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00:20:48.000 --> 00:20:53.880
smartphones. Vicky reaches over and picks
up hers. It's Kuto already. He

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00:20:53.960 --> 00:21:00.000
wants to start filming some scenes tonight. Fucking hell, I greet. I

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00:21:00.119 --> 00:21:03.559
was hoping to have a nice,
quiet night with you before the storm.

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00:21:03.599 --> 00:21:10.200
This weekend will be okay, baby, Vicky assures me. I groan as

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00:21:10.240 --> 00:21:14.039
we both get out of bed and
put our clothes back on before we leave,

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00:21:14.079 --> 00:21:18.000
I ease Vicky to me so we
can share one more kiss before heading

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00:21:18.039 --> 00:21:25.200
out. More scares to come weekly, spooky, We'll be right back.

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00:21:32.960 --> 00:21:38.519
Perspective Elizabeth Jones. I'm here in
one of the conference rooms reserved for the

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00:21:38.599 --> 00:21:44.519
Slasher people and arguing with Enrique Kuto
about the script. My agent, Doug

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00:21:44.599 --> 00:21:48.440
Ben's is standing here with me.
I don't care what this motherfucking script,

254
00:21:48.480 --> 00:21:53.440
says Kuto. I yell, I
will absolutely not be doing any nude scenes

255
00:21:53.559 --> 00:21:59.640
whatsoever. I already showed my bouncing
boobies in the original Slasher. You want

256
00:21:59.640 --> 00:22:03.799
me fully naked, then get a
fucking body double. Yes, Kuto still

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00:22:03.839 --> 00:22:11.039
wants to fuck with me one more
time. Read your contract. According to

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00:22:11.039 --> 00:22:15.279
the Corgans, everybody who signed a
contract for this movie agreed to do nudity.

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00:22:15.720 --> 00:22:18.200
I'm pretty sure I don't have any
body doubles that resemble you. Catherine

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00:22:18.279 --> 00:22:22.759
Heigel. I put my finger right
in his face. Oh you watch who

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00:22:22.799 --> 00:22:26.920
you're talking to, Buddy, I'll
have you cleaning shitthouses for a living instead

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00:22:26.920 --> 00:22:33.799
of directing movies. Then I see
Vicky Valentine and Bethany Mirren. How about

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00:22:33.839 --> 00:22:37.480
you get one of those bitches right
there to do my nudity, because again,

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00:22:37.880 --> 00:22:41.200
I ain't taking my mother fucking clothes
off, and you can't make me.

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00:22:41.359 --> 00:22:48.920
Kuto sighs. Look Lizzie Elizabeth you
will call me Elizabeth Jones. I

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00:22:49.079 --> 00:22:56.359
yell, and last time, I
ain't doing any fucking nudity. He turns

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00:22:56.359 --> 00:23:00.079
away from me to address those two
porn sluts. Are you even listening to

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00:23:00.160 --> 00:23:06.279
me? As Kuto starts talking to
Vicki and Bethany I lash out and shove

269
00:23:06.359 --> 00:23:10.119
him. You will not turn your
back on me when I'm talking to you.

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00:23:10.440 --> 00:23:15.119
I'm Elizabeth Jones. You hear me, Elizabeth Jones. Kuto suddenly turns

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00:23:15.119 --> 00:23:21.319
his attention back to me. I
don't care if you're Angelina Jolie. He

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00:23:21.440 --> 00:23:25.799
points right at me. Now,
everybody here signed contracts for this movie.

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00:23:26.200 --> 00:23:30.519
Every actor here is doing nudity in
the New Slasher. I'm gonna lay this

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00:23:30.640 --> 00:23:37.160
out for you in simple terms.
You don't fulfill the terms of your contract,

275
00:23:37.279 --> 00:23:40.759
then I'm sure the Corgan Twins will
be seeing you in court. It's

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00:23:40.880 --> 00:23:45.680
called breach of contract. Kuto points
to Doug, your agent here should be

277
00:23:45.720 --> 00:23:51.160
telling you what I'm telling you.
Speaking of talking, you realize everything you

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00:23:51.200 --> 00:23:53.559
said to me was a waste of
time, right? Or weren't you listening

279
00:23:53.599 --> 00:23:57.720
when I mentioned the Corgan Twins They
wrote the New Slasher and had the contracts

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00:23:57.799 --> 00:24:03.240
drawn up again. Everybody signed them, including you, before I was even

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00:24:03.279 --> 00:24:07.880
involved. The Corgan twins come and
stand with Enrique. That's right, Jenny

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00:24:07.920 --> 00:24:12.960
says. We watched you sign yours
together. Maybe you should have read your

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00:24:12.960 --> 00:24:18.599
contract first. Couldn't have said it
better myself, Jesse agrees. Then she

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00:24:18.680 --> 00:24:22.440
turns to Kuto. Sorry, relate, we had to make sure we were

285
00:24:22.480 --> 00:24:26.680
good for the scene. You said
you wanted to shoot first. We're ready

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00:24:26.680 --> 00:24:30.440
when you are, director, Kuto
nods. Then I turned to Doug.

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00:24:32.039 --> 00:24:34.400
Is that all you're gonna do is
just stand there? What the fuck am

288
00:24:34.400 --> 00:24:40.119
I even paying you for? I
growl and walk away from everybody and slip

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00:24:40.119 --> 00:24:44.039
into the dealer room. Doug follows
behind me, trying to talk to me.

290
00:24:44.640 --> 00:24:52.680
What a fucking weasel perspective, Enrique
Cuto. Lizzie Jones ain't the first

291
00:24:52.680 --> 00:24:56.920
prima donna I've had to work with, and she won't be the last.

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00:24:56.359 --> 00:25:00.599
At least now I know what I'll
be covering on my next episode the Working

293
00:25:00.640 --> 00:25:04.480
Filmmaker podcast. Now, I'm just
waiting for everybody to get into their costumes

294
00:25:06.160 --> 00:25:10.440
soon. Vicky and Bethany show up
in theirs. For the record, Vicky

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00:25:10.519 --> 00:25:14.559
Valentine's not playing the Scream Queen Killer. In fact, she's not in this

296
00:25:14.720 --> 00:25:18.960
movie this time. However, her
skin tight white dress is an homage to

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00:25:18.039 --> 00:25:22.880
her being the Scream Queen in the
second movie, and it's much shorter.

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00:25:23.480 --> 00:25:26.599
Before the dress went down to her
knees. Now it's short enough to wear.

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00:25:26.640 --> 00:25:30.599
All she has to do is bend
over enough and you can see her

300
00:25:30.680 --> 00:25:36.880
underwear if she's even wearing any.
Not only that, that dress literally clings

301
00:25:36.920 --> 00:25:41.079
to her body, she has matching
stiletto heels on. She's playing a character

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00:25:41.160 --> 00:25:47.359
named Candy Graham. Bethany's playing a
character named Roxy Willis. After reading the

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00:25:47.400 --> 00:25:49.920
Corgan's script, it turns out the
new Slasher is going to be a creature

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00:25:49.960 --> 00:25:56.400
feature and not an actual slasher movie. Guess that's why many of the actors

305
00:25:56.440 --> 00:25:59.839
who died off in the first two
movies are back for this one. Oh

306
00:26:00.079 --> 00:26:03.519
and the three is being dropped from
the title entirely. Is everything okay,

307
00:26:04.000 --> 00:26:10.079
Bethany asks, I shrug, Hey, I told Lizzie what I needed to

308
00:26:10.119 --> 00:26:14.880
tell her. Bethany's wearing a pair
of tight fitting jeans, sandals, and

309
00:26:14.920 --> 00:26:18.039
a tight top. I can tell
you the Corgans are promising more blood,

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00:26:18.440 --> 00:26:23.799
more gore, more gruesome kills,
and more skin. Seeing many of their

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00:26:23.799 --> 00:26:29.119
movies, the Corgans have no filter
when it comes to exploitation. In fact,

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00:26:29.160 --> 00:26:33.119
the late Great Russ Meyer is their
role model and inspiration. Enrique wants

313
00:26:33.200 --> 00:26:37.119
to shoot one of the kills.
Jenny says, you said you got it

314
00:26:37.160 --> 00:26:41.640
all set up, I asked the
twins see for yourself. Jesse replies.

315
00:26:42.559 --> 00:26:45.640
We all head to one of the
conference rooms the Corgan's reserved for us to

316
00:26:45.680 --> 00:26:51.799
shoot the movie. We go in
and I am loving what I'm seeing.

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00:26:52.559 --> 00:26:56.279
Nice. It's also here where we
find a few of the other actors waiting,

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00:26:56.799 --> 00:27:03.799
and then the look on Bethany's fie
when she sees him Cody. She

319
00:27:03.960 --> 00:27:08.359
says like her stomach just dropped.
Long time No see Belinda Barnett. Cody

320
00:27:08.440 --> 00:27:14.720
King sneers. He's from the original
movie too. He's still sneering when he

321
00:27:14.799 --> 00:27:18.559
nods. But I can see you
whenever I want, since I'm one of

322
00:27:18.559 --> 00:27:22.839
your biggest fans. Loved your work
in things that come in threes. You

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00:27:22.960 --> 00:27:27.160
do all your own stunts. Vicky's
about to come to her defense, but

324
00:27:27.200 --> 00:27:33.240
Bethany stops her and steps up to
Cody. Fuck you, asshole. You

325
00:27:33.400 --> 00:27:36.680
had your chance with me, but
you decided I wasn't good enough for you.

326
00:27:37.240 --> 00:27:40.839
And what I do with my life
is just that my life. I'm

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00:27:40.839 --> 00:27:45.480
a porn star now and fucking proud
of it. Then she sneers herself.

328
00:27:45.079 --> 00:27:49.079
Did you bring your little slut bitch
with you? Or did she catch you

329
00:27:49.119 --> 00:27:52.640
getting head from another girl the way
I caught you and dumped your ass.

330
00:27:53.359 --> 00:27:57.599
Jenny points right at Cody. We
talked about this. If you can't be

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00:27:57.640 --> 00:28:03.480
professional around bethany more, Vicky,
then you can take a walk and forfeit

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00:28:03.519 --> 00:28:07.640
your paycheck. Enrique can play your
part if necessary. Cody's still sneering,

333
00:28:07.720 --> 00:28:11.960
but he raises his hand. Nah, we're good. It's all water under

334
00:28:12.000 --> 00:28:15.039
the bridge. Like I said,
I'm a big fan of these two chicks.

335
00:28:15.079 --> 00:28:22.119
Now I get everybody's attention. Okay, people. Then I explain the

336
00:28:22.160 --> 00:28:26.039
scene and what I expect from my
actors. After that, I let the

337
00:28:26.079 --> 00:28:29.880
Corgans explain what they're doing to make
the effects for the first scene work.

338
00:28:30.400 --> 00:28:41.599
I nod approvingly. Love it.
Okay, places, everyone. Cody's still

339
00:28:41.599 --> 00:28:45.039
going to be in other parts of
the movie, but I'm really itching to

340
00:28:45.079 --> 00:28:48.880
see what the Corgans do with these
next level practical effects Jenny came up with,

341
00:28:49.599 --> 00:28:53.119
especially that new lizard suit She's been
working on for the past year.

342
00:28:53.920 --> 00:28:59.920
When I'm sure everybody's where they need
to be, I call out Action and

343
00:29:00.359 --> 00:29:03.680
VICKI both have a little blood spattered
on them after running into the lizard monster.

344
00:29:04.200 --> 00:29:08.240
They're acting all scared after narrowly escaping
in an earlier scene. We have

345
00:29:08.319 --> 00:29:14.559
to shoot yet, probably tomorrow after
the Slasher two screening. Anyway, the

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00:29:14.559 --> 00:29:18.279
girls know nobody here at the Saint
Valentine's Day Massacre Horror con can help them.

347
00:29:18.480 --> 00:29:22.079
The lizard monster can easily be right
out in the open, since a

348
00:29:22.119 --> 00:29:26.799
lot of people like to cosplay at
these cons. You should see Cinema Wasteland

349
00:29:26.799 --> 00:29:32.279
over in Cleveland twice a year.
Wow, that sweat Jenny made up and

350
00:29:32.319 --> 00:29:36.559
sprayed the girls with is amazing.
Getting the Corgan twins to do the effects

351
00:29:36.559 --> 00:29:41.640
for Babysitter Massacre Daddy's Little Killer sure
made that movie a hit. Then Bethany

352
00:29:41.680 --> 00:29:45.160
and VICKI see the lizard monster that
got into the convention after escaping from a

353
00:29:45.200 --> 00:29:49.440
government convoy. I already shot those
scenes with the Corgans before we went to

354
00:29:49.480 --> 00:29:55.240
pick up Vicky and Bethany, the
creatures got realistic looking blood on the teeth

355
00:29:55.240 --> 00:30:00.359
and claws, especially on the chest. Man. Just seeing Vicky Valentine running

356
00:30:00.359 --> 00:30:04.039
in those heels, it's like she's
running in tennis shoes. God damn you

357
00:30:04.200 --> 00:30:10.799
get away. Bethany screams at the
monster, get fucked. Vicky adds leave

358
00:30:10.880 --> 00:30:15.799
us alone. The girls just stand
there and look really scared when the monster

359
00:30:15.039 --> 00:30:19.839
roars. Just seeing them makes me
want a shiver. The girls turn and

360
00:30:19.920 --> 00:30:25.200
run again. Soon Cody snatches their
arms and pulls them into a room.

361
00:30:25.799 --> 00:30:30.160
Not the kill one yet. I've
been looking all over this fucking hotel for

362
00:30:30.240 --> 00:30:36.079
you, too, Cody rumbles.
Sam's dead. Bethany gasps, Cody looking

363
00:30:36.160 --> 00:30:41.599
stupid. Now, huh that fucking
lizard monster thing got her? Vicky tries

364
00:30:41.680 --> 00:30:47.759
telling him, bullshit, there ain't
no fucking giant lizard walking around here.

365
00:30:48.279 --> 00:30:52.640
Cody fires back, Don't think I
didn't see you bitches getting high outside the

366
00:30:52.680 --> 00:30:57.279
main doors earlier. Bethany and VICKI
soon turn him around. Then Bethany points

367
00:30:57.279 --> 00:31:02.440
and demands, then, what what
the fuck is that? When one of

368
00:31:02.480 --> 00:31:07.599
the hotel staff approaches the lizard creature, it quickly slashes four big marks down

369
00:31:07.599 --> 00:31:11.839
his chest. After screaming, blood
and organs drop fast. The staff person

370
00:31:11.960 --> 00:31:18.000
groans and falls over dead. Jenny's
practical effects are spot on so far.

371
00:31:18.759 --> 00:31:22.839
Cody and the girls run where they're
supposed to. They think they've lost the

372
00:31:22.880 --> 00:31:27.960
lizard creature. Soon they all run
into the indicated room. As Cody tries

373
00:31:29.039 --> 00:31:33.240
to slam the doors, the creature
practically runs him, over coming in.

374
00:31:33.000 --> 00:31:37.799
Cody screams when the lizard quickly slashes
him with its claws. Then it slashes

375
00:31:37.799 --> 00:31:42.319
at him a few more times.
Cody acts really hurt and falls onto the

376
00:31:42.359 --> 00:31:48.079
table in what's supposed to be a
conference room. The girls scream and try

377
00:31:48.079 --> 00:31:52.440
to help Cody, but Vicky gets
knocked on her ass. After Bethany helps

378
00:31:52.519 --> 00:31:56.720
Vicky up, the girls have to
step away from Cody to save themselves.

379
00:31:56.240 --> 00:32:00.359
Cody keeps backing up on the table, blood run out of his wounds and

380
00:32:00.400 --> 00:32:06.759
collecting on the floor first then the
table. I gotta call a quick cut

381
00:32:06.799 --> 00:32:10.359
for the corgans to switch to practical
effects. When everything's ready, I call

382
00:32:10.400 --> 00:32:15.839
action again. The lizard monster jumps
up on the table, landing on its

383
00:32:15.920 --> 00:32:20.359
hind feet. Then it grabs Cody's
arms and pulls him up to where it

384
00:32:20.359 --> 00:32:24.559
can look him right in the eyes. Suddenly, the monster opens its mouth

385
00:32:24.880 --> 00:32:30.799
and brings its whole jaws right down
over Cody's head. The big chump will

386
00:32:30.839 --> 00:32:36.440
be added in post production. The
creature shakes the fake body to make it

387
00:32:36.480 --> 00:32:40.559
look like Cody's struggling before it draws
back to rip the head clean off and

388
00:32:40.680 --> 00:32:45.119
drop the body. Blood squirts out
of the neck until the body lands on

389
00:32:45.160 --> 00:32:50.680
its back. From there, more
fake blood starts pouring out of the neck.

390
00:32:51.640 --> 00:32:58.000
The creature swallows Cody's entire head in
one easy gulp. The sound will

391
00:32:58.039 --> 00:33:02.319
also be added in post Jesus Christ, that thing fucking ate Cody's head.

392
00:33:02.839 --> 00:33:07.119
Vicky whimpers, Bethany screams, and
her pants are now getting wet in a

393
00:33:07.200 --> 00:33:12.240
hurry. Both of the girls scream
when they realize Cody's blood just got on

394
00:33:12.319 --> 00:33:15.920
them. To end the scene,
the girls scream like they've never screamed and

395
00:33:16.039 --> 00:33:21.880
run past the creature to escape the
room. Then the creature licks its entire

396
00:33:21.960 --> 00:33:27.680
mouth clean before jumping off the table
and back into the hallway to pursue the

397
00:33:27.680 --> 00:33:34.279
girls again and cut I yell excitedly. Jenny Corgan comes out from under the

398
00:33:34.319 --> 00:33:37.640
table. Jesse had to be inside
the lizard suit to make those effects work.

399
00:33:38.119 --> 00:33:44.279
Cody himself came out from under the
table head still intact. We need

400
00:33:44.319 --> 00:33:46.880
to do another take, Bethany asks
when her and Vicky come back in.

401
00:33:47.440 --> 00:33:52.480
Nope, we got it, I
say. Now I'm staring right at VICKI

402
00:33:52.359 --> 00:34:00.759
what She stammers? U, honey. Bethany tries to tell her of seeing

403
00:34:00.799 --> 00:34:06.720
your big, beautiful tits in the
flesh Vicky. Cody sneers approvingly. Like

404
00:34:06.759 --> 00:34:09.840
I've said before, I definitely fuck
you. Jenny purrs, then laughs.

405
00:34:10.400 --> 00:34:15.760
Bethany points right at her. You
keep dreaming. Vicky looks down and sees

406
00:34:15.800 --> 00:34:21.480
the top of her dress came down
just enough to fully expose her breasts.

407
00:34:22.000 --> 00:34:24.519
Then I noticed the two camera guys
I brought with me are still filming.

408
00:34:25.159 --> 00:34:30.159
Well, I sure ain't gonna say
nothing. After Vicky repacks her breasts,

409
00:34:30.239 --> 00:34:36.360
we leave to let everybody clean up
and get ready for the next scene.

410
00:34:36.960 --> 00:34:47.320
Don't go away, Weekly, Spooky
will be right back. Perspective, Elizabeth

411
00:34:47.440 --> 00:34:53.119
Jones. I'm walking around the dealer
room. Doug keeps trying to tell me

412
00:34:53.199 --> 00:34:59.639
I can possibly be sued if I
don't agree to fulfill my obligations and take

413
00:34:59.679 --> 00:35:04.559
my cla clothes off for my scenes. I told you I wanted to negotiate

414
00:35:04.599 --> 00:35:08.159
a no nudity clause in my contract. I snap, what part about that?

415
00:35:08.280 --> 00:35:14.360
Did you have a hard time understanding? You fucking weasel. I'm listening

416
00:35:14.440 --> 00:35:19.039
to him and his pathetic excuses,
and then one of the dealers is unpacking.

417
00:35:19.119 --> 00:35:23.400
Some Are these real gold and jewelry? I asked the man. The

418
00:35:23.480 --> 00:35:29.199
man of probably fifty turns and looks
at me. Yes, yes, they

419
00:35:29.199 --> 00:35:31.679
are. I pick up the piece
that looks like some kind of a lizard.

420
00:35:31.760 --> 00:35:37.480
Man looks similar to that shit creature
being used in the movie. I

421
00:35:37.519 --> 00:35:42.840
can't believe they're making the new Slasher
a creature feature instead of the traditional slasher

422
00:35:42.920 --> 00:35:49.280
movies those stupid horror fans love so
much. Anyway, this lizard's really shiny

423
00:35:49.320 --> 00:35:53.039
gold with emerald green eyes and ruby
red teeth and claws. I don't know

424
00:35:53.079 --> 00:35:58.599
what it is about this thing,
but I really want it. What are

425
00:35:58.599 --> 00:36:02.239
you asking for this? Ask?
The man looks at me. Are you

426
00:36:04.079 --> 00:36:08.199
are you Elizabeth Jones? I try
smiling for him. Why, yes,

427
00:36:08.360 --> 00:36:13.519
yes I am. I saw you
in that movie My Summer of Love.

428
00:36:13.880 --> 00:36:17.800
The man tells me. I never
knew you spoke such fluent French. Very

429
00:36:17.840 --> 00:36:22.760
well done. You deserve to win
that Oscar for your performance. Thanks,

430
00:36:23.159 --> 00:36:28.599
I managed to say. You don't
seem too proud. Is something wrong?

431
00:36:29.320 --> 00:36:34.039
He asks? I sigh, I
just don't consider that movie to be my

432
00:36:34.280 --> 00:36:38.880
crowning achievement. I guess the Academy
of Motion Picture Arts and Sciences thought different.

433
00:36:39.400 --> 00:36:44.440
I never got nominated for a single
other award, so why would I

434
00:36:44.480 --> 00:36:47.800
get nominated for Best Actress at the
Oscars? Right, so I go.

435
00:36:49.480 --> 00:36:52.280
I didn't even have an acceptance speech
prepared because I knew I didn't have a

436
00:36:52.280 --> 00:36:58.199
snowball's chance in hell of winning that
statue. Brad Pitt actually had to smack

437
00:36:58.239 --> 00:37:00.199
my arm to get me to snap
out of it and go on stage to

438
00:37:00.239 --> 00:37:04.760
get my award. I'm glad you
liked the movie and everything, sir,

439
00:37:05.599 --> 00:37:07.960
but I could have won both my
Oscars for better movies than the two I

440
00:37:08.039 --> 00:37:13.880
won for. Sorry. When I
put the Golden Lizard back on the table,

441
00:37:13.920 --> 00:37:17.519
the man picks it back up and
hands it to me, no charge,

442
00:37:17.719 --> 00:37:22.239
I shake my head quickly. No, I can't take this from you,

443
00:37:22.320 --> 00:37:23.960
sir. At least tell me how
much you want for it. I

444
00:37:24.000 --> 00:37:30.039
promise you I can afford it no
charge. The man repeats again. I

445
00:37:30.199 --> 00:37:34.159
insist, it's not every day I
meet a celebrity such as yourself, Miss

446
00:37:34.280 --> 00:37:38.639
Jones. Please, I nod once
and accept the golden lizard. Thank you

447
00:37:38.719 --> 00:37:45.440
so much, he smiles, Isley
Tinker, at your service. Turns out

448
00:37:45.480 --> 00:37:49.599
I had some wares that I felt
would potentially sell at this convention, so

449
00:37:49.840 --> 00:37:52.320
I bought a few tables to set
up here, and I have the privilege

450
00:37:52.320 --> 00:37:58.800
of having Elizabeth Jones as my first
customer here, even though the convention hasn't

451
00:37:58.800 --> 00:38:02.360
officially opened yet. I give him
a little smile. At least let me

452
00:38:02.400 --> 00:38:07.119
give you an autograph. Mister Tinker
brightens up. In that case, I

453
00:38:07.159 --> 00:38:13.599
would consider that a fair trade.
He gives me a convention flyer to sign.

454
00:38:14.079 --> 00:38:16.119
I even let him get a few
pictures with me. We talk for

455
00:38:16.159 --> 00:38:20.480
a little bit longer before I let
him get back to work. I tell

456
00:38:20.559 --> 00:38:23.679
him I'll be at the convention all
weekend long. As I'm dropping the golden

457
00:38:23.679 --> 00:38:29.400
lizard into my purse, I feel
a sharp prick on my finger and see

458
00:38:29.400 --> 00:38:35.119
that one of the sharp ruby teeth
cut me. Mister Tinker asks if I'm

459
00:38:35.159 --> 00:38:38.320
okay. Seeing it's not a serious
injury, I tell him I'm fine and

460
00:38:38.480 --> 00:38:44.679
leave. Doug starts talking to me
again, Seriously, why do you hate

461
00:38:44.719 --> 00:38:49.840
the fact that you won your oscars? I groan hard, because my Summer

462
00:38:49.880 --> 00:38:52.639
of Love and Sophie were both films
I had to get fully naked and do

463
00:38:52.760 --> 00:38:57.760
lots of sex scenes for. I
swear to fucking Christ, the only jobs

464
00:38:57.800 --> 00:39:00.960
you ever get for me anymore are
ones where I have to be in all

465
00:39:00.000 --> 00:39:05.800
my naked glory for the whole world. Doug silent for a little bit,

466
00:39:06.559 --> 00:39:09.800
then he says, but look at
all the millions of dollars you made.

467
00:39:10.119 --> 00:39:13.920
If it wasn't for those movies and
all the others I got for you,

468
00:39:13.800 --> 00:39:17.119
you wouldn't be living large right now. I groan again and storm out of

469
00:39:17.159 --> 00:39:21.880
the dealer room. As Enrique Kuto
is calling out for me, I raise

470
00:39:21.920 --> 00:39:25.320
my middle finger to him without even
acknowledging him, and march straight to my

471
00:39:25.440 --> 00:39:30.800
room. You'd better be talking to
her agent, man, I hear one

472
00:39:30.840 --> 00:39:35.119
of those Corgan bitches yelling. I
keep right on going. As Doug is

473
00:39:35.199 --> 00:39:38.000
back to telling me the Corgan twins
will take me to court over my not

474
00:39:38.199 --> 00:39:43.239
doing the nude scenes in their movie. I tell him to fuck off and

475
00:39:43.320 --> 00:39:46.480
go spend the night somewhere else tonight. As soon as I open my door

476
00:39:46.519 --> 00:39:51.280
to my room, Doug shoves me
inside and comes in with me. After

477
00:39:51.320 --> 00:39:55.079
slamming the door, he points right
at me. You are the most ungrateful

478
00:39:55.159 --> 00:40:01.000
bitch I have ever had the misfortune
to represent, he yells. You asked

479
00:40:01.000 --> 00:40:04.960
me to get you a movie where
no one would know you all that well,

480
00:40:05.599 --> 00:40:08.760
the best I could get you was
this midwestern horror movie. And I

481
00:40:08.920 --> 00:40:15.880
told you I wasn't taking my fucking
clothes off, I remind him. But

482
00:40:15.000 --> 00:40:20.519
you never thought to negotiate that no
nudity clause, did you. I'm really

483
00:40:20.599 --> 00:40:24.880
frustrated now again, What in the
actual fuck am I paying you for?

484
00:40:25.280 --> 00:40:30.159
If you're not going to do what
I say? I dropped my purse on

485
00:40:30.199 --> 00:40:34.400
the bed. You didn't even read
that motherfucking script, did you. It's

486
00:40:34.400 --> 00:40:38.360
not just me shaking my bouncing globes
for one scene like in the original Slasher.

487
00:40:38.760 --> 00:40:43.880
No, I have to be full
tits ass and cooch. I raise

488
00:40:43.960 --> 00:40:47.000
my finger, and I'm also supposed
to be naked with a guy for two

489
00:40:47.039 --> 00:40:53.360
scenes. Two scenes I roar and
shove Dug back, now, just fuck

490
00:40:53.599 --> 00:40:59.079
you, get out of my room
now. Suddenly Doug shoves me again.

491
00:40:59.719 --> 00:41:02.760
Then he comes at me and forces
me down on the bed. The next

492
00:41:02.760 --> 00:41:07.360
thing I know, he's right on
top of me. Before I can react,

493
00:41:07.599 --> 00:41:12.039
he rips my blouse and brawl open
together to expose my huge breasts.

494
00:41:12.519 --> 00:41:15.880
Then he takes hold of my miniskirt
and yanks both it and my panties away.

495
00:41:16.719 --> 00:41:21.960
You bastard, I shriek. He
quickly gets on top of me and

496
00:41:22.360 --> 00:41:30.360
inside me. I hate this fucking
weasel so much, yet I married him.

497
00:41:30.000 --> 00:41:34.119
I'm reminded of that when he fucks
me the way he knows I need

498
00:41:34.159 --> 00:41:37.320
to be fucked, reminding me of
why I'll probably never be able to divorce

499
00:41:37.400 --> 00:41:42.800
him. But Doug fucked up big
time with this movie, so I quickly

500
00:41:42.840 --> 00:41:45.719
turn him over and sit on him. I'm going to vent my aggression and

501
00:41:45.880 --> 00:41:52.480
fuck his goddamn brains out. Okay, you fucking weasel, I glare down

502
00:41:52.519 --> 00:41:57.119
at him. I'll do that slasher
movie. But oh, you're gonna owe

503
00:41:57.119 --> 00:42:00.000
me real big for this one.
He tries to get me on my back

504
00:42:00.039 --> 00:42:05.239
again, but I stay right where
I am. No way, Doug I'm

505
00:42:05.239 --> 00:42:08.239
gonna fuck you within an inch of
your life. I fucking hate you so

506
00:42:08.480 --> 00:42:15.079
goddamn much. No, I ain't
lying about hating Doug, but he's so

507
00:42:15.360 --> 00:42:23.519
fucking good in bed perspective, Bethany
Mirn. Enrique asks us to shoot one

508
00:42:23.519 --> 00:42:27.679
more scene tonight. At first,
I thought it was the end for me,

509
00:42:27.840 --> 00:42:32.000
since I was supposed to die horribly
on the convention floor. Two things

510
00:42:32.039 --> 00:42:37.800
prevented that. One, the Convention's
not officially open until tomorrow, and two,

511
00:42:38.039 --> 00:42:43.079
the Corgans forgot to give me a
copy of the updated script. I

512
00:42:43.159 --> 00:42:46.079
had to hear from Enrique that I've
now been elevated from being the rich,

513
00:42:46.199 --> 00:42:52.320
big titted bimbo to being the lead
and the final girl. So the corgan

514
00:42:52.440 --> 00:42:57.800
suggested Enrique shoot the scene where Cody
and I are supposed to fuck. This

515
00:42:57.920 --> 00:43:00.880
way we can finish his big scenes
tonight. Right before we shoot it,

516
00:43:01.239 --> 00:43:06.079
the Corgans ask me if I'm going
to be okay doing the nudity with him.

517
00:43:06.440 --> 00:43:09.519
Even Vicky asks me, I quickly
turn to her and take her hand.

518
00:43:10.280 --> 00:43:14.119
It's not what you think, baby. I don't love him, not

519
00:43:14.199 --> 00:43:19.239
anymore, not after what he did. I love you, Vicky, only

520
00:43:19.280 --> 00:43:22.599
you every time I tell Vicky I
love her or how much I love her,

521
00:43:23.039 --> 00:43:27.639
it makes her cry a little.
It's very hard for her to say

522
00:43:27.639 --> 00:43:31.960
she loves me back, but the
tears are her way. Personally, I'm

523
00:43:32.039 --> 00:43:37.639
quite okay with that. I positively
will not do the scene if you're not

524
00:43:37.719 --> 00:43:40.840
okay with it, I tell her. Vicky leans in and kisses me.

525
00:43:42.559 --> 00:43:45.199
Then she says, you think I
don't trust you by now, Bethany,

526
00:43:46.119 --> 00:43:51.480
we'll be together for one full year
this Sunday. She cries a little again.

527
00:43:52.360 --> 00:43:57.400
Then I hug her to me,
I love you. She squeezes me

528
00:43:57.480 --> 00:44:00.280
back before we let go of each
other. Tell the Corgans, i'll shoot

529
00:44:00.280 --> 00:44:05.599
the scene. According to the script, we're supposed to fuck after getting really

530
00:44:05.719 --> 00:44:09.440
drunk before that mutant lizard shows up
to kill us. We go to one

531
00:44:09.480 --> 00:44:14.360
of the hotel rooms where we're shooting
the scene. Cody and I act like

532
00:44:14.400 --> 00:44:19.599
we've been doing some heavy partying and
got really smashed. I can tell Cody's

533
00:44:19.719 --> 00:44:24.239
really looking forward to getting naked with
me again after all this time. Sure

534
00:44:24.320 --> 00:44:28.719
I could get Cody to fuck me
for real to really sell the scene.

535
00:44:29.199 --> 00:44:32.719
I mean, making adult movies is
my day job, right, But I

536
00:44:32.840 --> 00:44:37.400
refuse to give Cody the satisfaction.
If he truly didn't know what he had

537
00:44:37.440 --> 00:44:43.039
when he was with me, then
that's his big loss. Cody and I

538
00:44:43.119 --> 00:44:47.000
drink another fake cocktail before we start
kissing hot and heavy. Before long,

539
00:44:47.079 --> 00:44:51.800
we have each other naked. When
I feel Cody's trying to go into me,

540
00:44:51.880 --> 00:44:54.760
I quickly switch positions. I managed
to last long enough for the mutant

541
00:44:54.800 --> 00:44:59.159
lizard to show up and come at
us. It cuts me on the arm

542
00:44:59.199 --> 00:45:04.599
before Cody and I I escape and
run in different directions no clothes. Once

543
00:45:04.679 --> 00:45:07.199
Enrique calls cut, we both come
back into the room and get our clothes

544
00:45:07.239 --> 00:45:12.400
back on. Cody sneers at me
again as I'm getting dressed. Oh,

545
00:45:12.440 --> 00:45:15.559
he's definitely pissed at me since he
didn't get what he wanted. Fuck him.

546
00:45:16.119 --> 00:45:20.599
I take VICKI and leave. When
Erikee says it's a wrap for tonight.

547
00:45:22.239 --> 00:45:25.920
Vicky and I enter our room and
I lock the door. I need

548
00:45:25.920 --> 00:45:30.199
my girl so badly right now that
I grab her to me and kiss her

549
00:45:30.239 --> 00:45:35.639
passionately. Vicky's really shaking in my
arms, telling me she's crying again.

550
00:45:36.559 --> 00:45:40.119
When we stop, she sniffles and
lowers herself to unclasp and remove her heels.

551
00:45:40.599 --> 00:45:45.679
She's still crying softly. When she
stands up and waits for me to

552
00:45:45.719 --> 00:45:49.800
come to her, the top of
her skin tight white dress is already down

553
00:45:49.840 --> 00:45:54.400
again, exposing her beautiful breasts.
Vicky and I kiss with even more fire

554
00:45:54.480 --> 00:46:00.519
and passion as we work to undress
each other. Go figure. I'm fucking

555
00:46:00.599 --> 00:46:04.360
lots of guys and girls alike when
I'm on porn sets, but that's all.

556
00:46:04.360 --> 00:46:08.519
They are, just very fat paychecks
and complimentary copies of the finished movies.

557
00:46:09.440 --> 00:46:15.320
But I never ever feel the fire
and electricity I get when I'm intimate

558
00:46:15.360 --> 00:46:19.760
with VICKI Soon we both get on
the bed where we have all the time

559
00:46:19.800 --> 00:46:22.800
in the world now, well,
at least until eight in the morning when

560
00:46:22.800 --> 00:46:31.599
we have to show up and shoot
some more scenes. Perspective Elizabeth Jones.

561
00:46:32.920 --> 00:46:37.079
I'm waking up when I feel I'm
stiff as a board. I'm trying to

562
00:46:37.119 --> 00:46:40.159
turn myself so I can drop my
feet on the floor and head to the

563
00:46:40.199 --> 00:46:45.480
bathroom and pee. I can hear
Doug on my side and feel his arm

564
00:46:45.559 --> 00:46:50.239
draped over me. Yeah, he'll
be dead tired until morning. Hey,

565
00:46:50.360 --> 00:46:53.199
he really pissed me off, so
I made him pay by giving him more

566
00:46:53.239 --> 00:46:58.840
of me than he could handle.
I wouldn't get off until I was completely

567
00:46:58.920 --> 00:47:04.239
satisfied. What the fuck? Why
do I feel like I'm being held back?

568
00:47:05.119 --> 00:47:07.320
Doug ain't strong enough to keep me
all to himself. He's a fucking

569
00:47:07.360 --> 00:47:13.679
whimp. I finally force myself to
turn over and PLoP right onto the floor.

570
00:47:14.440 --> 00:47:19.079
I want to start yelling again,
but I'm finding I can't say a

571
00:47:19.159 --> 00:47:22.360
damn thing. I'm trying to turn
onto my ripe ass and sit up.

572
00:47:22.400 --> 00:47:30.719
But why do I feel so goddamn
stiff? Just then I hear some groaning

573
00:47:30.760 --> 00:47:35.280
and see Doug trying to sit up. He groans again and manages to get

574
00:47:35.360 --> 00:47:38.960
up. He turns on the lamp
and yawns. He's just wearing his boxers

575
00:47:38.960 --> 00:47:45.000
as he turns to look at me, expecting me to be sleeping. Then

576
00:47:45.239 --> 00:47:49.840
Doug utters an ultra high pitch scream. I mean, I'm supposed to be

577
00:47:49.920 --> 00:47:52.840
the one who does that. It's
part of my job when it's in the

578
00:47:52.880 --> 00:47:57.159
script, right, But Doug's literally
screaming like a high school girl in some

579
00:47:57.719 --> 00:48:01.119
stupid horror movie. I put my
hands on the bed to pull myself up.

580
00:48:01.760 --> 00:48:07.599
Holy Jesus Christ, what the fuck
I got these big ass hands.

581
00:48:08.280 --> 00:48:15.639
If they're even hands at all,
they look more like claws. Maybe I

582
00:48:15.679 --> 00:48:19.840
feel like I'm heavy as fuck.
Hey, I usually eat good since I

583
00:48:19.880 --> 00:48:22.760
only eat one huge meal a day. Even then, I still have my

584
00:48:22.880 --> 00:48:27.960
girlish figure. When I pull myself
to my feet, Doug screams like a

585
00:48:27.960 --> 00:48:30.679
little bitch again and goes to the
door. He throws it open and makes

586
00:48:30.719 --> 00:48:36.679
more whiny bitch screams when he runs
out into the hallway. Now I'm able

587
00:48:36.679 --> 00:48:42.280
to better move myself. So I
are those my feet? And what the

588
00:48:42.320 --> 00:48:46.159
fuck is that wagging I feel at
my ass? Then there's the fact that

589
00:48:46.239 --> 00:48:52.000
I'm all scaly and my head's hitting
the ceiling. The next thing I know,

590
00:48:52.119 --> 00:48:58.039
I'm squeezing myself out into the hallway. Now I'm hearing more people crying

591
00:48:58.039 --> 00:49:01.960
out and screaming when they see me. I'm trying to speak again. All

592
00:49:02.039 --> 00:49:07.639
that keeps coming out is this hissing
noise. Seriously, what in the actual

593
00:49:07.719 --> 00:49:12.679
fuck is going on here? Then
I see one of the side doors to

594
00:49:12.719 --> 00:49:15.119
the hotel and turn to it.
I have to pass by one of the

595
00:49:15.119 --> 00:49:21.599
elevators to reach it, wouldn't you
know it The fucking elevator door opens up

596
00:49:21.880 --> 00:49:24.039
and these people come out. One
of them almost walks right into me.

597
00:49:24.920 --> 00:49:30.159
Now I'm looking down at them as
they look up at me. Then the

598
00:49:30.239 --> 00:49:35.559
people laugh. All I have to
do is see the cans and bottles of

599
00:49:35.599 --> 00:49:39.039
beer and know these are convention people
getting their drunk on on Thursday night.

600
00:49:39.840 --> 00:49:45.239
One of them turns to his group, Hey, this is a horror convention,

601
00:49:45.440 --> 00:49:51.000
right. Is this place even pet
friendly? A chick asks, yeah,

602
00:49:51.119 --> 00:49:54.239
Jenny's got her little chihuahua in her
room. Another guy answers. Then

603
00:49:54.320 --> 00:49:59.880
one of the fuck tards points a
shaky finger at me. Ah haha,

604
00:50:00.000 --> 00:50:04.000
this costume. You're in that movie
being filmed here, ain't you. I

605
00:50:04.039 --> 00:50:08.239
open my mouth and hiss loudly at
them. Then I start moving my now

606
00:50:08.320 --> 00:50:13.559
huge ass and head to the door. Now one of them laughs and tries

607
00:50:13.639 --> 00:50:16.719
grabbing me from behind. I quickly
make my new tail swing to give that

608
00:50:16.800 --> 00:50:22.440
idiot the message. When he backs
off, I finally reach the door and

609
00:50:22.559 --> 00:50:27.719
find it's locked. This might be
a good sign, though I don't want

610
00:50:27.719 --> 00:50:30.360
to run away from the hotel.
No, I need to find somebody who

611
00:50:30.360 --> 00:50:35.199
can help me. But do I
want to try looking for Doug. Did

612
00:50:35.239 --> 00:50:42.000
he really scream like a girl?
What a fucking weasel? Just the same,

613
00:50:42.039 --> 00:50:45.199
I better find the fucker. I
make myself turn around in the hallway.

614
00:50:45.760 --> 00:50:50.119
When I do, those drunks are
still looking right at me. When

615
00:50:50.119 --> 00:50:53.000
I hisss loudly at them again,
they step aside and let me walk.

616
00:50:53.639 --> 00:50:59.239
I'm going to have to walk this
hotel until I can find Doug or somebody

617
00:50:59.239 --> 00:51:02.400
else who might be able to help
me. I just know I can't go

618
00:51:02.480 --> 00:51:07.960
on like this. Still, I'm
thinking I should be okay since people think

619
00:51:08.000 --> 00:51:13.480
it's someone in a lizard suit for
the new slasher movie. Better use that

620
00:51:13.559 --> 00:51:20.679
to my advantage like I do with
my sexuality. Are you afraid? Good?

621
00:51:21.360 --> 00:51:32.039
Weekly Spooky, We'll be right back
perspective, Vicky Valentine. I'm waking

622
00:51:32.159 --> 00:51:37.159
up more as Bethany and me are
showering together. I just know I need

623
00:51:37.199 --> 00:51:40.679
some coffee. Bethany and me share
plenty of kisses as we wash each other.

624
00:51:42.320 --> 00:51:45.559
I remember doing scenes like this back
in my porn days. It feels

625
00:51:45.599 --> 00:51:50.920
so much different with Bethany, though, to be honest, I never really

626
00:51:50.920 --> 00:51:54.320
thought Bethany and me would make it
to one year in our relationship. I

627
00:51:54.400 --> 00:51:59.159
remember my friends back in high school
telling me shit like, oh, you

628
00:51:59.239 --> 00:52:02.639
never want a marry your first relationship. Even my mom told me her first

629
00:52:02.679 --> 00:52:07.400
relationship didn't last one year. But
Bethany and me are coming up on one

630
00:52:07.480 --> 00:52:13.840
year. On Valentine's Day this Sunday, when Bethany and I stop kissing,

631
00:52:14.039 --> 00:52:17.960
she says to my lips, I
love you so much. Then she wipes

632
00:52:19.000 --> 00:52:23.599
my fresh tears away. Very few
times have I ever been able to verbally

633
00:52:23.679 --> 00:52:29.960
tell Bethany that I love her back. It's okay, baby, Bethany whispers

634
00:52:30.320 --> 00:52:34.400
and kisses me again. We get
out of the shower and get dressed.

635
00:52:34.840 --> 00:52:37.440
It's going on twenty minutes to eight. One thing I can tell you about

636
00:52:37.519 --> 00:52:42.760
Enrique Kuto right now is that you
never show up late to set unless you've

637
00:52:42.800 --> 00:52:45.960
got a goddamn good reason for it. To him, you showing up late

638
00:52:46.079 --> 00:52:50.920
to set is disrespect. I saw
him go off on some guy who was

639
00:52:51.039 --> 00:52:54.960
late for three days straight in Babysitter
Massacre Daddy's Little Killer. Hen it had

640
00:52:55.079 --> 00:53:00.519
enough and let them know about it. On no uncertain terms, Let's just

641
00:53:00.599 --> 00:53:05.960
say the guy was never laid again
after that. In fact, it's ten

642
00:53:06.039 --> 00:53:07.920
minutes to eight when Bethany and me
make it to the room where we shot

643
00:53:07.960 --> 00:53:15.559
Cody's death scene, and the shit
is gonna hit the fan, and Rinque

644
00:53:15.639 --> 00:53:20.679
points right at Doug. Where the
hell is Lizzie? He marches right over

645
00:53:20.760 --> 00:53:23.119
to him. You're supposed to be
her agent, and you can't get her

646
00:53:23.159 --> 00:53:29.239
to both honor her contract or show
up on time to set. I'm closing

647
00:53:29.239 --> 00:53:31.840
my eyes and bowing my head.
I really don't need to hear the shit

648
00:53:31.920 --> 00:53:37.920
first thing in the morning, especially
not without my coffee. I'd even consider

649
00:53:37.960 --> 00:53:42.280
going out to the gas station and
buying some smokes, but Bethany convinced me

650
00:53:42.320 --> 00:53:45.360
to quit smoking. No, I
can't do that to her. As if

651
00:53:45.400 --> 00:53:51.440
God himself heard my please help has
arrived, I feel Bethany take firm hold

652
00:53:51.440 --> 00:53:54.440
of my wrist and ease a large
hot cup of coffee into my hand.

653
00:53:55.119 --> 00:54:00.480
I open my eyes fully and see
the Corgan twins smiling as they're passing out

654
00:54:00.559 --> 00:54:06.039
Starbucks to everybody. I take those
first couple of SIPs of that wonderful caffeine

655
00:54:06.159 --> 00:54:09.519
juice, and no things are gonna
be good already. Then I mouth my

656
00:54:09.559 --> 00:54:15.039
gratitude to the Corgans. Jenny gives
me one of her flirting winks again.

657
00:54:15.920 --> 00:54:20.119
Truthfully, I know she's flirting with
me just to give Bethany shit because my

658
00:54:20.199 --> 00:54:24.000
girlfriend's pointing sharply at her. What
the hell are you talking about a giant

659
00:54:24.039 --> 00:54:29.639
lizard thing in your room? Enrique
yells, there's a lizard creature in our

660
00:54:29.679 --> 00:54:34.840
movie. Didn't you read the goddamn
script. Then he gets really frustrated and

661
00:54:34.920 --> 00:54:37.119
goes to the script for a minute. Then he tells us we're going to

662
00:54:37.119 --> 00:54:42.519
shoot the later scenes Lizzie's not in. I walk into another one of the

663
00:54:42.519 --> 00:54:45.960
small conference rooms with Bethany so we
can enjoy our coffees before the Corgans have

664
00:54:46.039 --> 00:54:51.079
to apply our makeup. The Corgans
also gave me a new dress to change

665
00:54:51.119 --> 00:54:54.039
into, one that doesn't have the
fake blood on it. It sure was

666
00:54:54.119 --> 00:55:00.239
tough trying to keep my big naturals
packed inside my dress last night. I

667
00:55:00.280 --> 00:55:04.440
know what to expect in Corgan Twins'
movies by now, and that means lots

668
00:55:04.480 --> 00:55:08.840
of TNA sex cells. Right just
as I finish packing my tits in the

669
00:55:08.880 --> 00:55:14.559
new dress, I feel something behind
me, and it damn sure ain't Bethany,

670
00:55:15.079 --> 00:55:17.639
especially since I can hear her right
in front of me. Then I

671
00:55:17.679 --> 00:55:24.960
see my honey's scared face. Holy
fucking shit, Vicky. I turn around

672
00:55:24.960 --> 00:55:31.559
and see see Bethany and me both
see that fucking giant lizard in here with

673
00:55:31.639 --> 00:55:37.840
us. Real nice, Jenny,
I mutter, decide to sneak in here

674
00:55:37.880 --> 00:55:40.239
so you can see me naked again. Tell you what, how about I

675
00:55:40.320 --> 00:55:44.360
let Bethany snap some titty picks of
me so she can send them to your

676
00:55:44.360 --> 00:55:51.000
phone. Honey. The Corgan twins
were the ones handing out the coffees in

677
00:55:51.039 --> 00:55:54.920
the other room. Bethany reminds me, so how could Jenny be in here

678
00:55:54.960 --> 00:56:00.840
with us right now? When I
realize she's right, I quickly pick up

679
00:56:00.840 --> 00:56:05.320
my coffee and take another drink.
I gotta fucking wake up. We both

680
00:56:05.400 --> 00:56:08.559
turn to the lizard. Now,
okay, asshole, I snap, who

681
00:56:08.639 --> 00:56:14.880
the fuck are you? Bethany points
right at the lizard Cody. That better

682
00:56:14.960 --> 00:56:16.880
not be you inside that suit,
you shit heel. I mean it.

683
00:56:17.119 --> 00:56:22.400
I will kick your fucking ass all
over this convention. But the lizard suddenly

684
00:56:22.440 --> 00:56:30.440
picks Bethany up real easy and hisses
loudly right in her face. Oh God,

685
00:56:30.599 --> 00:56:35.679
your breath, reeks, Bethany groans. It doesn't take long before Bethany

686
00:56:35.719 --> 00:56:40.199
and me. No, this person
ain't wearing no costume. It really is

687
00:56:40.400 --> 00:56:45.440
a lizard monster. Bethany and me
scream, and I drop the rest of

688
00:56:45.440 --> 00:56:47.559
my coffee. Then I kick the
monster's shin to make it let go of

689
00:56:47.559 --> 00:56:53.639
Bethany forgetting I'm barefoot. Oh god, damn it. When that thing drops

690
00:56:53.639 --> 00:56:57.840
her, we turn and run like
hell. It ain't long before we're both

691
00:56:57.880 --> 00:57:00.800
turning the corner and running Enrique down. We quickly stop and turn around to

692
00:57:00.840 --> 00:57:05.719
watch him get up fast. I've
heard of falling for sexy girls, but

693
00:57:06.199 --> 00:57:08.760
this ain't what I had in mind, he tells us. Then he points

694
00:57:08.800 --> 00:57:13.400
to me, and why don't you
got your heels on, Vicky. We're

695
00:57:13.440 --> 00:57:16.440
getting ready to shoot the next kill
scene with you. Bethany points behind him

696
00:57:16.480 --> 00:57:22.079
in gulps. There's, there's,
there's, there's a giant lizard in that

697
00:57:22.159 --> 00:57:25.719
room where Bethany and me were changing. I finish for her, a real

698
00:57:25.800 --> 00:57:30.239
one, not Jesse wearing that suit. Jenny rigged up and Rique shakes his

699
00:57:30.280 --> 00:57:35.159
head slowly. I told you girls, it wasn't a good idea to be

700
00:57:35.239 --> 00:57:38.719
drinking when we finished last night.
We didn't I protest, We didn't even

701
00:57:38.760 --> 00:57:44.400
get high and Rique throws up his
arms. Okay, fine, let's go

702
00:57:44.440 --> 00:57:47.239
look at this giant lizard. Then
we follow Enrique back to the room.

703
00:57:47.719 --> 00:57:52.159
When we're right outside the double doors, we tell him to be careful.

704
00:57:52.119 --> 00:57:57.360
Enrique throws all caution to the wind
and throws open the doors. He goes

705
00:57:57.400 --> 00:58:01.119
inside and walks all the way around
the table and chairs. Yeah, there's

706
00:58:01.159 --> 00:58:07.119
a really big lizard monster in here, he mocks. Guess we'd better get

707
00:58:07.119 --> 00:58:10.159
the hotel manager involved and have him
call the exterminator. While we're at it,

708
00:58:10.400 --> 00:58:14.280
Why don't we call the police and
have him send over a sketch artist

709
00:58:14.519 --> 00:58:16.239
so you can give him a description. I mean, this will be a

710
00:58:16.280 --> 00:58:22.840
matter of national security here. Then
he loses his shit. Are you fucking

711
00:58:22.000 --> 00:58:28.840
kidding me? Here? Then I
lose my shit. Look you reject from

712
00:58:28.880 --> 00:58:31.440
the funny Farm. Bethany and me
both know what we saw. We weren't

713
00:58:31.480 --> 00:58:37.199
drinking and we weren't taking any hits. We really did see a fucking giant

714
00:58:37.239 --> 00:58:40.800
lizard man in this room. Again, not Jesse Corgan wearing that costume.

715
00:58:42.920 --> 00:58:47.119
Enrique just looks at us. Then
he takes a deep breath. Okay,

716
00:58:47.159 --> 00:58:52.880
then he points to my bare legs
and feet. Would you please just put

717
00:58:52.960 --> 00:58:57.320
your heels on so we can do
the next scene. Then he points further

718
00:58:57.440 --> 00:59:01.559
up at me and definitely repack those
before you come back out. I look

719
00:59:01.639 --> 00:59:06.760
down and see my boobs are looking
right at Enrique. God damn it.

720
00:59:07.360 --> 00:59:12.880
Enrique walks right past us places in
five minutes people. As soon as he

721
00:59:12.960 --> 00:59:16.320
leaves, I tighten my fists and
growl. It's too early for this shit,

722
00:59:16.599 --> 00:59:22.320
and I lost my fucking coffee.
If it's any consolation, baby,

723
00:59:22.360 --> 00:59:25.880
I believe you. Bethany says,
I saw it too. Hurry up and

724
00:59:25.920 --> 00:59:31.000
repack those, then we'll get you
another coffee in the lobby. Something told

725
00:59:31.079 --> 00:59:39.239
me we'd be seeing that lizard again
before too long. Perspective, Bethany miren

726
00:59:40.880 --> 00:59:45.639
it's now Saturday morning. Shooting continues
with Vicky and me in the next scene.

727
00:59:45.719 --> 00:59:50.480
This time, Nellie Tryst and Ben
Devers from Slasher two are with us.

728
00:59:51.079 --> 00:59:55.360
They were also with us in Enrique's
latest babysitter massacre. Nellie played Mercedes

729
00:59:55.400 --> 01:00:00.480
and Ben played Hunter. I know
for Ben playing a piece of shit Hunter

730
01:00:00.599 --> 01:00:05.360
was a challenge since he's normally type
casted to play nice guys. He just

731
01:00:05.440 --> 01:00:07.679
has that kind of a face.
In fact, he and Nelly are playing

732
01:00:07.760 --> 01:00:13.880
a couple attending the con even though
they are a real couple. The two

733
01:00:13.920 --> 01:00:16.079
of them run into VICKI and me. There are plenty of people in the

734
01:00:16.119 --> 01:00:20.760
dealer room. Note that they are
all people who paid to get the VIP

735
01:00:21.000 --> 01:00:24.000
passes, which gets them the privilege
of being extras in the movie, Just

736
01:00:24.119 --> 01:00:30.199
like in Slasher two, which we'll
be screening here just this afternoon. We're

737
01:00:30.199 --> 01:00:34.400
all talking for a little bit.
Note that this scene takes place after Cody

738
01:00:34.519 --> 01:00:37.760
was killed. I know Vicky and
I are supposed to think we're safe in

739
01:00:37.800 --> 01:00:40.840
the dealer room itself. After several
minutes of going through our lines, we

740
01:00:40.880 --> 01:00:45.280
hear some of the VIPs screaming.
Vicky and I both look like we're ready

741
01:00:45.280 --> 01:00:50.280
to pee ourselves when we see the
lizard creature coming into the dealer room.

742
01:00:50.599 --> 01:00:53.840
It slashes people who are unfortunate enough
to be in its way. Run,

743
01:00:54.239 --> 01:00:59.599
I yell, but the creature sees
us and is on us. Then it

744
01:00:59.639 --> 01:01:04.760
grabs hold of Vicky's hair and pulls
her back. No, I scream,

745
01:01:04.880 --> 01:01:08.360
knowing people are about to see why
Vicky was spending some quality time much earlier

746
01:01:08.400 --> 01:01:14.079
this morning with the Corgan Twins.
We were supposed to shoot Vicki's death scene

747
01:01:14.159 --> 01:01:19.280
yesterday, but some technical difficulties came
up. But she's in full makeup and

748
01:01:19.360 --> 01:01:23.119
ready this morning. And now Vicki's
screaming and begging and pleading for us to

749
01:01:23.159 --> 01:01:28.039
help her, but the creature is
already making her bleed from her head fast.

750
01:01:28.480 --> 01:01:32.400
Everybody's seeing this and screaming and gasping
when the creature starts peeling the very

751
01:01:32.480 --> 01:01:37.639
flesh from Vicky's head. I'm just
glancing over at Enrique and seeing he's loving

752
01:01:37.719 --> 01:01:43.400
every bit of these special effects.
Jesse in the lizard costume is working the

753
01:01:43.400 --> 01:01:49.280
skin applications off Vicki. Then Vicky
lets off one loud and long and final,

754
01:01:49.360 --> 01:01:53.159
blood curdling scream as she tries running
from the creature. The problem here

755
01:01:53.239 --> 01:01:58.039
is that when she runs, she
loses the rest of her skin and clothes

756
01:01:58.079 --> 01:02:02.519
in the process. Now Vicky truly
naked, since she's nothing but blood and

757
01:02:02.639 --> 01:02:07.079
muscles. When the Corgan Twins said
they were going all out for this movie,

758
01:02:07.199 --> 01:02:13.320
they really meant it. Vicky's really
hysterical now and runs smack into the

759
01:02:13.320 --> 01:02:16.599
wall. Then she falls flat on
her back and doesn't know where the fuck

760
01:02:16.719 --> 01:02:22.159
she's at. The creature swings an
arm and makes us get back. Then

761
01:02:22.199 --> 01:02:27.599
it goes even further still and opens
Vicky up to remove her intestines. Vicky

762
01:02:27.679 --> 01:02:30.920
acts like she's in so much pain
and agony. The creature bites the intestines

763
01:02:30.960 --> 01:02:37.559
in its hand until they snap.
Now Vicky's character's officially dead and gone.

764
01:02:37.880 --> 01:02:43.239
From there, the creature lowers itself
and begins to snack on her further.

765
01:02:43.960 --> 01:02:47.320
Enrique calls cut. I think we're
all impressed at how far Jenny's come with

766
01:02:47.360 --> 01:02:52.400
her elevated special effects. Hen's really
excited at how well the scene went off,

767
01:02:53.000 --> 01:02:59.039
but that excitement doesn't last long when
Lizzie still ain't nowhere to be found.

768
01:02:59.719 --> 01:03:02.239
The twins are aware of this too, but they've got to take care

769
01:03:02.280 --> 01:03:07.239
of getting all the makeup and appliances
off VICKI, which Enrique understands. I

770
01:03:07.400 --> 01:03:12.719
just want to shoot the scenes that
don't require effects. Enrique groans, But

771
01:03:12.960 --> 01:03:16.280
Lizzie is supposed to be in those
scenes. He turns to us, she'd

772
01:03:16.320 --> 01:03:21.480
better have some Oscar winning performances when
the Corgan Twins take her to court.

773
01:03:22.519 --> 01:03:25.280
That's all I got to say on
that. I raise my hands in front

774
01:03:25.280 --> 01:03:30.599
of me. Listen, Enrique,
how about me? Nellie and Ben go

775
01:03:30.639 --> 01:03:34.440
and look for her. Ben and
I both know what room she's staying in.

776
01:03:34.679 --> 01:03:37.199
Nellie says, yeah, her room's
only a few doors down from us.

777
01:03:37.400 --> 01:03:43.079
Ben adds. Enrique nods quickly.
If you don't mind, we can't

778
01:03:43.079 --> 01:03:45.599
get much else done at the moment. He looks at his clipboard. I

779
01:03:45.679 --> 01:03:50.559
definitely can't get any more scenes shot
without Lizzie. He looks up at us.

780
01:03:51.320 --> 01:03:54.719
Just find her, please, He
quickly raises his finger. And don't

781
01:03:54.719 --> 01:03:59.679
forget about the Slasher two screening.
We know we're part of the panel for

782
01:03:59.719 --> 01:04:02.239
that, Ben tells him. Then
the three of us turn and look around

783
01:04:02.239 --> 01:04:05.639
the dealer room a couple of times. Of course, Lizzie's not going to

784
01:04:05.679 --> 01:04:10.760
be in here, but we had
to make sure. When Ben suggests going

785
01:04:10.840 --> 01:04:14.039
to Lizzie's room, we leave the
dealer room and head into the first floor

786
01:04:14.079 --> 01:04:18.239
hallway. We walk past several rooms
before we come to Lizzie's room. Nellie

787
01:04:18.320 --> 01:04:23.920
knocks on the door. It ain't
long before it opens up. Imagine our

788
01:04:23.960 --> 01:04:29.639
disappointment when we see it's Doug,
her agent. Lizzie's not here. He

789
01:04:29.719 --> 01:04:33.280
quickly tells us. You know where
she is, Ben asks. He shakes

790
01:04:33.280 --> 01:04:39.159
his head quickly. Lizzie's not here. I take a pretty big risk and

791
01:04:39.239 --> 01:04:43.039
push right past this Woos and go
into the room. Hey, you can't

792
01:04:43.039 --> 01:04:46.239
come in here, Doug protests,
fuck off, I quickly tell him.

793
01:04:46.800 --> 01:04:50.440
Then I go to the bathroom and
push the door open. Okay, she's

794
01:04:50.440 --> 01:04:55.239
not in here either. Again,
had to be sure. I turn to

795
01:04:55.239 --> 01:04:58.280
look at Doug and point at him. Why do I get the feeling you

796
01:04:58.440 --> 01:05:01.239
know something about Lizzie. Doug puts
his hands up in front of him and

797
01:05:01.280 --> 01:05:09.239
shakes his head. I don't know
anything. I go right to him,

798
01:05:09.400 --> 01:05:13.800
and you're a lying Woos. Then
I catch him looking at my naked cleavage.

799
01:05:14.320 --> 01:05:17.800
I grin and almost laugh. Either
you start spilling it or I'll suffocate

800
01:05:17.840 --> 01:05:23.119
you with my thirty j's. He
doesn't think I'll do it. One thing

801
01:05:23.199 --> 01:05:27.320
people soon find out is that you
never want to test me. I may

802
01:05:27.360 --> 01:05:31.000
be a very proud porn star with
some surgically enhanced ample bounty, but at

803
01:05:31.000 --> 01:05:35.039
the end of the day, I'm
still very much a mirror, and we

804
01:05:35.280 --> 01:05:41.159
mirns always get what we want.
Doug cries out when I grab hold of

805
01:05:41.199 --> 01:05:44.519
him and shove his face right into
my cleavage. I hold him there and

806
01:05:44.559 --> 01:05:47.760
shake myself, making some sexy noises
to really rattle him up. Nellie and

807
01:05:47.800 --> 01:05:53.000
Ben are holding their hands over their
mouths to keep from laughing. Doug quickly

808
01:05:53.039 --> 01:05:57.800
taps my shoulder. Like I said, he's a woos Also, he definitely

809
01:05:57.880 --> 01:06:00.440
can't breathe when I let him go. He's all scared of me. Now

810
01:06:01.079 --> 01:06:04.480
talk, I snap, or I'll
stuff you right back in and keep you

811
01:06:04.559 --> 01:06:09.280
there, and I won't let go. When you tap out again, he

812
01:06:09.400 --> 01:06:12.760
telegraphs he's going to make a run
for it. I quickly go at him

813
01:06:12.760 --> 01:06:15.559
and take him down to the bed. Then I get on top of him.

814
01:06:15.400 --> 01:06:18.880
Enjoy motor boating me again. You
piss aunt. No, no,

815
01:06:18.960 --> 01:06:23.119
stop, stop, Doug yells,
get off me. I'll talk, I'll

816
01:06:23.159 --> 01:06:27.920
talk. Nelly and Ben were losing
their shit the entire time. Well,

817
01:06:27.960 --> 01:06:30.519
you can't really blame them for laughing
it up, I suppose. Then again,

818
01:06:30.559 --> 01:06:33.559
I think I made a lot of
people laugh during Daddy's Little Killer with

819
01:06:33.639 --> 01:06:39.039
how spontaneous and unpredictable I can be. I smile to myself when I know

820
01:06:39.199 --> 01:06:44.440
Vicky appreciates that about me. Doug
points past me look on the table.

821
01:06:45.199 --> 01:06:48.199
Nelly's still laughing when she moves around
the bed and picks up a golden lizard

822
01:06:48.199 --> 01:06:54.039
figure off the table. She starts
getting serious when she examines it. Then

823
01:06:54.119 --> 01:06:59.519
she looks at Doug. Okay,
what about it? Doug tells us how

824
01:06:59.719 --> 01:07:02.719
Liz was given this figure from some
old man in the dealer room on Thursday

825
01:07:02.800 --> 01:07:08.039
night after her blow up with Enrique. He explains how one of the ruby

826
01:07:08.079 --> 01:07:13.880
teeth pricked her finger the next morning, yesterday morning, she was this giant

827
01:07:13.960 --> 01:07:18.280
lizard thing. I really don't know
how else to explain it, Doug mutters,

828
01:07:18.320 --> 01:07:24.039
since Vicky and I both saw the
creature ourselves and felt and smelled its

829
01:07:24.079 --> 01:07:28.639
awful breath and spit on us.
You know what, Vicky, me and

830
01:07:28.679 --> 01:07:31.320
the Corgan twins had that run in
with some actual Ghules during the filming of

831
01:07:31.320 --> 01:07:35.960
Slasher two, and that was just
last year. We all know Ghules are

832
01:07:36.000 --> 01:07:41.760
one thousand percent fucking real, right, So why not that lizard creature that

833
01:07:41.840 --> 01:07:47.320
totally wasn't Jesse Corgan. I sigh
and tell Doug I believe you. Now,

834
01:07:47.360 --> 01:07:50.599
do you know where Lizzie might be? Maybe we can help her?

835
01:07:50.960 --> 01:07:56.239
I raise my finger. Oh you
don't want to talk. All I gotta

836
01:07:56.280 --> 01:08:00.320
do is start caressing my inner boob
to make him start spilling his us.

837
01:08:00.920 --> 01:08:05.519
I really love my babies. Did
you hear that? Better check the locks

838
01:08:05.559 --> 01:08:15.640
on your doors weekly. Spooky will
be right back. Perspective Vicky Valentine.

839
01:08:16.399 --> 01:08:20.239
It didn't take the Corgan twins nearly
as long to get the special effects makeup

840
01:08:20.279 --> 01:08:24.479
off as it took for them to
apply it. I really think it's going

841
01:08:24.520 --> 01:08:28.680
to be a matter of time before
Jenny gets snatched up by Hollywood. Maybe

842
01:08:28.760 --> 01:08:32.279
Jesse too. Jesse's a creative genius
with her scripts, and Jenny's got the

843
01:08:32.319 --> 01:08:38.079
gift for makeup and other practical effects. I think that maybe another reason why

844
01:08:38.159 --> 01:08:41.640
I keep doing any and all movies
the Corgans want to cast me for.

845
01:08:42.279 --> 01:08:45.119
I really love working with those twins. Between them, Bethany and me,

846
01:08:45.880 --> 01:08:49.600
we're a family. I'm on my
way back to my room to shower up

847
01:08:49.640 --> 01:08:53.640
and go sit at my table in
the dealer room for a little while before

848
01:08:53.640 --> 01:08:59.000
the Slasher two screening and panel.
Then I get a text from Bethany.

849
01:08:59.119 --> 01:09:02.079
She wants me to meet her,
Nellie and Ben at Lizzie's room and includes

850
01:09:02.119 --> 01:09:05.720
the number when I get to the
room, I knock and am let in

851
01:09:05.720 --> 01:09:11.119
by Bethany. What's going on?
I ask, seeing Doug, Lizzie's agent,

852
01:09:11.239 --> 01:09:15.840
is there too. We finally found
Lizzie, Bethany tells me, but

853
01:09:16.039 --> 01:09:19.720
we can't bring her back to Enrique. Come with us, and you'll understand.

854
01:09:20.640 --> 01:09:25.359
I've seen that look on Bethany's face
plenty of times in our relationship to

855
01:09:25.479 --> 01:09:29.560
know what she's gonna show me ain't
gonna be good. We leave the room

856
01:09:29.600 --> 01:09:32.039
and have to be real sneaky.
When we slip into the door leading down

857
01:09:32.079 --> 01:09:36.439
into the hotel basement, I gasp
when I see the hulking form of the

858
01:09:36.439 --> 01:09:43.079
lizard creature, the real one standing
there. When I point a shanky finger

859
01:09:43.119 --> 01:09:48.439
at it, Bethany nods slowly.
This is Lizzie, she assures me.

860
01:09:49.319 --> 01:09:55.119
Bethany tells me how she became the
giant lizard and shows me the little golden

861
01:09:55.199 --> 01:10:00.319
lizard figurine with some jewels on it. At first, I'm skeptical. Then

862
01:10:00.399 --> 01:10:03.039
ben hands me a notebook and tells
me Lizzie wrote the words. I'm seeing

863
01:10:03.720 --> 01:10:09.319
The writing looks a little shaky,
but he assures me it's hers. I'm

864
01:10:09.359 --> 01:10:14.880
Lizzie. Help me please. At
first, I ain't sure whether to believe

865
01:10:14.920 --> 01:10:18.600
it, but Bethany would never lie
to me. Also, I remember the

866
01:10:18.640 --> 01:10:24.079
ghouls from when we filmed Slash Her
two. I also remember how Bethany and

867
01:10:24.119 --> 01:10:28.119
me were both scared shitless when Lizzie
first came to us like this yesterday.

868
01:10:29.800 --> 01:10:33.000
Okay, what do we do?
I ask? How do we help Lizzie?

869
01:10:34.000 --> 01:10:39.000
Then Lizzie points to Doug. He
turns the page in the notebook and

870
01:10:39.039 --> 01:10:42.479
hands it to her. She snatches
it and writes something with her pen,

871
01:10:42.800 --> 01:10:47.199
holding it between her pointy finger and
her thumb, sort of. When she

872
01:10:47.319 --> 01:10:53.840
finished, she hands the notebook to
Bethany. Old man in dealer room Tinker.

873
01:10:55.479 --> 01:10:59.119
Then I say to Lizzie, problem
there is Bethany and me have seen

874
01:10:59.239 --> 01:11:01.159
enough older men the dealer room.
You'd have to point him out to us.

875
01:11:01.920 --> 01:11:05.760
As Lizzie motions for Doug to flip
another page in the notebook, I

876
01:11:05.840 --> 01:11:10.960
have an idea. Why don't you
just show us yourself. People will think

877
01:11:10.960 --> 01:11:15.000
you're in the Corgan's Lizard costume.
Nobody will know the difference. Lizzy shakes

878
01:11:15.000 --> 01:11:19.640
her head. Bethany backs me up. Lizzy, if we have to go

879
01:11:19.720 --> 01:11:24.239
up and search for him ourselves.
We may not find the right guy you

880
01:11:24.319 --> 01:11:27.399
heard, Vicky. We've seen plenty
of vendors who fit your description of the

881
01:11:27.439 --> 01:11:30.159
man. Just come with us.
We'll all go with you. The sooner

882
01:11:30.199 --> 01:11:32.640
we find your man, the sooner
we may be able to get you back

883
01:11:32.680 --> 01:11:39.079
to normal. Lizzy reluctantly agrees.
From there, we sneak back out of

884
01:11:39.079 --> 01:11:43.439
the basement. That's when a member
of the hotel staff catches us and tells

885
01:11:43.520 --> 01:11:46.279
us he's going to get the manager
on us. When he sees Lizzie behind

886
01:11:46.399 --> 01:11:51.640
us, he remembers we're the people
making the next slasher movie and steps aside.

887
01:11:51.800 --> 01:11:57.359
As we're walking the hallways, I
glance over my shoulder, see Lizzie.

888
01:11:57.560 --> 01:12:00.600
Nobody knows the difference. They really
do think you're somebody in the Corgan's

889
01:12:00.640 --> 01:12:04.560
lizard suit. When we come back
out into the lobby, the convention in

890
01:12:04.600 --> 01:12:09.680
the dealer room were officially open for
the day, and Enrique is right there.

891
01:12:10.840 --> 01:12:15.279
Let me guess none of you found
Lizzie, he snaps. Apparently Lizzie's

892
01:12:15.279 --> 01:12:18.920
still pissed off at Enrique. She
steps up to him and hisses right in

893
01:12:18.960 --> 01:12:24.039
his face. Then Nellie quickly gets
in between them no, no, no.

894
01:12:24.319 --> 01:12:29.479
She tells Lizzie it's not time for
another lizard scene. Then she glances

895
01:12:29.479 --> 01:12:33.199
at Enrique. Is it? Enrique
is just giving all of us evil stares.

896
01:12:33.199 --> 01:12:38.680
Now, let me put this to
you kids in the simplest way I

897
01:12:38.720 --> 01:12:42.600
can spell it out for you.
Then he gives us a wicked smile before

898
01:12:42.640 --> 01:12:49.119
he erupts, I want Lizzie Jones. I finally had enough. Okay,

899
01:12:49.159 --> 01:12:55.159
then Enrique, fuck you. I
gesture right to Lizzie like I'm presenting her

900
01:12:55.159 --> 01:13:00.960
on a game show. Here she
is, Lizzie again, hisses loud Enrique.

901
01:13:00.279 --> 01:13:02.800
If I didn't know better, she
looks ready to pick him up and

902
01:13:02.840 --> 01:13:08.600
stick him down her gullet. I
remember seeing videos about various lizards just before

903
01:13:08.600 --> 01:13:13.680
I graduated from Strickfield University, after
we filmed the First Slasher. If anything,

904
01:13:13.720 --> 01:13:16.960
Lizzy looks like a cross breed between
a humanoid and a Komodo dragon,

905
01:13:17.439 --> 01:13:23.079
a member of the monitor lizard family. I know Komodo dragons are definitely the

906
01:13:23.159 --> 01:13:27.600
deadliest of the monitor lizard species.
For the record, I wanted to leave

907
01:13:27.640 --> 01:13:30.399
porn and go into zoology. I've
got my degree to at least get me

908
01:13:30.439 --> 01:13:35.039
started. It'll be something to fall
back on if my acting career ever goes

909
01:13:35.079 --> 01:13:40.000
south. Based on all the horror
movie and convention offers, I keep getting

910
01:13:40.039 --> 01:13:45.039
not to mention my weekly gig with
up all Night with Veronica. That ain't

911
01:13:45.039 --> 01:13:48.880
gonna happen at least anytime soon.
Nellie again has to calm Lizzy down.

912
01:13:49.640 --> 01:13:54.600
No, no, no, Lizzy, and Enrique's not food anyway, he'd

913
01:13:54.640 --> 01:13:59.880
probably give you bad indigestion. Enrique
tightens his fists and points right at Lizzie.

914
01:14:00.680 --> 01:14:03.079
Get out of that suit right now. In fact, you're going to

915
01:14:03.079 --> 01:14:06.760
do your scenes right here and now
in your birthday suit, like in your

916
01:14:06.800 --> 01:14:11.800
contract. I am not giving back
my paycheck because you're too much of a

917
01:14:12.239 --> 01:14:15.039
Suddenly, Lizzie grabs Enrique and lifts
him right off the floor. Then she

918
01:14:15.159 --> 01:14:19.399
looks him right in the face.
He leans in and gives her just as

919
01:14:19.479 --> 01:14:24.600
much of a mean look. Hey, we can keep doing this dance all

920
01:14:24.720 --> 01:14:28.520
day, he tells her, but
you will be on full display for the

921
01:14:28.600 --> 01:14:32.520
cameras one way or another. I'm
about ready to laugh if only Henrique knew

922
01:14:32.600 --> 01:14:38.479
just how naked Lizzie really is.
Right this second, Ben steps in to

923
01:14:38.520 --> 01:14:43.279
help Nelly Lizzy the dealer's Room's right
here. Remember what you wanted to show

924
01:14:43.359 --> 01:14:47.960
us? Lizzie slowly puts Enrique down. Then she turns and leads us into

925
01:14:47.960 --> 01:14:53.000
the dealer room. Now Enrique's hanging
with us and giving Lizzie more shit.

926
01:14:53.880 --> 01:14:57.239
Get it straight. You are not
going to be Lizzy the Lizard in this

927
01:14:57.399 --> 01:15:00.000
movie. He tells her. If
I got a stick to you like glue,

928
01:15:00.079 --> 01:15:02.720
if I got to go across the
whole country with you, if I

929
01:15:02.720 --> 01:15:05.680
got to move in with you,
if I gotta chain myself to you,

930
01:15:05.680 --> 01:15:11.600
you will be doing your scenes.
In that script. We finally get to

931
01:15:11.640 --> 01:15:15.600
the table Lizzie wants to show us. However, did the dealer just pack

932
01:15:15.680 --> 01:15:21.000
up and leave? Ben asks in
a dumbfounded tone, It's true. All

933
01:15:21.039 --> 01:15:27.239
there is are two empty tables.
Lizzie tightens her fists and hisses loudly up

934
01:15:27.239 --> 01:15:30.279
at the ceiling. The convention goers
who see her are thinking it's the corgan

935
01:15:30.439 --> 01:15:36.600
suit and are loving Lizzie's performance.
Then Lizzie puts her hands to her head.

936
01:15:38.239 --> 01:15:42.159
God, she must really be at
her emotional lowest right now. I

937
01:15:42.199 --> 01:15:45.720
can't begin to imagine what she must
be feeling. I can only think of

938
01:15:45.720 --> 01:15:49.720
what might have happened if Victoria,
the matriarch of her Ghoul family, had

939
01:15:49.760 --> 01:15:55.119
injected me with her blood and brought
me into her family. Maybe that's why

940
01:15:55.159 --> 01:15:59.479
I cry whenever Bethany tells me she
loves me, because I was so close

941
01:15:59.520 --> 01:16:04.119
to losing forever that night. I
just can't imagine my life without her in

942
01:16:04.159 --> 01:16:09.920
it. Now now, Lizzie's looking
at us as if asking what she's gonna

943
01:16:09.960 --> 01:16:14.239
do. As Enrique keeps giving Lizzie
a hard time, I remember I have

944
01:16:14.359 --> 01:16:18.239
the Golden Lizard figurine on me.
Then I quickly turned to Enrique. Hey,

945
01:16:18.720 --> 01:16:23.479
I got a brilliant idea. You
got your phone on you? Enrique

946
01:16:23.600 --> 01:16:27.760
glares at me, Now, are
you even serious right now? VICKI?

947
01:16:28.680 --> 01:16:31.840
Well, we all left our phones
in our rooms. Bethani tells him the

948
01:16:31.920 --> 01:16:35.680
corgan said, no phone's on set. You, being the director, I'm

949
01:16:35.720 --> 01:16:42.840
sure you got yours. I show
Enrique the figurine. Please google this thing

950
01:16:42.920 --> 01:16:46.560
and see if there's anything on it. I ain't got time for that,

951
01:16:47.000 --> 01:16:51.560
he fires back, We got these
scenes to shoot. Do you understand time

952
01:16:51.680 --> 01:16:57.239
is money or did you never learn
that from all the movies you made.

953
01:16:58.000 --> 01:17:01.520
I take a deep breath and look
in Rique in the What will it take

954
01:17:01.640 --> 01:17:05.399
for you to do this one favor
for me? Enrique, don't waste no

955
01:17:05.479 --> 01:17:11.279
time, some alone time with you
and my camera. I want some good

956
01:17:11.359 --> 01:17:16.319
quality picks of you for my Patreon. I take another deep breath. Done,

957
01:17:16.960 --> 01:17:20.880
then I raise my finger. If
you can find info on this figurine,

958
01:17:21.439 --> 01:17:27.439
I lower my hand and spirk.
No find no time. Enrique is

959
01:17:27.439 --> 01:17:30.560
that determined to get those nudes of
me for his Patreon? To be fair,

960
01:17:30.680 --> 01:17:34.640
I've seen the NSFW picks he's taken
on his Patreon. He's a great

961
01:17:34.640 --> 01:17:39.800
photographer. I must say. He's
been trying to get one hundred Patreon backers

962
01:17:39.840 --> 01:17:43.199
for quite a while now. For
the last few years, he's come close.

963
01:17:43.880 --> 01:17:47.239
Anyway, hen pulls his smartphone out
and starts doing some digging on the

964
01:17:47.239 --> 01:17:57.159
web. Perspective, Enrique Kuto,
Seriously, I'll never understand why I put

965
01:17:57.239 --> 01:18:00.119
up with actors and their weird requests. I have to ask for a little

966
01:18:00.119 --> 01:18:03.840
help and text Rachel back in Dayton. I even send her a pick of

967
01:18:03.840 --> 01:18:09.359
the Golden Lizard statue Vicky's holding on
to. It would be so much easier

968
01:18:09.399 --> 01:18:12.880
if Rachel was here with me,
but she couldn't come since she had family

969
01:18:12.920 --> 01:18:15.439
commitments she couldn't get out of.
It. Takes a little time, but

970
01:18:15.520 --> 01:18:19.520
eventually Rachel finally sends me a link. I tap on it and see a

971
01:18:19.560 --> 01:18:25.560
pick that looks exactly like the little
Lizard statue. I read the text on

972
01:18:25.640 --> 01:18:29.479
it to myself. I think I'm
gonna have to talk about this on Monthly

973
01:18:29.560 --> 01:18:32.880
Spooky in a few weeks with Michelle
Antisocial. I turn my phone around to

974
01:18:32.880 --> 01:18:36.880
show the others. Vicky takes my
phone and compares the pick to the little

975
01:18:36.880 --> 01:18:42.800
gold statue. I think this is
it, Vicky tells the others. I

976
01:18:42.840 --> 01:18:45.960
watch Vicky move her mouth as she's
reading it. Next thing, she looks

977
01:18:46.000 --> 01:18:50.840
like someone just punched her in the
gut. What I ask? She looks

978
01:18:50.880 --> 01:18:56.760
at me first, then she looks
at the others. Not here. I

979
01:18:56.880 --> 01:19:00.520
motion for us to leave the dealer
room. They follow me and our meeting

980
01:19:00.600 --> 01:19:04.279
room. We go in and see
the Corgans working on their lizard suit.

981
01:19:05.720 --> 01:19:12.560
Then if that's the actual lizard suit. The Corgans are just as shocked as

982
01:19:12.560 --> 01:19:16.279
me when they see the big lizard
come in with us. What's going on

983
01:19:16.439 --> 01:19:20.960
here? Jesse asks all of us, did you order up another lizard suit

984
01:19:21.000 --> 01:19:26.680
and didn't tell us. Hen Jenny
asks, just me. Bethany closes the

985
01:19:26.720 --> 01:19:30.800
doors behind us. Then she says, to the Corgans, remember how we

986
01:19:30.880 --> 01:19:36.359
found out ghoules were real last year. Well, this is actually Lizzy.

987
01:19:38.159 --> 01:19:43.079
Vicky holds up the little statue.
Bethany points to it. This thing turned

988
01:19:43.159 --> 01:19:47.239
Vicky into what you're seeing right now. The Corgans just look at Lizzie in

989
01:19:47.319 --> 01:19:51.840
amazement. Now, for the record, she can understand you, Nellie says,

990
01:19:53.439 --> 01:19:57.640
she just can't speak the way we
speak. Fortunately, she can still

991
01:19:58.159 --> 01:20:02.239
write, kind of. I point
to VICKI, okay, you read something

992
01:20:02.239 --> 01:20:06.880
on that site I gave you.
What is it? Vicky sighs. If

993
01:20:06.880 --> 01:20:11.520
this article is correct, and I
don't know why it wouldn't be. I

994
01:20:11.560 --> 01:20:15.239
mean, the web page is on
National Geographic. Apparently, this little golden

995
01:20:15.279 --> 01:20:19.640
lizard is supposed to be cursed.
You become afflicted with it if you're very

996
01:20:19.680 --> 01:20:25.680
selfish and conceited. Lizzy, the
lizard makes this weird noise, like she's

997
01:20:26.119 --> 01:20:30.119
gasping or something. Vicky adds,
the only way to break the curse is

998
01:20:30.159 --> 01:20:34.640
for someone else to get pricked by
this thing who's willing and ain't selfish and

999
01:20:34.720 --> 01:20:40.800
conceited. She looks at everybody.
I think that means one of us gets

1000
01:20:40.800 --> 01:20:44.079
pricked with the teeth to free Lizzie, that's willing to put their ass on

1001
01:20:44.119 --> 01:20:48.119
the line. Vicky shakes her head
and starts crying. It ain't me.

1002
01:20:49.119 --> 01:20:53.199
I'm much too selfish when it comes
to Bethany. I can't bear to be

1003
01:20:53.239 --> 01:20:57.239
without her, and I won't leave
her alone in this fucked up world.

1004
01:20:57.680 --> 01:21:01.600
Bethany sighs and says Vicky's right.
Also for the same reason, Bethany says

1005
01:21:01.600 --> 01:21:06.159
it can't be her. Nelly and
Ben reveal they're married and feel the same

1006
01:21:06.159 --> 01:21:12.279
way as Vicky and Bethany. Even
the Corgans admit the same thing, which

1007
01:21:12.319 --> 01:21:16.479
I guess I can understand since they're
identical twin sisters. I'll do it.

1008
01:21:16.800 --> 01:21:21.239
I finally say, I ain't too
sure I believe in all this. Then

1009
01:21:21.279 --> 01:21:26.560
I look at Lizzie. But I
guess I really am seeing a giant lizard

1010
01:21:26.640 --> 01:21:30.000
right here in front of me.
I sigh and shake my head. Boy,

1011
01:21:30.119 --> 01:21:32.880
Rachel and Dave are never gonna believe
this. When I get home to

1012
01:21:32.960 --> 01:21:40.119
Dayton. Now everybody's looking at me. Are you really sure? Nellie asks

1013
01:21:40.600 --> 01:21:44.520
what if after Lizzie turns back,
you turn into a lizard. I look

1014
01:21:44.560 --> 01:21:49.640
at Vicky. Does the article say
anything about that? Vicky shakes her head.

1015
01:21:50.520 --> 01:21:54.920
I read the article to myself four
times. I'm thinking, you become

1016
01:21:54.960 --> 01:21:59.239
a lizard. If you're truly conceited
and selfish, then I'll just do it.

1017
01:21:59.720 --> 01:22:02.359
Oh my finger bleeds a little after
I poke it on one of the

1018
01:22:02.399 --> 01:22:08.399
Golden lizard's teeth. Everybody else is
looking worried. Now we sit in the

1019
01:22:08.439 --> 01:22:15.199
meeting room and wait and wait and
wait. Um, Lizzie didn't turn right

1020
01:22:15.239 --> 01:22:19.159
away after she was pricked herself.
Doug pipes up. Damn, I forgot

1021
01:22:19.199 --> 01:22:23.880
he was even with us. Must
have been hiding behind Lizzie the whole time.

1022
01:22:24.920 --> 01:22:29.159
One of the Corgans points right past
me. Look. We all turn

1023
01:22:29.239 --> 01:22:34.479
to see Lizzie shrinking down changing.
Soon Lizzie's herself again naked, but she's

1024
01:22:34.520 --> 01:22:40.159
Lizzie Jones again. One of the
twins picks up a drop cloth and brings

1025
01:22:40.199 --> 01:22:45.479
it to cover Lizzie. Am I
am I really back, Lizzie says in

1026
01:22:45.520 --> 01:22:50.359
her own voice. Looks like you're
still you. Hen Ben tells me,

1027
01:22:51.000 --> 01:22:56.359
I have to admit I'm a little
worried. Now, guess we'll see in

1028
01:22:56.359 --> 01:23:00.079
the morning. Lizzie starts crying.
Now, I've been such a bitch.

1029
01:23:00.239 --> 01:23:04.439
I made everything about me ever since
I made it big in Hollywood. I've

1030
01:23:04.479 --> 01:23:10.560
never been happy even then. She
looks my way now and drops the cloth.

1031
01:23:11.319 --> 01:23:15.560
Enrique, let's get this over with
and shoot those scenes. I think

1032
01:23:15.600 --> 01:23:18.000
the Corgans are relieved they won't have
to take Lizzie to court. After all.

1033
01:23:18.920 --> 01:23:23.760
You sure you're up for it,
I ask, She sighs. I

1034
01:23:23.800 --> 01:23:28.880
don't really want to, but I
signed my contract and got paid. I

1035
01:23:28.960 --> 01:23:32.039
get my phone back from Vicky and
text everyone else who isn't here that shooting's

1036
01:23:32.079 --> 01:23:38.039
going to continue after the Slasher two
movie and panel right now, everybody involved

1037
01:23:38.039 --> 01:23:42.199
with that movie has to go there. This is turning out to be one

1038
01:23:42.279 --> 01:23:45.760
hell of a weekend here at Ridgeway
Heights. Like I said, Rachel and

1039
01:23:45.840 --> 01:23:49.079
Dave are never gonna believe my story. When I get back home to Dayton,

1040
01:23:50.840 --> 01:24:00.439
I like it. Spooky weekly.
Spooky will be right back. Epilogue

1041
01:24:00.720 --> 01:24:09.720
Present day perspective, Vicky Valentine.
The screening of Slasher Valentine's Screams went over

1042
01:24:09.800 --> 01:24:14.359
pretty well. It ended up being
standing room only. Some of the convention

1043
01:24:14.479 --> 01:24:17.399
goers there complained that the Scream Queen
wasn't in it. When we did the

1044
01:24:17.479 --> 01:24:21.960
Q and a afterwards, that was
the first question asked. Jesse said when

1045
01:24:21.960 --> 01:24:26.159
she wrote the script, she intended
for this movie to kind of be an

1046
01:24:26.159 --> 01:24:30.640
homage to Halloween three in the fact
that Michael Myers wasn't actually in it.

1047
01:24:30.199 --> 01:24:34.399
That and the Corgans really wanted a
reason to use the lizard suit. Jenny

1048
01:24:34.439 --> 01:24:40.359
worked so hard on between Slasher two
and this movie, and get this,

1049
01:24:40.880 --> 01:24:45.279
some of the people who really did
enjoy Slasher Valentine Screams are calling the Lizard

1050
01:24:45.319 --> 01:24:51.079
Monster simply Slash, a name that
just went viral. Enrique also answered questions

1051
01:24:51.079 --> 01:24:55.840
and talked about directing the movie.
For the record, not one of us

1052
01:24:55.880 --> 01:24:59.840
so much as brought up Lizzy the
Lizard. I'm still surprised that Lizzie and

1053
01:25:00.039 --> 01:25:02.760
Doug actually came to the screening,
or that Lizzie agreed to be part of

1054
01:25:02.800 --> 01:25:08.560
the panel. Last Bethany and me
checked, Lizzie had just won another Oscar

1055
01:25:08.960 --> 01:25:12.840
prior to coming to this year's convention. Again, it was for a drama

1056
01:25:13.159 --> 01:25:16.880
where she did a lot of nudity
and sex. I also read Lizzie's starring

1057
01:25:16.920 --> 01:25:21.359
and some other dramas coming out later
in the year, so she's definitely back

1058
01:25:21.399 --> 01:25:27.199
in the Hollywood spotlight again. When
the panel's over, we all go back

1059
01:25:27.199 --> 01:25:30.560
into the dealer room and finish out
the weekend. At the end of the

1060
01:25:30.600 --> 01:25:33.600
convention, Bethany and Me stay in
Ridgeway Heights on Sunday night so we can

1061
01:25:33.640 --> 01:25:40.680
start celebrating Valentine's Day, which would
actually be Monday. Bethany surprises me by

1062
01:25:40.720 --> 01:25:45.720
having a bouquet of mixed red and
black roses together on the bed. We

1063
01:25:45.840 --> 01:25:49.079
go out to a special dinner at
a fancy restaurant to celebrate. Bethany and

1064
01:25:49.119 --> 01:25:53.800
me have been together for two years
now, but we've known each other for

1065
01:25:53.880 --> 01:25:58.000
three. When we get back to
our room, Bethany has one more surprise

1066
01:25:58.119 --> 01:26:01.880
for me that completely catch me off
guard. First, she tells me she

1067
01:26:02.000 --> 01:26:06.760
knows we've known each other for three
years. She also says she knows I'm

1068
01:26:06.800 --> 01:26:11.840
the one. I kind of feel
where this is going, but it's still

1069
01:26:11.960 --> 01:26:15.359
great shock value to me. When
Bethany gets on one knee and asks me

1070
01:26:15.439 --> 01:26:20.680
to marry her. She even presents
me with a ruby engagement ring. Bethany

1071
01:26:20.760 --> 01:26:26.439
always hurts me deep when she says
she loves me, but she truly made

1072
01:26:26.439 --> 01:26:30.359
me come apart. I'm a fucking
scream queen, and only this beautiful,

1073
01:26:30.960 --> 01:26:35.960
amazing woman can keep bringing me to
tears. I don't even have to answer

1074
01:26:36.000 --> 01:26:41.359
Bethany, that's how much she really
knows me. I let her put the

1075
01:26:41.439 --> 01:26:44.760
ring on my finger. Like I
said, people have told me, never

1076
01:26:44.880 --> 01:26:48.359
marry your first relationship, but I
honestly don't give a fuck about that now.

1077
01:26:49.000 --> 01:26:54.560
Yes, Bethany merhrns both my first
love and my first real relationship,

1078
01:26:54.560 --> 01:26:59.199
but I honestly can't see myself with
anybody else. If by chance, Bethany

1079
01:26:59.279 --> 01:27:02.720
and me fall apart later in life, then we fall apart. I just

1080
01:27:02.840 --> 01:27:08.439
know. I can't know for sure
since I can't predict the future. Bethany

1081
01:27:08.520 --> 01:27:12.880
and me have always been there for
each other since we became friends. Fuck

1082
01:27:12.920 --> 01:27:16.199
it, I'm going for it.
We immediately set our wedding date for next

1083
01:27:16.319 --> 01:27:20.920
Valentine's Day. She even gives me
one more surprise when she shows me the

1084
01:27:20.960 --> 01:27:26.840
Corgan Twins. Next script for the
continuation of the original timeline and the Slasher

1085
01:27:26.920 --> 01:27:30.800
series following the first two movies,
You're definitely going to be back as the

1086
01:27:30.840 --> 01:27:35.239
Scream Queen. Bethany tells me,
I look at the script and see the

1087
01:27:35.279 --> 01:27:43.399
title Slasher Valentine. Hell. I
really don't care how many Slasher movies Bethany

1088
01:27:43.479 --> 01:27:45.239
and me do together. I just
know I want to spend the rest of

1089
01:27:45.279 --> 01:27:50.920
my life with Bethany. I want
to grow old and die with her again.

1090
01:27:51.439 --> 01:27:56.680
You just never know unless you go
for it. Speaking of never knowing,

1091
01:27:57.359 --> 01:28:00.920
you want to know what's been bugging
me since last year's colm. That

1092
01:28:00.039 --> 01:28:05.359
golden lizard statue just disappeared right after
we restored Lizzie back to her human form.

1093
01:28:05.920 --> 01:28:10.319
I told Bethany about it. It's
just as much a mystery to her

1094
01:28:10.359 --> 01:28:14.000
too, because she don't know what
happened to it either. Well, I

1095
01:28:14.039 --> 01:28:17.079
guess there's really no point in worrying
about it. Huh. Enrique Kuto's still

1096
01:28:17.159 --> 01:28:21.479
human and doing okay. I mean
he made it to this weekend's con right.

1097
01:28:23.000 --> 01:28:26.560
Also, I suppose as long as
none of us are walking around as

1098
01:28:26.560 --> 01:28:30.600
a giant Komodo dragon, that's all
that matters. Right. Speaking of Enrique

1099
01:28:30.720 --> 01:28:35.359
Kuto, Bethany and me actually got
scripts for a sequel to Babysitter Massacre.

1100
01:28:35.479 --> 01:28:41.319
Daddy's Little Killer. We can't believe
he really wrote a sequel. Sounds like

1101
01:28:41.359 --> 01:28:45.880
the fans are demanding the return of
Larkin Combs, so that means Aaron Mercer

1102
01:28:45.960 --> 01:28:51.439
is also returning. Looks like we're
doing babysitter massacre this little Piggy very soon.

1103
01:28:53.720 --> 01:28:58.560
But for tonight and tomorrow, those
movies can wait. All that matters

1104
01:28:58.560 --> 01:29:01.840
to me right now is Bethany Me
and I focus all of my attention and

1105
01:29:01.960 --> 01:29:08.920
energy on her as we undress and
consummate both our anniversary and our engagement.

1106
01:29:10.000 --> 01:29:13.039
I guess you'll have to wait until
the next sequel to see what happens from

1107
01:29:13.039 --> 01:29:20.319
here. Happy Valentine's Day Aftermath perspective, Elizabeth Jones, Doug and I stay

1108
01:29:20.399 --> 01:29:25.880
for one more night after the convention's
over. It's Monday and Valentine's Day.

1109
01:29:26.279 --> 01:29:29.520
We went out and had dinner and
then to a theater to see my latest

1110
01:29:29.600 --> 01:29:33.800
Oscar winning movie. There was quite
the attendance in our screening of Island Paradise.

1111
01:29:34.479 --> 01:29:38.479
After the screening, we returned to
the Hilton and go back to our

1112
01:29:38.560 --> 01:29:43.479
room. Once we're inside, I
close and lock the door. I turn

1113
01:29:43.560 --> 01:29:46.560
my attention to my husband and go
to him I let him touch me and

1114
01:29:46.680 --> 01:29:50.439
kiss me as much as he wants. I suppose I owe him something.

1115
01:29:50.520 --> 01:29:56.199
After I won yet another Oscar,
I let Doug undress me and have his

1116
01:29:56.239 --> 01:30:00.600
heart's desire this Valentine's Day. Doug
looks ready to be done with our fuck

1117
01:30:00.640 --> 01:30:03.960
marathon, but I move and put
him on his back and sit on him,

1118
01:30:04.319 --> 01:30:09.520
taking him inside me again. Now
I look down at him. You

1119
01:30:09.600 --> 01:30:13.920
know, Doug, I do understand
that we've been married for three years now,

1120
01:30:14.359 --> 01:30:17.439
I tell him as I caress my
gorgeous breasts. I keep wondering when

1121
01:30:17.439 --> 01:30:21.960
you'd finally ever realize that I've never
once told you I loved you, no

1122
01:30:23.039 --> 01:30:27.159
matter how many times you've told me. Doug looks at me funny. Now,

1123
01:30:28.199 --> 01:30:32.960
is everything okay, Elizabeth? I
shake my head a little. I

1124
01:30:33.000 --> 01:30:36.800
suppose I appreciate you getting me back
on top in the Hollywood scene again.

1125
01:30:38.319 --> 01:30:42.680
You got me another Oscar winning movie
for my growing resume. But the only

1126
01:30:42.760 --> 01:30:45.760
jobs I'm still getting are ones where
I'm still having to take all my clothes

1127
01:30:45.800 --> 01:30:49.079
off. All I'm ever going to
be known for is my naked body.

1128
01:30:49.720 --> 01:30:55.039
I push up on my overripe breasts. I know now that I'll never be

1129
01:30:55.079 --> 01:31:00.680
taken seriously as an actress, even
after winning three Best Actress oscars. I

1130
01:31:00.760 --> 01:31:03.640
reach under the pillow next to him
and pull up the golden lizard statue.

1131
01:31:05.119 --> 01:31:09.319
I'm just going to give it to
you straight. I fucking hate you with

1132
01:31:09.399 --> 01:31:13.439
all my heart, Doug, I
say, with nothing but the utmost contempt

1133
01:31:13.439 --> 01:31:16.760
and scorn in my voice. I'm
afraid your last night being both my agent

1134
01:31:16.800 --> 01:31:23.159
and my husband, will be tonight
in this bed. He screeches like a

1135
01:31:23.199 --> 01:31:27.159
whiny little bitch when he sees my
eyes glowing as green as the ones on

1136
01:31:27.199 --> 01:31:31.800
the little statue. In other words, Doug, You're fired and till death

1137
01:31:32.039 --> 01:31:36.880
do us part. Is right fucking
now, I tell him with finality.

1138
01:31:38.640 --> 01:31:42.319
I don't morph back into a full
lizard like I did before, but my

1139
01:31:42.439 --> 01:31:46.239
hatred fuels me enough to ease my
claws into Dug's skin like knives through butter.

1140
01:31:46.880 --> 01:31:53.960
From there I finally claim his life. Yes, I do wholeheartedly admit

1141
01:31:54.520 --> 01:31:59.600
I am a very selfish and conceited
That's why I'll be keeping this little golden

1142
01:31:59.640 --> 01:32:04.319
lizard with me. I will own
my curse. Starting tomorrow, I'll find

1143
01:32:04.319 --> 01:32:09.279
myself a new agent or manager who
can hopefully guide my career to where I

1144
01:32:09.319 --> 01:32:13.760
want to be. If my next
agent fails, then I'll keep claiming their

1145
01:32:13.760 --> 01:32:17.520
souls until I find one who can
truly satisfy me. After I take a

1146
01:32:17.560 --> 01:32:21.960
shower and wash all of Doug's blood
off me, I get dressed and grab

1147
01:32:23.000 --> 01:32:27.479
my bags. From there, I
leave what's left of my former husband and

1148
01:32:27.640 --> 01:32:32.720
agent lying in a mess on the
bed. Goodbye Doug and fuck you,

1149
01:32:33.720 --> 01:32:38.560
I say, before I close the
door on him and this chapter of my

1150
01:32:38.680 --> 01:32:48.359
life for the last time. Well, my spookies, I hope you enjoyed

1151
01:32:48.399 --> 01:32:54.680
that little piece of Valentine's Horror,
an extra long episode just for you all

1152
01:32:54.720 --> 01:32:59.800
to enjoy this holiday, And like
all good romances, it was a bit

1153
01:32:59.840 --> 01:33:02.760
of a tease, a bit of
a teas as to what may be coming

1154
01:33:03.520 --> 01:33:10.079
next Valentine's Day. But you'll have
to make sure you're subscribed to find out

1155
01:33:10.239 --> 01:33:15.039
just what's coming next right here at
Weekly Spooky as well as in Strict Field.

1156
01:33:15.680 --> 01:33:20.319
And speaking of Valentine's Day treats,
this Friday, I'll be releasing another

1157
01:33:20.359 --> 01:33:26.239
episode of my other podcast, Do
You Even Movie right here on the podcast

1158
01:33:26.279 --> 01:33:30.000
feed, where we cover one of
the most classic Valentine's Day Slashers of all

1159
01:33:30.079 --> 01:33:35.199
time, my bloody Valentine, so
be sure to catch that one this Friday.

1160
01:33:35.479 --> 01:33:40.279
I think you'll enjoy it. I'm
actually right now as you're listening to

1161
01:33:40.319 --> 01:33:44.359
this, getting ready to get on
set. I'm producing a horror feature film,

1162
01:33:44.399 --> 01:33:47.880
a monster movie called A Hard Place
with director Jay Horton. We're gonna

1163
01:33:47.880 --> 01:33:50.680
have a lot of fun on set, and don't worry, I'll still be

1164
01:33:50.800 --> 01:33:55.840
here Wednesday to bring you your Spooky
on the Weekly. And I want to

1165
01:33:55.840 --> 01:33:59.960
take a moment to say an extra
special thank you to our Patreon podcast boost

1166
01:34:00.479 --> 01:34:03.159
folks who pay a little bit more
to hear their names on the show,

1167
01:34:03.399 --> 01:34:09.640
and they are Johnny Nicks, John
Collen, bobotopia dot Com, Jenny Green,

1168
01:34:09.840 --> 01:34:14.000
Brent McCullough, Karen we Met,
Jack Kerr, and Craig Cohen.

1169
01:34:14.039 --> 01:34:16.439
If you want to hear your name
at the end of every episode, just

1170
01:34:16.520 --> 01:34:21.800
go to Weeklyspooky dot com, click
on Patreon and choose any tear at fifteen

1171
01:34:21.920 --> 01:34:27.000
dollars or higher. We really do
appreciate the support. It keeps the show

1172
01:34:27.079 --> 01:34:30.960
going and going well. Speaking of
going, I have to get back to

1173
01:34:30.039 --> 01:34:33.720
work getting Weekly Spooky ready for you
all. Before I head off to set

1174
01:34:33.760 --> 01:34:40.800
to make some scary movie magic.
So make sure you stay safe but stay

1175
01:34:40.880 --> 01:34:45.960
spooky. For my executive producers Rob
Fields and Mark Shields, my producer Dan

1176
01:34:45.039 --> 01:34:50.479
Wilder, and my composer Ray Mattis, I will talk at you very very

1177
01:34:50.560 --> 01:34:57.319
soon. Happy Valentine's Day. Thank
you for listening. Make sure to find

1178
01:34:57.319 --> 01:35:13.159
your way back next week. For
now, you are safe, trust me h