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Bihl Manor: Supernatural Folklore Behind Ohio's Cursed House | Thursday Thrills
Key Takeaways
- Bihl Manor, located at 1213 Buckland Avenue in Fremont, Ohio, is the chilling subject of HGTV's special 'A Very Haunted Renovation'.
- Host Henrique Couto leads listeners on a floor-by-floor investigation, separating documented history from eerie local folklore.
- Reported paranormal phenomena include a man spotted at an empty second-floor window, a red-haired boy on the stairs, and children's laughter in the attic.
- First-floor disturbances involve active rocking chairs in Daisy's room, slamming pocket doors, and a piano that seemingly plays by itself.
- The basement introduces darker legends, including entities known as 'The Bitter' and 'The Scratcher', adding a layer of dread to the historic home.
Just as HGTV prepares to open Bihl Manor for A Very Haunted Renovation, Thursday Thrills visits the reputedly haunted house at 1213 Buckland Avenue in Fremont, Ohio. Henrique Couto traces the turn-of-the-century manor from the Bihl family and piano-shop owner Jerome Bihl through Clarence and Daisy Wolfe, funeral viewings, reported deaths inside the home, its later years as a Lucas County children's group residence, and its transformation into an overnight paranormal investigation site.
Then we walk the house floor by floor: Daisy's active room, a piano said to play alone, the red-haired boy on the staircase, children laughing in the attic, running shadow figures, the man in the upstairs window, and the basement presences known as the Bitter and the Scratcher. Along the way, we separate documented history from local legend, question the uncertain story of a boy's death, and examine the newer Lizzie and Alvie Bihl lore used by the HGTV series.
An eerie Ohio ghost story for fans of haunted houses, paranormal investigations, local folklore, creepy history, Halloween podcasts, and real places with legends that refuse to stay quiet.
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
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Frequently Asked Questions
Where is Bihl Manor located?
Bihl Manor is located at 1213 Buckland Avenue in Fremont, Ohio, directly across from Spiegel Grove, the historic estate of President Rutherford B. Hayes.
What TV show is featuring Bihl Manor?
Bihl Manor is featured on HGTV's 'A Very Haunted Renovation', where six designers spend 41 days renovating the reputedly haunted house.
What paranormal activities have been reported at Bihl Manor?
Visitors and investigators have reported sighting a man in an empty second-floor window, a red-haired boy on the staircase, moving shadow figures, items being thrown in Daisy's room, and physical sensations like a cold finger tracing down a back in the basement.
Who are 'The Bitter' and 'The Scratcher'?
'The Bitter' and 'The Scratcher' are modern names given to alleged malevolent presences in the Bihl Manor basement, which some visitors blame for physical scratches and bites.
WEBVTT
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The simplest story about Bill Manor begins outside the house.
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A former neighbor remembers seeing a man standing at an
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upstairs window. The house, she later learned, was empty. That
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is all the report needs. A figure, a window, an
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empty room behind him. From the sidewalk, the arrangement feels... Average.
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You're outside. Whatever she saw was inside. But windows work
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both ways. Once you step through the door, the stories
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don't stay at that window. They wait at the stair landing,
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move through the first floor rooms, and turn physical below ground.
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At Bill Manor, every staircase... changes the rules. This is
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Thursday Thrills, a quick weekly ride into the creepy stories,
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haunted places, weird obsessions, and eerie little corners of the
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world worth talking about. I'm Enrique Couto, and tonight we're
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going inside Bill Manor. in Fremont, Ohio. That's right. My
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native state is always full of surprises. And this one
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is going national. Five days from right now, HGTV is
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scheduled to premiere a very haunted renovation, sending six designers
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into this house for 41 days. So, before the premiere drops...
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Let's take a look and figure out, does Bill Manor
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have one haunting, or has every floor gathered its own?
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Get your flashlight ready. We're taking the stairs. Bill Manor
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stands at 1213 Buckland Avenue, across from Spiegel Grove, the
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estate of President Rutherford B. Hayes. Inside are not only rooms,
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but A broad foyer, four sets of pocket doors, a
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back staircase, a finished walk-up attic, and a full basement.
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In daylight, those are all selling points. After dark, the
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back stairs mean footsteps do not have to use the
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same route as you do. Even the house has two birthdays.
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The manor's history says... 1890s modern real estate records say
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1912 so let's call it turn of the century and
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keep on moving although by the way this today is
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my birthday by the way I just turned 40 so
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you should wish me a happy birthday or subscribe on
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patreon or send me an email at weeklyspooky at gmail.com
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and make me feel a little special anyway If the
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house will not settle on a birthday of its own,
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I'm not going to argue with it after dark. A
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Hayes Library catalog places a Bill residence at Buckland and
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Hayes Avenue, and records show a Bill musical merchandise business.
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The manor adds that Jerome Bill ran a piano shop.
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Keep that detail tucked under your hat for just a minute. Later,
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the house plays a note of its own, not proof,
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but an excellent rhythm. By the time that lone key
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sounds in the dark, the house has already supplied its
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own backstory. The house later passed to Clarence and Daisy Wolfe,
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according to the manor's own history. Friends and relatives sometimes
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held funeral viewings and memorial services there. It wasn't a
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funeral home, that was a thing people used to do,
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hence why it was called a parlor. Of course, as
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time went on, we turned on that tradition by calling
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that space the living room, which is kind of harsh
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toward the dead, but I digress. It was something more
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intimate that we're talking about, a private home that occasionally
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became the room where a family said goodbye. The manor's
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telling also puts Clarence's death inside in 1942 and Daisy's
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in a bedroom in 1966. I couldn't independently confirm either death,
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and neither one gets promoted to A ghost origin, per se. Still,
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enter an old parlor, knowing a family may once have
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gathered there to say goodbye, and the room doesn't need
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a sheet-covered apparition yelling boo. One empty chair is all
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you need. Now, climb to the second floor and return
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to that very window. The former neighbor's account is frighteningly ordinary.
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She didn't describe a glowing skeleton or a face pressed
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violently against the glass. She remembered a man upstairs, standing there,
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looking out, then learning no one was supposed to be
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in the house. Bill Manor's website says other visitors have
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also reported a man at a second floor window. On
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that same level, it collects stories of running shadows, shapes
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peeking around corners, voices without visible speakers, and heavy footsteps.
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Old windows reflect. Headlights move. Branches throw human shapes across glass.
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A long hallway can turn one moving shadow into three.
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Any of those could explain it. But none tells us
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what she saw exactly. The image survives because it asks
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almost nothing of any of us. Look up. See a
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person where a person could be. Learn that room was empty.
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Then decide whether the figure was trapped inside or simply
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watching the street below. The staircase has its own resident
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in the manor's folklore. Visitors are said to have seen
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a young boy with red hair standing on the landing.
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The same figure is also reported in the attic, where
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people describe children's laughter and heavier shuffling overhead. The landing
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is broad enough for a seating area. It should be
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the house's place to pause. The legend turns the pause
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into a risky activity. The address later served as a
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Lucas County Children's Residence. A surviving newspaper clipping places the
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service center right here. Real children lived in county care,
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but no reliable record ties the red-haired figure to any
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one of them. So we leave him unnamed, exactly where
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visitors place him, standing on the landing without inventing a
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tragedy just to make him scarier. The uncertainty belongs there too,
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halfway between one floor and the next. A landing is
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supposed to be a neutral territory, the bit between floors,
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but if a figure is waiting there, the route up
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and the route down are both open, and neither one
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takes you away from him. Above the landing is the
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walk-up attic, below it, is the second floor hall, joists
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and ducts can send footsteps into the wrong room, while
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a famous story can train the eye toward the landing.
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Both are fine explanations, but neither makes that pause between
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floors feel any safer in the dark. After all, a
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map tells you where to look, and ghosts are... terrible
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at staying on their marks. Come back to the first floor,
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where the haunting becomes less visual and more domestic. The
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manor's website puts voices across the first floor. Daisy's room
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gets special attention. Visitors say objects have fallen or been
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thrown from a rocking chair. Elsewhere come Footsteps. Sudden slams.
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and voices heard as a man or children. A chair,
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a closing door, somebody speaking from the next room. These
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are ordinary household signals. That's why they work so well
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in a ghost story. A roar from the walls announces
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a monster. A footstep says someone is home. Stand in
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the first floor dark and the fear is not that
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the house feels empty. It's that the house sounds busy.
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Four sets of pocket doors let rooms open into one
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another or seal them apart. In the manor's nighttime vocabulary,
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A slam does not merely make noise. It changes the
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floor plan all around you. Then there is the piano
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kept near the garage. Investigators have reported hearing keys when
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nobody was playing. The Bill family's music connection turns that
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sound into a neat little circle. A house once connected
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to selling music, now remembered for producing one note too many.
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Maybe old mechanisms shift. Maybe a sound from the street
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lands in the wrong place. Maybe someone is very committed
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to practicing their scales. And then the stairs keep going down.
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If you enjoy these quick trips through haunted places, strange folklore,
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and houses with more personality than the listing admitted, subscribe
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to Weekly Spooky on your favorite podcast app so you
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never miss a Thursday thrill every week. And of course,
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as Halloween is approaching ever so quickly, we have something
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scary for you to listen to every single day of
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the week. So make sure you're subscribed and send this
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episode to the person who would happily investigate Bill Manor
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in your life, provided you head into the basement first.
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The basement is where Bill Manor stops giving its reports
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human faces and starts giving them warning labels. The property's
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current website calls two alleged presences, The Bitter and The Scratcher.
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Those are modern names inside the manor's paranormal lore, not
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identities recovered from old records. Visitors have reportedly blamed them
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for bites and scratches. Investigators also report radio fragments and
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equipment responses, the usual electric campfire. None of it proves
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a haunting, but the basement's strongest story needs no batteries
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to function. If you go down with a flashlight, most
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of the room disappears beyond one small circle. The stairway
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becomes the only obvious route out, and every cold patch
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arrives from somewhere your beam is not pointed to. In
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the HGTV preview, co-owner Heather describes going downstairs and feeling
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what she called a cold finger tracing from her neck
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down her back. Not a full apparition or a voice
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from the furnace. One narrow line of cold moving through
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the exact space where she couldn't see. Could it have
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been a draft? an exposed edge, or nerves. Of course,
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but none of those possibilities make turning around any more pleasant.
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That report completes the house's downward change. At the window,
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something may watch. On the landing, something may wait. Wait.
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In Daisy's room, something may sound as though it belongs there.
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Below all of them, something reaches back. And this is
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where the renovation becomes part of the haunting. Six designers
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are about to walk into that floor plan with tape measures,
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paint swatches, and 31 days on the clock. Every room
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they redesign will give the old story a brand new stage.
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On Tuesday, September 15th, a very haunted renovation is scheduled
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to put Bill Manor on HGTV, with Anna Camp hosting
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and $ 50, 000 at stake. Plus, presumably, first choice of bedroom nightlight.
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The premiere uses Lizzie and Alvy Beale as inspiration for
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Sleeping Quarters, but HGTV calls them rumored spirits. And that
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is some solid TV network legalese, because available public sources
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don't establish them as apparitions or people who died in
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the house. But that doesn't spoil the fun, not if
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you don't let it. It allows us to watch folklore
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acquire name tags. It is television, after all. Set up
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to make us feel suspense and a little fun fear
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before the paint has even dried. The renovation creates a
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delightful test. If a door stops slamming after its frame
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is repaired, was that maintenance or an eviction? Every hammer
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blow will give the manor a new sound while every
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repaired hinge takes one old excuse off the playing board.
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Fresh plaster can change a room, but it cannot repaint
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the story already attached to it. So, does Bill Manor
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have one haunting or has every floor managed to gather
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its own? No floor gives us proof, and no figure
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gives us a trustworthy name. What the stories give us
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is one remarkably tidy, haunted floor plan. Walk it once more,
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laughter and shuffling above, a red-haired figure on the landing,
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a chair that will not keep its objects. One piano key,
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with no player, then a cold line down the back. below.
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The map is the house's real trick. Once you know it,
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every noise arrives with a caption. Maybe expectation writes many
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of those captions. Maybe an old house is simply very
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good at giving each fear exactly the room it needs.
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The series can brighten the walls, repair the frames, quiet
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the hinges, and change every color but it can't move
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the staircase it can't take the basement out from under
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you and it can't turn that second floor window away
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from the street across the street the upstairs glass will
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reflect whatever light remains if a figure takes his place
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behind it the renovation will have changed the room but
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not the view I'm Enrique Couto, and this has been
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Thursday Thrills. Drive safe, keep your headlights on, and if
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you look up and find someone looking back from a
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house that you know for certain is empty, don't wait
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around to see whether he waves. See you next time.
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Come back tomorrow for more fear. Until then, lock your doors.
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As if that will help.
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