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RSS Feed Aug. 23, 2025
Introducing: They're Not Shadows - Terrifying True Ghost Stories You’ve Never Heard
This Weekly Spooky feed drop introduces They’re Not Shadows, a campfire-style podcast built from allegedly true ghost encounters and paranormal testimony.
This week, we’re sharing a special episode from one of our favorite spooky storytelling shows: They’re Not Shadows.
Every episode delivers a mix of real paranormal stories—ghostly encounters, supernatural creatures, creepy shadow people, and more—all told in a gripping, campfire-style format. No chit-chat, no fluff—just story after eerie story that will keep you hooked (and maybe a little paranoid).
🎤 Hosted by Chris Griffiths
🎧 Smooth narration + tight pacing = perfect spooky binge
🔊 Subtle sound design for max atmosphere
Subscribe to They’re Not Shadows wherever you get your podcasts → https://pod.link/1574448401
Across the full lineup, ghost lore and supernatural suspense, cryptid and creature horror, and wilderness isolation take different forms, giving every segment its own dramatic hook while maintaining the collection’s larger mood.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Hello, my spookies. Tonight we have a very special feed
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drop to share with you. It's a show that's been
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creeping up my spine as of late. It's called They're
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Not Shadows. If you love spooky stories, and I know
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you do, told like you're huddled around a campfire, well
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this one is for you. Each episode delivers several real
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life paranormal encounters, whether it's ghosts, creepy Ouiji board moments,
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shadow people, or more, all told with zero filler, just
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pure goosebumps. It's hosted by Chris Griffiths, whose voice is
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so smooth it might just lull you to sleep if
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the stories didn't keep you in a cold sweat. So
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sit back, relax and enjoy this episode of Their Not Shadows.
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And when you're done, head over to the show notes
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or search Their Not Shadows on your favorite podcasting app
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and give them a subscribe tell them weekly. Spooky Cenya.
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We have four stories today, a mix of the spooky
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and the strange. The first is genuinely taken. The old
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rotary phone, the one we still keep because Sarah likes
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vintage things, sprang to life. I picked it up. Genuinely
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taken aback.
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Hello, you know what you have to do, don't you?
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David?
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Who is this?
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I looked at the receiver, then at Sarah, who was
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scrolling on her phone.
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Well that was a little weird.
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But she didn't seem interested.
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It still rings, sometimes, mostly from salespeople.
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Later that day, we were at the supermarket in the
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produce aisle. A woman in a bright pink tracksuit stopped
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beside me. She leaned in her eyes, glinting.
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Are you still trying to close it?
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David?
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Some doors, once opened can never truly close.
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Excuse me? I felt an actual do I know you?
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But she just walked away, disappearing down the aisle. I
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went down with to Sarah.
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That woman knew my name and said something about a
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door being opened.
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David, what are you talking about.
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The woman wearing pink? You're being weird today. No, she
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just old watermelon. Forget it.
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Let to check out. A young kid with far too
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many piercings scanned down groceries. Just before I tacked my card,
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he looked at me with a strange, knowing smile.
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The door still opened.
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Dude, what did you say?
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I asked? If you had a loyalty card?
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No, you didn't you said something about a door.
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Stop it?
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I didn't, I swear, admit it, David, stop it.
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I'm sorry.
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Let's go.
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On the drive home. I was still trying to process everything.
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I turned on the radio, hoping for a distraction.
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The station with the best music.
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Coming up next on Hits and Oldies eighty nine point seven.
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We got some classic rock and a special shout out
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to David, who I know is listening. When will you
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accept the truth?
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Did you hear that some jibber jabber about classic rock?
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It's my numbing That's why I listened to NPR.
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What was happening to me? Was I losing my mind?
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We put into the.
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Driveway, the silence thick with my unspoken dread. As I
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turned off the ignition, Sarah turned to me, her eyes
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wide and unblinking, her gaze unnervingly direct.
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Time to wake up, David. This isn't your home.
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It never was.
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The world was blurry for a moment, then coalesced into
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the familiarity of my bedroom, the sunlight, gentle and warm,
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filtered through the blinds. It was a dream, just a terrible,
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vivid dream. I found Sarah in the kitchen.
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Hey, rough night.
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I didn't sleep well.
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I began recounting my dream, telling Sarah about my strange
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encounters with the woman in pink, the cashier, and the
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radio DJ.
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And then you said it's time to wake up. This
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is not your home. It never was.
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Sarah looked at me with an expression I couldn't quite decipher.
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David, I didn't say that, you said it to me.
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What then you went back to sleep, Sarah, you're still dreaming, David.
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Sarah, this isn't funny.
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The old rotary phone, the one we still keep because
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Sarah likes vintage things, sprang to life. I picked it up,
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genuinely taken back.
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Hello, David, who is this? Where do you work? David?
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Where did you go to school?
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I don't wait.
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Can you remember anything other than going to the supermarket
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and driving home?
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Well, of course I can. I went to the.
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You know what you have to do, don't you, David?
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No, I really don't. We'll try again tomorrow. Tell me goodbye, David. Please.
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This next one is a soldier's tale. We were on
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night patrol through a string of abandoned villages south of Kandahar,
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ghost towns, places the Soviets had bled in and the
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Taliban had finished emptying. There were six of us in
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my fire team, moving in a staggered file. The cold
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air bit at any exposed skin, a stark contrast to
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the oppressive heat of the day. The world was painted
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in the green and black of our night vision, a
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ghostly ethereal landscape. The buildings were mostly mud brick, what
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they called colat compounds, with high walls and flat roofs.
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They were crumbling, their riches softened by time and the
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relentless wind, looking like melted sand castles under the ghostly
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green of my envygs. Then sniper, one of our guys,
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went down. The rest of us scattered, diving for whatever
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cover we could find. There was another shot from the
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sniper and returned fire from my team. I scrambled into
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what was left of a large building, and when the
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dust settled, I was alone. I was pinned down. The
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sniper had a beat on my position. Every time I
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even thought about leaving the building, another round would thud
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into the wall whole. I backed up, going deeper into
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the darkness of the ruined building. The air inside was
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thick and stagnant, heavy with the smell of dust and
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something old and unsettling.
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Bravo is your position?
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I keyed my mic, pinned down east side of the
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main structure.
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Cannot move, sniper as me zeroed. We're pulling back and
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calling in support.
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Do not repeat, do not leave that building. We'll come you.
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At first light, that.
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Landed like a stone in my gout. First light was
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a couple of hours away. I moved even deeper into
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the building, my M four helped tight against my shoulder.
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The interior was a maze of small, interconnected rooms. The
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floor was littered with debris, the detritus of lives hastily abandoned.
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Moonlight filtered through cracks in the ceiling, casting long, distorted shadows.
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And that's when I heard it, a sound that slid
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into my brain by passing the normal channels of hearing.
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I scanned the room through my envy g's but there
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was nothing, just shadows. The whispers came again, not in
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English or Peshto or any other language I could identify.
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I wasn't a superstitious man. I believed in what I
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could see and what I could shoot. But the feeling
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in that room, it was primal, a kind of fear
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without reason that goes straight for the lizard part of
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your brain. I backed into a smaller room. The whispers
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had stopped, but now there was a smell ozone, like
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a coming storm. I remembered stories our interpreter used to
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tell us, half jokingly around the fire back at base,
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stories about the old ones. These creatures are the gin,
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made of smokeless fire, unseen but always watching, he said.
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They haunted places of ruin and sorrow. Then in the
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far corner, something shifted, but it wasn't a threat that
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I could shoot. It was tall, stretching to the low ceiling,
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a column of shimmering heat, like the mirage you see
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on a hot road, but darker and tinged with a faint,
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ethereal glow. And then it spoke, not with the mouth,
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but inside my head.
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You are a guest in this place of dust and shadows,
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this land of forgotten gods. Tread lightly, warrior, for you
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are not the only one who fights in the darkness.
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My blood ran cold. I could feel the immense power
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of this thing. The air in the room returned to normal.
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It was gone, but the memory of that voice, of
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that shimmering darkness is etched into me. Story number three
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concerns the daily commute hitter boring, pretty doable. The evening
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train is my decompression chamber, a metal tube that hurtles
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me from the day's chaos to the quiet of home.
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I find the rhythmic clacking helps me unwind. I know
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the journey by heart, the lurch of the acceleration, the
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groan of the brakes, and the familiar sequence of stops
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that mark the path home. I was about halfway home,
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scrolling through my phone. Then the rhythm broke. The train slowed,
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the usual rocking motion, easing into a smooth, silent glide.
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I looked up from my screen, annoyed. Unscheduled stops were rare.
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Outside the window, there was no station. I recognized this
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place was ancient. The platform was made of wood. Black
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ivy crept over everything in a slow motion sliver. The
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only signage was the station name morning Gate Morning with
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a ewe. I looked around the carriage to see what
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the remaining three passengers were making of it, but they
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hadn't even noticed. A woman across the aisle was texting,
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a man in a suit was slumped against the window,
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fast asleep, and two rows in front of me, a
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man in a tweed coat sat reading a newspaper. The
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massive broadsheet was completely obscuring his view of the strangeness.
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My brain couldn't reconcile it. I felt like I'd fallen
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asleep and woken up in some one else's nightmare. I
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knew I hadn't got on the wrong train. I've been
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catching the same one for six years, and all the
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other stops were correct. The doors opened, and I turned
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my head to see if any one would get off,
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or god forbid on The platform had been empty, but
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when I looked again, there was some one there, a
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lone man standing beneath one of the gas lamps. He
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was tall and gaunt, dressed in a dark, simple suit.
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It looked like an old photograph come to life. As
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I watched, he lifted his head and his eyes locked
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on to mine. I wanted to turn away, but I
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was transfixed. A sad smile touched his lips, and he
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gave me a nod, as if we were old acquaintances.
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Then he lifted a hand to his throat and drew
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his thumb across it in a long, deliberate line from
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ear to ear, and somehow the flesh parted a clean
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black line opened up in his throat, yet his smile
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never faltered, and his eyes never left mine. He held
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my gaze for another second or two before his knees
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buckled and he collapsed onto the wooden platform, folding in
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on himself like a discarded puppet. My phone was in
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my hand, the camera a single tap away, but the
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thought to use it never even formed. It was like
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watching a silent horror film being played just for me.
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The man in tweed rustled his newspaper, the woman kept texting,
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and the other man kept sleeping. The doors slid shut
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with a soft sigh, and the train began to move,
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pulling away from morning Gate and the body on its platform.
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I pressed my face to the glass until the horrific
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scene was out of sight. The woman was putting her
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phone away, The man in the suit was stretching, waking up,
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and two rows ahead, the old man was folding his newspaper,
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tucking it into a leather briefcase. He hadn't seen a thing,
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None of them had. The weekend was a blur. I
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barely spoke, I barely ate. Every time I closed my
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eyes I saw him, the sad smile, the nod of acknowledgment,
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and of course, the grotesque sight of the gaping wound
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in his throat. I replayed it dozens of times, searching
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for a rational explanation, but there was none. And now
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it's Monday morning. I'm standing on the platform, waiting for
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the train to take me back into the city, and
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a single question pounds in my head with the rhythm
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of an approaching train. We stop at morning Gate. Again.
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Part of me is sick at the thought of it.
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But there's a smaller, darker part of me that was
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strangely beguiled by the horror and did wants to see
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it again.
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The train is now approaching platform one. Please stand clear
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the edge of the platform.
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We have one more. It's titled a Demon's Gifts. We'll
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see you next time. They say about eight percent of
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the population experiences sleep paralysis, a misfire in the brain.
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Your body is asleep, but your mind wakes up and
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you're trapped a prisoner in your own body. It always
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starts the same way. The top of my head tingles,
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then I hear a humming sound, and then then I'm
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paralyzed and it comes. I can't move, I can't scram
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but my eyes are open, darting around my familiar bedroom,
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