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In the Witch House Walls — Funeral-Parlor Haunting and Cursed-Renovation Horror
Freddy and Odalys renovate an abandoned funeral parlor and discover mummified animals, curses, and voices sealed inside the walls.
Tonight’s feature-length episode delivers one of the season’s darkest scary stories, steeped in haunted house chills and mature themes.
When Freddy and Odalys try to turn an abandoned funeral parlor into apartments, they discover the walls are stuffed with mummified animals, curses, and whispers that never stop. As they lean into spooky season with Halloween decorations and a party to lure tenants, the house reveals what it really is—a place where spooky stories come alive, and death is only the beginning.
This is Halloween horror storytelling at its most terrifying—perfect for listeners searching for scary podcasts, haunted house horror stories, and chilling long-form spooky stories with a mature edge. And don’t forget—this is night two of our 31 shows in 31 days event. Weekly Spooky is bringing you a brand new nightmare every single day this October.
In the Witch House Walls — by David O’Hanlon
Freddy and Odalys approach the old funeral parlor as property to be renovated and rented, so every discovery initially has a practical explanation to overcome. Mummified animals inside the walls, persistent whispers, and embedded curses reveal that the building’s hidden material is part of a deliberate occult history rather than ordinary decay.
David O’Hanlon uses the planned Halloween party as both marketing for the apartments and an invitation to whatever the walls contain. The story combines renovation horror, a former mortuary, cursed architecture, financial pressure, and the fear that opening a building can also reopen the purpose for which someone sealed it.
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📬 Contact Us / Submit Your Horror Story!
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Behind the plaster were bones. In the cabinets, something squealed
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like a pig. And in the witch House, when the
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dead start to stir, they don't stop until you are
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inside the walls with them.
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There's a shiell in the air. Must befall.
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Join me for.
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A tale of Halloween. You will experience tales over over ghosts,
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and dam it is not recommended for the weak at heart.
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Join me for a Tale of oul.
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Is Weekly Spooky. Hello, my spookies, It's the second day
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of October and Spooky season is rocking and rolling. So
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what better way to get into the spirit of the
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season then move in to the Witch House. But before
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we get to that, I just want to say thank
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you so much for spending a little bit of your
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October with me. We hear at Weekly Spooky celebrate Halloween
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all year long, but when the most wonderful time of
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year comes around, well we go all out and we're
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happy to have you. So make sure you're subscribed on
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your favorite podcasting app. And while you're at it, why
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not leave us a five star rating on Apple Podcasts
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or Spotify. It truly helps the show by showing other
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spookies they're in the right place, and if you want
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to support us in a very direct way, you can
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head to Weeklyspooky dot Com slash join and for as
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little as one dollar a month, get two bonus shows
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every single month, as well as five years of creepy
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pasta readings and exclusive audiobooks at Weeklyspooky dot Com slash Join.
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Head over there and join over ninety other spookies and
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making sure we can keep bringing you the show for
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another six years and beyond, and make sure to come
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back tomorrow when Joe Solmo brings us a terrifying tale
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of Tricker Treating and the murderous sickle Jack. But as
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for tonight, what if the place you called home had
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already been claimed the funeral parlor turned apartment building where
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every wall hides carcasses, curses, and the restless dead. Freddy
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thought he was just renovating a house until the whispers,
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the shadows, and the thing in the cabinets reminded him
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some doors should never be open. We go into the
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witch House after this in The Witch House Walls by
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David o'hanley. For months, Freddy had felt like he was
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out of his mind. Now his mind was out of
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him and dripping down the dry wall of the apartment.
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The top of his head was missed in the air,
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and chunks on the foe wood lamin it. One of
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his molars had landed in the plastic pumpkin full of
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fun sized candy bars. Pieces of his scalp clung to
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the ceiling, turning the attached hair into black tinsel. The
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shotgun at his feet had done everything he expected it
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to except one. That fucking figure's Freddy's spirit said. Nine
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months before giving his living room a fresh coat of
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cranial Crylon Freddie had purchased the old Steinbeck funeral home
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with the intent of converting it into several apartments, two
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family units on the first floor, four single bed efficiency
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units on the second, and a studio on the third.
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It had been a painstaking project. The building had served
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as Kuto Basin's only mortuary for almost thirty years. After
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a terrible spat of deaths in nineteen forty five, Stuart
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Steinbeck's mind broke and forced him to retire from his
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macab occupation. The funeral parlor became his home. The horrible
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things Stuart had seen during that year haunted every waking moment,
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and he remained a recluse until his death in the
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winter of fifty eight. Despite the home's dark origins, none
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of the previous owners had ever experienced anything out of
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the ordinary while living there. Freddie made sure he got
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that part in writing he wasn't about to have tenants
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breaking leases over Poltergeist's. After all, the property had been
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in surprisingly good condition by the time Freddie purchased it.
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None of the previous owners had bothered renovating outside of
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a few minor comforts and a large in ground pool.
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If they had, maybe they could have saved him a
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small fortune and eventually his fucking life. He'd planned on
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having the unit available by summer to use the pool
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as a selling point, but he realized that wasn't going
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to happen. As he tore down the first wall, Desiccated
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animal carcasses hung behind the century old plaster, wrapped in
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rotting cloth, like mummies of the hundred acre wood. Alongside
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them were clusters of dried whorehound and sage. Every room
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the contractors tore into they found more of the same. Squirrels, raccoons, cats,
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and even a pair of piglets had been extracted from
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within the spaces. Freddy was loose, using money on his
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investment with each new discovery, but he was also losing
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his mind with each one they removed. And it wasn't
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just him either. Fewer workers returned to the job site
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with each passing week. At first they complained of noxious smells,
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missing tools, and whispered voices in empty rooms. Then they
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started getting sick. His foreman had vomited blood and maggots
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across the new kitchen a day after finishing the first
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downstairs apartment. By July, Freddie and his girlfriend O Dallas
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had moved into the house to finish the work themselves.
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They worked day and night, and by the middle of
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September they had gotten three second floor us ready, plus
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the one downstairs opposite their own. They lowered the rent,
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they waived the application fees, yet no one was applying.
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The construction workers had told everyone about what they had
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found inside his walls. The locals had begun whispering, and
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over the months they'd given it a name. No one
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wanted to live in the Witch House, or maybe they do,
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O Dallas said from across the kitchen island. Both of
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them were covered in drywall dust from the last of
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the high efficiency units. The next day, o dallas would
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start painting it while he began work in the attic.
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The studio was the last thing to do before Freddy
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could finally say he'd conquered the nightmare that had won
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once been his dream. He didn't even see a point anymore, though.
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Kuto Basin was full of ghost stories, and nobody was
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going to move into an apartment that might turn them
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into one. The stacks of applications we don't have, says otherwise.
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Freddie picked the sesame seed from the big mac bun.
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We're going to have to torch the place for insurance
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while we can still fucking afford to pay for it. Baby,
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it's almost Halloween, she'd said, conspiratorially. People want things to
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make sense. They want to get what they're promised. Lean
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into it, sure, Freddie forced himself to say he didn't
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realize what day it was. Lean into it. We can
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decorate all the apartments, o'dallas continued. We throw a Halloween
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party as an open house. He will scare the shit
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out of them and they'll love us for it. There's
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no way that'll work. Freddie pushed the value meal into
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the trash with everything else. He hadn't eaten that week. Tomorrow,
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I'll get matches, Freddie, we can do this. Oh, Dallas
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took his hand. Despite the grit of dry wall and plaster,
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they were still soft. Her one hundred dollars nail job
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was wrecked, but she was smiling. Those two goddamn cute
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dimples told him he was wrong about everything. Freddie hadn't
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slept good in weeks. He'd lost almost twenty pounds in
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the last month, and every single part of him ached.
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He was racking up his credit cards so Odallas wouldn't
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see how fast they were running out of money. But
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those dimples and that smile with her slightly bucked teeth
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gave him enough hope to work. One more day. She'd
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always done that, given him the one more day that
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turned into one more week, one more month. Everything he'd
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accomplished in the last five years had been because of
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her smile. Remodeling the Witch House was no different. He
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would have given up in the summer, but O'dallas had
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smiled and promised him they could make it work. That's
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just who she was, his sweet smiling guide straight into hell.
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You're not safe yet, weekly Spooky will be right back
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The next day, Freddie began work in the attic. The
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floorboards thrumbed beneath his sneakers from whatever Odallas was blasting
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on the bluetooth speaker. He thought about going to get
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the other one from their bedroom, but two flights of
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stairs could fuck right off. It was going to be
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a hard enough day. The attic had been cleared of junk,
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and the basic framework of the bathroom and kitchenette had
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been finished by the contractors before they flaked out. Freddy
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would need to hire a real plumber and electrician before
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he could make the loft available to renters, but he
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could finish the demo and get the insulations and drywall installed.
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He tapped the crowbar against the rear wall, listening to
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the hollow echo from the space beyond. Freddy wasn't sure
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what Stuart Steinbeck had used the attic for in his lifetime,
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but it certainly hadn't been storage. There were stories, of course,
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The basin was full of stories. Freddy used the bar
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to scratch away a pealing flap of half century old
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wallpaper of carousel ponies. Someone had lived in the space
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once upon a time. Someone's going to live here again.
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Freddy said, cocking the crowbar over his shoulder. Someone with
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better fucking taste. His first swing did little more than
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stir up a cloud of dust and dislodge some more
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wallpaper fragments. The second went straight through the plaster, as
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did the third. He shoved the hook end inside the
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hole and jerked back with everything his emaciated body had
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in it. A fissure split down the wall, racing along
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its length in a widening spider's web of cracks. Freddy
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started to scream. As the dust cleared. He gagged, but
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didn't have anything in his stomach to actually throw up.
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Another of Steinbeck's stuffed animals hung there, twisting on its noose.
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The empty eye socket stared at him as it turned.
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Dried sage protruded from between the shriveled lips and dingy
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yellow teeth. You sick, motherfucker, Freddy wheezed, covering his mouth.
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He tossed the crowbar at the wall. The entire structure
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pulsed at the blow. The plaster began to fall in pieces,
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clacking and knocking onto the wooden floor like hailstones ahead
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of a tornado. Freddy backed away slowly, never taking his
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eyes off the desiccated lamb. The plaster came down in
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an avalanche, spilling out across the floor to meet him.
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He coughed and fanned at the air. As the dust settled,
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he saw the animal was not alone. Freddy sank to
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his knees, trying to catch his breath. Since construction began,
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he was sure he had seen every animal in Ohio
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in its mummified form, every animal except for one. Hidden
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behind the wall. Were six lambs, three on either side
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of the withered, leathery thing that occupied the middle. Unlike
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the farm animals that hung from the neck, this one
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had its limbs bound tightly. Freddy didn't know how, but
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he knew that meant the child had been alive when
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the wall went up. Baby, come back to bed, oh,
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Dallas grumbled sleepily. I am in bed, Freddie said bleakly.
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He stared at the ceiling, wondering what time it was.
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He hadn't told her what he found in the attic,
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aside from saying it was more of Steinbeck's voodoo shit.
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Once he'd ripped down the rest of the walls to
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make sure there were no more human remains, he'd stuffed
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the carcasses in thick black trash bags and hefted them
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into the open topped dumpster out back. That was so weird. Oh,
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Dallas yawned, rolled over and draped her arm across him.
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I thought you were in the closet. Freddie kissed the
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top of her head. The leaven conditioner was oily on
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his lips, and the floral scent made him want to sneeze.
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His eyes fell on the closet. Maybe it was one
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of his coats hanging just right, but it did look
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like someone was there. Freddy returned to his vigil, staring
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straight through the textured ceiling and into that damned attic.
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He'd given the dead kid its own trash bag. That
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was the best he could do as far as a
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proper burial goes. Reporting it was out of the question.
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The kid had been there since the fifties. They probably
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would have died of old age already, so it was
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unlikely anyone was still around that would care that he'd
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tossed the body into the dumpster with all the other
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dead things. Freddie sighed as O'dallas started to snore. He
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assumed it was all the paint messing up her sinuses,
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because she even snored cute on a normal day. This
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wasn't cute. It was more like snorting. Freddy worked to
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emancipate himself from Odallas's slender body without waking her. He
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eased off the bed and glanced back at the closet. Jesus,
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that is creepy, he admitted, reconsidering his choice of opaque
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frontages on the twin doors. Watching o'dallas sleep, it became
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clear that she wasn't the source of the sound. Freddie
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followed the noise, tracking it by volume until he'd isolated
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it to the kitchen. Freddie flipped the light switch. His
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eyes stung and blurred from the assaul. The shadows stretching
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across the walls looked disturbingly human. As the organs adjusted
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to the brightness, he rubbed at them with his palms.
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Everything appeared once he'd finished. The noise had also ceased.
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As Freddy turned to leave a guttural snort once more.
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He spun on a bare heel, looking for the source.
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The cabinet under the sink tapped once, then again. He
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watched it move on the hinges as if something were
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trying to open it from the inside, but wasn't quite
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strong enough, it tapped and tapped, the efforts growing more frantic.
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The animalistic grunting grew frustrated. Oh away, weakly, spooky, will
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be right back. Rats. It can't be rats, Freddy whispered.
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He went to the sink and grabbed a glass from
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the drying rack to catch the intruder. He knelt in
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front of the cabinet, chewing his bottom lip nervously. As
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the animal's attempts escalated. He debated not looking. There was
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no point seeing the vermin if he wasn't seeing the
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income to deal with them. Let the little bastards be
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until we get some tenants, he told himself that just
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