Sept. 22, 2024
Unknown Broadcast | "Author and the Thing"
Oh my, don't be afraid. I mean, not of this show. It's not real, at least I don't think it is. My dear, just relax and listen. These ghosts, ghouls, monsters, murderers and more aren't really here to get you, but your ears may lie to you...
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👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Ah, welcome back, my dear, happy to have you. Of course,
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as always, it's getting rather late, isn't it. I suppose
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that means it's time for another scary story. So saying
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you know, what I love about stories is that there
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has to be an author. There has to be a
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person's behind it, orchestrating things like some kind of more
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benevolent god. I find that truly fascinating. I myself have
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sat down with the typewriter many a times and pushed
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out a tone or two. Maybe one day I'll share
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one with you, but I am quite insecure. What's that?
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What's that? Oh? No, no, no, no, no, don't you worry
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about it? Why don't you get comfort? Have a couple
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of tea. I brewed it just for you yesterday. It's
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cold outside, but in here it's going to be downright
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shilling as we learn of the author and the thing.
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You thing.
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This is our jobler, bringing me another in our series
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of stories of the unusual. And once again we caution you,
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these lights out stories are definitely not for the timid soul.
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So we tell you calmly and very sincerely, if you
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frank and easily turn off your radio now.
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But Goddard. Answer the phone, please.
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Don't miss e. Oh yes, it's Harrison here, he is
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over there, Harrison.
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Oh oh, thank you? Tell Jone. How's a fan of lady?
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You know?
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Ye?
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Now?
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Am I in trouble till the last lights out? I
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just don't know what to write about. Oh no, I
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got plenty of lies there is. But oh well, men
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dying in foxholes? And what am I doing thinking of? Fantastic? Well,
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thanks very much, but I still insist that I ought
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to be Yeah, okay, sure, I'll make this last one
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a good one, and then that'll be last if finally
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through it. Huh No, No, I was just talking to myself.
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I've been doing that rather consistently these last few days. Yes,
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I guess all those zombies and ghouls and look Cruz
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are finally caught up with me.
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Yeah, I know, I know.
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Two aspirins and a glass of water every half hour.
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I don't here, Miss Harrison, don't worry about me. I'll
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get the story written the night off. I have to
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talk to the devil himself to do it. Light John, Yeah, sure,
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oh fine, fine, call me back in an hour and
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I'll have some kind of a plot figured out. I
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hope GM I regards to Norman. Talk to you later, Oh,
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miss Gotter.
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Let's get to.
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Work, Yes, sir, what time is it anyway?
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Eleven thirty two?
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Sorry, I have to keep you working so they that's
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certainly all right.
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I know you have to have that play done by
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tomorrow morning.
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I'm glad to help.
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You're an angel. Angel. That's a strange word to use
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here in this room where I have thought off so
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many demons in Monty. Tell me, or maybe you won't
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want to tell me, what miss Over working with me on.
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These lights out plays?
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Do you ever get frightened?
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Well, yes, I do get frightened many times.
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It was a time I'd have found had very amusing,
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but not tonight.
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Is there something wrong, Miss Ober, I don't know.
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Tell me.
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Did you ever sit alone in a room at night
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and have a premonition, I mean, suddenly get the feeling
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that's somewhere in the house, perhaps in the darkness, and
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then extreme something was waiting, something of malignancy and evil.
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What's the matter with me? If I keep on talking
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like this, I'll be.
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Using these exhibit as in the psychopathic ward.
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Come on, let's get the work, Yes, sir.
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I see. We'll start out next week's play.
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With the regular lights out opening like that, everybody chimes
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like everything you thinks gone. First character is named Helm
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and call Helen Jack Helman Hl. I'm an two outsta.
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He commits some murder and he, oh, what's the use?
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I can't write another one of these things? Ghosts and
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groans and blood.
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I tell you, I can't do it.
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I can't do it. I used to over there.
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I'm sorry, bokay with scottter you better run along, but
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we going.
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I just can't write anymore tonight.
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What's the cat?
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They'll be standing by the rehearsal.
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Trouble with the rehearsal.
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I'm not gonna go insane writing these things for anybody now,
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and I'll run along. Please try to get some rest, and
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you come back her in the morning. We'll see what
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we can do.
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Did you say, are you sure you're all right?
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Please? Go all right?
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Good night?
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Good night?
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What's come over me? Anyway?
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Why did I tell her to go gotta write this
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white premonation?
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She want to?
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Thought I was getting softy? Who's there? Oh?
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Oh I am in bad shape. The wind rattles the
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window when I lights out.
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Author goes enough, there's the headline for a variety. I
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gotta get down to earth A quarter twelve the only
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thing she'd call back in an hour.
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I've gotta have some kind of a plot by then.
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Let me see.
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How about a press age named black killing a man
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named white and black and white murder?
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Ooh that coin.
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Maybe I could use a story about a Hollywood producer.
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Let's see Johnny Hour. He meets a girl and I'm
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afraid because the girl's hush?
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Is that out of character?
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How about Nero chopping off heads in the Roman circuits?
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And certainly he's quiet in here? Yell all day for quiet.
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Now that I've got it, I have got the jit
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What the devil have I got to be jittery about.
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Things are what they are.
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If anybody knows that, I do two until he makes four,
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unless you're talking about curved space, and then the head
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hold on to what they've gotten. Aybody who's in this
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war for prop it out of his bones, broken off something?
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What the devil am I talking about?
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Okay?
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I had better stop kidding myself. I know what's wrong.
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I want to write it, and yet I don't. What's
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the matter with me?
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Afraid I put it down on paper.
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What have I got to be afraid of?
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It goes?
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Get over with it outline of title on the side,
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put out of my system. Play opens in the cell
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of a monastery in the Middle Ages. A mystic is
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cowered in a corner of his room, outside a mob
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that's clamoring for his life. It appears that a horrible
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crime has been committed in the village below. A horrible
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monster had torn a woman. It appears that this creature,
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brought into being through the incantations of the Sorcerer, was
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the concentration of all the evil and men's hearts and minds.
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A tremendous force of fiendishness and inhumanity put into living
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flesh to roam the world and commit.
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Unspeakable of all the drivel.
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A tremendous force of fiendishness and inhumanity put into living flesh,
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to roam the world and come in unspeakable hut boom,
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well drivel. And there it is on paper, the owly
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monster conceived and the own mind. Congratulations, Papa Habit, the GUYE.
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Conceived in my own mind.
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H That's what that crazy monk said in that book
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that wolf.
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Gave me one who gave him that, that one conceived him.
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Where's that book anyway?
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It ought to be?
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Yes, I even marked the page. And I say unto
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thee that if thou shalt be evil, and do evil,
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and think evil, and let thy mind rest upon this
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evilness in the light of day and in the darkness
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of night, for seven days and seven nights, there may
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come into being a thing of evil. And it shall
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take the form of the evilness of thy thought, written
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by half startimistic, more than ten centuries ago. And I funny,
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I should have thought of those words tonight.
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I have been thinking about him for a week. Shall
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take the evil the form of the evilness of thy thought?
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Seven days and seven Do you in my mind? Here?
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You're just in my mind?
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No?
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You you? You don't exist. He got up your dream?
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Did a dream? When I wake up? It is a dream.
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It's gotta be a dream. Come in, Come in, Get
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me out of the stream, Get me out of the streams.
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Give me an hour. Don't you have open doors anymore?
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And what's the big guy here sitting in your dreams?
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It's hey, what's cooking here? I get out? Oh now
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I'm got into looking to get out.
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Can't you see it? Can't you see it?
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Down? Get out of here? You are a day seeing here?
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What was behind you? Look behind you? Well it's lapping
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behind me, but the wall say, what is just in
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a way a preview? I get out of here? Oh right,
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all right, now that's seven? What is this a preview
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of a new play? Why am I glad? You're quitting life? Dot?
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After all? Can't you hear him? Oh?
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Hear who?
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Eli? Behind you? Behind me? What? What's the matter with
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you anyway? R? Don't you feel well?
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Keep?
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What's the matter of the big elephants?
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Beginning?
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You take to my brother?
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No?
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No Eli?
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Oh love?
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Please please right away? My brother, please, said police, please,
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my brother, my brother? How much time we just go
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on this ship?
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If you're hold it? Here comes Franks enough again thirty
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nine and party go to Victorian Rightwood joke making a
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Distorebent flames his brother at by a monster.
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China. But I tell you it's true, officer, it's true
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my brother.
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My own brother.
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I saw it.
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I saw him, my own all right, all right?
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Not taking easy, young fellow, your own bed. I tell
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you I'm not drunk, coming sober as you are. Don't
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get funny. Take headed pool. Look it's there behind you.
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What I think the monster? Look at it.
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I've heard of the Jean snakes and pink elephants, because
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the first one I've seen.
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His bat off. Hey Joel, oh, you never can tell him.
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The bat there?
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Look at the truth.
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If you can't just see him, can't just see him,
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maybe we'll be better. Take him down to the station,
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let him cool off in the can for a while.
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And yeah, I'm.
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Saringly the do you?
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Why would you believe me? What would you? Maybe this
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guy is on the level or you're not too. Something
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happened to his brother. There'd be someone around woodn't there?
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And there ain't nothing in this rule your gun? What
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do you mean? I thought of the monsters seven days
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a night issue. The guy's nuts.
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What's your name?
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Young Feller? What's your name?
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Quiet John?
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Now?
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What's your name? Different?
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Them?
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Think you?
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Pitter grins me? Why don't you see it?
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Help me? Why you come on?
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Now?
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What's your name?
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