April 19, 2026
Unknown Broadcast | Cursed Rings, Vanishing Brides, Greed: Four Vintage Radio Horror Stories from the Dark
Unknown Broadcast returns to the Weekly Spooky feed with more old-time radio horror stories, classic OTR suspense, vintage mystery radio, ghostly dread, strange disappearances, greed, curses, and dark family secrets. This week’s transmission moves from plague-haunted bloodlines to a vanished bride, from murderous greed to a glittering dream of impossible wealth.
🌹 A Ring of Roses — A seemingly innocent visit to meet a fiancée’s old friend turns into a sinister journey through inherited secrets, Black Plague lore, and a cursed ring that feels tied to the living and the dead alike. It’s lush, gothic, and steeped in the creeping dread of classic radio horror.
💍 The Bride Vanishes — A bride disappears into mystery, leaving behind unease, strange behavior, and the sense that something is deeply wrong beneath the surface. This one carries that delicious vintage radio suspense mood of mounting confusion, ominous atmosphere, and danger waiting just offstage.
💵 Avarice — The Whistler steps in with a tale of greed, money, and murderous desperation, where John Abbott’s hunger for wealth twists everything around him. It is sharp, cruel, and exactly the kind of crime-horror radio story where one bad desire poisons an entire house.
💎 The Diamond as Big as the Ritz — The night closes with Escape, promising a fabulous world of wonder, danger, and impossible riches. There’s something especially haunting about ending on a story built around desire so extravagant it starts to feel unreal, like a dream that may not want to let you wake up.
If you love classic OTR horror, old-time radio suspense, vintage mystery anthologies, paranormal audio drama, and eerie stories pulled from the strangest corners of broadcasting history, this episode is packed with exactly that kind of shadowy delight.
Some families inherit love. Some inherit dread. And some spend their whole lives reaching for something bright enough to blind them.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
🌹 A Ring of Roses — A seemingly innocent visit to meet a fiancée’s old friend turns into a sinister journey through inherited secrets, Black Plague lore, and a cursed ring that feels tied to the living and the dead alike. It’s lush, gothic, and steeped in the creeping dread of classic radio horror.
💍 The Bride Vanishes — A bride disappears into mystery, leaving behind unease, strange behavior, and the sense that something is deeply wrong beneath the surface. This one carries that delicious vintage radio suspense mood of mounting confusion, ominous atmosphere, and danger waiting just offstage.
💵 Avarice — The Whistler steps in with a tale of greed, money, and murderous desperation, where John Abbott’s hunger for wealth twists everything around him. It is sharp, cruel, and exactly the kind of crime-horror radio story where one bad desire poisons an entire house.
💎 The Diamond as Big as the Ritz — The night closes with Escape, promising a fabulous world of wonder, danger, and impossible riches. There’s something especially haunting about ending on a story built around desire so extravagant it starts to feel unreal, like a dream that may not want to let you wake up.
If you love classic OTR horror, old-time radio suspense, vintage mystery anthologies, paranormal audio drama, and eerie stories pulled from the strangest corners of broadcasting history, this episode is packed with exactly that kind of shadowy delight.
Some families inherit love. Some inherit dread. And some spend their whole lives reaching for something bright enough to blind them.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Ah, my dear, so glad to see you here. Yet again,
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nothing has quite scared you off as of yet. But
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of course it is early, not in the sense of
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the day, but perhaps in the sense of well, you'll
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find out soon enough. Please get comfortable. I have your
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chair right up by the fire, because even as the
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days grow warmer, the night always seems to grow colder
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and darker. Oh, what's that. Well, I'm not sure I
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would say you should worry, at least not yet. In fact,
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I would say it's all just a ring of roses.
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Come in. Welcome, I am E. G. Marshall. Welcome to
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the sound of suspense, to the fear you can hear.
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Our tale is a blood freezing story inspired by a
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nursery rhyme, A sweet simple song. Ring a ring of
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rose is a pocket full of poses. At you, at you,
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we all fall down. It sounds young and innocent, doesn't it.
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But it is very old and very sinis for the
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ring a ring of roses with the splotches that first
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appeared on the faces of those afflicted during the Black Plague.
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The pocket full of poses were the herbs that were
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carried hopefully to ward off the fatal disease. The sneezing
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sounds hachu hachu, were the sounds of the final spasms,
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and we all fall down was well, you can guess.
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Our mystery drama, A Ring of Roses, was written especially
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for the radio mystery theater by S. J. Wilson and
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stars Glynnis O'Connor.
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I'll be back shortly with that one.
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Science has brought most plagues under control, but not so
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those other epidemics of the past, those that plague us
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with their unseen, unknown and unexpected terrors. And such is
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the tale of terror you're about to hear. Draw close
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to the guttering candle, for you will receive no warmth
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from her Ring of Roses.
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You know, George, I've heard about this place so often
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from Helena.
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I'm just dying to see her home.
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And I'm anxious to meet your friend Helena.
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Oh, I'm sure you like her.
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What will she like me taking her best friend away
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from her?
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Come on, George, you know you're irresistible. Ca Why do
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you think I'm going to marry you?
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Well, for one thing, my beautiful, exquisite, enormous pots of money.
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Oh George, wait, looks.
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Lay, I'll get your hands off the wheel. What do
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you think you're trying to do?
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But we've passed it. It's a sign to the house.
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Back there, Laurie, Laurie, I never want you to do
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that again. I'm not gonna let missing a sign risk
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you are getting hurt. You understand, I'm sorry.
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Shouldn't have grabbed the wheel that way?
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All right, forget it, but please never again ever. And
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that is supposed to be the sign.
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Helena warned that we might miss it.
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Why would anyone use a rose colored stone in a
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brass oval with no name or any identification on it
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for a house sign.
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Well, their name is Rawston, and Helena said the generations.
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Back when their family first moved to America, it was
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rose stone, so they put up a rose stone.
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Well, if they want people to get that meaning from it,
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they either enjoy guessing games, or more likely just want
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to keep themselves very very private.
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Yes, guess what, as you said, they are very private.
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Well, I got that impression before we got here, and
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I also have the feeling that they're not very friendly either.
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Oh, how can you say that?
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When Helena's mother especially invited us over because she personally
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wanted to give us our engagement gift.
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Yes, and that's pretty peculiar too.
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Oh how many parties, I mean showers?
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Did your girlfriends give you four? Right?
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No?
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Three?
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Last one was at dinner, all right.
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And Helena was invited to everyone.
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But I know, George, she didn't turn up for any
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of them.
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You know, Laurie, I've never seen you so wound up.
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What's spinning around on that pretty head of yours.
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No, but.
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I am on edge what.
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I guess about meeting Helena's mother. You see, she's so strange.
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She seems so powerful and so terribly uncompromising. I was
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trying to change things for Helena, and then I let
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her down by becoming engaged to you.
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But I don't tell me you weren't gonna marry for
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for Helen's sake.
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Well, at least not until she married first. We were
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going to share an apartment together in the city.
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You know what I'm gonna do, Laurie.
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I Am going to turn this car right around and
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head back to the city. This whole trip is more
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foolish than funny.
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Oh no, George, please don't talk.
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You's we all you hear.
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Something like like saying, let me open the window.
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It's a woman singing that old nursery.
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Rhyme, we all fall down.
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But what's that snapping sound? It sounds it's like a
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piece of leather. It sounds like a whip.
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George, what are you doing.
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I'm getting out something's happening here that I don't.
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Don't open the door. Please don't. We'll go back if
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you want.
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I'll be right back to keep the window shut and
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the doors locked.
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Don't leave me, George, I'm coming with you.
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Wait, okay, but stay close to me.
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Which seems to be coming from behind those hedges.
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You know, it could be just playing game.
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If that voice is coming from a kid, he's using
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a bull's horn. Let's stop here. You might see through
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the head. Please be careful, holy to look at that.
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Let me see that man, the old man with a beard.
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He's trying to catch the girl with his whip.
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Oh, she's chasing him. She's making fun of him.
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If he layings that wagon whip on her, he'll split
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her face open.
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Look at their.
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Clothes, George, they're just like settlers in the early eighteen hundred. Yeah,
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you know, they could be rehearsing a play.
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If they are, he's lost his mind in his part
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that man's going wild with that whip.
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But she's provoking him.
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Why does she stop?
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Hey, hey, you there, What are you two doing?
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George? You shouldn't have done that?
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And who is who is ordering me and questioning me?
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I am over here. That's a terrible thing you're doing.
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Oh George, please don't go in there.
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They know we're here. We must meet them. That's a
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dangerous wep you're using. That young woman can be killed
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by it.
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I see by your clothes you are a stranger, and
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I can also see that you are a kind human
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who wishes no harm to come to another. But this,
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this wench is my daughter. And what I am doing
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is the true way to gain the obedience of a
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child who will stray.
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But what in heaven could she have done to deserve
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being whipped?
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I did no harm to no personal to him. I
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have broken no law of God or Master.
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Jump it o your witch's tongue. Believe me, young woman,
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when I tell you that she has the demon in her,
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playing and wencing with the young master who owns this land.
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While I'm out here working at clearing their forest lands,
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she's up there in the Great House with her enticements
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and tricks and enchantments. And if it has already come
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to this, that he has given her a gift for
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favors promised or already bestowed, the gift of a ring
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and already cursed ring.
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He gave it to me fair and with the holy
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vow that he will marry me in the month of
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the next full moon.
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Marry you Willie, you can have fair to read and write.
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You who are lower than his mother's kitchen skugging, you
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give me that right?
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I won't.
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I swear by the name and the soul of my
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sainted mother that you will never get this ring.
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I do, though it mean your own death, you get
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the whip of it.
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God, why can't you be a little more reasonable? She
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may be telling you the truth.
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I am. I swear it on my dead mother's bible.
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I am than if you are, Why don't you give
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him the ring and let your young man personally tell
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your father.
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Of his plan.
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No, No, he'll do no thing like that. He'll bury
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the ring in some secret spot and drag me.
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Away before the fall of night.
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For he doesn't want me to marry to no one,
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but to stay with him and clean and cook and
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wash for the rest of his devil life.
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As you can see, she's beyond talking of matters with
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sense and decency. She's been taken up with her planning
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and scheming to get away from me for the purpose
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of Harlot's game.
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And she hardly a.
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Marrying I'll kill you, George, for God's sake.
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Stop, Oh, I can't look.
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Instead, she killed her own father.
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But where is she? What happened to her?
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There she is, she's running away.
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Hey, they come back, come back. You can't get away.
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It's you will never get away.
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The ring will circle you.
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George, George, don't try to catch her.
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She's like wind. I'll never get my hands on her.
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She's almost in the forest.
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Come back, come back.
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We're not gonna hurt you.
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She disappeared.
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Even before she got to the forest.
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But George, look what I found. It's the ring. She
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dropped the ring.
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Let me see it.
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You know what it's like.
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It's just like the road sign.
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Well, it's the same shape, the same color stone. It's smaller,
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but it is just like the road sign, rose colors.
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George, George, we've got to get help the police.
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Where, of course, the house. We've got to get to
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Helena's house. This ring so rosy, this ring so rare?
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Does it belong to the living or the dead? We
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will return shortly with that too.
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You alone. I don't want to disturb your mother, My.
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Dear, you're not disturbing me in the slightest. This room
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has no secrets. Its acoustics are incredible. I'm Helena's mother.
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Hello, missus Rawston. We've just had a very a very
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unusual experience. Laurie's pretty badly shaken by it.
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Yes, so I see, Helen. Why don't you take Laurie
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to your room, let her refresh yourself. Perhaps mister Williamson
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will tell me something more about what's happened.
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I think the police should be notified at once.
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The police here. Did you have an accident?
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Well, not exactly, but we happen to see something that
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can only be described as gruesome, I guess, and the
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police should be notified.
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Mother, do you think, Helen, dearest? This is not the
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time for speculation.
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I shall be.
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Glad to have the deputy's office call, but can you
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give me some indication of what they'd be told.
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We don't like bothering our offices unnecessarily. They have enough
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to do as it is. But someone's just been murdered.
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Oh no, not again, Helena, restrain yourself. Dearest Laura. You
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say someone's been.
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Murdered who we don't know who he is.
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But it was trying to whip the young woman and
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mister Williamson.
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She took an axe and killed him.
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No, how could you was.
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Paining that it wouldn't happen to you? Oh poor Laurie.
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Now why don't you young people make yourselves comfortable? A
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