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Concrete Evidence: A Creepy Summer Job Horror Story
Broke teens near Toronto accept a summer job from a strange man building a pink concrete house... In this eerie horror story, three friends slowly realize they may be helping a killer—a darkly funny, chilling tale that blurs urban legend and true crime. Perfect for horror fans and spooky season year-round.
Ten dollars an hour just to clean old car parts and carry concrete blocks across a field? Easy money.
But Frank is secretive about his locked shed. He never lets the boys inside. He guards his tools. He hauls out garbage bags, towels, saws, hatchets, and heavy handmade concrete blocks dyed a strange shade of pink. And as the summer drags on, the friends begin to notice disturbing details embedded inside the blocks they’ve been carrying by hand.
What starts as a weird summer job becomes a horrifying discovery of body horror, serial killer madness, hidden evidence, and a house literally built out of secrets.
Concrete Evidence — by Gary D up in Ontario, Canada
What begins around Concrete Evidence develops into a focused mix of murder, disappearance, and investigation, body horror and transformation, and teen and school-set horror, with each escalation rooted in the story setup and character relationships above.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
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📬 Contact Us / Submit Your Horror Story!
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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The job sounded simple, clean, some parts carry some blocks
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make a little summer money. But Frank Chopsky's locked shed
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had rules, His pink concrete house had secrets, and the
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boys who helped him build it never stopped to ask
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what made the blocks so heavy?
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What's that You want to be scared? Come with me.
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You will experience tales over our roam, ghosts and death gut.
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It is not recommended for the week at art Listeners
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in the dark. It's more fun at that way. Wait,
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this is Weekly Speaking.
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Hello, my spookies. It's Wednesday, and you know what that means.
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It's time for a little spooky in your weekly. I'm
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your host and narrator, Enrique Kuto, and we have quite
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the creepy summer tale just for you tonight, something to
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help your blood run cold no matter how warm it
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is outside. But before we get to that, I want
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to say thank you all so much for joining us
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here tonight. You are the hardcore spookies who truly celebrate
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Halloween all year long, just like me, and I am
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honored to have you here. So make sure you're subscribed
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on your favorite podcasting app because we never miss a
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Wednesday bringing you a brand new scary story. And if
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you love what we're doing and want to support us
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in a very very direct way, simply head to Weeklyspooky
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dot Com slash join and for as little as one
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dollar a month, get two bonus shows every month and
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over five years of exclusive audiobooks, creepy pasta readings, and
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so much more that's at Weeklyspooky dot Com slash Join.
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Now is a perfect time to show your support for
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the show. But now, as for tonight. Summer jobs are
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supposed to be boring. You show up, you sweat, you
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get paid, maybe you complain a little, maybe you laugh
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with your friends, and maybe, if you're lucky, you walk
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away with enough cash to make the whole thing worth it.
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But every once in a while, a job finds you
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a strange man with a stranger smile, a locked shed
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nobody is allowed to enter, a pile of concrete blocks
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dyed a soft, cheerful pink. At first, it all seems
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harmless enough, but when three friends start wondering what their
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boss is really mixing behind that shed, they learn that
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some houses aren't haunted after they're built. Some houses are
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simply built haunted. So get cozy as we head to
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our new job. Concrete Evidence by Gary Dee up in Ontario, Canada.
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My nightmare began harmlessly enough on that fine, warm summer's day,
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but then quickly evolved as it inevitably spiraled into the cold,
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lifeless corpse of a traveling circus freak show spectacle that
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it truly was. Back when I was around eighteen or
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so and living near Toronto, Ontario, Canada, I experienced one
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particularly hot and very humid summer for which the associated
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bizarre and disturbing details and memories remained shockingly vivid and
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forever burned deeply into my brain. At the time, I
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was hanging out with a couple of new friends i'd
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just met in high school, and we were all busily
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and frankly quite desperately trying to find summer jobs. And
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just like me, Todd and Izzy were both brash mouthy
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fuckers who ironically enough also possessed my same insane, dark
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and warped sense of humor. One day, while we were
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all just kind of chilling at a local park, we
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watched as a rusty, old piece of sh shit Chevy
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pickup truck slowly pulled into the parking lot. At first
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we heard the telltale sound of gravel crunching under heavy
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rubber tires, and then all we could hear was John
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Cougar Mellencamp's Pink Houses loudly blaring out from his car stereo.
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Next thing we know, this weird, scruffy looking dude with
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these wild screwy eyes that kept darting all over the
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place steps out of the truck after knocking some dirt
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out from the tread of his work boots by kicking
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them against his front bumper. He then looks, or actually
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more like glares over at us, and proceeds to slowly
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and clumsily hobble his way across the grass and over
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to where we're all standing on first, looking at him,
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and based on the filthy, badly stained clothes he was wearing,
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he looked like some down and out homeless guy, you know,
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like the kind you'd see rolling out of a dumpster
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in an alleyway somewhere, getting ready for an exciting night
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out involving the picking up of salvageable cigarette butts and
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foraging through the sidewalk garbage receptacles for any even remotely
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edible remnants of food. And whenever I really think back
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on it, you know, about my very first impression of
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this guy on initially meeting him, I'm convinced that he
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actually looked a hell of a lot like an older
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and much creepier if that's possible version of Gary Busey.
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If you can imagine that and know what I mean.
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This complete whack job just stood there uncomfortably staring at us,
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taking his sweet creepy time to carefully look each one
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of us up and down, And as things almost reached
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the point of no return, meaning being such a complete
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and bizarre clusterfuck of awkwardness as to be totally beyond repair,
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he finally said something as he stroked his stubbly, badly
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wrinkled ass chin. The name's Frank, Frank Chopsky, and I'm
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here to make your day. He then dropped his hand
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from his damp, hasty white face and proceeded to smile
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the absolute creepiest smile that you could ever imagine. Izzy
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Todd and I, all, with our eyebrows raised, looked at
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each other as we slowly started to back away. As
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soon as he sensed our reluctance, he then quickly dropped
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his insidious smile and replaced it with a mouth that
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appeared much more serious and business like what you boys
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think about making some good money and for and practically nothing.
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He went on saying that he'd gladly pay each one
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of us ten dollars an hour simply to help him
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clean the grease and oil off of a bunch of
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old car parts and to carry a shitload of concrete
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blocks across a small field for him. He explained that
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he had a large tool shed out back of a
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piece of property that he owned located on the other
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side of town, where he'd set up one of those
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manual hand crank concrete mixing machines, which he planned on
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using to make somewhere like around four hundred or so
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concrete building blocks with Frank went on to say that
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he wanted to surprise his wife and six kids, who
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were all out of town for about three months visiting
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with family, by building them a brand new house, and
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not just any house, but a special, little pink one.
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He continued on saying that seeing as his wife his
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favorite color was pink because she'd always loved pink carnations,
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that he'd simply just add some pink dye to the
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concrete mix so he'd end up with pink building blocks.
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He claimed to have built a very similar house all
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by himself once before, but seeing as he was much
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older now and had some serious back issues to deal with,
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he just needed someone to help him with the carrying
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of all these concrete blocks from the mixer across a
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field and over to where the house was going up.
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My buddies and I were all broke and desperate for cash,
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so we backed away a bit and briefly discussed it.
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Izzy chimed in first by saying, shit, man, ten bucks
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an hour for each of us just to do that. Hell, yeah,
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I'm in. I immediately agreed, adding, Hey, we've been shooting
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blanks so far, and nobody out there is even hiring
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right now. We'd be stupid not to take this job.
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Sounds pretty easy peasy to me. Let's tell him yes
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before he changes his mind. Todd was always the leery one,
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so cocked his head kind of sideways, nervously bit his lip,
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and then said, hang on a minute. We don't know
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shit about this guy. He looks as fucking creepy as
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they come. He could be a serial killer. Izzy and
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I laughed out loud because we'd heard Todd recite these
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exact same words about a million times before, really, any
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time we met someone new. There was even that time
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when we met like a four foot tall ninety year
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old grandma, which he swore up and down to us
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he'd seen featured on America's Most Wanted for luring little
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boys into her house to never be seen again. Finally,
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we all agreed and walked back over to this Frank
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guy and told him, okay, seemed easy enough, seeing as
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we were all young bucks and still had limber, flexible
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joints and strong backs. We'd certainly carried and moved a
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lot heavier shit in the past and never got paid
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a red fucking cent for it, so hell yeah, why not.
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Frank spent a couple of hours one morning covering us
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on the routine. As he described it, the three of
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us would all just sit and simply wait outside the
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shed until he was ready for us, which was practically
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most of the day, and would then call us over
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when the time was right. Most of the time, all
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we had to do was just sit outside in the
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shade of a big oak tree, cleaning up oil and
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grease from a bunch of old car parts. For him
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with some old rags, so basically just waiting on him
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while he was busy inside the locked shed mixing up
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a recipe of cement, powder, sand, gravel, and a few
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other special ingredients, all inside of the rotating steel drum
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of his small hand crank mixing machine, and once fully mixed,
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he'd then pour the runny slurry mixture into ten individual
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home made two foot wide by one foot high by
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one foot deep steel building block forms. Frank figured that
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if he could manage to make ten blocks per day,
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working five days a week, then he'd have like fifty
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blocks per week, or a grand total of two hundred
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pieces a month, and seeing as he estimated that he
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needed roughly four hundred of them, the whole project would
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likely take about two months to complete, give or take.
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After the concrete mixture had been poured into all the forms,
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he'd then let them sit to cure, meaning harden, over
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the span of the day, and once the concrete had
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set and gotten hard enough, Frank would then turn the
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forms upside down, tap them gently on the sides and
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bottoms with a small mallet, which would then release the
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concrete blocks from their casting forms. Once he'd removed all
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ten of the concrete blocks. He'd then completely cover them
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up by putting them into small, damp burlap sacks, and
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call for us to come over to the front door
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of the shed, where he'd proceed to pass them to
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us one by one, but never ever allowing us to
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as much as set even one foot inside. This always
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seemed to occur later in the day, a little while
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before the sun would set and it got dark out.
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Then the three of us would all take turns, working
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in a kind of rotation, with two of us grabbing
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each end of a block and then slowly shuffling along
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carrying them out to the location across the field where
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the new Pink house was being built, which was roughly
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some fifty yards away. Frank insisted on having them all
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carried individually by hand, as opposed to what we all
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thought and suggested would be a much simpler way, which
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was to just wheel them over in his wheelbarrow. Unfortunately,
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Frank was a stubborn old coot and just wouldn't have it.
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We were really surprised at how heavy these small blocks
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actually were, and there was absolutely no way that one
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person could ever carry one on their own. After carrying
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about the first couple dozen or so, we kind of
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got the hang of it, and our muscles slowly became
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accustomed to the routine and repetition of the associated struggle
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and strain. We carried out this same repetitive procedure almost
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every day throughout the entire summer, working pretty much every
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day from sun up to sundown. He had told our
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parents that we'd gotten jobs as general labors, having to
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perform the simple task of mostly polishing grease off of
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auto parts and then just occasionally asked to carry what
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were basically a bunch of large rocks across a field.
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At first, our parents were a little worried and leary,
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but we assured them that they had nothing to worry
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about because they really didn't weigh that much, and because
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we knew what we were doing, and we also reminded
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them of the fact that we were each getting ten
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dollars an hour, which was great money at the time.
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Frank slowly built the house block by block and room
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by room, and as each room was completed, he'd then
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nail up wooden plaque, which he said had the first
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name of one of his beloved children on it. First
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there was Charlene, then Thomas, and followed by Ashley and Eric.
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He had a kind of scaffolding set up all around
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the house, covered in thick sheets of white frosted plastic
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which kinda draped over everything, And on top of that,
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he'd also put up a ten foot chain link fence
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with barbed wire on top all around the entire property.
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Frank claimed that he didn't want any nosy neighbors or
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passers by seeing whatever the hell he was doing, none
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of their goddamn business. As he described it to us
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several times, the only really weird thing about all of
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this was that whenever he ever heard any of us
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approaching the shed, or if we happened to knock on
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the door to ask him an important question, he'd go
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ballistic and completely ape shit, screaming bloody murder and warning
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us to stay the fuck away. Not sure what the
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hell that was all about, we were also curious as
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to why he entered the shed each and every morning,
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pushing a large black wheelbarrow out in front of him,
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containing a large drumliner plastic garbage bagger to stuffed full
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of whatever, as well as what appeared to be a
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small hatchet, a long handled mallet, a bunch of towels,
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