April 29, 2026

COME ON IN: The Door Beneath the House - Secret Tunnel Horror Story

COME ON IN: The Door Beneath the House - Secret Tunnel Horror Story
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A creepy old house. A terrifying basement. A hidden Underground Railroad tunnel beneath the floor. And one frightened boy who makes the worst possible choice: he decides to see where it leads.
In this terrifying episode of Weekly Spooky, Curtis Tucker is afraid of the unfinished basement in his family’s old home — the cold concrete, the rotting doors, the flickering light, and the strange wooden shed tucked away in the corner. When his father reveals that the shed hides a tunnel once used as part of the Underground Railroad, Curtis’s fear turns into obsession.

One rainy night, unable to sleep and desperate to conquer his nightmares, Curtis creeps downstairs with a flashlight and opens the shed. What begins as a child’s attempt to face his fear becomes a claustrophobic crawl through dark underground passages… and ends in a place far worse than anything he imagined.

If you love basement horror, hidden room stories, secret tunnels, old house horror, serial killer fiction, creepy kid horror, and scary stories with a brutal twist ending, this one will make you think twice before opening any door you were never meant to find.

Turn out the lights, my spookies… but maybe leave the basement door locked.

Come On In — by Morgan Moore

🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!

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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨‍💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT

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Curtis thought the scariest thing in his house was the basement,

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the cold floor, the flickering bulb, the rotting little shed

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in the corner. But when he learns that shed hides

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a tunnel beneath the house, fear becomes curiosity, and curiosity

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becomes a mistake.

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What's that You want to be scared? Come with me.

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He will experience tales over our roam, ghosts, and death.

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He does not recommended for the We get hard heart

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listeners in the dark. It's more fun at that way.

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This is weakly speaking.

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Hello, my spooky is It's Wednesday, and you know what

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that means. It's time for a little spooky in your

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weekly I'm your host and narrator, Enrique Kuto, and I'm

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recording this via battery power because my entire area of

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southeast Ohio is without power currently. It has been a

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very harrowing day. I recorded our story for tonight, and

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then as I was preparing it to post, we lost

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power and proceeded to not get it back for ten

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hours now, so bear with me. Although the recording will

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sound extra quiet with no distractions like HVAC or well

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anything that brings comfort. But let's get past that. We

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could all use a break. So I just want to

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remind you, if you love what we do here at

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Weekly Spooky, you can head to Weeklyspooky dot com slash

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join and for as little as one dollar a month,

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support us directly and get two bonus episodes every month,

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as well as over five years of exclusive creepypasta readings

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and audiobooks at Weeklyspooky dot com slash Join. I really

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would appreciate it. Your support is what helps the program

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keep going and going and growing Weeklyspooky dot Com slash Join.

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But now, as for tonight, every old house has a

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few secrets, a creaking chair, a locked room, a smell

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in the walls that never quite goes away. But Curtis

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Tucker's new house has something even worse. A basement he

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can barely stay and to enter, and a hidden passageway

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buried beneath it. His father says, it's history, a tunnel

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from another time, a secret route once used by people

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running for their lives. But history doesn't always stay buried,

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and one rainy night, Curtis decides the only way to

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stop being afraid is to climb inside and see where

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that tunnel goes. So get cozy, my spookies, this is

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a creepy one. I know you'll like it. Come on

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in by Morgan more. Hey, Kurt Dog, you mind coming

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down and helping your old dad out? A fatherly voice

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called up from the basement. Curtis Tucker stared down the

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stairs toward the place his father's voice had come from. Normally,

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he would jump at the chance to help his father

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with any project. Ever since moving into their new house,

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he had helped whenever his father asked. It was an

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old house and needed some TLC, so the opportunities were plentiful.

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More than that, they were chances to spend time together

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between his dad's long stretches on the road as a trucker.

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But this wasn't an opportunity he wanted to take. Basements

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were not something that Curtis liked. He could tolerate them

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when they were furnished, like a friend's house where there

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was a couch, a poll table, and a television with

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a game console hooked up. But your plain old Joe

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average basement, uh huh. Theirs wasn't finished and was nothing

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more than cold concrete floors, brick wall, creaky wooden stairs, cobwebs,

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and grime with the occasional visit from garden snakes and

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other critters. It wasn't fun and it scared Curtis immensely. Curtie,

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his father called. Curtis gulped and took a breath. He

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really didn't want to go down there, but he couldn't

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leave his father hanging. He took another deep breath and

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started his descent into the basement. The damp odor immediately

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filled his nose as the wood creaked beneath his feet,

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teasing the idea of breaking and sending him falling. The

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house was old, so it wasn't impossible if one wasn't careful,

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Curtis remembered hearing the realtors say the house had been

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built in the eighteen hundreds, and while old homes could

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be sturdier than modern ones, they could also be weaker

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depending on how they had been kept. Their house needed

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some tender loving care. Stepping on to the basement floor

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in just his socks, Curtis felt the cool concrete penetrate

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the fabric. The basement was divided into two sections, the

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main room and a side room that held the furnace

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and water heater. Both areas were littered with old metal

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shelving rusted in spots, along with boxes of the family's

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belongings and remnants from previous tenants. Not seeing his dad

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in the main section, Curtis gulped and walked to the

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other room. To him, this was the worst part of

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the basement. It had one light bulb that always flickered,

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even when a new one was screwed in. It always

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smelled of mildew, and his parents had put considerable time

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into cleaning mold from just that space. The room also

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featured an old, rotted wooden door, which Curtis had imagined

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being kicked in by anyone who wanted to do the

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family harm. More realistically, he figured it was how the

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critters kept getting in. But then there was the small

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shed in the back corner of the room that was

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what held his attention the most, as well as his

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imagination whenever he thought of the basement. It was wooden,

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aged and worn, though not quite as derelict as the

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basement door. There you are, kiddo, his father said. Curtis

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smiled at him. Sorry I took so long, his father

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returned the smile. No worries, just happy it leave me

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hangin' What do you need me to do. There's a

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spot on the furnace I need to get to so

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I can fix it, And I can't really hold the

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flashlight and reach it and fix it all at the

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same time. I'd holding it for me, sure thing, Dad.

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Curtis took the flashlight from his father and held it

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where he could see with steady light. His father got

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to work on the furnace as Curtis held the light.

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His eyes eventually drifted over to the shed. From what

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he could recall, he hadn't heard anything about its purpose

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when the family toward the house, nor had he worked

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up the courage to look inside and find out. That

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would mean venturing into the basement, and with how much

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he already disliked the thought of being down there, he

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was more than happy not to scratch his curiosity. His

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father stood up from his crouched position and wiped his

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hands against his pants. That should do it for now.

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Curtis stood up with him and turned off the flashlight.

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Thanks for all your help, Curtie, his father told him

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with a smile. Curtis smiled in return and gave his

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father a nod. His eyes shifted back to the shed.

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Wondering what that's all about, aren't you his dad asked, yeah.

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Curtis answered, I figured I've seen how you look at

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it whenever you come down with your mom or me

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to help out. Do you know what it's for? Mm hmm.

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The realtor told your mom and me when we first

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looked at the house, I don't think you were with

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us for that tour. If you were, you probably stayed upstairs.

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So what's it for? The realtor said, it was actually

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part of the under ground railroad. Really, Curtis asked, surprised. Yep.

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The house used to be a school for girls back

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during the Civil War, and it was one of the

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stops along the route. Escaping slaves would enter a passageway

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nearby tunnels really from lord knows how long ago. Anyway,

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they would crawl through them, and at certain points there

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were places where they could get out of the tunnels

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and into buildings in the area. They could find shelter

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or just stay in the tunnels and wait out whoever

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was trying to catch them. As it turned out, the

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school and now our house was one of those buildings.

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So there's a tunnel in the shed. Curtis asked, making

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sure he understood. You got it, kiddo. Well, More specifically,

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the tunnel leads to a little ledge, since the house

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sits on a hill. Inside there, there's a ladder that

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leads up to the ledge. People would climb down it

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to come in, or climb up it to get back

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into the tunnels. But why put a shed there to

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hide it? I imagine a lot of houses back then

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had similar little spaces that worked as pantries or storage.

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Most likely it was already there before the war and

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the owner discovered what was behind it then cleared everything

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else out. Or maybe the shed was built and the

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ladder put in specifically to help escaping slaves. Either way,

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it's a pretty interesting little historic touch to our home,

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don't you think. Curtis nodded. His father smiled and ruffled

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his hair before heading back upstairs alone. Curtis felt his

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skin begin to crawl. His eyes stayed fixed on the

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shed as he thought about what his dad had said.

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Maybe that was how so many animals found their way

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into the basement. He wondered what people who didn't know

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about the passageway would have thought if a stranger suddenly

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appeared in their home. The information his father gave him

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answered the question of what the shed was for, but

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it also made his anxiety worse. It was strange knowing

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that anyone or anything could let itself into their house

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at any time of day from somewhere else entirely. His

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dad had said there were other entrances in the area,

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either inside other buildings or hidden outside. The shed had

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already creeped Curtis out. Now. He wasn't sure whether knowing

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the truth made him feel safer or even more afraid.

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Are you coming, Curtie, His father called from the top

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of the basement stairs. Yeah, Dad, he answered. Curtis walked

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out of the room and back toward the stairs. Step

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by step, he climbed up, thinking about the unease the

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basement gave him, and now the shed as well. Before

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curiosity had been easier to ignore. Now that he knew

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what it was, the mystery felt worse. At the top

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of the stairs. He stepped into the kitchen and turned

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to look back down into the basement. A chill ran

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through him. He shook his head, trying to shake away

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the anxious thoughts. Curtis flicked the light switch, plunging the

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entire basement into darkness, then closed the door. He only

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prayed he could close the door on the shed inside

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of his head as well. Rain poured down on the

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Tucker house, creating what some would call peaceful white noise

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for anyone trying to fall asleep. That wasn't the case

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for Curtis. Aside from the small leak in his ceiling,

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which made a plipping sound each time a drop hit

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the wooden floor, his sleep was restless. Thoughts of the

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basement ran wild through his dreams, again as they often

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had since the family moved in. The dreams usually involved

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Curtis being trapped in the basement, unable to get out

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through either the door leading up to the kitchen or

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the door leading outside. Sometimes he died of fright stranded

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in the damp. Sometimes an animal attacked him. The worst

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dreams combined both fears, only upping the terror by replacing

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the animal with a human intruder. Tonight was no different,

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except the shed took center stage. Curtis's mind conjured images

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of being trapped not in the shed, but inside the

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tunnel itself, with the earth collapsing around him and blocking

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the way back as well as the way forward. He

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dreamed of being chased through the tunnels by animals, each

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one more vicious than the last. He saw himself opening

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the shed and finding one, if not several, of those

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animals waiting inside, ready to leap out at him, but

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the human threat and the possibilities of the tunnel scared

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him the most. Instead of animals leaping out, there were

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human threats of every kind. Thoughts of being chased through

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the tunnels by a person crept in every so often.

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In those dreams, Curtis was pursued by slave catchers, either

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because he had helped people escape or because he had

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somehow become one of the hunted himself. In every nightmare

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where the shed led to a human threat, Curtis didn't

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simply die of fright or wait helplessly in the dark.

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He died horribly each time in a different macabre way.

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A raindrop fell from the ceiling and landed smack dab

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between his eyebrows, finally waking him fully all the same,

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but at least he wasn't drenched in cold sweat from

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the nightmares. Curtis wiped the wetness from his brow and

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stared out the window into the dark rain. He was

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tempted to look at the clock, but fought the urge.

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Why bother. He knew it was night, knew it was late,

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and knew he most likely wasn't falling asleep again anytime soon.

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The problem was he didn't know what to do. The

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house was only one story save for the basement, and

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with its layout, trying to watch television or play a

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video game would most likely wake his mom and dad.

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He could read, but he didn't know if that was

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what he wanted, or even what he would want to read.

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That was the problem. Awake with plenty of possibilities but

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no clear choice that wouldn't disturb the rest of the house,

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Curtis sighed and stared up at the ceiling. He hated

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lying in bed without sleeping. The rain hadn't helped, but

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he had to admit it was probably better than the nightmares.

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The basement still ate away at him, though, even while

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he was awake, all the anxiety, all the terrible things

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that could happen, all the possibilities of what the shed

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could lead to or what it could let in. Curtis

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remembered hearing in a movie that sometimes when you were

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afraid of something, all you could do was try to

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face it head on in movieland of course that was easy.

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In real life, it was easier said than done, depending

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on the fear. Curtis thought about the basement. He knew

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00:19:07.839 --> 00:19:12.119
being afraid of it wasn't unusual for a kid, and

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his reasons were the sort of reasons anyone might give.

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Then an idea popped into his head. He shrugged and

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got out of bed. I mean, what else am I doing?

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He asked himself. It was simple enough, take the movie's

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advice and face his fear head on. Curtis left his

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room and walked down the hall toward the back dining room,

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took a left and entered the kitchen, not wanting to

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look at the basement door right away. He got himself

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a cup of water and drank it, then another, and

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then another. Thirst sat satisfied, he put the cup in

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the kitchen sink and finally turned toward the basement. He

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00:20:07.200 --> 00:20:10.880
stared at the door for a long time, trying to

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pump himself up. How exactly he was supposed to conquer

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00:20:15.359 --> 00:20:19.920
his fear, He didn't know. He could stay down there

255
00:20:19.960 --> 00:20:21.920
for the rest of the night. With the lights on.

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00:20:22.839 --> 00:20:26.319
There were boxes of his and his parents' old belongings

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00:20:26.359 --> 00:20:29.799
down there, so he wouldn't be short on things to

258
00:20:30.359 --> 00:20:35.079
play with or read. If the overhead light wasn't enough,

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00:20:35.839 --> 00:20:40.119
he could bring a flashlight. He liked that idea, so

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he got one from a drawer near the sink. Armed

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00:20:44.480 --> 00:20:47.880
with the flashlight, Curtis flicked the switch to turn on

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the basement lights, then opened the door with a push

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of his thumb. The flashlight came to life. Taking a

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deep breath, Curtis took the first step down into the basement.

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It's only a basement, just a basement, he said aloud

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to calm his nerves. Taking it one step at a time,

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Curtis made his way to the bottom of the stairs

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and stood in the main room. He moved the flashlight

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00:21:27.200 --> 00:21:31.200
beam across the space, letting it reveal the area in

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00:21:31.440 --> 00:21:36.039
finer detail than the faint light from the overhead bulb.

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All he saw were things he had always known were there.

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Brick walls, dust and cobwebs, boxes of stuff leftover shelving,

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and random artifacts from previous owners. Normal things, things anyone

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might find in any basement. The only thing that made

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Curtis afraid was the old, bare bones, dank feel of

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00:22:06.640 --> 00:22:12.160
the place. Standing there, taking it all in, he slowly

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00:22:12.319 --> 00:22:16.599
eased into being down there. He turned off the flashlight

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and let his eyes adjust. The room still made his

279
00:22:21.799 --> 00:22:27.759
skin crawl, but the sensation began to lessen. That only

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00:22:27.920 --> 00:22:33.000
left the other room with the basement door and the shed.

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With a gulp, Curtis turned the flashlight back on and

282
00:22:39.079 --> 00:22:44.079
entered the adjoining room. Just like in the previous rooms,

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00:22:44.599 --> 00:22:48.799
He swept the beam along the space and noted everything

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00:22:48.920 --> 00:22:52.279
he knew had been there since the family moved in,

285
00:22:53.279 --> 00:22:56.799
as well as what had been left behind by others

286
00:22:56.880 --> 00:23:01.359
before them. Then his arm and the light came upon

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00:23:02.079 --> 00:23:07.680
the shed. Curtis stood and stared at it with dreadful curiosity.

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The rest of the basement felt like something he could

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00:23:11.599 --> 00:23:18.759
slowly learn to handle. The shed remained uncertain. It offered

290
00:23:18.839 --> 00:23:24.000
too many possibilities to his mind, most of them dreadful,

291
00:23:24.599 --> 00:23:29.519
if not outright macabre. There were two ways to conquer

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00:23:29.599 --> 00:23:32.880
the fear of it. He could keep doing what he

293
00:23:33.039 --> 00:23:36.799
was doing, look at it from a distance, and hope

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00:23:36.839 --> 00:23:41.880
that over time it lost its power, or he could

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00:23:41.880 --> 00:23:48.240
give in to curiosity. After thinking it over, Curtis made

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his decision. He stepped up to the shed, and looked

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00:23:53.200 --> 00:23:58.359
at it closer than he ever had before. He had

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00:23:58.400 --> 00:24:03.680
always known it was old, but now up close he

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00:24:03.759 --> 00:24:07.920
could see just how aged the wood was, with small

300
00:24:08.079 --> 00:24:12.079
cracks running through it. Instead of a knob or handle,

301
00:24:12.799 --> 00:24:18.119
there was only a circular opening that acted as a grip.

302
00:24:18.160 --> 00:24:21.960
Reaching out with his free hand, Curtis slid his fingers

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00:24:22.359 --> 00:24:27.839
into the opening and pulled the door outward. Inside, he

304
00:24:28.000 --> 00:24:32.680
found exactly what his father had said. Was there a

305
00:24:32.759 --> 00:24:38.519
ladder leading up to a ledge and an opening. Curtis

306
00:24:38.559 --> 00:24:41.440
looked at the ledge and what little of the opening

307
00:24:41.559 --> 00:24:45.119
he could see. The ladder was made of wood and

308
00:24:45.279 --> 00:24:48.680
looked to be in about the same condition as the door,

309
00:24:49.559 --> 00:24:54.359
except for the dust and dirt coating it. Curtis ran

310
00:24:54.440 --> 00:24:58.559
a hand along it and felt how cool the wood was.

311
00:24:59.759 --> 00:25:03.200
When when he touched the brick wall, it was even colder,

312
00:25:03.799 --> 00:25:07.160
like stepping onto a porch in bare feet on a

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00:25:07.200 --> 00:25:11.599
winter morning. Feeling the inside of the shed and looking

314
00:25:11.640 --> 00:25:17.079
at the entryway only a ladder climb away, Curtis had

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00:25:17.119 --> 00:25:22.680
a thought. It was a stupid idea. Nobody in their

316
00:25:22.759 --> 00:25:26.960
right mind would do it, not a kid, not an adult.

317
00:25:27.680 --> 00:25:31.440
It could be dangerous and lead to who knew how

318
00:25:31.519 --> 00:25:35.480
much trouble, but Curtis thought it might be the one

319
00:25:35.720 --> 00:25:41.240
thing that could quiet every fear and curiosity he had,

320
00:25:42.599 --> 00:25:46.920
So he grasped both sides of the ladder and climbed

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00:25:47.000 --> 00:25:51.240
up the ledge, Sitting hunched on his knees to avoid

322
00:25:51.319 --> 00:25:55.400
hitting his head. Curtis aimed the flashlight into the opening

323
00:25:56.000 --> 00:26:01.079
and saw the packed earth that shaped the tunnel. Despite

324
00:26:01.160 --> 00:26:04.720
knowing that escaping slaves had once used it to get around,

325
00:26:05.319 --> 00:26:09.200
Curtis didn't find it all that big. It smelled of

326
00:26:09.279 --> 00:26:13.119
old earth and rain. He wondered how much of it

327
00:26:13.160 --> 00:26:17.559
had always been there, shaped by the area itself, and

328
00:26:17.680 --> 00:26:21.160
how much had been dug by human hands before or

329
00:26:21.880 --> 00:26:27.000
during the war. Either way, Curtis was impressed that such

330
00:26:27.000 --> 00:26:32.720
a thing existed. Mine shafts were one thing, as were caves,

331
00:26:32.799 --> 00:26:38.480
but this felt like either a strange natural oddity or

332
00:26:39.200 --> 00:26:43.640
a man made marvel. The bad idea stayed in his head,

333
00:26:44.279 --> 00:26:47.759
screaming at him to go through with it, careful not

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00:26:47.799 --> 00:26:51.440
to hit his head or fall off the ledge. Curtis

335
00:26:51.559 --> 00:26:56.000
hunched over more and began to crawl into the tunnel

336
00:26:56.680 --> 00:27:01.279
on all fours, keeping the flashlight as steady as he could.

337
00:27:02.240 --> 00:27:07.799
He moved carefully, occasionally stopping to inspect the walls. As

338
00:27:07.799 --> 00:27:11.599
he followed the path, he tried to note any differences

339
00:27:12.119 --> 00:27:14.839
that might help him keep track of where he was

340
00:27:15.519 --> 00:27:20.359
and where he had been, though there were frustratingly few.

341
00:27:21.680 --> 00:27:25.200
When he reached a fork, he thought about which way

342
00:27:25.319 --> 00:27:29.240
would be best. He tried to imagine where he was

343
00:27:29.359 --> 00:27:35.799
outside and guess what direction each path might lead. Curtis

344
00:27:35.839 --> 00:27:39.480
settled on the right, thinking that since his neighborhood was

345
00:27:39.559 --> 00:27:43.960
mostly old houses and even a few old churches, he

346
00:27:44.079 --> 00:27:47.279
might loop back either to his own house, one of

347
00:27:47.319 --> 00:27:52.799
the churches, or another nearby home. He just hoped he

348
00:27:52.839 --> 00:27:57.920
wouldn't crawl over a ledge fall and hurt himself. That

349
00:27:58.599 --> 00:28:03.279
was the last thing he knew. Continuing on, Curtis felt

350
00:28:03.359 --> 00:28:08.000
a little peace, not because crawling through the tunnel was pleasant,

351
00:28:08.799 --> 00:28:12.920
but because he now knew just how tight it was,

352
00:28:14.039 --> 00:28:18.240
the likelihood of some deranged maniac using it to burst

353
00:28:18.319 --> 00:28:22.039
into his home and hurt him and his parents. Seen

354
00:28:22.160 --> 00:28:26.960
next to none. Animals, maybe, but Curtis had yet to

355
00:28:27.039 --> 00:28:31.279
find any real signs of them. More and more it

356
00:28:31.400 --> 00:28:34.359
seemed like he was the first person to use the

357
00:28:34.400 --> 00:28:40.279
tunnel system in a very long time, Curtis made his

358
00:28:40.400 --> 00:28:45.119
way deeper into the system and came across more forks

359
00:28:45.200 --> 00:28:50.440
and branching paths. He kept to the rightmost path each time,

360
00:28:51.039 --> 00:28:54.559
hoping it would make the return trip simpler than if

361
00:28:54.599 --> 00:28:59.559
he had changed direction randomly. As he crawled, he began

362
00:28:59.640 --> 00:29:02.759
to wonder if he would find an exit anytime soon.

363
00:29:03.799 --> 00:29:06.640
If he did, he hoped it would take him into

364
00:29:06.720 --> 00:29:12.359
a building and not outside. With it being night and

365
00:29:12.440 --> 00:29:15.960
with the rain falling, he wasn't sure he could find

366
00:29:16.000 --> 00:29:21.119
his way home if he emerged outdoors. At least, if

367
00:29:21.160 --> 00:29:24.880
he came out into a building, he might find someone

368
00:29:25.720 --> 00:29:34.160
who could help him. The idea of simply turning around

369
00:29:34.279 --> 00:29:37.599
and going back the way he came occurred to him,

370
00:29:37.920 --> 00:29:43.000
but Curtis figured one crawl through the tunnel was enough. Besides,

371
00:29:43.279 --> 00:29:47.680
he was beginning to feel tired. Soon the flashlight showed

372
00:29:47.759 --> 00:29:52.160
him he was close to getting his wish. In the distance,

373
00:29:52.279 --> 00:29:55.880
he saw a one way turn. Once he took it,

374
00:29:56.480 --> 00:30:01.720
Curtis found a curtain acting as a makeshift door. Crawling

375
00:30:01.759 --> 00:30:05.319
through it, he entered a space no bigger than a closet,

376
00:30:06.240 --> 00:30:10.680
and there was a door in front of him, which

377
00:30:10.680 --> 00:30:14.559
he noticed only when he crawled forward and bumped his

378
00:30:14.680 --> 00:30:19.119
head against it, rubbing his scalp with his free hand.

379
00:30:19.279 --> 00:30:23.400
Curtis saw by the flashlight that it was a sliding

380
00:30:23.519 --> 00:30:29.559
metal door, like something in a garage. Standing carefully so

381
00:30:29.680 --> 00:30:32.960
he didn't hit his head again, he placed his free

382
00:30:32.960 --> 00:30:39.319
hand on the metal and slowly slid it open. Stepping out,

383
00:30:39.440 --> 00:30:43.680
he found himself in a basement not much different from

384
00:30:43.680 --> 00:30:50.039
his own, except this one had concrete walls. The flashlight

385
00:30:50.160 --> 00:30:54.559
revealed a bare bones room with only one other door

386
00:30:54.960 --> 00:30:58.759
on the opposite side. Curtis made his way to it

387
00:30:59.240 --> 00:31:04.319
and tried the knob. It wasn't locked, but it was stuck.

388
00:31:05.480 --> 00:31:09.200
Curtis slammed his shoulder into it while turning the knob,

389
00:31:10.240 --> 00:31:14.440
but got no farther than he had by simply turning it.

390
00:31:15.400 --> 00:31:18.519
He walked back to where he had come from and

391
00:31:18.680 --> 00:31:22.559
stared at the door from across the room. Taking a

392
00:31:22.599 --> 00:31:26.319
deep breath, he rushed it and slammed his shoulder into

393
00:31:26.359 --> 00:31:30.200
it with his whole weight. Behind the impact, the door

394
00:31:30.319 --> 00:31:34.920
flew open. Curtis stumbled forward and fell onto a dirt

395
00:31:34.960 --> 00:31:41.279
covered floor. Sitting up, he noticed the room was dimly lit.

396
00:31:42.400 --> 00:31:45.599
The odor of aged earth hung heavy in the air,

397
00:31:46.480 --> 00:31:50.240
just as it had in the tunnels, but there was

398
00:31:50.440 --> 00:31:55.799
something else with it. Curtis couldn't identify the smell. The

399
00:31:55.880 --> 00:31:59.440
closest he could come was a mixture of pennies and

400
00:32:00.160 --> 00:32:05.400
stale trash. Slowly, his eyes adjusted to the faint light,

401
00:32:06.400 --> 00:32:09.839
but he still swept the flashlight around the room to

402
00:32:09.960 --> 00:32:15.960
better see his surroundings. He very quickly wished he hadn't.

403
00:32:17.680 --> 00:32:24.000
Across the floor and walls were red stains darkened by age.

404
00:32:24.200 --> 00:32:28.720
Against one wall stood a plastic folding table, the kind

405
00:32:28.880 --> 00:32:33.599
Curtis had always seen at picnics, but this one was

406
00:32:33.720 --> 00:32:39.400
covered in more red spots and cluttered with tools. Yet

407
00:32:39.640 --> 00:32:45.519
the most horrifying discovery was the small body lying face

408
00:32:45.720 --> 00:32:51.359
first in the dirt. The person was barely clothed, wearing

409
00:32:51.440 --> 00:32:55.759
only a tank top and underwear. From what Curtis could tell,

410
00:32:56.400 --> 00:33:03.039
it was a girl, and she was dead. Curtis didn't

411
00:33:03.079 --> 00:33:06.400
know much about what happened to a body after death,

412
00:33:07.240 --> 00:33:11.119
but he instinctively knew she had been there for a while,

413
00:33:11.920 --> 00:33:16.599
and that she was responsible for the smell. The number

414
00:33:16.640 --> 00:33:19.759
of stains and the strength of the odor told him

415
00:33:19.880 --> 00:33:23.960
there had been others. He wanted to vomit and The

416
00:33:24.000 --> 00:33:27.680
stench was starting to work on him, but he managed

417
00:33:27.720 --> 00:33:32.079
to hold it back until he saw the wall lined

418
00:33:32.240 --> 00:33:37.160
with drum barrels. He didn't want to look inside them.

419
00:33:38.119 --> 00:33:42.519
He didn't have to. He knew exactly what he would find.

420
00:33:43.880 --> 00:33:49.039
Curtis stood he had seen enough. He desperately wanted to

421
00:33:49.079 --> 00:33:52.599
get out of wherever he was. He was about to

422
00:33:52.680 --> 00:33:56.119
turn around and run like hell back through the tunnels

423
00:33:56.559 --> 00:34:04.160
when he felt a hand clamp on too shoulder. Curtis

424
00:34:04.200 --> 00:34:07.279
turned his head to see who the hand belonged to,

425
00:34:08.440 --> 00:34:13.679
but instead of a face, he met a fist. It

426
00:34:13.760 --> 00:34:17.679
crashed into him and he fell onto his back. His

427
00:34:17.880 --> 00:34:21.679
vision blurred from the blow. The impact of hitting the

428
00:34:21.719 --> 00:34:25.599
ground sent the flashlight rolling out of his hand and

429
00:34:25.679 --> 00:34:31.960
across the floor. Well, well, well what do we have here?

430
00:34:32.880 --> 00:34:37.440
Looks like somebody let himself in. Can't be too surprised

431
00:34:38.119 --> 00:34:41.920
if I found these passages only make sense somebody else

432
00:34:41.960 --> 00:34:45.679
would too. Problem is, now you know how to get

433
00:34:45.719 --> 00:34:48.960
here through them. You might not know where the house

434
00:34:49.039 --> 00:34:53.880
itself is, but well, can't be too careful with these things.

435
00:34:54.639 --> 00:34:57.800
Was going to finish the girly and then try another

436
00:34:57.880 --> 00:35:05.159
house connected to the passages, But it looks like you're next. Curtis,

437
00:35:05.199 --> 00:35:09.000
despite being young, had seen enough shows and movies to

438
00:35:09.159 --> 00:35:12.880
understand what was going to happen. He had been so

439
00:35:13.079 --> 00:35:17.000
afraid of someone or something using the tunnels to get

440
00:35:17.000 --> 00:35:20.679
into his basement and hurt him and his family that

441
00:35:20.760 --> 00:35:24.800
he had never stopped to wonder what might happen if

442
00:35:24.880 --> 00:35:30.559
the roles were reversed. Now he knew the tunnel had

443
00:35:30.639 --> 00:35:40.840
never been an escape, it had only been an invitation. Well,

444
00:35:40.880 --> 00:35:44.719
my spookies, I think we can all agree that sometimes

445
00:35:44.800 --> 00:35:50.000
facing your fears is healthy and important, and sometimes it

446
00:35:50.039 --> 00:35:53.800
gets you punched in the face by the worst possible

447
00:35:53.880 --> 00:35:57.000
person on earth in a basement you should have never

448
00:35:57.239 --> 00:36:01.400
crawled into. Poor Curtis wanted to conquer his fear of

449
00:36:01.440 --> 00:36:06.360
the dark, the damp, and the creepy, and instead discovered

450
00:36:06.440 --> 00:36:11.360
that some old houses don't just have history, they have access.

451
00:36:12.000 --> 00:36:16.000
So tonight, maybe check your own basement door. Maybe make

452
00:36:16.039 --> 00:36:19.119
sure there aren't any mysterious sheds down there. And if

453
00:36:19.199 --> 00:36:22.320
your father says, oh, yeah, that's just an old tunnel

454
00:36:22.360 --> 00:36:26.880
system beneath the house, maybe do the sensible thing and move.

455
00:36:27.440 --> 00:36:29.960
I want to remind you this Friday, on cutting deep

456
00:36:30.000 --> 00:36:34.039
into horror, we're talking all about the cult favorite one

457
00:36:34.119 --> 00:36:38.679
Cut of the Dead. It's got zombies, filmmaking, chaos, horror, comedy,

458
00:36:38.880 --> 00:36:41.639
behind the scenes madness, and one of the most rewarding

459
00:36:42.079 --> 00:36:47.079
wait what am I watching exactly experiences in modern genre cinema.

460
00:36:47.119 --> 00:36:49.960
So don't miss it this Friday. Make sure you're subscribed.

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00:36:50.079 --> 00:36:51.920
And I want to say an extra special thank you

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00:36:51.960 --> 00:36:55.199
to our Patreon podcast boosters, folks who pay just a

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00:36:55.239 --> 00:36:57.400
little bit more to hear their names at the end

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00:36:57.440 --> 00:37:01.559
of the show, and they are Johnny Nick, Kate and Lulu,

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00:37:01.679 --> 00:37:06.639
Jessica Fuller, Mike Eskewey, Jenny Green, Amber Hansford, Karen we Met,

466
00:37:06.760 --> 00:37:09.599
Jack Kerr, and Craig Cohen. Thank you all so much

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00:37:09.599 --> 00:37:11.159
for your support, and if you want to hear your

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00:37:11.239 --> 00:37:13.920
name at the end of every episode of Weekly Spooky,

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00:37:14.239 --> 00:37:17.440
just head to Weeklyspooky dot com slash join and sign

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00:37:17.519 --> 00:37:20.320
up at the fifteen dollars a month or higher tier.

471
00:37:20.800 --> 00:37:24.039
It really does help the show and I could use

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00:37:24.079 --> 00:37:26.639
all the help I can get. I already tried to

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00:37:26.639 --> 00:37:29.679
buy a backup generator and it seized up on me

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00:37:29.719 --> 00:37:31.519
and won't work. So anyway, I'm getting out of here.

475
00:37:31.719 --> 00:37:34.760
I need to post the show and finally go to sleep.

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00:37:35.440 --> 00:37:38.960
I am doing the show by candlelight basically, so there's

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your there you have it. So thank you again for listening.

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00:37:43.400 --> 00:37:46.559
For myself, for my executive producers Bobotopia dot Com and

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00:37:46.719 --> 00:37:49.519
Rob Fields, for my producer Dan Wilder, and my creepy

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00:37:49.519 --> 00:37:52.800
composer Ray Mattis. I'll talk at you next week.

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00:37:53.239 --> 00:37:56.920
Thank you for listenings. Make sure to find your way

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00:37:57.000 --> 00:38:01.840
back next week weekly, but for now you are safe.

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00:38:03.239 --> 00:38:04.320
Trust me,