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This Week in Horror History | Stephen King Week: The Shining + Rose Red (Jan 26–Feb 2)
Travel back through January 26–February 2 with This Week in Horror History—a horror history podcastcountdown of horror movie anniversaries, a Stephen King milestone, and winter-week picks built for being snowed in.
Quick Hits (Jan 26–Feb 2):
- Jan 26, 1996 — Screamers: killer machines evolve fast on a war-torn planet. Where to watch: Free w/ ads on TubiTV, plus rent at the usual suspects, or watch free with your Amazon Prime membership.
- Jan 27, 1989 — Parents: suburban dinner-table dread with black-comedy bite. Where to watch: Free w/ ads on TubiTV, or rent at the usual suspects like Amazon Prime Video.
- Jan 27, 2002 — Stephen King’s Rose Red: network miniseries haunted-mansion nostalgia with teeth. Where to watch: With your Hulu membership.
- Jan 28, 1977 — The Shining (novel) published: snowbound horror at its most iconic. Where to read/listen:widely available in print, e-book, and audiobook—check library apps or Audible.
Sponsor: This episode is sponsored by Savorista Coffee—decaf and half-caf craft blends with bold flavor. Use code SPOOKY for 25% off at https://savorista.com/discount... Every purchase supports the show.
Deep-Cut Spotlight:
- Jan 26, 2001 — Shadow of the Vampire goes wide in the U. S.: a “movie about making a movie” where the vampire may not be acting. Box office: $11.2M worldwide on an $8M budget. Where to watch: Rent on Amazon Prime Video.
Weekly Recommendation:
- Feb 1, 1980 — John Carpenter’s The Fog: a perfect late-January blizzard-week watch. Where to watch: Free w/ ads on TubiTV, or rent/buy on Amazon Video, Apple TV, and Fandango at Home.
Up next: Tomorrow: the final installment of the snowy slasher horror-con miniseries BANNED. Friday: another Best of 2025 horror film. In February: Cutting Deep into Horror returns.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
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📬 Contact Us / Submit Your Horror Story!
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Some weeks in horror feel like a neat little lineup,
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and some weeks feel like a trapdoor. This one trapdoor,
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because in our window, the monsters don't politely wait in
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castles or crips. They show up on beaches, in tidy
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suburban kitchens, inside a prestige film set that's definitely not
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safe for humans, and in the middle of a haunted
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house experiment that was never meant to be controlled. So
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lock the doors, keep your boots out of the sand,
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and don't accept dinner from anyone who smiles a bit
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too much. It's time to spin the calendar backwards and
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see what crawls out. Welcome to this week in horror history.
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I'm Enrique Kuto, and I'm here to help you celebrate
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the spooky past, one release date at a time, this
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time for January twenty six through February second. And I
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do hope all of you listening who are hit by
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the big ice and snowstorms of the weekend are safe, warm,
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and secure, because I'm about to help you feel a
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whole lot less like that, Because tonight we have killer
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robots that won't stay buried, a haunted mansion study that
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becomes a televised seance, a suburban family dinner that is
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absolutely not pork roast, and a Stephen King publication date
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that changed the genre forever. Then for our deep cut
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spot light, a film about the making of the silent
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classic Nosferatu that might be hiding a real vampire in
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plain sight. January twenty sixth, nineteen ninety six. Screamers hits
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US theaters. If you like science fiction horror with a
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mean streak, well, Screamers is the kind of movie that
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asks one simple question, what if the scariest thing on
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a war torn planet isn't the enemy, it's the weapon
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you already built. Based on the Philip K. Dick's story
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Second Variety and written by Dan O'Bannon of Return of
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the Living Dead and Alien Fame, this one drops you
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into a toxic wasteland where subterranean killer machines hunt anything
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with a heartbeat, and then they start getting creative. It's
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got that gritty mid nineties texture to it, the kind
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where the future looks like rust, smoke and a lot
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of bad decisions. Plus it stars RoboCop himself Peter Weller.
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If that's not reason enough to check it out, I
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don't know what is. It's available to stream right now
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free with ads on two B TV, and of course
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you can rent it at the Usual Suspects or watch
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it free with your Amazon Prime membership. On January twenty seventh,
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nineteen eighty nine, a film that bothered me a lot
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as a kid, Parents arrives with a limited theatrical release.
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Oh man, I saw this movie on Monster Vision the
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Joe Bob Briggs on TNT and it stuck with me
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for a while. Meet the labels. Mom's perfect and dad
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is very proud, and the neighborhood is spotless. However, the
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meat Loaf is Suspicious. Parents is a black comedy horror
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film that plays like a Norman Rockwell painting with something
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kind of twitching behind the canvas. A kid starts to
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suspect his all American parents are hiding a family secret,
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and the movie lets that dread simmer until you're staring
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at the dinner table like it's a well, like it's
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a crime scene. It's funny, for sure, it's also uncomfortable,
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and it's got that slow creeping something is wrong vibe
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that horror does best. It's a film about a kid
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who realizes his parents are cannibals and that that's just
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a normal part of their lives. But to go even deeper,
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the cannibalism is an allegory or a metaphor for sex.
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The idea that the parents are doing something mischievous and
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immoral behind closed doors and tiding it from their son
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is kind of the focus of the film, and the
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depictions of cannibalism in that film messed me up for
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a long time. I remember seeing it on TV and
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being mortified. I mean, just the concept of child against
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parent is scary enough, like in Toby Hooper's Invaders from Mars,
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but to take it one step further with that taboo
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of cannibalism and the taboo of sex and family, it
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really pushes it. And of course, on top of all
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of that, having Randy Quaid of all people play the
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dad and masterfully, I might add, it really does make
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parents say a highly memorable kind of lost gem that
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I really recommend you either check out or give a
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new viewing to. And it is available to watch right
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now on two BTV free with ads, or you can
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rent it at the usual suspects like Amazon Prime Video,
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So make sure you bring your appetite. January tends to
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be a busy month for one of the undisputed Kings
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of horror pardon the pun, Stephen King. And in January
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twenty seventh of two thousand and two, Stephen King's Rose
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Red premiered on ABC. And I was actually just watching
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a different Stephen King three part mini series because as
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the snow was pouring down and beating Dayton, Ohio, we
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got over a foot of it. I was watching Storm
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of the Century, which is a three part mini series
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based on a Stephen King book, and it holds up great.
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There's something truly delightful and cozy and horror fun about
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this about ten years stretch where Stephen King kind of
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owned the three night mini series concept. And for those
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who are maybe too young to remember, three night mini
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series were just that Friday, Saturday and Sunday you would
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have a ninety minute or two hours with commercials installment
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of a Stephen King's story. It would keep you engrossed
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all weekend waiting for the next piece to drop. And
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Rose Red was no different. Three nights, one mansion and
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a team of psychics, skeptics and the curious walk into
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a place that does not want them there. Rose Red
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is Stephen King doing Haunted House Horror as a big
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TV event with sprawling rooms, hidden history, and a house
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that feels like it's rearranging itself to isolate you. And
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one of the most fun parts is it's structured like
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a study, like the mansion itself is a lab specimen,
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and the people are well the test mice. If you
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grew up in the era of Network mini series horror,
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well this nostalgia hit has a lot of teeth and
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it's definitely worth checking out, especially if you're snowed in
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like I am right now. I actually can't drive anywhere
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technically because of a Level three snow emergency. It's available
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to watch with your Hulu membership and I do recommend
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you check it out or head back to the old
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Mansion for another visit. I'm sure it missed you. And finally,
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on January twenty eighth, nineteen seventy seven, we go all
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the way back to one of the original truly terrifying
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snowbound horrors, with The Shine, which was published. This is
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one of those dates that really does echo on the calendar.
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Stephen King's The Shining hits bookstores on January twenty eighth,
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nineteen seventy seven, and horror gets a new kind of
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haunted space, not just a place with ghosts, but a
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place that feeds on the people inside of it. The
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Overlook isn't haunted in a simple way. It's hungry. It watches,
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It whispers, it tempts, and even if you've seen Kubrick's
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film one hundred times, the novel truly is its own beast,
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deeper on the family, deeper on the alcoholism, the slow corrosion,
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and the idea that evil doesn't always arrive as a stranger.
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Sometimes it moves in with you. And if you haven't
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checked out the nineteen ninety seven mini series for The Shining,
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that's also worth your time. While it's hard to compare
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it to kubricks The Shining, which many consider a masterpiece,
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I'm not the biggest fan, but I do appreciate the
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film quite a bit. The mini series, Stephen King himself
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liked more because it was more like the novel. But
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if you want to check out The Shining novel and
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kill some time before the roads are safe to be
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on again, it's widely available in print, on ebook and audiobook.
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You could check library apps if you don't want to
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pay anything for it, or just head to audible dot com.
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But either way, the overlook looks forward to your stay.
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Winter is officially at full steam ahead, and that means
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it's time to have something wonderful to drink to keep
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you warm. And this episode of This Week in Horror
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History is proudly sponsored by our friends at Save Arista Coffee,
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where you can get craft blends and bold flavors, but
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with a twist because they're decalf and half calf for
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those of you like myself who are a bit sensitive
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to caffeine. So if you enjoy bold flavor but don't
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want to feel jittery or you're already shivering enough, head
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and every purchase goes to support our podcast directly that
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Savearista dot com promo code spooky. Thank you for checking
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Save Arista out, and a huge thank you to save
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Arista for sponsoring our program. When we come back, we
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are going behind the scenes of a movie set where
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the director is chasing authenticity and the actor might not
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act at all all. Right, lights back up to your places,
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cameras rolling, and somebody please keep an eye on the
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guy with the coffin in his trailer. On January twenty sixth,
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two thousand and one, Shadow of the Vampire goes wide
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in the US. So here's the pitch. It's nineteen twenty one.
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FW Murnow is making nos Farratu. He wants the perfect vampire,
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so he hires Max Shrek, and the crew starts to
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wonder if Shrek isn't performing a vampire so much as
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simply being one. Shadow of the Vampire is one of
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those delicious movies about movies, where where the horror works
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on two levels, and not just because that's my day job.
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Level one, a backstage satire about obsession, ego and art
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directors while they want truth, producers want money, and actors,
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of course the worst of all, want immortality. And then
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on level two, an honest to goodness vampire tale where
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the camera itself becomes bait. Williem Dafoe's performance is legendary
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here feral, funny and often unsettling, like a creature trying
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to remember how humans move. And John Malkovich plays Mernau
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as a man who's so committed to the shot that
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he'll sacrifice anything for it, including and especially people. And
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that's the real horror, isn't it. Not just the monster,
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but what will allow in the room as long as
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the work looks great in the end. As far as
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box office goes, Shadow of the Vampire made about eleven
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point two million dollars worldwide on an eight million dollar budget,
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So not a blockbuster, but it definitely became a cult
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title that's remembered very very well and fondly and rightfully. So.
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So if you want to check out Shadow of a Vampire,
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whether it's a revisit or it's your first time having
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your neck bitten, it's available to rent on Amazon Prime Video.
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Now it's time to light a creepy candle or two
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for some horror birthdays. January twenty sixth, nineteen forty three,
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Katherine Lee Scott is born beloved Dark Shadows icon and yes,
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she's been part of horror TV history for decades. She
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is truly iconic, and I don't like to throw that
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word around all willy nilly. Catherine Lee Scott brings a
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classy beauty to her roles. Happy birthday, Katherine Lee Scott.
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On January twenty seventh, nineteen fifty three. One of my
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personal heroes, Joe Bob Briggs, was born drive in legend
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horror host. In fact, we're both in the Horror host
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Hall of Fame eh eh, and of course the patron
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saint of movies that are Better with friends. Joe Bob
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Briggs helped grow generations of horror movie and exploitation movie
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fans with his three TV series Joe Bob's Drive In
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on the Movie Channel in the eighties and early nineties,
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Monster Vision on TNT on Saturday Nights, which I watched
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constantly until it's cancelation in two thousand, and of course
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his current show on Shutter, The Last Drive In with
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Joe Bob Briggs. I had the fortune of going to
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two of his Drive In jamborees and even visiting the
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set of The Last Drive In back when they were
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shooting in New Jersey. Incredible experience. Joe Bob is the best,
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and I'm so glad younger generations are getting exposed to
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his type of movie hosting and movie appreciation. So big
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happy birthday to John Bloom aka Joe Bob Briggs. January
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twenty eighth, nineteen fifty nine. Frank Darrabant was born. He's
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written some of the best genre screenplays of the eighties
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and later directed one of Stephen King's arguably best modern adaptations,
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The Mist. Darrabant has had an incredible career, so many
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great scripts, so many great films, so many great television
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series that he's been involved in. He's had his hand
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in underrated horror films like the nineteen eighty eight Blob
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remake and the nineteen eighty nine The Fly Part two,
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which I think are both great films, highly underrated. But
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he's also been involved in The Walking Dead's first season,
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which is of course a major part of horror history.
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So big happy birthday to Frank Dearrabat and finally, born
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on February second, nineteen seventy four, a more modern horror figure,
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Osgood Perkins was born. Osgood Perkins has recently become very
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well known for his film's Long Legs, The Monkey and
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his most recent film Keeper, which I really enjoyed and
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saw in the theater, and I actually on the first
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night of the big blizzard that hit, I finally checked
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out his film The Block black Coat's Daughter, which is
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very snowy, very creepy, and very dark, but I really
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enjoyed it. So osgood Perkins, a rising star in modern horror,
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and of course an overnight sensation that was twenty years
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in the making. I think he's earned a lot of
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the accolades. So happy birthday, Oz Perkins for our then
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and now. Then in the nineties, screamers warned us about
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autonomous killing machines that learn too fast to keep up.
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Now we have a real world with AI and drones,
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and the most unsettling part is how quickly conversations shift
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from should we to how soon will we? Horror doesn't
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really predict the future so much as it pressure tests it.
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Our fears and anxieties are related to what we seek
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coming down the pike, so it takes a fear and
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