WEBVTT
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Summer is supposed to feel alive, warm nights, long drives,
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open road, ocean, water that bright, heavy, feeling that anything
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could happen before the sun comes up. But horror knows
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the other side of summer. Wrong roads, hungry waters, machines
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that wake up angry, and experiments that get loose. This
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Week in Horror History gives us vampires with velvet voices,
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desert nightmares, reverse horror video games, alien spectacle, homicidal trucks,
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and genetically engineered sharks with absolutely no respect for dramatic speeches.
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So start your engines, check the rear view mirror, and
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do not look directly at the sky. Just trust me
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on that one. Okay. Welcome back to this Week in
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Horror History, your weekly time machine through the creepiest anniversaries
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in film, TV, books, and games. I'm your host, Enrique Kuto,
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and tonight we're talking about July twentieth through twenty sixth.
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Coming up. Frank Langella brings Dracula back with dangerous elegance.
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Wes Craven turns a family vacation into a sun baked
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survival nightmare. A video game lets you stop running from
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the monster and become it. And Jordan Peel reminds us
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that spectacle can take a look back. Then, after the
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break our deep cut Spotlight, Stephen King directs a killer
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Machine apocalypse where the trucks never stop circling. July twentieth,
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nineteen seventy nine, Dracula releases in the United States, but
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maybe not the one you're thinking of this time, though.
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The count comes back smooth, romantic and dangerous. Frank Langella's
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Dracula is not the rat faced plague figure. He's not
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the Cape and Fang's Halloween image either. He's charming, he's theatrical.
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He understands exactly how to enter a room and make
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every living person in it feel slightly less alive. This
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version leans into Gothic romance, stormy cliffs, candlelight, old houses,
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and the horrible idea that evil does not always have
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to force its way in. Sometimes it gets invited. Not
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only a monster, he's temptation incarnate. In my opinion, this
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is one of a few extremely underrated Dracula films. If
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you've never seen the nineteen seventy nine Frank Langela Dracula,
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directed by John Badam. It also features Laurence Olivier, Donald Pleasance,
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and Kate Nelligan. Those are some heavy hitting names, and
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the film delivers a lot of the scares. It's highly
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worth watching if you love the Dracula story or the
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book by Bram Stoker, or you just want to see
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a new to you, fresh take on the genre and
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the character. Well, you can give the nineteen seventy nine
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Dracula a watch for the first time or as a
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much needed revisit at Apple TV, Prime Video and Fandango
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at home, where it's available to rent or buy. Trust me,
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you'll like it. July twenty second, nineteen seventy seven. The
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Hills Have Eyes premieres in Tucson, Arizona, and Wes Craven
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makes the desert feel like a sandy trap. A family
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takes a shortcut, the car breaks down, the landscape stretches
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out in every direction, but somehow there's nowhere to go.
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That is the sick genius of The Hills Have Eyes.
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It takes the family road trip, one of the most
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ordinary American summer rituals there is, and strips it down
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to panic, dust and survival. Civilization is not gone here.
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It's just very very far away, far enough that the
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rules stop helping. Craven had already shocked audiences with Last
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House on the Left, but this one feels mythic in
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a very different way. Two families, two versions of a
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Marria America, staring each other down in the middle of
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the desert, and neither one gets to leave clean. Wes
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Craven is a director I'll celebrate for all of my
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days for having so many interesting and pivotal horror films.
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I mean, he reinvented the genre multiple times in his career.
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And if you've never given The Hills Have Eyes a watch,
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you really should. This was during the era when Craven
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was pushing the envelope. The Last House on the Left
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was stomach churning, and The Hills Have Eyes was no
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different other than not being filmed in Connecticut, which does
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make a big difference. So hop in the car and
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have your own little summer getaway. It's available to rent
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or buy on Apple, TV, Prime Video and Fandango at Home.
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July twenty third, twenty twenty carry On Releases and Horror
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Gaming flips the camera around. Most games ask you to
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survive the monster. Carrion asks, what if you are the monster?
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You are an amorphous thing made of teeth, tendrils, and hunger,
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slithering through a research facility, escaping containment one hallway at
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a time. It's called a reverse horror game, and that
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label is pretty accurate. The fear is still there, but
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it's changed sides. The scientists are afraid, the guards are afraid.
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The building itself feels like it's trying to hold its breath,
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and the more you grow, the more the game becomes
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a nasty little power fantasy about containment failing. Not a
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haunted house, a haunted experiment. I'm going to give this
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one a play myself. It's available on PC and major
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consoles like Steam, Xbox PlayStation, and Nintendo consoles. July twenty second,
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twoenty twenty two, Nope releases in US theaters and Jordan
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Peel turns the sky into a well, kind of a
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haunted house. This is UFO horror but also creature feature,
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but also show business horrors and a western all at once,
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and it works. Nope understands something creepy about spectacle. We
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want to look, even when the act of looking might
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be exactly what puts us in danger. There are images
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in this movie that feel huge and strange and impossible
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to explain without draining them of power. A cloud that
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never moves, a house rained on by things that should
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never fall from the sky. A creature that becomes more
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terrifying the less it behaves the way you're expecting. It's
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a summer blockbuster horror, but with an edge. And it's
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also about exploitation, trauma, animals, cameras, and the terrible cost
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of trying to capture the impossible, which in my opinion,
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makes the film stand out a lot. It's also basically
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all bent around a twist that I don't want to
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reveal to you if you've never seen Nope, because it
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is an excellent, excellent film in my opinion, So give
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it a watch or a revisit and you can thank
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me later. It's available on Netflix with your subscription, or
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to rent or buy on Apple, TV, Prime Video and
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Fandango at home. Summer is here. The cabins are open,
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the campfires are burning bright, and something hungry is circling
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just beyond the trees. Tomorrow, on Weekly Spooky, Veteran Camp
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counselor Jonathan Edwards travels to Puerto Rico to help launch
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Camp Clemente, a beautiful new summer camp, surrounded by mountains,
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deep forest, and miles of tropical wilderness. For Jonathan, it
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should be the opportunity of a lifetime. A brand new campground,
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ten eager young counselors, and a few quiet weeks to
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prepare before the children arrive. Then, during their first night
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around the fire, an unholy howl rolls out of the darkness.
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Locals know that sound. They call the creature El vampiro
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de moca, but you may know it better by another name,
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chupa Brah. When a violent storm crashes over the camp,
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something comes charging through the forest. Then more shapes join it.
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Claws hammer against the cabin, windows, shatter, doors, buckle, and
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everyone trapped inside realizes this is not one legendary beast.
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It's an entire pack. Now the only question is how
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long can they survive. Tomorrow's story is Camping with Chupacabra
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by Douglas Waltz right here on Weekly Spooky. So make
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sure you're subscribed and stay close to the fire. Make
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sure to check that story out tomorrow. I promise you
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it'll be a good time. But now let's take a
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quick breather. When we come back, we hit July twenty fifth,
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nineteen eighty six, and Stephen King gets behind the camera
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for his one directorial film, It's Got Trucks, machines, ACDC,
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and a diner full of people, realizing that the entire
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world may have just developed a murder setting. All right,
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my spookees, we're back, let's get into it. On July
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twenty fifth, nineteen eighty six, Maximum Overdrive releases and Stephen
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King directs the loudest, greasiest, most unhinged killer machine film
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of the decade. Is maybe almost under selling it. The
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setup is pure midnight movie madness. Earth passes through the
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tail of a comet and suddenly machines just turn against humanity.
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But not just big machines, not just computers, all of them,
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vending machines, lawn equipment, arcade games, drawbridges, trucks, especially trucks.
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The heart of the movie is the Dixie Boy truck stop,
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where a group of survivors get pinned down by eighteen
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wheelers that seem to have developed personalities and grudges, and
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those grudges are definitely aimed at human beings. And yeah,
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the tone is completely bananees. This is not some elegant horror,
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some elevated psychological thing. It's Stephen King bringing you a
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goblin faced truck and explosions and panic in a diner,
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all while ACDC is blasting like the soundtrack was wired
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directly into your adrenal gland. That's also why it's got
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such a great lasting power to it. The world is
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already full of machines we depend on, ignore and barely understand.
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Maximum Overdrive just asks what happens if all those machines
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wake up on the wrong side of the bed. It
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turns the every day into an ambush. You can't trust
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the road, or the kitchen, or even the arcade cabinet,
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and once the trucks start circling, the whole world feels
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like a parking lot with no exit. This is a
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truly crazy film, but there's a lot to love about it,
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if only Emilio Estevez just completely putting us all in.
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I've always enjoyed Maximum Overdrive, and if you've never seen it,
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it's a piece of eighties cheese and nostalgia that you
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really need in your life. It's available to watch free
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with ads on two BTV and Plex, which honestly might
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be the best way to watch it because I always
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saw it on cable as a kid. It's also available
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on Amazon Prime Video with your subscription, and of course
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to rent or buy on Apple TV, Prime Video and
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Fandango at Home. Also we Made You, We Made You
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best quote from the film. Now, it's time to celebrate
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some horror birthdays, starting on July twentieth, nineteen thirty eight,
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when Diana Rigg was born. Elegant, sharp, and unforgettable in
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films like The Avengers, Theater of Blood, and more recently
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The Last Night in Soho, Diana Rigg brings just about
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everything you could want to a horror role and helps
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you feel a little safer, which, as we know, is
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exactly how horror movies really get you. A very happy
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birthday to Diana Rigg on July twenty first, nineteen seventy eight.
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Josh Hartnett is born from Halloween h two to The
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Faculty to Thirty Days of Night and now more recently
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films like Trap. He's a familiar face in modern genre
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cinema and a guy who's having a real resurgence in
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his career currently. After being kind of the talk of
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the town when I was a teenager in the early
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two thousands, He's popping up again and again, not only
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in interesting and solid films, but also with interesting and
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solid roles for him to play. I love seeing it.
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A very happy birthday. Josh Hartnett born July twenty second,
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nineteen fifty five is Willem Dafoe. This is a guy
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who has made a mark on every single genre. He's
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a fearless performer, but his stops in genre films have
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been really memorable, like Shadow of the Vampire, or Antichrist,
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or The Lighthouse or the modern retelling of Nosferatu. Willem
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Dafoe is a guy who has a face for horror,
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and I mean that with all the love I could
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possibly bring a very happy birthday, Willem Dafoe. And on
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July twenty fourth, nineteen fifty one, Linda Carter is born.
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Now she is forever known as wonder Woman, and rightfully so.
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But she had several spooky stops in the horror genre,
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including the excellent and underrated The Initiation of Sarah, as
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well as many genre adjacent cult television series as well.
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So we're claiming her. If you don't like it is
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send a complaint. A very happy birthday to Linda Carter,
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and all of our horror birthdays this week are then
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and now. This week is horror history with safety locks removed.
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Nineteen seventy nine gives us Dracula as seduction evil dressed
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well enough to be welcomed into your home. Nineteen seventy
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seven gives us the desert as punishment, a vacation route
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that becomes a survival test. Twenty twenty gives us the
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Monsters point of view horror from inside the body that
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escaped the lab. Twenty twenty two gives us the sky
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as a predator spectacle transformed into threat, and nineteen eighty
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six gives us the machines baby, every tool, vehicle and
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convenience suddenly looking at us like we're prey. And finally,
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our weekly recommendation takes us to July twenty sixth, nineteen
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ninety nine, when D Blue Sea premieres in the United States.
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And if you want something to queue up this week
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that'll help you feel all fun in the sun, but
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then not quite make it. Deep Blue Sea. It's a
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late nineties entry into shark horror that gets bigger and
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wonderfully ridiculous. Researchers in an isolated ocean facility genetically alter
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mako sharks while searching for a cure for Alzheimer's disease.
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The result smarter sharks, which, as plans go, turns out
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to have more than a few problems. Deep Blue Sea
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is pure summer creature feature joy. It has storms, flooding corridors,
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corporate hubris, underwater laboratories, giant sharks, and a cast of
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people slowly realizing they're not in a research facility anymore,
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they're in a lunch box. And of course it has
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one of the great shock moments of nineties horror, the
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kind of scene where the movie kind of stares you
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dead in the eyes and says, no one is safe. Also,
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are we having fun? That's the charm that you cannot
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deny about Deep Lucy. It knows exactly what it is.
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It's loud, it's fast, it's wet, it's absurd, and it's
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completely committed to the bit. This one is always a
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00:19:32.160 --> 00:19:34.559
fun time anytime a year, but in the summer it
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00:19:34.599 --> 00:19:38.359
really feels proper. So give Deep Lucy a watch, or
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00:19:38.440 --> 00:19:41.599
rewatch free with ads on two B or of course,
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you can rent or buy it on Apple TV, Prime Video.
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00:19:44.839 --> 00:19:52.000
And Fendango at home. Well, my spookies, that's your trip
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00:19:52.039 --> 00:19:56.119
through July twentieth to July twenty sixth. Than horror History
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00:19:56.799 --> 00:20:00.240
Tomorrow Wednesday, there's a fresh horror story all about out
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00:20:00.440 --> 00:20:04.680
camping with Chupacra on the Weekly Spooky Feed, so make
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00:20:04.720 --> 00:20:09.400
sure you're subscribed. And remember there's something scary every single
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00:20:09.480 --> 00:20:13.880
day of the week right here on Weekly Spooky. So
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00:20:14.519 --> 00:20:17.559
click that subscribe button, leave a five star rating on
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00:20:17.599 --> 00:20:20.000
your favorite podcasting app, and while you're at it, tell
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00:20:20.039 --> 00:20:23.279
a friend who loves Halloween all year long to give
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00:20:23.279 --> 00:20:27.279
it a listen. So until next time, remember our days
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00:20:27.359 --> 00:20:32.000
are numbered because that's how we tell them apart. See
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00:20:32.039 --> 00:20:32.599
you next week.
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