Sept. 4, 2026
Cutting Deep into Horror | The Ritual (2017): Folk Horror, Survivor’s Guilt & the Forest Monster
Key Takeaways
- Filmmaker Henrique Couto and co-host Rachael Redolfi dive deep into the 2017 Netflix folk-horror film The Ritual on this episode of Weekly Spooky.
- The discussion explores how director David Bruckner brilliantly blends wilderness survival thriller elements with psychological horror, grief, and eldritch terror.
- The hosts analyze the film's protagonist Luke and how his crushing survivor's guilt blurs the line between memory and reality as he navigates the haunted Swedish wilderness.
- Henrique Couto highlights the unique creature design of the Jötunn-inspired monster and how it preys on the psychological traumas and fears of each victim.
- The episode also compares The Ritual to classics like The Blair Witch Project and Midsommar while breaking down the movie's memorable ending and occult village lore.
The Ritual (2017) is a modern folk-horror favorite that transforms a memorial hike through the Swedish wilderness into a terrifying combination of survival horror, psychological horror, occult worship, mythology, and creature-feature terror. In this spoiler-filled episode of Cutting Deep into Horror, filmmaker Henrique Couto and Rachael Redolfirevisit director David Bruckner’s rain-soaked forest nightmare and explain why it belongs in any horror fan’s Halloween-season watchlist and spooky-season podcast queue.
After Rob is murdered during a robbery, Luke joins Hutch, Dom, and Phil on a hiking trip intended to honor their dead friend. What begins as a painful memorial becomes a fight for survival when the men take a shortcut through an isolated forest, discover a ruined cabin containing a disturbing wooden effigy, and awaken with nightmares that feel dangerously real.
Henrique and Rachael examine how The Ritual uses Luke’s survivor’s guilt to blur the line between memory and reality. The convenience store where Rob died begins appearing inside the forest, the group’s exhaustion turns into resentment, and every strange sound in the darkness becomes evidence that something enormous is following them.
The conversation also explores the film’s gradual evolution from a wilderness survival thriller into folk horror and eldritch horror. Henrique and Rachael discuss the buried tent, Hutch’s disappearance, Phil being dragged into the darkness, Dom’s terrifying sacrifice, and the discovery of a hidden village whose residents worship an ancient being in exchange for unnatural immortality.
They dig deeply into the movie’s unforgettable monster design and the idea that the creature uses each victim’s strongest trauma, fear, desire, or belief to force them into submission. Why does it recreate Luke’s worst memory? Why does it tempt Dom with a vision of his wife? What makes Phil immediately kneel before it? And why is Luke ultimately able to resist its command?
Henrique and Rachael also discuss David Bruckner’s horror career, Rafe Spall’s performance as Luke, and the film’s origins in Adam Nevill’s 2011 novel. They break down the burning of the preserved worshippers, Luke’s refusal to kneel, his final confrontation with the creature, and the significance of escaping beyond the forest’s tree line.
Along the way, they compare the movie’s lost-in-the-woods paranoia and deteriorating friendships to The Blair Witch Project, while contrasting its approach to trauma, cult belief, and Scandinavian folk horror with Midsommar. As Halloween approaches, this is a perfect horror podcast deep dive for fans of frightening forests, occult villages, survival thrillers, ancient monsters, and slow-burning supernatural dread.
Inside this episode:
Next on Cutting Deep into Horror: The Cell (2000).
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
After Rob is murdered during a robbery, Luke joins Hutch, Dom, and Phil on a hiking trip intended to honor their dead friend. What begins as a painful memorial becomes a fight for survival when the men take a shortcut through an isolated forest, discover a ruined cabin containing a disturbing wooden effigy, and awaken with nightmares that feel dangerously real.
Henrique and Rachael examine how The Ritual uses Luke’s survivor’s guilt to blur the line between memory and reality. The convenience store where Rob died begins appearing inside the forest, the group’s exhaustion turns into resentment, and every strange sound in the darkness becomes evidence that something enormous is following them.
The conversation also explores the film’s gradual evolution from a wilderness survival thriller into folk horror and eldritch horror. Henrique and Rachael discuss the buried tent, Hutch’s disappearance, Phil being dragged into the darkness, Dom’s terrifying sacrifice, and the discovery of a hidden village whose residents worship an ancient being in exchange for unnatural immortality.
They dig deeply into the movie’s unforgettable monster design and the idea that the creature uses each victim’s strongest trauma, fear, desire, or belief to force them into submission. Why does it recreate Luke’s worst memory? Why does it tempt Dom with a vision of his wife? What makes Phil immediately kneel before it? And why is Luke ultimately able to resist its command?
Henrique and Rachael also discuss David Bruckner’s horror career, Rafe Spall’s performance as Luke, and the film’s origins in Adam Nevill’s 2011 novel. They break down the burning of the preserved worshippers, Luke’s refusal to kneel, his final confrontation with the creature, and the significance of escaping beyond the forest’s tree line.
Along the way, they compare the movie’s lost-in-the-woods paranoia and deteriorating friendships to The Blair Witch Project, while contrasting its approach to trauma, cult belief, and Scandinavian folk horror with Midsommar. As Halloween approaches, this is a perfect horror podcast deep dive for fans of frightening forests, occult villages, survival thrillers, ancient monsters, and slow-burning supernatural dread.
Inside this episode:
- David Bruckner’s horror career and the film’s origins
- Rob’s murder and Luke’s crushing survivor’s guilt
- The memorial hike and disastrous shortcut through the forest
- The abandoned cabin, wooden effigy, and invading nightmares
- Hutch, Dom, Phil, and the collapse of the group’s friendship
- The hidden village, ritual worship, and promise of immortality
- The Jötunn-inspired creature and its psychological control
- Luke’s refusal to kneel and final escape from the woods
- Comparisons with The Blair Witch Project and Midsommar
Next on Cutting Deep into Horror: The Cell (2000).
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
Frequently Asked Questions
What is the movie The Ritual (2017) about?
The Ritual follows four old college friends who take a hiking trip through the Swedish wilderness to honor their murdered friend, only to get lost and hunted by an ancient forest monster worshipped by a hidden cult.
Who directs The Ritual?
The Ritual is directed by American filmmaker David Bruckner, who is also known for his work on V/H/S, The Night House, and the 2022 Hellraiser reboot.
Is The Ritual based on a book?
Yes, the film is based on Adam Nevill's acclaimed 2011 horror novel of the same name.
Where can you watch The Ritual?
In the United States, The Ritual is available to stream exclusively on Netflix.
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Who are you there?
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Oh, hi.
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Sorry.
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I was just lost. I took a shortcut and I
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was coming through here.
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Oh, yes.
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And I got lost.
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Through the woods down there.
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Yeah.
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And here as well. Yeah. Oh, yes.
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I mean, it's all around us.
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It's a lot of woods. It sure is. These are
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gorgeous woods. We don't get a lot of visitors out
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this way.
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Yeah. Yeah. You're like the only person I've seen for
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like three days.
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Unfortunately, that makes you our prisoner.
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Oh.
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Do not worry. There are many things to enjoy as
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you worship.
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Oh, God, there's a lot of you.
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Yes, yes.
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Oh, yes.
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Many, many of us. You will have a good time.
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You'll get to enjoy the finest in Swedish fish. The
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finest in Swedish bitters. We also provide Swedish massage.
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Okay.
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And Swedish-style bubs and pick and mix.
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What?
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I've never heard of that.
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Are you from Sweden?
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No.
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How about a Swedish meatball to enjoy? It's good for protein. Okay. Oh,
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you're noticing the giant creature there.
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I couldn't help but notice because it does. It is large.
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People think a lot of things about the Swedes.
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No, but can we. What is on its head and
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why is it staring at me?
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On television, people think that the Swedish chef is only
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about four feet tall. But in reality, he is about
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14 feet tall and he hungers for not just human flesh,
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but the humanity itself.
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Oh, no, no.
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Now, come along. The meatballs are almost ready.
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This podcast is about why horror scares us. What deep, dark, secret,
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scary cinema shines a light on. The discussions are frank
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and involve conversations about abuse, trauma, and mental health. There
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are also spoilers, so keep that in mind too. Now,
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sharpen your machetes and straight razors, because this is Cutting
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Deep into Horror.
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Hello, my spookies, and welcome back to Cutting Deep into Horror.
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I'm your host, Enrique Couto, here with my co-host, Rachel Rodolphe. Rachel,
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how are you?
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I'm doing good.
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Yeah?
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Yeah.
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So good you wanted to stomp all over my improvs, huh? Yeah, sorry.
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I was not yes-anding very good with you there.
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No, you were more just anding.
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Yeah. They can't all be winners.
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Sorry, guys. Sorry. I'm going to ask to come up
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with the concepts and run with them. Do we need to,
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do we need to roll tape to the time I
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let you lead one? Please. No. So, but anyway, uh,
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we're here this week, uh, as Halloween is, uh, very
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quickly approaching. Yeah. We're talking about a, a film that
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I feel it got a little bit of attention, but
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maybe kind of, I don't know, kind of. disappeared into
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the ether a little bit. But that's the tricky thing
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with these. So it's The Ritual from 2017. It's a
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Netflix film, so it's available. If you're in the United States,
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it's available exclusively on Netflix. And a lot of those
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Netflix movies, it's hard to really gauge how much of
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an audience they got. Not only because there's no box
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office information, but also because you just don't know I mean,
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the people I knew didn't seem to watch it very
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intently or I didn't hear them talk about it very much,
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but who knows how many people discovered it. I feel like,
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like we just watched that one Netflix movie, The Last House. Yeah.
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I haven't really heard anybody talk about it, but I
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have no idea. Maybe it did really, I mean, like
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maybe a lot of people tuned in and, you know,
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we just didn't, weren't privy to those people.
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Didn't hear about it.
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But the one nice thing about a Netflix movie is
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that it is relatively accessible. I mean, you know, Netflix
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can be a bit pricey, although they drop the price
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a lot with the ads version. So if you want
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to watch this film, it is on Netflix and I
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do highly recommend you give this one a watch. I
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had seen it once before and I didn't remember a ton.
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I mean, I remembered a decent bit about it, but
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I think I had it confused in my brain with
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another wilderness survival movie that was on Netflix around the
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same time. Okay. Because at first I did not recall
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any supernatural element at all. Okay. I remembered, like, a
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hunter hunting people. Oh, yeah. And that was something. But
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I'm almost certain that was a different Netflix movie. It's
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probably also a British movie. This is technically a British movie,
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even though the director's American. I'm guessing when it says
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a British movie, that just means that the money came
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from Britain.
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That's got to be it. And I think most of
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the cast is British.
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Well, sure. But they're supposed to be Brits who go
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to Sweden.
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Yeah.
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You know, I mean, I get that, too. It's just,
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to me, it feels like, is it really a British
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movie just because the characters are British? That's a good point.
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I mean, now if the characters are British in Britain.
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That's a British movie. But I would say that it's
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more a British movie if the film is made in
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Britain by British people. But this film is directed by
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David Bruckner, who was born and bred in Atlanta, Georgia.
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And David has had a very interesting career. He started out,
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relatively speaking, in the micro-budget world, doing a lot of
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anthology films. with other filmmakers. Um, the first one, unfortunately
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I have not seen this one, but the first one
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was called the signal from 2007 and it has three
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interconnected segments. He directed one of them. It's a horror
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kind of film, but then after the signal, he did
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a short film called talk show, which I could not find,
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but then he did, um, a anthology film that became
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a big deal, um, called VHS. Didn't we watch VHS?
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I don't know. Oh, uh, came out in 2012. We
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might have, I really don't know. Uh, if we did,
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we watched it closer to 2012 today. And, but VHS was,
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was a big deal. Um, and I mean, they're still
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releasing like a sequel every single year for, for VHS.
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There was one last year and the year before that,
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and the year before that they've got to be up to, gosh,
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I don't even know how, how far along they are now. Um, Oh,
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like it's like a check. Uh, Oh my gosh, yeah,
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there's one, two, three, four, five, six, seven, eight. There
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are eight VHS films total, and there's already one announced
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for this year and next year. Oh, okay. Damn. So, yeah,
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Shudder's basically kind of taken over the reins on producing it,
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and it's made by different young filmmakers every go-around. But
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the first VHS... It was a pretty new concept, the
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idea of making it intentionally analog. But some of the
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directors that were involved in VHS were Adam Wingard.
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I think I know that name.
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He did The Guest, and then he did Godzilla vs. Kong.
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Yeah, yeah.
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Okay. And he did Blair Witch.
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Yeah.
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So he was on there. Ty West was on there.
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Do you remember who that is?
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I do remember Ty West.
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Who's Ty West?
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Uh, Pearl and X.
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You nailed it. You nailed it. Uh, Joe Swamberg.
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That one.
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I don't. Yeah. It figures the one guy I know
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in the whole list. Uh, Joe Swamberg went on to
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direct an immense amount of films as well as, uh,
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as acting in a bunch of movies. Uh, I'm a
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huge fan of his for most of his non-horror output, like, um,
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drinking buddies and happy Christmas and digging for fire. Um,
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those were some of my favorite movies he's done, but
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he's done a bunch of really great movies, uh, that
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I've just, yeah, I've always liked, but, uh, so yeah,
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VHS one was kind of a, uh, a big kind
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of proving ground for these younger filmmakers. And it's weird though,
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saying younger, because as I'm looking at this list, um,
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I'm realizing that almost all of them are Gen X, uh, Look,
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I turned 40 in like two weeks. So I'm noticing
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these things. But it's just funny because it's like saying
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like a showcase of younger filmmakers. I'm like, shit, these
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guys are about how old I am now in 2012.
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Maybe a little younger. They were like in their 30s. Anyway,
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it's just a funny observation. But I do remember his
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segment in VHS, which was called Amateur Night, being really good.
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So he also directed a segment in the film Southbound.
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Which was another anthology film. Okay. And I really loved Southbound.
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I thought it was really good. We might have watched
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that together. I mean, it was a highway anthology movie.
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It kind of rings a bell.
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We may not have watched it. I don't know. But
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he did a film that I think is very, very underrated.
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And then another movie that I don't know how I
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feel about it. He did The Night House in 2020.
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Which was a film about a woman who is stuck. Well,
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not stuck. She's living in a house after her abusive
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husband dies. And basically she's haunted by him. And it
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starts to reveal a deeper, crazy evil. It's very scary.
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And there's something terrifying about the idea of like being
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all alone and then realizing you're not alone. But it's
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because the person that you wanted to escape is just
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still there. Yeah. Yeah. It's terrifying. It's a solid film.
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It didn't do super well, but it also came out
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in January of 2020. Wait, no, no, no. It came
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out in August of 2021. That's right. It was supposed
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to come out in 2020. Okay. So the theaters were
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still kind of, eh, and it did 15 million at
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the box office against 12 million. So it wasn't a
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total flop. But then in 2022, he did a little
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film called Hellraiser, the 2022 reboot film, whatever you want
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to call it, which a lot of people referred to
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as Hulu Razor because it was the Hulu Hellraiser. You know,
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I didn't hate the Hellraiser reboot, whatever, but I didn't
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like it very much either. I thought it was a
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very weird decision to make it basically sexless.
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Yeah, when you, because you, I still haven't seen it,
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but when you told me that, I was like, that's
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a decision.
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Well, I get that some people are like, we don't
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need all this sex stuff in movies anymore. I mean,
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because overall, horror movies are less like that.
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Yeah.
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They're less focused on nudity and gratuity in that way
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as they used to be. But Hellraiser is literally about
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sexual gratification.
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Yeah.
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I mean, that's literally the point of the film. And
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I love Hellraiser, but it's literally about a guy who
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is so perverted and depraved, the only way he can
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find new excitement and pleasure is to open a gateway
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to hell and have his soul ripped apart. That's it.
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Yeah, that's the story.
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I didn't think it was terrible, but I thought that
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it just kind of was missing a certain degree of
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oomph that Hellraiser tended to have. So that's just my
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two cents. But that all being said... I really like
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this film. Yeah. I was very impressed with how much
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it kind of pulled me around and took me on
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the ride. And then it had a very satisfying ending
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as well. It does. Yeah. So that was something I
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was very happy about. Yeah. So yeah, revisiting this was awesome.
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I can't recommend enough people give it a watch. It is,
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for lack of a better term, I mean, it's a
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horror film, but it's a little bit more of a thriller.
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That starts to branch into kind of folk horror.
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Yeah.
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And it's not super gory, but it has its moments.
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They're used very, very precisely. Yes. To make the audience uncomfortable.
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It's got the wilderness survival element, which is super thick
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for most of the film for the first half, two
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thirds of the film. And it's, it's, you know, it's
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got a big through line about trauma and guilt and
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grief and grief. I mean, I don't even, I don't
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even know if I would say it's about grief only
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