WEBVTT
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Mid July is when summers starts getting strange. The heat
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is up, the woods are thick, the water looks darker
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than it should, And somewhere in a lab or a cave,
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or a cursed corner of the Internet, something is changing shape.
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This week Horror History gives us experiments that should never
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have happened, Animals that refuse to stay harmless, bodies that
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turn against themselves, vampires treated like an outbreak, and one
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little movie that convinced audiences a few missing kids might
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actually be real. So keep the flashlight steady, don't follow
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the strange noise in the trees, and if a scientist
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tells you everything is perfectly under control, run. Welcome back
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to this Week in Horror History, your weekly time machine
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through the creepiest anniversaries in film, TV, books, and games.
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I'm your host, Enrique Kuto, and tonight we're talking about
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July thirteenth through nineteenth. Coming up. Bert Lancaster turns an
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island into a laboratory of nightmares. Stephen Graham Jones delivers
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one of modern horror literature's sharpest supernatural reckonings. A killer
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whale decides revenge is not just for people anymore. And
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one of the great sci fi horror classics, reminds us
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that one tiny little fly can ruin everything. Then, right
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after the break for our deep cut Spotlight, Guermo del
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Toro has a vampire series where the monster isn't romantic
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at all, It's biological. July thirteenth, nineteen seventy seven, The
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Island of Doctor Moreau opens in US theaters and H. G.
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Wells's nightmare of science without Conscience gets a sweaty, albeit pulpy,
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seventies makeover. Bert Lancaster plays Moreau, the kind of doctor
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who looks at nature and decides it would be better
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if he personally rearranged it. His island is full of creatures,
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caught between animal and human, between instinct and obedience, between
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being alive and being a failed experiment. That's what still
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gives the story its bite. It's not the monster made.
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It's the horror of authority with no morality, of a
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man so convinced he's improving life that he never notices
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he's become the monster at the center of the island.
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That makes The Island of Doctor Moreau worth revisiting in
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its film version or giving it a quick read as
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a nineties, kid, I have to admit that the nineteen
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seventy seven The Island of Doctor Moreau was one of
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the first quote unquote old movies that actually kind of
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got under my skin and made me creeped out. So
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it's always had a special place in my horror heart,
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so to speak. And if you want to give it
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a watch or check it out for the first time ever,
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it is streaming on Amazon Prime Video with your subscription
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or MGM Plus with your subscription, as well as free
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on two BTV or to rener by at the usual
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suspects like Apple TV and Fandango at Home. July fourteenth,
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twenty twenty, The Only Good Indians by Stephen Graham Jones
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is published and modern horror literature gets a story that
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feels like a curse tightening one breath at a time.
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The novel follows four Blackfeet men haunted by something they
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did years earlier, an act of violence that refuses to
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stay buried. What returns is not just guilt. It has memory, purpose,
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and antlers in the dark. What makes this book stand
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out is the way it blends supernatural revenge with identity, grief, tradition, masculinity,
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and the terror of consequence is arriving long after you
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thought you would escape them. It's available in print, ebook,
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and audiobook editions through all major booksellers, library apps, and
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audiobook platforms. So give it a listen and get creeped out.
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July fifteenth, nineteen seventy seven, Orca opens in New York,
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and the post Jaws creature feature wave gets stranger, angrier,
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and weirdly tragic. This is not just a killer whale movie.
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It's a revenge movie where the whale has the clearest
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emotional motivation of the entire cast. A human hunter does
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something unforgivable and nature answers back with intelligence, patience, and
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a very personal grudge. Orca is bizarre, but in the
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best kind of drive in movie way. It's part ocean thriller,
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part eco horror, then part operatic revenge tragedy. It asks
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what happens when the animal you underestimate is not just dangerous,
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it has a memory, especially for human faces. I have
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long been a huge, huge celebrator of Orca. I think
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it's a surprisingly scary Jaws knockoff, and this is another
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one that as a nineties kid, it creeped me out
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a lot. The Orca attacking people, knocking their homes into
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the water, causing a gas explosion. It's as freaky and
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fun as it is ridiculous and means spirited. I don't
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know if I've ever given a film a bigger thumbs
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up to give it a watch, but I've always loved Orca.
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It's available to rent or buy on Prime Video, Apple TV,
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and Fandango at home. Or if you're like me and
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you're very obsessive, you already have the four k UHD.
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If you've never seen Orca, give it a watch. And
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if it's been a while and you remember not liking it,
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check your mouth and give it another watch. You can
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email me at Weeklyspooky at gmail dot com and tell
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me if you're new viewing ruined your day, and I'll
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gladly apologize, but maybe with my fingers crossed behind my back.
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July sixteenth, nineteen fifty eight, The Fly releases in the
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United States, and science fiction horror finds one of its
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cleanest but cruelest Ideas a scientist builds a teleportation machine,
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a fly enters at the at the wrong moment, let's say,
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and suddenly the dream of human progress becomes a nightmare
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of mixed bodies and identities, all from one terrible little
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mistake that can never be undone. The Fly works because
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the horror is simple and it's devastating at the same time.
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It's not about a madman trying to become God. It's
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about a brilliant man who reaches too far then realizes
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the universe has answered him with I guess kind of
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a joke that is so awful it becomes a tragedy.
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I've always loved The Fly, whether we're talking about the
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original or the incredible Cronenberg remake from the eighties, as
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well as that sequel. I'm a big Fly lover, and
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if you are not a Fly lover, well that's your problem.
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But if you want to give it a watch for
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the first time or a review, it is streaming on
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YouTube TV, or you can rent and buy it at
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Prime Video, Apple TV and of course Fandango at Home.
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Tomorrow on Weekly Spooky. Some nightmares fade when you wake up.
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Others are warnings. In Tomorrow's story by Michael Kelso, an
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ordinary delivery driver wakes up from a horrifying dream in
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which a massive, demonic creature tears him away from his
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truck and drags him screaming into the woods. It feels real,
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the road, the bridge, the monster's teeth. But morning comes,
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his family is safe, and the nightmare begins to fade away, until,
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of course, his next late delivery run comes up. As
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the truck carries toward that same stretch of highway, every
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mile feels familiar, every shadow between the trees feels wrong,
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and his eight year old daughter keeps begging him not
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to go. She knows someone is waiting for him. She
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knows when he passes the bridge, and somehow she knows
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what he sees watching from the woods. Now, a father
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desperate to get home must drive directly toward the place
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where his nightmare ends, while something huge, hungry and impossibly
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patient waits beside the road for its second chance. Driving
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a truck can be a nightmare. Literally by Michael Kelso
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Premier's Tomorrow right here at Weekly Spooky. So make sure
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you're subscribed, keep your eyes on the road, and don't
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stop near that bridge. Trust me, all right, my Spookies,
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make sure you're subscribed on your favorite podcast staff because
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that's the story tomorrow, and I know you'll enjoy it.
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Now it's time for a quick breather, but we're going
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to July thirteenth, twenty fourteen, a plane lands, the passengers
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are dead. The CDC gets called in, and what looks
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like an outbreak is actually something much older, hungrier, and
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harder to kill. All right, we're back, let's get into it.
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On July thirteenth, twenty and fourteen, the Strain premieres on
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Fax and vampires get dragged out of the Velvet Cape
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and into the quarantine zone created by Guillermo Del Toro
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and Chuck Hogan. The series begins with an instantly creepy hook.
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A passenger lands at JFK with the lights off, the
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shades down, and almost everyone on board dead. That opening
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gives the show its best flavor. This is vampire horror
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treated like a public health emergency. The monster isn't mysterious
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because it sparkles or seduces. It's terrifying because it spreads,
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It infects bodies, It turns a city into a feeding ground.
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While officials argue, deny and react too late. The Strain
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is at its best when it leans into that collision
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between ancient evil and modern systems. You have CDC language
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emergency proto calls news, spin, old World, vampire lore, and
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Del Toro terrorizing you with his creature designs. All of
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that mashes together to make quite a fun ride. And
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the vampires themselves are nasty. They are not romantic predators.
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They're biological nightmares, parasitic, pale, hungry things that make the
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neck bite feel almost quaint. This is some fun horror goodness.
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And actually, as I've been talking about it, I'm realizing
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I really want to revisit The Strain No, no foolan,
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I kind of want to watch that. Maybe show it
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to Rachel if you want to give it a first
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time watch, or binge it yet again, it's pretty easy
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to do so it's streaming on Hulu or Disney plus,
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AMC plus Shutter or of course, you can rent or
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buy the seasons on Prime Video, Apple TV and Fandango
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at home. Now it's time to light a black candle
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for some horror related birthdays. First born on July thirteenth,
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nineteen forty, it's Patrick Stewart. Now, I am a lifelong
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Star Trek fan, but the guy is genre royalty, with
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horror and thriller films in the ouvre, including Toby Hooper's
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Life Force Yeah. Patrick Stewart's in Life Force, the one
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about the naked space vampire woman, and also Green Room,
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which that film holds up great makes you feel sick
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to your stomach and scared all at once. I love
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me some Green Room and Patrick Stewart playing the leader
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of the Skinhead Nazi gang was brilliant casting and way
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outside of type. He brings gravitas even when everything around
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him is going feral and maybe is silly at the
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same time. So a very happy birthday to Patrick Stewart.
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Born on July fifteenth, nineteen thirty six. Is Larry Cohen,
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in my opinion, one of the most underrated creatives in
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all of cinema, not just horror films. The guy had
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a wild, independent mind which brought us It's Alive, Q,
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The Stuff, and some of horror's strangest, big ideas on
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small budgets. The guy was a scriptwriting machine. He also
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wrote the screenplay for Uncle Sam. He wrote the screenplay
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for Ambulance. He wrote the screenplay for Phone Booth. The
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guy deserves to be a legend, and I believe in
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many's eyes he is. So A very happy birthday Larry
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Cohen born on July sixteenth, nineteen seventy one. It's Corey Feldman,
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that's right, one of the Coreys, a childhood face of
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eighties genre chaos. Really, from Friday the Thirteenth, the Final Chapter,
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to The Lost Boys to Two Yeah Gremlins. It's easy
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to forget Corey was in a lot of horror films
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when he was a young kid, and I don't know,
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it's hard sometimes to connect that face to the Michael
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Jackson dancing guy that he became in the nineties, etcetera, etcetera.
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Corey Feldman has. There's a lot to say about the guy,
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but he is certainly horror royalty and deserves to be
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on this list. So happy birthday, Corey Feldman. And finally,
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born on July eighteenth, nineteen forty, James Brolin forever tied
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to Haunted House cinema through his starring role in one
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of the quintessential Haunted House films, The Amityville Horror. I mean,
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if that doesn't make you horror royalty, nothing would. So
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a very happy birthday James Brolin and all of our
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horror history birthdays this week for our then in now
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this week, Horror is Evolution in Fast Forward nineteen seventy
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seven gives us science without Mercy on Doctor Moreau's Island.
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Then Nature striking Back in Orca nineteen fifty eight gives
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us the body as a failed experiment in The Fly,
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twenty twenty gives us guilt as a living curse in
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The Only Good Indians, and twenty fourteen gives us vampires
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as an outbreak, something ancient wearing the language of modern panic.
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Different monsters, same warning. Once something changes, it may not
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change back. And for our weekly recommendation, we're heading back
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to July fourteenth, nineteen ninety nine, when The blair Witch
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Project opened in its limited release. If you want one
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movie to queue a for this week, I gotta tell
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you it would be The blair Witch Project. It opened
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in a limited release on July fourteenth, and horror marketing
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was really never the same again. The genius of The
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blair Witch is how small it feels. Three student filmmakers,
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a camera, the woods, a local legend, no big monster reveal,
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no clean answer, just dread piling up in little pieces
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until the audience starts doing all the scary heavy lifting themselves,
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and that allows it to still hold up very well
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to this day. It also understood the Internet before most
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movies even knew how to use it. It blurred fiction
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and reality so effortlessly that the story didn't just live
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on screen. It spread through message boards, rumors, fake missing persons, materials,
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and of course word of mouth. It's such a great film,
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such a fun film, such as a great blueprint for
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modern found footage horror, and every time I revisit it,
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I like it more. Just make sure you also give
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a rewatch to the documentary or I guess mockumentary The
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Curse of the blair Witch first, because it really primes
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you to be spooked out. I love that blair Witch project.
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It's available to watch right now on HBO Max with
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your subscription, or to rent or buy on Prime Video,
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Apple TV. And did you hear that who's out there
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in the dark? Oh, it's just Fandango at home? Well,
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my spookys. That was your trip through July thirteenth to
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nineteenth in horror history. Make sure you stop back by
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tomorrow Wednesday for a brand new horror story from Michael Kelso,
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all about nightmares coming to life and taking a bite.
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Subscribe on your favorite podcasting app because there's something spooky
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every single day of the week right here at Weekly Spooky,
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and we sure are happy to have you. And I'll
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be right back here next week with another dive into
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horror history. So until then, remember our days are numbered,
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because that's how we tell them apart, see you next week.
