May 28, 2026
The Backrooms: Found Footage Horror & Liminal Space Internet Folklore | Thursday Thrills
Dive into the unsettling world of The Backrooms, a modern internet legend exploring found footage horror and liminal spaces. Discover how an eerie image evolved into a viral phenomenon, tapping into primal fears of being lost in familiar yet wrong environments.
Key Takeaways
- The Backrooms, a popular internet folklore phenomenon, taps into primal fears associated with liminal spaces.
- Originating from a 2019 image, The Backrooms concept evolved through online communities into games, videos, and a viral found footage series by Kane Pixels.
- Liminal spaces, like empty hallways, are unsettling due to their familiarity and the psychological effect of emptiness, evoking loneliness and existential dread.
- The architecture itself often serves as the antagonist in The Backrooms, creating horror through repetitive, 'off' environments.
- The Backrooms phenomenon highlights how internet folklore can externalize modern anxieties, similar to traditional cautionary tales.
The Backrooms movie arrives tomorrow from A24, and we're diving into how found footage horror and liminal space folklore became one of internet culture's most unsettling modern legends. From a creepy 2019 message board image to Kane Pixels' viral YouTube series, Reddit deep dives, TikTok rabbit holes, and analog horror aesthetics—this episode explores why empty hallways, buzzing fluorescent lights, and yellow walls tap into something primal about being lost nowhere.
Inside this episode:
• Why The Backrooms are trending again with the A24 film arriving tomorrow • How a simple empty yellow room became a modern creepypasta legend
• Why liminal spaces feel so familiar, lonely, and unsettling
• How Kane Pixels helped turn internet horror into cinematic found-footage nightmare
• Why the scariest thing about The Backrooms may not be the monster - but the architecture itself
This is a quick, creepy, casual dive into the internet horror phenomenon that made empty hallways feel like a doorway out of reality.
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👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
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Frequently Asked Questions
What are The Backrooms?
The Backrooms is a modern internet folklore legend that describes an unsettling liminal space, often depicted as an endless maze of empty yellow rooms with buzzing fluorescent lights and damp carpet, originating from an eerie image posted online in 2019.
Why are liminal spaces so unsettling?
Liminal spaces, or 'threshold' places, become terrifying when they are stripped of their purpose and feel empty. Their familiarity, combined with this emptiness, evokes feelings of loneliness, disorientation, and existential dread, tapping into a primal fear of being lost.
How did Kane Pixels influence The Backrooms?
Filmmaker Kane Pixels (Kane Parsons) significantly boosted The Backrooms' popularity with a viral found footage short film. His work treated the concept as discovered evidence, enhancing the horror through its raw, analog aesthetic and cinematic approach to navigating the unsettling space.
Is The Backrooms scary because of monsters?
While entities can exist in The Backrooms lore, a key aspect of its horror is the architecture itself. The repetitive, unsettling, and vast emptiness of the environment creates a primal sense of being trapped and the fear of the unknown lurking within the space.
How is internet folklore like The Backrooms similar to traditional folklore?
The Backrooms, like traditional folklore, serves as a modern way to externalize and process collective anxieties. The cautionary elements within The Backrooms lore function similarly to ancient warnings found in traditional tales, helping us navigate fears of the unknown and the digital age.
WEBVTT
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Th say thrills.
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This is Thursday Thrills, a quick weekly ride into the
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creepy stories, haunted places, weird obsessions, and eerie little corners
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of the world worth talking about. I'm your host, Enrique Kuto.
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You're walking through a building you don't remember entering. Carpet
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is the color of old teeth. The wallpaper is yellow
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in a way that feels less like decoration and more
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like a warning. Above you, fluorescent lights buzz with the
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cheap electrical hum that makes your eyes ache if you
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listen too long. There are no windows, no furniture, no
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exit signs, no voices, just hallway after hallway after hallway.
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And the worst part isn't that you're lost. The worst
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part is that some little animal part of your brain
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is whispering, I have been here before. That is the
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hook of the back rooms. Not a vampire, not a
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masked killer, not a demon crawling out of the wall,
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but an empty office space that feels a few degrees
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off from reality, a place so boring it becomes terrifying.
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And right now the back rooms are back in a
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big way. Not someday, not vaguely down the road, but
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literally tomorrow. And this is not in any way sponsored content.
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I'm not here to promote some movie because a studio
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asked me to and offered me some kind of I
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don't know, cash money or a strangely shaped popcorn bucket. No, no,
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but this is important in the world of spooky and
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the Internet. What started as an image from the web,
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a bad feeling, a tiny little creepy pasta idea has
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turned into games, lore, videos, TikTok, rabbit holes, YouTube nightmares,
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and now a feature film from A twenty four in
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theaters May twenty ninth, directed by Caine Parsons, the filmmaker
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behind the viral Cane Pixels backroom series. So tonight we're
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taking a dark, little walk through the scariest hallway on
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the Internet. Why did this idea stick around when so
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many memes vanish overnight? Why does an empty office, a
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dead mall, or a hotel corridor at two in the
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morning make us feel like reality has quietly broken? And
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why is the back rooms scarier now than ever before?
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I think it's probably best to start at the beginning,
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Although in the back rooms, the beginning, the middle, and
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the end are very easy to confuse. The backrooms began
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the way so much modern folklore does. With a picture
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that felt wrong, it had bad vibes. In twenty nineteen,
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an image of a strangely empty yellow interior appeared in
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a thread about unsettling images. It wasn't bloody, not even
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a little bit dramatic. It looked vacant, or like a
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forgotten conference room the wrong corner of a furniture store
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after closing. Then someone added the story. The idea was
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that if you no clip out of reality, like a
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video game character glitching through a wall, you can end
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up in the back rooms, an endless maze of yellow rooms,
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damp carpet, fluorescent lights, and something unseen wandering somewhere nearby.
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That phrase is a major part of the magic no
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clip out of reality. It doesn't sound particularly ancient or gothic.
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It comes off digital, like the universe has collision detection
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and for one awful second yours failed. That is very
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modern horror. It's not this house is haunted because someone
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died gruesomely here. It's more the world might be built
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on code, memory, routine and architecture, and maybe there's a
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maintenance area behind all of it, a secret level, a
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debug room, the place reality stores the parts it doesn't
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want you to see, in many ways, reminding me of
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the Langueliers by Stephen King. But I won't succumb to
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that digression for your sake. And that image worked because
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it was already so for familiar. Almost everyone has been
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somewhere back rooms adjacent, a school hallway after everyone has
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gone home, a church basement, a closed department store, a
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hotel corridor when you're half asleep and can't remember exactly
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which door is yours. A beij office where the air
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smells like carpet glue and long ancient coffee. A liminal space.
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That word means threshold, a between place, a hallway, a
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waiting room, an airport gate, a stairwell, a mall after hours.
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It's not usually meant to be the destination. More so,
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it's meant to move you from one place to another.
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But when the people are gone, the purpose vanishes, and
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because your brain is a wonderful little horror writer in
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its own right, it fills that blank with something is
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wrong here. The back rooms are basically liminal space horror
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turned into a shared monster myth. The original idea was
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simple and brilliant, an endless, empty place where the ordinary
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becomes hostile. But the Internet did what the internet does best.
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It expanded, It built levels, It added entities, It made wikis, maps, games, theories,
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and survival guides for a place that should not be mappable.
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Suddenly there were endless pool rooms with blue tile and
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and humming lights. Dark office levels where every cubicle looked
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abandoned five minutes ago. Industrial corridors with pipes sweating in
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the ceiling, suburban streets under fake night skies, faceless things
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glimpsed around corners. Rules whispered like survival advice. Do not
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follow the voices, do not trust the smiling thing, Do
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not stay where the lights flicker for too long. That
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is what draws you in. Because old folklore used to
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grow around forests, caves, crossroads, graveyards, and lonely roads, places
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where the world felt dangerous and mysterious. Now are folklore
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grows around office carpet, and not just because it's scratchy
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on your toes. This is why the back rooms hit
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a nerve. They turn the backstage of normal life into
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a trap. The back hallway behind a movie theater, the
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employee only corridor in a mall, which, by the way,
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When I worked at Spencer's Gifts, that mall corridor was
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really creepy when we would be there until two am
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doing spring inventory. Seesh, There's the stairwell in a hospital
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parking garage, the basement bathroom at an old school event.
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Those places creep people out because they feel like the
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public face of the building has been peeled away, and
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now you're somewhere you never were supposed to linger. That
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is the scare in its purest form. The world still
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looks normal, but it will not let you leave. Then
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Caine Pixels gave the back rooms a second life. In
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twenty twenty two, Caine Parsons released a found footage short
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on YouTube that treated the back rooms like leaked analog evidence.
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A camera operator falls into the impossible space, wanders through
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the yellow maze, and slowly realizes the place is not empty.
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Part of why that video hit is that it doesn't
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feel like a polished monster scene. It feels like something
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recovered from a corrupted hard drive. The camera stumbles through
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ugly corners, unfinished walls, strange gaps in the architecture, rooms
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that look less designed than generated. You're watching someone make
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the same awful calculation over and over. This turn has
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to lead somewhere. This doorway has to mean something. This
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room cannot just become another room. The camera shakes, the
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audio distorts, the rooms feel too real and too fake
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at the same time. And the creature when it appears
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is not the only scary thing. The real scare is
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what's waiting before the scare happens. The camera points down
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a hallway and gives your imagination just enough to put
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something out there. A dark opening at the end of
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the room becomes a mouth, a corner becomes a hiding place,
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a buzzing light, a warning. That's what the back rooms
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do best. They make you afraid of empty space, because
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empty space starts to feel like it's watching you back.
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But the truly scary thing is the architecture itself. The
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room is the monster, and when we come back, we're
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stepping even deeper into why this empty yellow maze is
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walking out of internet folklore and into movie theaters everywhere,
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and why the scariest thing in the back rooms may
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not be what's chasing you, but the place itself. The
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back rooms give horror creators something incredibly powerful. You understand
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it instantly. Empty yellow maze you're trapped. Something might be
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in there with you, good luck, and there are so
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many simple scares hiding inside of that setup. You hear
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footsteps that stop. When you stop, you turn around and
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the doorway you came through is gone. You see a
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person far down the hall wave and then you realize
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they're standing perfectly still. You find a room with chairs
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arranged like a meeting just ended, except there's dust on
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everything and one chair is still rocking. A sign pointing
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to an exit can be scary if it's pointing deeper inside.
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Even a vending machine can be scary if it's humming
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in a room nobody could have possibly stocked. A child's
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laughter can be utterly mortified if it echoes from behind drywall.
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The ordinary details are the trap doors, but the original
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terror is colder and simpler. You are in a place
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that should not exist. You do not know how you
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got there, You do not know if the exit even exists.
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And the lights they just keep on buzzing. That's all
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you need. The back rooms also speak to a very
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modern kind of loneliness, not the kind you get when
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you're in the wilderness. It's not a I am alone
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in the woods under a black sky. It's more, I
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am alone in a place that's built for crowds. When
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all of that is gone, the silence is not peaceful.
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It's evidence, evidence of absence, evidence you missed something that
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everyone else got the signal and left. And that is
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why back rooms imagery spread so easily online. They're not
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just scary pictures. They're little emotional traps. Your brain recognizes
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the setting before it understands the threat. It says, yes,
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I know this carpet, I know this light, I know
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this stale air. Then half a second later it says, wait,
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why am I seeing it like this? It's the uncanny valley,
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but for rooms. Usually we talk about the un canny
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valley with faces, a human face that is almost right
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but not quite. The back rooms do that, but with
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the architecture almost an office, almost a hotel, almost a school,
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almost a real place. But the proportions are wrong, the
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emptiness is wrong, the repetition is wrong, and repetition is
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a nightmare engine. One hallway is boring, ten hallways are upsetting,
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and a thousand hallways are pure cosmic horror. At that point,
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the question stops being where am I and becomes what
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kind of universe needs this many hallways. To be fair,
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what we actually have here is not a true paranormal
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case by any means. There is no evidence that people
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are really glitching into yellowy office mazes. The back rooms
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are collaborative fiction, Internet folklore, and digital age horror storytelling,
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but that doesn't make them meaningless. Folklore has always been
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a way for people to turn anxiety into a place
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you can point at. Don't go into the woods after dark.
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Don't answer the voice from the well, do not drive
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down that road at midnight. And now do not no
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clip out of reality. Do not follow the buzzing lights.
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Do not trust the empty hallway. Because somewhere between a
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twoenty nineteen image thread and theater opening, the Internet figured
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out that the scariest place in the world might not
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be a haunted house. It might be the space behind
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the haunted house, the blank place, the waiting place, the
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place where the carpet is damp. The lights never stop humming,
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and every doorway promises the next room will be different,
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but it never is. And if you ever find yourself
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alone in a hallway that feels too long, in a
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building that suddenly seems too quiet, and you hear that
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fluorescent buzz crawling under your skin, do yourself a favor.
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Do not look for the exit sign, Look for the
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door you came through, and pray that it's still there.
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Come back to morrow for more fear. Until then, lock
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your doors, as if that will help.
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Ha ha ha ha ha ha ha
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