April 27, 2025
Unknown Broadcast | "On a Country Road"
In this episode of the radio show, the listener is drawn into an ominous narrative that showcases a thrilling tale, steeped in suspense and psychological tension. The setting begins in an evocative atmosphere by a warm fire, creating an inviting environment which sharply contrasts with the unfolding story's dread. The protagonist reminisces about stories from the past while setting the stage for what is about to unfold. The listener is encouraged to prepare for a gripping story titled “On a Country Road,” featuring Howard Duff and Ida Lupino, which serves as the backbone of the episode.
As the narrative shifts focus, we meet a couple caught in a harrowing traffic jam, leading them to consider taking a shortcut through a lonely country road. This seemingly innocent decision is quickly complicated when they’re warned of an escaped convict, Nellie Goller, described as a dangerous and unstable woman who has escaped from a mental hospital after committing heinous crimes, including a brutal murder. The tensions build as the couple debates their route, with the wife expressing fear over the warnings from the radio about avoiding lonely roads, a sentiment dismissed by her husband who is keenly focused on avoiding the traffic jam.
The couple's fears are amplified as they encounter worsening weather conditions and the realization that their car is running out of gas. The descent into darkness, further complicated by the imminent storm, creates a suffocating sense of isolation. The woman’s anxiety escalates as they find themselves stranded, forced to confront their worst fears. Murmurs of rain and thunder frame their conversation, setting the tone for growing dread and paranoia.
As the couple anxiously waits for help, they begin to hear unsettling noises outside their vehicle, highlighting their isolation. The air grows thick with tension as they both grapple with the idea that the dangerous woman on the loose could be lurking nearby. Suddenly, a stranger appears: a soaked and frantic woman who begs to be let into the car, claiming she’s being pursued. Her desperate plea creates chaos. The couple, mired in their own fear, struggles with the choice of whether to help this unknown woman amid the rising paranoia and uncertainty about her true identity.
The tension crescendos as accusations and fears spiral out of control. Each character in the car exhibits growing distrust as they grapple with their survival instincts. Suspicion escalates to violence when the couple is pushed to their limits, leading to a tragic confrontation marked by panic and desperation. The couple's struggle reaches a climax when they confront the stranger; the chaotic energy of the moment leads to bloodshed at the hands of the husband in a desperate attempt to protect his wife.
As the dust settles, the arrival of the police brings a reprieve, yet the confusion remains. The officer reveals the grim truth that the couple never encountered the real threat—the dangerous woman they feared had already been captured long before their encounter with the stranger. The husband faces the chilling reality of the situation, realizing he has critically misjudged the nature of both the real danger and the stranger begging for help.
Toward the episode's conclusion, the atmosphere shifts from malignant to reflective as the narrator draws a poetic conclusion, reminding listeners of the cyclical nature of fear and the warmth of safety in familiar spaces. The show cleverly loops back to the warmth of the fire, contrasting the grim ordeal experienced by the couple. As the sun rises, a sense of hope is imparted that rekindles the listener’s awareness of their own safe comforts amid the chills of night. The host's final words remind audiences of the complexities of human nature, the lurking dangers in the shadows, and the intrinsic warmth found in human connection—leaving them with a lingering sense of suspense, reflection, and appreciation for the safety of their own surroundings.
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👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
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WEBVTT
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Well, hello, my dear, good to have you back for
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another night. Oh what's that? Oh, don't worry about this.
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I'll just move it out of the way. There we go.
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Please have a seat in my favorite chair. It's close
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to the fire, and the fire is burning brighter and
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brighter now that you've armed, I know how much you
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like a little warmth in the cold of winter. What's that?
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Oh no, no, no, no, I'll be just fine now.
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I was just thinking about things I miss, things that
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are very relaxing to me. I know you enjoy listening
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to stories, so do I. But there are things I
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simply can't do anymore, like watching the curves on a
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country road, and that reminds me of a story I
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heard years and years ago on the air where he
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is that I know you're going to like, so, so relax.
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The tea is ready, is ready, Let's listen.
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Listen on the Country Road, starring Howard Duff and Idle Lupino,
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A tail well calculated to keep you in suspense.
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Oh come on, Jed, we're the relaxed David. We're not
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going to move any fastest, So relaxed.
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Who can relax in a traffic jam like this? Bumper.
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The bumper at twenty miles an hour must be a
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wreck of something up the head.
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This keeps up, we'll get caught in the rain.
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Yeah, it's like a big storm building it. Hey remember
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that shortcut which the little country road that grows across
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through Center Marches and comes out on the highway on
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the other side of the island.
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Oh, yes, you mean the one we took Lass Farm.
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Now, yeah, I'll turn out there and duck this jam.
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We're being home before that starts. Turn on the radio
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with you, honey, see if you get the nosing.
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Police this afternoon issued two warnings to all residents of
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Long Island to be on the lookout for Nelly Gawler,
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a middle aged woman described as dangerous and insane.
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What's say she.
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Escaped this morning from Restview Metal Hospital after fatally butchering
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a doctor, a nurse, and a ward attendant with a
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meat cleaper.
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Hah, my mother in law.
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Just a few minutes ago, the decapitated bodies of an
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elderly man and woman were found by police near Cinema
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Riches on Long Island.
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Well at least run out the only crazy I want
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not to.
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Open their doors to strangers. Motorists are cautioned to stay
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off lonely roads and not pick up any hitchhikers. All
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persons are asked to be on the lookout for this woman.
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There is her description again. She is tall, has broad
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shoulders and long arms. She is believed to be armed
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with a meat cleaver, but she used in her escape
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from rescue Middle Hospital.
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Turn that off, guard, they will because you wanted to
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hear him. Well, that's another that the short cuttle saves
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a lot of time.
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Didn't you hear what the radio said about staying off
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lonely roads?
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Honey, We just have to go across to the other
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highway one take long?
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Are you sure?
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He hers?
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We go past Center Marches, then take the left road
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and come out right by the highway bridge.
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The Center Marches is where she just killed those two people.
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Come on, honey, you're acting like a child. What can
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happen to us? Well, we're driving beside. The whole island
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is full of men looking for this luningdic. I'll catch you. Well,
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there comes the.
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Storm, David. What the gas gage says empty?
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Weh there's still a cuttle of gallons left? When a
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points stamped?
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How long is it s empty that.
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I don't know. I'll get gas when we get across
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the other highway.
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Darling, I'm scared.
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Come relax, honey, Honey, rain and wind always makes you
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jumpy as a cat.
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I wish we'd stayed on the highway.
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If I'd known you'd act like this, I would have.
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It's not my fault, Honey. It's not mine either. I'm
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having trouble and I'm just trying to see through this storm.
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Oh, darling, what are we fighting about?
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Driving through these woods in this kind of weather's enough
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to give anybody the willies.
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Got dogs so fast I can hardly see even in
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the headlights.
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The something ahead.
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We don't stop, David.
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Oh, it's only a sign.
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That crazy woman could be around here.
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I'm not picking up anyone. I just want to know
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where I am.
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Please, don't get out of the car.
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I'm not now. Calm down, Center Marches, to the right.
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I'm gonna take this.
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Road here, Center Marches. This must be the road where
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she killed those people.
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Ably, Please, I'm sorry, I'm jumpy, David.
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That woman should be anywhere in these woods, but.
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Not necessarily where we are. Oh, fair, wouldn't you know?
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Come on, well, that's that we're out of gas. Yeah,
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oh no, you mean we're stuck here for.
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The time being.
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Anyway, that woman is in these words, she'll kill him.
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She's nowhere near us.
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Calm down, David, quick, turn off your headlights.
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Why did you see something?
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I don't know.
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I don't know. I'm scared.
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We should have gotten gas back in the main road.
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Turn off the lights. Please, why she'll see us if
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you don't.
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For Pete's sake, please David turn them Offsn't Dorothy.
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Look at those.
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Headlights talking into the darkness at all the wet bushes
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and trees.
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Please David turn them off.
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Okay, all right, all right there now there are feel
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better sitting in the dive.
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Here's the only thunder and lightening would stop him this rain.
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Look, Dorothy, I'm gonna walk up the road of it.
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Maybe I can find a.
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House, and you're not gonna leave me here. I won't
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let you go.
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We can't sit here in the middle of nowhere for
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the rest of the night.
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If we're safer here than out there, Darling, she's probably
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hiding up there, just waiting for a chance to kill him.
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Come on, Dorothy, why should you be right where we've
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run out of gas.
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Quick locked the doors from the inside.
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Lock them so that that crazy woman can't get in here.
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She's nowhere near here.
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I tell you you don't be mad at me. I
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know I'm being silly, but I can't help it.
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Here, come here. You put my arm around you, darling,
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put your head on my shoulder.
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Please forgive me.
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I'll forgive you.
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Would you turn on the radio. Maybe they've caught her.
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Okay.
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Resting their search for the escape insane woman who has
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killed five persons since fleeing from a Long Island metal hospital,
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rain and darkness are having the search. Over one hundred
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police are combing the wood are off.
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I look, Dorothy, we we can't sit here on there.
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I'll run up the road there there might be a house.
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David, please please don't leave me. Listen. Do you hear that?
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I don't hear anything.
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Listen there it.
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Is I don't know. It's a dog. It's just a
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little dog. Bargin David. Maybe it's lost and maybe there's
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a house nearby.
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Call that woman, Yeah, David, she's dog.
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Dare.
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Don't forget the back of the car. She'll kill it
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is the door locked on your side.
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Yes, yes, but why does she break the window? She
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had to clean that flash lightning?
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I saw somebody?
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Is that her?
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Can't tell? It's lying on the road.
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Oh can you see he?
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Is?
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She still there?
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It's to doctor c have to wait for the lightning.
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There she is. She's getting up there.
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She should kill it. She'll kill it.
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Dog, calm down, please please hold What is she doing?
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I don't know. She must have been running. She didn't
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see the car. She ran right into it.
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Look at the window, David, right next to you, Lord.
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Get away from that window.
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Let me.
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Crazy, David, go away, leave us alone.
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Please let me in.
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Please, no, woman, don't kill me, David, take your pipe.
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Hold it like a gun. It'll look like a gun.
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Storthy in the glove compartment. Quick here it is what
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I got a gun. I'm gonna shoot.
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She's backing away.
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I keep on going before I start shooting.
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David, she's gone. She disappeared.
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I can't get out now. All we can do is
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sit here, all right and wait for help.
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Can you see her? Where did you go?
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I don't know.
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She's out there somewhere, probably planning on how to get
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into this car.
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Dolly, what are we going to do. She's the one.
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I know.
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Her face was completely insane.
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You saw it. Yeah, it's probably back there looking for
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that clever Now she'll kill us.
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She'll kill her.
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Dorothy Dorothy stopped.
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She'll kill us. David, David, David the window, he broke
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the window.
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Away from there.
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Stay out of the car.
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I'm coming in. I can't stand it out here.
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Stay out of the car. I want you. I've got
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a gun.
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No one should be go away to you here. You're crazy.
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We know all about you. I'm not that crazy woman.
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Listens to me.
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Please, my god, I'm stuck in the ditch back there,
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how far back?
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I don't know.
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It seems like miles. I heard about the crazy woman
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on the radio. I was afraid to stay in my
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car alone.
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Let me in.
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Please, No, don't, David.
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Go back to your own car.
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I can't.
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It's so dark and so lonely and this stark.
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I locked the doors, but I was afraid.
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I could see things and hear things in the darkness.
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I couldn't stand it anymore. I got out and I
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read it's the brain. That's why I looked like this.
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I'm not that crazy woman.
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Oh, for the love, I haven't let me in.
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Please, let me in.
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No, no, David, don't let her in. Hating woman, a
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head of cleava, I'm not arm Listen. The three of
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us will be safer together.
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What do you think, dark I don't know.
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I don't know. Let me in, please, I'm wet to.
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The skin, all right, get in, thank you, thank you.
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You make one move and I'll shoot you.
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So good to sit down.
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It's a blanket on the floor back there. Dry yourself off, darkness,
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the brain.
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It was enough to drive me out of my mind.
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Just take it. Do you live near here?
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I live father out near rescue. Rescue is the mental hospital.
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I know.
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