Sept. 21, 2025
Unknown Broadcast | Greed, Guilt & the Black Curtain: Four Horror Stories of Money, Murder, and Memory Loss

Welcome back, my dear. Tonight we slip past the velvet edge where conscience and consequence share a heartbeat. Greed calls from the deep; a confession rots in the light; a noir mind stumbles behind the curtain; and summer itself says farewell with a ghost’s restraint.
- 💔 You Can Die Again — A remorseful man confesses to murder, but his story frays under questioning, memory unspooling like thread in a dark room. (Written for radio by Sam Dan; original cast includes Richard Mulligan.)
- 💰🌊 Money Money Money — A voice of temptation, a room of gold, and a dangerous dive where the price of breath is counted in coins. (“Money, money, money…” becomes a spell—and a curse.)
- 🎭🖤 The Black Curtain — Amnesia, pursuit, and a star caught in a web of Suspense; the curtain lifts to reveal a face he can’t trust—his own. (Suspense, starring Cary Grant.)
- 🌅🍂 Summer Goodbye — On a heat-heavy wind, Quiet, Please intones a farewell—rituals, recollections, and the thin place where seasons and souls change hands. (Written & directed by Willis Cooper; featuring Ernest Chappell.)
Step carefully, my dear—behind every choice tonight, something listens.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
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📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Ah, welcome back, my dear, so glad you could join
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me yet again. Oh what's that? Oh no, no, no,
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just a little redecorating, trying to liven up the place,
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just a wee bit. Please please take your seat, get comfortable,
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Please please take my favorite chair. While I was waiting around, well,
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I found myself ruminating. I feel like that's how we
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all get when we clean up around our abode. What's that?
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Well maybe, but don't you worry about that? I just
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started to wonder as I moved things around, wondering if
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you can die again?
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Come in?
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Welcome, Hi am E. G.
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Marshall. Welcome to the sound of suspense, to the fear
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you can hear. For the next fifty two minutes, I'll
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be your companion on a journey to a place in
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the past. It used to be that only the mystics
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believe you could go back relive your life. But didn't
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so eminent the scientist as Albert Einstein say that the past,
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the present, and the future are all intermingled somehow. Well,
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why should we question a gentleman named Spencer Chadwick who
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is asking a very a vital question, Inspector, do you
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believe a person can do it again.
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Do it again?
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Go back where to that point in his life where
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it went wrong? It turns sour and corrected. No, No,
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I don't believe it's possible. Well, I'm doing it, Inspector.
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I'm doing it. I'm changing it. I've gone back, Inspector,
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I've gone back. Our mystery drama You Can Die Again,
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was especially written by Sam Dam and stars Richard Mulligan.
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It is sponsored in part by Anheuser Busch Incorporated brewers
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a Budweiser.
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I'll be back shortly with Act.
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One this evening.
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We are concerned with bright young men, that is, those
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who began as bright young men like Spencer Chadwick. Bright
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Young Spencer Chadwick married his boss's daughter. But that was
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twenty three years ago, and today young Spencer has arrived
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at comfortable middle age. This morning, he will pick up
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his phone and dial the private number of a highly
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placed friend.
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She's Inspectata's office. Sergeant, no road.
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Speaking, Sergeant. This is Spencer Chadwick.
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Good morning, mister Chadwick.
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Connect you right away, Spence.
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I hope you're not calling the cancer lock golf day.
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No, no, Martin, I'm I'm calling to tell you, I
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murdered my wife.
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I won't believe it, Spence. I can't believe it, Marty.
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Look at her. She's dead.
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I see she's dead, but I won't believe you killed her.
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She's been stabbed.
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Inspector, Yes, Sergeant, yes, and that's the Knight Marty Spencer.
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You surely find my fingerprints on it. What's that bruise
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on your head? We had a fight. She hit me
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with the candlestick, Inspector.
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A glass door here leads to a terrace.
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It's been broken, Spence, an intruder, a thief. Did he
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slug you and kill Margaret? No? No, I killed Margaret
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at that broken door. She tried to get away. I
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dragged her back into the room. Whose places this mine?
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I didn't know you had an apartment downtown. I've been
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staying with a girl.
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Spence.
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You're talking to me, your closest friend, Marty fire Day.
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Excuse me, Inspector. Shall I start the routine?
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Yes?
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Of course, Angin.
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Are you going to arrest me? Money?
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I have to.
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I'm ready to go now.
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But I'm not ready to go.
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Look.
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I can't believe what you're telling me. I can't even
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believe you were cheating on Margaret?
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How can I believe you killed the You've been a
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policeman for twenty five years. Money, do you still have illusions?
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Faith ideals?
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If I do, it was because of people like you
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when Margaret?
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I'm sorry Marty. Look, Spence, is this the way it happened?
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You were having an affair? Margaret found out about it,
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she came. He had confronted you. One thing led to another,
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and you killed her?
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Now?
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Is that the story?
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Yes? Yes, yeah, that's it. Where's the girl? I suppose
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she's dead too? You suppose, yes, yes, we can say
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she's dead.
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Well, how did she die?
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I killed her?
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When?
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Oh, A long long time ago? A long time Spence,
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you're not making any sense. How could you have killed
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her a long time ago? If Margaret confronted the two
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of you here today? I don't know. I don't know now.
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Just arrest me and don't ask me any more questions
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I have to ask, Spence. I can't accept what you're
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telling me now. Think how could you have killed her
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a long time ago? Or did she kill me?
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Spence? Please tell me what happened.
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It doesn't matter.
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If I want to help you, Spence, I'm your friend,
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you won't believe me by me just trying me.
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It's even hard for me to believe it. But it's true,
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Spencer will when you just sit down and try to
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pull things together.
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Tell me what happened?
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What happened? It started one morning. It was three months ago.
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I came downstairs. Margaret was at the breakfast.
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Table morning, Darling, Gofie.
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Thanks, yes, an email Margaret, nothing.
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Worth delaying breakfast card from my brother.
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Where is he now?
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He had to put in for a pairs at Pego Pego?
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That's pengo, pengou. When is he coming home?
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Oh, next year maybe, or the year after. When he
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gets bored or tired, or needs money or decides to
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get a new girlfriend or another boat.
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Then he's thirty eight years old and he'll never get anywhere.
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Don't say that. It seems to me he goes everywhere.
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His life and yours, Darling a study in opposites. You
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were born poor and you wound up rich. He was
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born rich, wound up poor. Dinner tonight with a sadder fields.
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What for four? Oh my god, I practice for almost five
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minutes before you came down, tossing off what I just
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said in an offhand casual way. The dinner with the Sadafields.
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This is the cool of the century. A dinner party
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at the home of Senator Sadderfield. Ask me how I
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did it?
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Why? Why do we want to have dinner with Senator Saddlefield.
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Spence, you asked me to arrange for the invitation.
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I disagree completely with the man's principle.
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We understand all that, but you're the one who decided
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to give politics of world.
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When did I decide to do that?
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Well, they say the sign of a really solid marriage,
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as if the wife can accept jokes at breakfast? Shall
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I remind you of that Chinese or of Indian saying
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that you've been spouting lately? M M. A man spends
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his first twenty years living for himself, his next twenty
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living for his family, and his next twenty living for
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his country. It was you who decided dinner is at
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seven thirty, black tie to be home early, then end
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up listening going why are you looking at me like that?
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Is?
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Is there something wrong?
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Who are you? What did you say? I?
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I said, who are you?
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What are you doing? Now?
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Look? Darling?
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If this is oh no, or what am I doing?
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This is a joke? It's not in the best of takes.
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I'm afraid. I'm afraid I don't know where I am
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or who you are.
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Do you know who you are?
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Yes? Yes, I think I know who I am. I'm
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Spencer Chadwick.
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All right now listen, sit quietly for just a minute.
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I'm going to call doctor Berry.
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Oh please please, I don't want to put you to
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any in trouble.
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Don't get up, Spencer, Please don't get Where are you
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going home? This is your home, Spencer, Please.
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Don't be alarm? Please, I hope I have frightened you.
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I'll leave this minute. You mean that, after twenty three
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years of marriage, you look at your wife one morning
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and you don't know who she is? Yes, Martin, all right,
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you walked out of the house.
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Now where did you go?
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I held a cab?
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I went too vow.
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I don't know s all right now.
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It's nothing.
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Who was gone?
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Just answer this, sir? What do you want me to
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take you describe?
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Okay?
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You the doctor? Oh? Do you think the Redskins got
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any kind of chance this year?
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All right?
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Let's try politics. You didn't say it feels going to
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run again? Where's my old man?
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Would have put it? You wasn't exactly vaccinated.
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Would a photographic needed to drive it? Why are you
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headed north? Well, you said to Dr Chadwick. Building is
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down on Jefferson Square. I distinctly yes.
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Think he told me nothing.
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What would I be doing in your cab at nine
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o'clock in the morning if I didn't intend to go
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to my office? Yes, good morning Rose, Oh, good morning.
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Mister Keathwick. These are doctor Burger.
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Sitting in your office.
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Doctor Burger, Yes, doctor Burger, come in here, Spence.
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I don't have all day.
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I'll come in and shut the door. May I remind
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you that this is my office? Fifteen minutes ago I
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received a call from Margaret. Margaret, Is she all right?
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How about you?
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I thought it.
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Important enough for me to stop off here on my
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way downtown.
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Hold out your wrists. Wait? Why did Margaret coll you?
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She told me.
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About that little episode?
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What?
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What little episode? You don't remember saying a certain thing?
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All?
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Please?
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What is this all about? Hall?
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Seems to be a little fast. What am I supposed
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to have said to Margaret? I want you to report
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to the hospital right now. You can't just walk into
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my office and tell me you report to the hospital.
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Who says I can't. But what's the matter with me?
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I don't know. That's why I'm putting you into the hospital.
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What did Margaret tell you that you didn't know who
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she was? How could I not know who she was?
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Have you had moments when you.
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Didn't know people, or you didn't know where you were
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or what you.
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Were doing there? I'll certainly not. I'll level with me, Spencer,
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than those things they happen sometimes to everybody. How often
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do they happen to you? Well, the incident with Margaret
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was that the only one? Well, Spencer, i'll.
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See you with the hospital in thirty minutes.
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You did it? You here, Spence, of course, I'm here.
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I won't keep you an hour longer than necessary, probably
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get you up at the end of the day.
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Well, you do what's necessary. That's a good attitude.
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Most of you high power and those types of so
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self important start to lecture me.
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I'm here. I agree.
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I need some help.
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Now. Now what's calling is help?
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I am I'm talking to you and I should be
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arranging for tests.
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Now. You just relax, listen to some music, read, take
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a nap.
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I'll see you, hello, Stencer, Peggy, Everything all right, stance.
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