March 23, 2025
Unknown Broadcast | "Battle of the Magicians"
The episode of "Lights Out," titled "The Battle of the Magicians," immerses listeners in a spellbinding narrative that traverses themes of magic, death, and the fine line between belief and skepticism. The show begins with a classic magic trick, setting a whimsical yet eerie tone as the host engages the audience with a card trick while foreshadowing the enchanting story that follows. The invitation to explore the mystical and the unknown serves as a prelude to the unfolding drama filled with tension and supernatural elements.
As the story progresses, Mr. Saladin, a skilled investigator, engages in a philosophical dialogue with Irene, debating the nature of truth and superstition. This discussion delves into the horrific folklore surrounding zombies, evoking intrigue as Saladin asserts that the belief in their existence is deeply rooted within cultural narratives across the globe. The narrative smoothly transitions from philosophical musings to the hard-hitting realities of modern life when Mr. Warner, president of Acme Airlines, approaches Saladin about a series of mysterious airplane crashes linked to a powerful magician named Dr. Ehrlich. A sense of urgency punctuates the investigation, elevating the stakes as Saladin uncovers a complex web of black magic and manipulation opposing him.
Tension escalates as the clock ticks down on the fate of the airplanes and their passengers, where Saladin learns that one of the doomed aircraft is being piloted by a zombie under the control of Alec, Ehrlich’s henchman. A clever use of dialogue highlights the banter between Saladin and Alec, showcasing their longstanding rivalry. This rivalry weaves together elements of classic storytelling, wherein two formidable foes prepare for a conflict steeped in both intrigue and dark magic.
Saladin's ingenuity is on display as he devises a plan to thwart Alec and rescue the airplane from certain disaster. The episode deftly shifts between Saladin’s ingenious tactics and Alec's sinister machinations, keeping listeners teetering on the edge of their seats. Through a clever radio communication, Saladin attempts to communicate with the pilot of the compromised plane, further complicating the narrative with the stakes skyrocketing amidst tense exchanges.
The climax showcases a sophisticated battle of wits between Saladin and Alec, highlighting the power of words and their influence over the 'living dead.' The audience witnesses how Saladin leverages the hitherto unseen power of salt, a crucial element in the lore of zombies. The creative storytelling culminates in a dramatic twist when the audience learns that the aircraft, though embroiled in chaos, is saved just in time as Saladin’s true understanding of magic outmaneuvers Alec’s deterministic grip on his zombie pilot.
As the narrative comes to a close, the fate of both the airplane and the malevolent magician are intertwined, bringing resolution to the story while leaving a haunting impression. The clever framing of the episode, which blends magic as both metaphor and literal force, emphasizes the magic present in relationships and human experiences, providing a profound takeaway for the audience. The show's final reflections remind listeners of the omnipresent nature of magic not just in the story but also in real life, encouraging a sense of gratitude and recognition for the connections we forge.
In summary, "The Battle of the Magicians" offers a masterful blend of supernatural folklore, philosophical dialogue, and a gripping tale of rivalry, all delivered through scintillating performances that breathe life into the narrative. The interplay of skepticism and belief serves as a central theme, reminding audiences of the power of perception as they navigate the landscape of magic, both in the story and their everyday lives.
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🎥 Produced by: Daniel Wilder
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WEBVTT
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Ah, hello, my dear Hold on one second. Okay, okay,
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pick a cock any car I won't let Okay, okay,
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Now do you have that card memorized? Is it is
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completely inside your mind's eye? Now place it back in
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the deck anywhere you wish, Now, shove out, shove the deck.
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For me, for me.
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Now, if you can see, there's nothing up my sleeve,
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nothing up this other sleeve right here. But if I
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wave my hands like so, is this your car? What
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a delight? I'm glad you enjoyed that. It's an old trick,
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but it still works. And Tonight's stories Battle of the
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Magicians goes a bit further in the whimsies, So let's
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get comfy and listen.
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Now, The National Broadcasting Company presents Lights Out, a summer
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revival of some of the best stories in the series,
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which many of our listeners will remember. Tonight's story, the
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fourth in the current series, is called the Battle of
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the Magicians.
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Lights Out, Everybody, this is the Witching hour. It is
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the hour when dogs howl and evil eyes let loose.
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Unsleeping world.
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Sit in the top now and listen to Lights Out.
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But mister Saladin, is it true true?
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What makes the thing true, Irene, because you believe in it,
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or because the million others believing it, or I can
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tell you this. The penal Code of Haiti contains a
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section promising death to any who creates on these and
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if the sober lawmakers of the country believe enough of
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it to put it into their books of law, well
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then but.
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It's impossible to raise the dead, mister saladein.
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Impossible, I wonder. The folklore of every country is full
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of tales of bringing the dead back to life, bringing
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them back to serve the living. There are tales of vampires, ghosts, wherewolves,
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But they're superstitions.
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Surely you don't.
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Foo, my my dear irene, to say where truth ends
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and superstition begins.
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I'd like to know some more about zombies.
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I've told you all that is known of them, How
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they are living yet not living dead, How they are
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summoned from the grave by the black magic as some sorcerer.
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How they must do his bidding until he wearies of them.
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But must these.
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Poor dead people well, I mean, it isn't there ever
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any rest for them?
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Can't they will not die again? Yes, there is a
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way zombies eat, you know, even as human beings do,
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but only when they are fined. They will not seek
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food for themselves. And if they eat salt. If anything
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containing salt so much as passes a zombies lips, then
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he must return forthwith to his grave. Oh what, mister
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til irene. I do not make it up. But look you,
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these creatures of the darkness, these unholy beings of superstition.
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They must obey laws. Nature has its laws, So there
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are laws, are the supernatural, immutable laws that all its
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creatures must obey, even as weak creatures of nature must
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obey ours.
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You speak of superstition, But superstition is just believe.
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It is so.
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But we have been taught only in recent years to
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believe in certain things that science has learned, the germ
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theory of disease, for example.
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But that's true, mister saladein perhaps, yes.
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I do not deny it. There's ample proof. There's also
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ample proof of the existence of supernatural beings, if one
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will take the trouble to look for it.
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Not proof proof indeed. But hmm, it appears we have
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a visitor.
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I mean, yes, sir, I'll see who it is, mister Saladin,
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mister Joseph Warner, President of Atney Airlines, mister Saladein.
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So show him and then please.
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Yes, sir, mister Saladeen.
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Is to you, mister Warner.
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Thank you, Good morning, dear mister Warner.
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You're sir Aladdin Saladeen. Yes, they are some kind of detective.
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Some people have been, shall I say, kind enough to
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describe me as an investigators. I hear that. You're good,
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Thank you. And so you have come to consult me
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about the recent wrecks of your airplanes. Mister Warnham. How
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did it?
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Oh, yes, the newspapers of course. Well that's right, mister Saladeen.
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So you read about that one yesterday. Yes, fourteen killed
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including the crew are three.
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Absolutely no explanation for it except what you know, mister Warner.
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What I said, accept what you know about it? What
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do you mean you would not have come to me,
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mister Warner unless well, suppose you explained. I'd like to
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know how you knew that? It is my business? Yes,
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I mean.
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Is the window washing, mister Salladeen.
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Can you come through your artics very well? Wonder mister
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excuse me please, I gotta get the winner for.
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Hm hm.
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That is a job I would not like very well.
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I'm afraid, mister Warner, but to your business, you will
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received a warning?
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Yes, I received it.
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How did you.
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Know that I have the knowledge of the ways in
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which doctor Elick works, mister Warner.
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Erlick, that's that's the name.
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I was rather certain you will read the letter. It
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was a letter, I.
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Assume, yes, if there were two of them, the first
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one or a week ago, I said, miss doctor Erwick,
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have made of one hundred thousand dollars.
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And the letter.
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Warned if I didn't come across, one of our ships
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would be wrecked.
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And you assumed this was what does one say, a
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crank letter and did nothing about it.
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That's right. We get a lot of pool letters.
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And because you took that attitude, fourteen people are dead,
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horribly dead. Yes, you said there were two letters.
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Let say here's the other one.
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Mm hmm to day the Tornado take warning and Alec's signature.
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The Tornado was the name of the airplane that crashed.
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Yes, John Elliott was piloting it and the oldest, safest
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pilot on the line. I can't understand it.
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I can, mister Warning. You can tell me when did
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you receive this letter?
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Not five minutes before the flash came if the tornado
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had crashed.
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He timed it very well. Yes, did you make any
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effort to trace this letter? No?
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Why well, there was so much excitement around the office.
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Of course, and so what you wish me to do?
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I haven't given this to the police, mister Saladeen. I
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will well the publicity. You know, people would think it's
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easy to smash one of our air landers.
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You understand, Yes, you wish me to find Elik to what.
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You do with him, mister Saladeen is no concern of mine,
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provided no more such things occur.
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Mister Warnham, I know eleick of old. His life is
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forfard a thousand times over. But he you yourselves have
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an old proverb. First catch your adding.
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You catch him Saladein, he'll be worth your while.
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Yes, yes, it will be very much worth my while,
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my friend.
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Can you get to work at once, mister Saladeen, I well,
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you can understand we're er upset.
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I understand. I promise nothing, mister Warner, except that I
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will try. No man may do more.
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Oh that's all that I can ask. You will go
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after him now?
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It is agreed?
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Good you er have a cigar, That says sir.
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Let me see that. Let me see it. Not the
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devil to that get in my park? Ha read it yourself,
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mister Warner.
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Oh yes, sir, you have been very foolish to go
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to Saladin.
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Now your fate is sealed.
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I will destroy your airplanes one by one, and when
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the time comes yourself. I have fought with Saladin before.
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He well knows this time is the last perrect.
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So, my friend, you have brought upon yourself. He knows
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how how could he down? Down on the pot? Score
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one for Saladin? I think, what what would you like
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to friend the window washer I just got sight of.
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Let us see what has happened, good Lord Salladen. A
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crowd gathers in the street below, morbid gazers un seven.
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Well o'clock, mister Saladeen, Thank you, Irene.
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If you are.
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Ready, you you won't hurt me.
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Mister Saladean, I give you my word, Irene. I'm afraid
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you need have no fear. No harm can come to
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you while I live.
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I do want to help you, mister Saladean.
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Only listen to me one moment. Irene. Of fifty girls
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who applied for this position, I selected you. I've not
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told you why no I never could understand. It was
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for one reason, Ireen. You have the little, also very
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little psychic spark that is lacking, and all the other
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ones who came you do not know it yourself that
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Saladin knows. I must use you, but I shall not
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unless you consent hole haughtily.
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I'll do it, mister Saladeen. I trust you you.
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Will not lose by it, my child. Look, then we
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have a little time. Sit here, sit comfortable, So now
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we begin. Look into the crystal, look deep into it,
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my child, say over and over to yourself. Early early er.
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Herely erly.
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Er er, Go and seek out the soul of Eric
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the magician while he sleeps, Go.
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And find him. I ren find find Berlick. Search deep
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in the crystal globe. Eric calls Elick. It desires Saladin
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that calls Elik.
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What do you want?
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Saladin? You will tell me where I shall find you. Elk, No,
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I shall not. You will tell Eric. No, I am
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master of your soul that wanders now while your body sleeps, Elk,
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you will tell me where to find you. I will
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not tell me. No, No, tell me in the tower.
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In the tower, I will not tell more.
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You will Elick tell me in the tower, the highest
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tower of Ale.
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And where is it?
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This tower? I will not tell more. I will not tell, Elik.
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I will not. I will not tell. I say you shall, Elick,
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I will not tell. Be where your power wins? Now
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sell it? Being be sure you will not remember what
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you have told, Elik. When you will wait, I will
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remember by the five names I commanded, Elick. You will
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not remember. I will not remember.
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And awake now erin away ring awaken h are you
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already now, mister Sladeine just so.
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Quietly imressed my child, So Eric, I think perhaps we
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shall have a little talk together. Hello LeBlanc, it's week
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five radio check, please Tita le Blanc and fifty five
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on the line. Okay, Lebloc to KCT, how are you
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sure they k s Tta the blank?
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Okay, Franchie, who is your pilot today?
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Lebloc to KTT. I do not know yet, Cherry, but
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he scol all of a sudden, that is what I
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wait for case Tato the blank.
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Better say your record is straight before you take off,
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Franchie LeBlanc KCT.
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That is that my business shopping, my friend? I am
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just co pilot.
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I pull up the London gear sometimes land.
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He's just going on for the ride.
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Case taeto the blank, okay, franchie, jash your motors. When
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your pilot's ready, I'll check you out. That's all sat.
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Are you the co pilot on this trip?
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Are you you scaled me you big?
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Yes, sir, you are pilot. I am the pilot.
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Yes, we're ready to take off, for we are ready
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long time.
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Your papers are all right, the manifest is all right. Yes,
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I am a fosie LeBlanc. Yes, hmm pc ditle blank
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on the line.
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Okay, to take off ceiling unlimited visibility, unlimited temperature four
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four new point.
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Two eight barometer to nine dash nine.
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Oh, okay, to take off, case diedel the blank.
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Fine, Lebronc to KCT. We'll see shawdy. I see you
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