May 19, 2026
This Week in Horror History | Classic Horror Films & Eerie Sequels — May 18–24
Dive into a week of horror history: iconic haunted hotels, chilling sequels, cult revenge classics, and one of the 1990s' sharpest horror anthology films.
Inside this episode:
✅ May 18, 1971 — The Abominable Dr. Phibes
Vincent Price becomes one of horror’s most stylish revenge artists in this bizarre, elegant, plague-inspired cult classic full of murder, black comedy, and art deco nightmare energy.
Where to watch: No major U.S. streaming this week; physical media is the main option.
✅ May 22, 1992 — Alien 3
Ripley crash-lands into one of the franchise’s bleakest, most controversial chapters, trading action-horror triumph for grief, sacrifice, prison-colony dread, and industrial nightmare atmosphere.
Where to watch: Streaming on HBO Max; rent or buy on Amazon Video, Apple TV, and Fandango at Home.
✅ May 23, 1986 — Poltergeist II: The Other Side
The Freeling family learns the haunting did not stay behind, while Reverend Kane becomes one of supernatural horror’s most unforgettable screen nightmares.
Where to watch: Streaming on MGM+; free with ads on The Roku Channel and YouTube Free.
✅ May 23, 1980 — The Shining
Stanley Kubrick’s adaptation of Stephen King’s novel opens in theaters, beginning the long, strange afterlife of the Overlook Hotel, Jack Torrance, and one of the most debated horror classics ever made.
Where to watch: Rent or buy on Amazon Video, Apple TV, and Fandango at Home.
🎬 Deep-Cut Spotlight — May 24, 1995: Tales from the Hood
Rusty Cundieff’s Tales from the Hood brings social horror, supernatural justice, EC Comics-style punishment, and Clarence Williams III’s unforgettable Mr. Simms into one of the most underrated horror anthologies of the 1990s. With stories tackling police brutality, domestic abuse, white supremacy, and cycles of violence, this cult favorite still hits hard because its monsters are never far from the real world.
Where to watch: Streaming on YouTube with ads; rent or buy on Amazon Video, Apple TV, and Fandango at Home.
Plus: horror birthdays for Grace Jones, Fairuza Balk, Felissa Rose, and Doug Jones, a “Then & Now” look at horror as punishment and aftermath, and a weekly recommendation for the unsettling pre-Exorcist possession film The Possession of Joel Delaney.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Some weeks on the horror calendar feel like the door
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to summer is creaking open. This one feels like it
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should have stayed locked. Tonight we have Vincent Price turning
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Murder into performance art, Ripley crash landing into one of
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the bleakest sequels ever released by a major studio, the
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Freeling family learning that moving away does not mean the
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haunting is over, and a certain snowbound hotel opening its
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doors to one of the most argued about horror classics
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of all time. Then, after the break, our Deep Cut
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Spotlight heads to a funeral home where every story is
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a warning, every corpse has a point, and Clarence Williams
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the Third is waiting to tell you exactly where you are.
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So check the room number, stay away from the air ducts.
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And if a mortician smiles like he knows the punchline already,
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maybe don't ask him to explain. Welcome back to this
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week in horror history, your time machine through the creepiest
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anniversaries in film, TV, books, games, and beyond. I'm your host,
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Enrique Kuto, and tonight we're talking about May eighteenth through
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twenty fourth, coming up, a Vincent Price Revenge Machine inspired
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by biblical plagues, a notorious franchise sequel that sends Ripley
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to a prison planet, the return of Reverend Kane and
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one of the creepiest smiles in Supernatural Horror, and Stanley
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Kubrick's Overlook Hotel, beginning it's long strange life in American theaters.
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Then for our deep cut spotlight, we head to a
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nineteen ninety five anthology where social horror and ec comics
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energy walk in to a funeral parlor and slam the
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lid shut. May eighteenth, nineteen seventy one, The Abominable Doctor
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Fibes arrives in the United States, and Vincent Price gives
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Horror one of its strangest, most elegant revenge artists. Doctor
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Anton Fibes is not just killing people. These staging punishments locusts, bats, frogs, rats,
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The murders are inspired by the Ten Plagues, which means
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the movie plays like a wax museum, a revenge thriller,
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a black comedy, and a fever dream, all sharing the
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same organ score. It is camp, but not lazy camp.
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It's designed camp art deco, sets deadpan, cruelty, and Price
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moving through the film like a magician who already knows
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where the body is hidden. Doctor Fibes is a classic
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and if you've never seen it, that is a shocking,
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shocking shame, and unfortunately streaming services aren't making it any
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easier because currently you can't stream the abominable Doctor Fibes anywhere.
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You'll have to buy a DVD or Blu ray copy
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through your favorite retailer. It's a real shame, but worth
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the trouble to head out and see the doctor. So
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get your appointment scheduled and hope he takes your insurance.
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May twenty second, nineteen ninety two, Alien three opens and
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the franchise takes a hard left into grief, run, prison,
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and sacrifice. This is the one people still argue about,
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and honestly, that is part of its history. After the
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action horror triumph of Aliens, Alien three begins by taking
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almost everything away from Ripley. No family unit, no victory lap,
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just a crash on Fiorina one sixty one, a prison
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colony full of men with nowhere else to go, and
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something moving in the dark again. Its production was famously troubled,
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but the finished film has an unmistakable mood, industrial, religious,
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punishing and fatalistic. Even when it frustrates, it manages to entertain. Nonetheless,
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I've always been a big proponent of Alien three, if
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only because it pretty much launched David Fincher's career. If
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you want to visit your favorite prison planet, it's currently
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streaming on HBO Max with your subscription, or available to
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rent and buy on Amazon Video, Apple TV, and Fandango
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at Home. May twenty third, nineteen eighty six, Poltergeist II
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The Other Side opens and the Freeling family discovers the
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haunting did not stay behind in the old neighborhood. The
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movie is a bit messier than the original, but Reverend
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Kane makes it impossible to dismiss the creep factor. Julian
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Beck's performance is the kind of horror image that bypasses
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plot logic and goes straight into your lizard nervous system.
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That smile that him the voice at the screen door
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asking to be let in. Poltergeist two and Poltergeist three
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are both, in my opinion, extremely underrated films highly worth revisiting,
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and I think that because Poltergeist I was such an
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unmitigated success, people often forget that it was a real
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performer at the box office. As well, grossing about forty
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one million dollars domestically on a reported nineteen million dollar budget.
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If you want to give it a quick revisit or
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watch it for the first time, it's available at MGM
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plus with your subscription, and of course, you can watch
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it free with ads on Roku channel and YouTube. May
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twenty third, nineteen eighty The Shining opens in US theaters
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and horror gets a haunted house movie so cold it
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feels like your blood is turning to ice. Stanley Kubrick
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turned Stephen King's novel into something enormous and alien, empty corridors,
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impossible geography, a family cracking, a part in slow motion,
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and a hotel that seems less haunted by ghosts than
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by history itself. It opened small ten theaters according to
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box office reporting, but that is just part of the story.
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The Shining did not become immortal in one weekend, but
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over time it haunted the whole country. It pulled in
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around fifty million dollars at the box office against a
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nineteen million dollar budget, a strong success for the era.
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So make your reservations for a revisit to The Shining
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by going to Amazon Video, Apple TV, or Fandango at
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home to rent or buy it digitally. Tomorrow on Weekly Spooky,
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we hit a milestone that I kind of can't believe
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we've made it to. We release episode four hundred, four
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hundred scary stories every week just for you, and for
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something this big. We're not just bringing you yet another
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scary story. We're taking you deep into the dead air
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of a late night paranormal radio show where the phone
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lines are open, the signal is traveling farther than it should,
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and every caller has a story from the dark roads
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of America that feels just a little too real. The
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episode is called Final Broadcast, written by Yours Truly, and
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it drops you inside a lonely am radio station where
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your host invites listeners to share their strange and paranormal
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encounters over the airwaves. But as the night goes on,
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the stories start changing, or maybe it's us changing a
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broadcast that may not be reaching listeners so much as
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attracting something else and making this one even more special.
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I'll be joined by guest star Dwayne Whittaker from pulp
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fiction The Devil's Rejects and our deep cut Spotlight Tales
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from the Hood, bringing his unmistakable presence to our biggest
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episode ever. This is a full on audio nightmare, part
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late night call in show, part paranormal road story, part
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creeping transmission from somewhere you were never supposed to hear.
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So tomorrow, come celebrate four hundred episodes of Weekly Spooky
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with us. Make sure you're subscribed, Turn off the lights,
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turn your radio down low, and whatever you do, don't
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look at the tree line. Now, let's take a quick breather.
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But when we come back, we're stepping into a funeral
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home for some anthology horror dread. Four stories, one mortician,
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and a final reveal that still lands like a trapdoor
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opening under your feet. We're back, Let's follow mister Simms downstairs.
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On May twenty fourth, nineteen ninety five, Tails from the
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Hood opens and Anthology Horror gets one of its sharpest, angriest,
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funniest and most underrated entries. Directed by Rusty Kundiff, written
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by Kundiff and Darren Scott, and executive produced by Spike Lee.
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This is not just a collection of spooky stories. It's
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a horror anthology with bite, police brutality, domestic abuse, gang violence.
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The movie takes real social horrors of the time and
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pushes them through supernatural payback, nightmare logic, and comic book morality.
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Of all of my favorite anthology films, and there is
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no shortage of them, this one stands out for those
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reasons alone. Unlike most fun anthology movies and Tales from
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the Hood is fun. It has a meanness to it,
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a dark edge that you don't find in creep Show
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or a Tales from the Crypt episode, and it's made
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me always appreciated. The Frame story gives us Clarence Williams
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the third as mister Simms, the funeral director, guiding three
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young men through a tour they do not understand until
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it's too late. He's funny, theatrical, terrifying, and absolutely in control.
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Every time he smiles. The movie feels like its tightening
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the not and the segments have range. One plays like
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a ghostly revenge, One turns childhood abuse into a monster
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story with bruises you can feel. One gives racist power
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the ec comics punishment it deserves, and one asks whether
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violence can be confronted before it consumes everything around it.
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Financially speaking, it was modest but respectable, about eleven point
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eight million dollars worldwide on a reported six million dollar budget,
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but culturally it lasted much longer than its box office suggested.
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It became a cult favorite because it is scary, yeah,
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but also because it's direct. It knows exactly what it's
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angry about. If you want to take a trip to
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the mortuary, well, I highly recommend you do, whether it's
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a revisit or a first time. It's available to watch
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free right now with ads on YouTube. You can also
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of course rented at Amazon Video, Apple TV, and Fandango
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at home. Now, let's take a moment to say happy
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birthday to some key figures in horror history. First up,
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May nineteenth, nineteen forty eight, Grace Jones was born an
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unforgettable genre presence, most notably for the vampiric cool of
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her character in vamp A very Happy Birthday, Grace Jones
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born on May first, nineteen seventy four. Ferusa Bulk, known
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for playing Nancy Downs in The Craft, one of teen
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Horror's all time greats in the dark Energy Performance Arena,
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A very happy Birthday to Ferusa Bulk. On May twenty third,
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nineteen sixty nine, Felssa Rose was born Angela Baker from
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Sleepaway Camp, a film with a truly memorable ending, and
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of course, a beloved scream Queen Staple appearing in so
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many bizarre, fun and creepy indie films. A very Happy
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Birthday Felssa and Born on May twenty fourth, nineteen sixty
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Doug Jones Creature, Performance, Royalty, from Pans, Labyrinth, Hellboy, The Strain,
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hocus Pocus, and many other classics. A very happy Birthday
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to the Man behind the Mask or Latex Doug Jones.
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For our Then and Now bite this week, horror is
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punishment and aftermath. Doctor Fibes punishes doctors like a stage
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magician with a grudge. Alien Three punishes survival itself. Poltergeist
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IWO says Trauma follows the family, The Shining turns isolation
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into inheritance, and Tales from the Hood makes the punishment social, supernatural,
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and personal. Different decades, same warning, Horror always remembers what
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people try to bury, and for our weekly recommendation, We're
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going even deeper in a deep cut. On May twenty fourth,
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nineteen seventy two, The Possession of Joel Delaney premieres in
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New York and Los Angeles. A grimy, strange pre exorcist
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Possession film starring Shirley Maclain and Perry King, released in
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New York and Los Angeles on May twenty fourth, nineteen
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seventy two. It follows a Manhattan socialite who begins to
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fear her brother is possessed by the spirit of a killer.
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It is uncomfortable, uneven, and very much a product of
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its time, but that's also why it's interesting. It has
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urban paranoia, down pat class anxiety, a cult panic, and
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family horror, all tangled together before possession movies became a
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post exorcist industry. This is a deep cut worth watching,
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especially if you enjoy nineteen seventies films. And it's available
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right now to rent or purchase on Flick's Fling and
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nowhere else at the moment, so that makes it relatively simple. Well,
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my spookys, that's your trip through May eighteenth to twenty
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fourth in horror history. Don't forget Tomorrow Wednesday, there's a
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brand new episode of Weekly Spooky and it's our four
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hundredth episode. Very special and I hope you'll check it out. Sincerely,
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one of the creepiest things I've ever worked on, So
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make sure you're subscribed. And come back here tomorrow. You're
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not gonna want to miss it. And a huge thank
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you again to Dwayne Whittaker for being our guest star
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on tomorrow's show. It was kind of a dream come
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true to have him on there. If I'm honest, I've
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always been a huge fan of his work, especially since
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the film Eddie Presley, which is not horror, but it's
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legitimately one of my favorite movies of all time. So
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come back here tomorrow and listen to episode four hundred.
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We've made four hundred spooky weeks and we are just
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getting started and on cutting deep into horror. On Friday,
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we'll be talking all about Cloverfield. We'll see you back
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here next week to go through another bit of horror history.
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Until then, remember our days are numbered, because that's how
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we tell them apart. See you next week.
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