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Unknown Broadcast | Horror Stories of Lies, Living Wood, Wrong Numbers, and Poisoned Love
Unknown Broadcast presents Horror Stories of Lies, Living Wood, Wrong Numbers, and Poisoned Love, an old-time radio horror selection grounded in old-time radio suspense, love, family, and betrayal, and murder, disappearance, and investigation and preserved as a complete after-dark drama.
Tonight, the signal begins with a rainy road, a frightened son, and a father’s desperate attempt to bury the truth. Then we step Out of This World into a nightmare of stage lights, ventriloquism, and a dummy that may know more than any wooden thing should. After that comes one of radio’s most famous terror pieces, Sorry, Wrong Number, where a woman trapped by a telephone hears the machinery of murder moving closer. And finally, The Whistler brings us Jealousy, a poisonous tale of fear, obsession, suspicion, and the terrible ways love curdles into death.
🚗 And Nothing But the Truth
A young man confesses to a hit-and-run accident, and his father makes a shocking decision to protect him. But guilt has a way of leaving marks behind, and this classic radio mystery twists through lies, parental sacrifice, police suspicion, and the cruel cost of responsibility.
🎭 Out of This World
A ventriloquist act becomes something far stranger when a dummy named Toby seems to possess a will of its own. Adapted from the legendary film Dead of Night, this eerie old-time radio suspense story turns show business into nightmare fuel, where the voice from the dummy’s mouth may not belong to the performer at all.
☎️ Sorry, Wrong Number
A bedridden woman overhears what sounds like a murder plot on a crossed telephone line, then spends one increasingly frantic night trying to make someone believe her. Agnes Moorehead stars in one of the most iconic radio suspense thrillers ever broadcast: claustrophobic, relentless, and terrifyingly simple.
💔 Jealousy
A fragile wife, a suspicious husband, a doctor, a tonic, and a nightmare figure creeping closer in the dark. In this Whistler mystery, jealousy is not just an emotion — it is a trap, a weapon, and perhaps the one thing more dangerous than murder itself.
Four stories. Four voices in the dark. One broadcast that insists every lie eventually finds its way to the receiver.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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My dear, so good to see you. Come on now,
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don't be afraid, at least not yet. Now have a seat,
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my favorite chair, the most comfortable spot in all of
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this room. Or what's that. Well, of course I'll get
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some hot tea going in no time, and we'll enjoy
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our little ritual of sorts. I do so enjoy spending
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this time with you, sharing something fun and dark. So
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please enjoy the fire, enjoy the seat, enjoy the fear.
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And of course that is nothing but the truth.
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Of all the great killers of history, perhaps the deadliest
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and most terrifying is the automobile.
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Nero Attila, the.
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Hun blue Beard, even artillery fire, and the ultimate the
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atom bomb. At least they have a purpose, a reason,
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a rationale. But the automobile maims and kills mindlessly, senselessly.
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For example, this.
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Is all long Jack here in the studio on.
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The one chef with Foggy. You really man, chilly man, heavy,
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shut up your fool.
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If you just let big Daddy help you out all it.
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You can't help me big Daddy who comes to hit something?
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Somebody splish, I got splish.
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Our mystery drama, and nothing but the truth was written
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especially for the Mystery Theater by Ian Martin and stars
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Arnold Moss. I'll be back shortly with Act one.
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Was the accident we heard a few minutes ago?
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Another statistic of the road, an innocent victim, a careless driver,
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the victim's family broken and lost, a young man whose
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carelessness had blighted a bright new manhood and a promising career.
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Or was the driver lucky this time?
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Lucky in a way way far beyond his hope or expectation.
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We are about to find out with David the young driver,
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as he paces his living room floor waiting for his
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father to come home.
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Dad, David, David, what are you doing up at this hour?
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I didn't hear you come in. I thought you'd never
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get home. Where's you've been?
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Now?
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Oh?
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I have to start answering to you for my whereabouts? What? What? Oh?
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You mean like mother?
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Yes? Yes, like your mother.
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I'm sorry, Dad, well.
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For your information. I was working correcting term papers.
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It wasn't that I.
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David. I'm very tired. You all right? Dad?
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You look like you had an attack or something or.
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Don't be silly, I said, I was tired.
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What what's wrong with you?
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You've been drinking.
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I yes, I wish I hadn't, but I did.
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Okay, so take it easy.
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Whatever it is, we'll we'll work it out. But where's
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your sports car? Didn't you have it out tonight?
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Yes? I left it parked on the street. Well, you
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better put it away.
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There's no sense in leaving it out in this rain.
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Dad, I've got to talk to you. It's about the car.
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What about the car?
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I didn't know what to do. I hit the panic button,
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I ran.
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What else?
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Did you hit someone?
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A man?
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I'm pretty sure down near the railroad, you know where
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the big curve comes.
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Around by the station opposite Franny's place.
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I think it was one of those old whinos that
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hang around there, Dad, I swear I never saw him.
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With all that rain in the fog. Was there anyone
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else around? I didn't see anyone.
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I should have stopped, but all I could think of
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was that I'd been drinking in the scholarship coming up,
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and if anything happened, it.
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Would kill Mom.
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And before I knew it, I was running away. I've
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been going crazy waiting for you to at home. I'm
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scared too, but I guess I ought to go to
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the police.
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Does your mother know about this? No, no, okay. When
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did it happen? Two o'clock almost on the nose, two
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this morning? Yeah, by the railroad, you say, yeah, I.
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Just came off Stratfield and I took the corner into
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the Big ben On Hills Place.
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I get the picture.
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Okay, I go in the kitchen and wait for me,
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And no matter what, don't let your mother get involved.
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Where are you going?
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I'm going to have a look at your car. Well,
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I'll come with you.
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You'll do as I say from here on in.
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Now you go to the kitchen, I'll be right back.
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What are you gonna do?
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I'm not sure yet, but just well, maybe there's a
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way to get off the spot. Is your mother still asleep?
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I guess, sir, she hasn't been down. There's a dent
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in your front right fender. Was that there before tonight?
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No?
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You're sure?
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Yeah, I simon asked the car yesterday.
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Does it look bad? Well?
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Not too.
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Well. It must have been a glancing blow. You mean,
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maybe it's going to be all right? Maybe?
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Oh, I don't think I could hurt him too bad.
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And a night like tonight, you know, I'll whope hanging
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around isn't.
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Going to be all that easy, David. They might be
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able to trace the car. How you're missing a front
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right hubcat. There aren't that many Holly five eighty.
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Fours in this town, so I'll have to give myself up.
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No, No, let's figure this house. Was your mother up
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when you went out tonight? I don't know if she
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was asleep, but she wasn't downstairs. Then she didn't see
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what car you took. No, did you see me leave?
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I mean, did she look out of the window or anything.
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No, she was just sitting in the big chair by
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the fireplace, crying.
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Cry, you know the usual.
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I was off once again to the arms of another
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woman like that.
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Well you don't believe all that talk?
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Do you looked at We've been down this road before.
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I'm not making any judgment.
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I'm not asking you to sit in judgment on me.
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I asked for a simple reaction between a father and
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a son. I I'm sorry, David. I didn't mean to
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blow up.
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I guess we're both a little shook tonight, but you
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ought to know by now where I stand. It's just well,
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I know mom gets a lot of screwy notions, but
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all the same.
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I'm sorry for her.
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She's so lost and well, I'm always afraid that any
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little thing might push her right over the edge tonight.
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Oh dad, what am I going to do?
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That's what we're going to figure out right now.
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I got a few more questions.
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You say, the accident happened at two o'clock or so, right,
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just as I said, almost exactly.
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Now, how do you know that?
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I was listening to long Jack and he was just
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going into a last commercial before he went off the air.
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The disk he was spinning was just ending. And well
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when I hit the guy? What was the record? An
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oldie easy to Love?
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And you hit this man just after you turned off
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Stratfield into Hills Point. Yeah, he suddenly he stepped.
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Off the curb. I gotta nowhere. How fast were you going? Did?
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Come on?
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Come on? Don't pussy foot with me too fast?
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I took the corner pretty wide. Yeah, it was pretty
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slick from the ring.
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There was no one else around, No you sure?
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Yeah?
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I opened the door to look out. There was no one.
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That's why I lost my nerve and cut out. Well,
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I better get down and find out.
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You stay right aware you are. It's after four. The
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longer I wait, the worse it will be for I'm
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not going to.
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Be involved in this. It all, David, what do you mean?
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I mean you were driving the station wagon tonight.
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I was the one.
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I was driving the sports car and I'm going to
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the precinct house right now to report that I hit
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a man and left the scene of the accident.
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Dad, I can't let you do this. Don't be a fool.
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I'm not on the verge of getting a full scholarship
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to Harvard.
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I haven't been drinking.
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I'm not a teenager with two strikes against him as
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a driver to begin with. I'm a full college professor
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with a distinguished record who is coming home on a
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foul night, with visibility almost zero, dead tired after correcting
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two hundred term papers.
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I can stand the gaff and you can't. No, sir, dead,
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I thank you and I admire you.
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But I hope to God I'm enough of a man
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not to hide behind my father's pants.
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You better think of it as your mother's skirts.
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Your mother couldn't care less what happens to me, But
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you're a different story. You get in big trouble over this,
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and it could kill her worse still driver over that edge.
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We both worry about it.
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But Dad, I don't argue the way it's going to be.
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You just let me handle it, and you keep your
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mouth shut no matter what happens. I don't know what
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to say. I'll tell you what you're going to say.
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Nothing, nothing to anyone but mom, least of all to
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your mother.
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Okay, Dad, if that's the way you want it. Oh,
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how can I thank you? You're some kind of a guy.
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No, no, no, no, David, just the most sensible way
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out of a bad situation. I'd better get down to
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the police. Don't wait up by maybe a while.
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Already. Oh you got the keys? Sorry right here, and
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thanks then for everything. This will all work out for
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the best. Oh, I think, guy, your mother moving abound.
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If she comes down, what do I say? What we've
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agreed on is the truth.
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But I've gone to the precinct house to report that
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I'm a hit and run driver.
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Right right. I'll never forget what you're doing for me,
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on for your mother, for all of us.
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Grant that you No, Mom, it's me David.
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Oh, I thought I heard your father come home a
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little while ago.
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What are you doing at the front door?
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Why yuah, I better come down.
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What's going on? I heard voices, angry voices.
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That was that in me, not angry. We were just
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discussing something.
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Then where's Grant now? Yes? I heard a door slam?
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Did he go out again?
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Yes?
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Not another woman? Not two in one night.
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Why don't you give him a break once he was
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at the college correcting papers.
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Then where's he off to now?
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Mom, it's kind of damp in the hall. Let's go
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into the living room and sit down.
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Don't tell me he's finally taken off for good with
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one of his bed partners.
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Oh, mother, I have a heart.
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Why can't you see what a right guy Dad is?
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Maybe I've known him too long?
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So what Aaron took him out of the house again
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At four twenty in the morning.
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He's gone to the local precinct to confess to a
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hit and run.
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Yes, madam, I understand. I'll have some officers on the
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way immediately. Well, these are experts on the bomb squad,
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Oh yes, ma'am, or the latest equipment.
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Thank you, ma'am.
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We do our best at the police department full moontime.
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Again, I'll tell.
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Him, Oh, here he is.
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The crazies are out on the broom to Knight. That
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was some just saw a UFO land in her backyard.
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How was he hitting?
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Run?
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200
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201
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