Aug. 23, 2025
Introducing: They're Not Shadows - Terrifying True Ghost Stories You’ve Never Heard
👻 Feed Drop: They’re Not Shadows – Real Ghost Stories, Campfire Style This week, we’re sharing a special episode from one of our favorite spooky storytelling shows: They’re Not Shadows. Every episode delivers a mix of real paranormal stories—ghostly...
👻 Feed Drop: They’re Not Shadows – Real Ghost Stories, Campfire Style
This week, we’re sharing a special episode from one of our favorite spooky storytelling shows: They’re Not Shadows.
Every episode delivers a mix of real paranormal stories—ghostly encounters, supernatural creatures, creepy shadow people, and more—all told in a gripping, campfire-style format. No chit-chat, no fluff—just story after eerie story that will keep you hooked (and maybe a little paranoid).
🎤 Hosted by Chris Griffiths
🎧 Smooth narration + tight pacing = perfect spooky binge
🔊 Subtle sound design for max atmosphere
If you like Spooked, Radio Rental, or Campfire, this one’s a must-listen.
Subscribe to They’re Not Shadows wherever you get your podcasts → https://pod.link/1574448401
This week, we’re sharing a special episode from one of our favorite spooky storytelling shows: They’re Not Shadows.
Every episode delivers a mix of real paranormal stories—ghostly encounters, supernatural creatures, creepy shadow people, and more—all told in a gripping, campfire-style format. No chit-chat, no fluff—just story after eerie story that will keep you hooked (and maybe a little paranoid).
🎤 Hosted by Chris Griffiths
🎧 Smooth narration + tight pacing = perfect spooky binge
🔊 Subtle sound design for max atmosphere
If you like Spooked, Radio Rental, or Campfire, this one’s a must-listen.
Subscribe to They’re Not Shadows wherever you get your podcasts → https://pod.link/1574448401
WEBVTT
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Hello, my spookies. Tonight we have a very special feed
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drop to share with you. It's a show that's been
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creeping up my spine as of late. It's called They're
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Not Shadows. If you love spooky stories, and I know
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you do, told like you're huddled around a campfire, well
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this one is for you. Each episode delivers several real
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life paranormal encounters, whether it's ghosts, creepy Ouiji board moments,
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shadow people, or more, all told with zero filler, just
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pure goosebumps. It's hosted by Chris Griffiths, whose voice is
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so smooth it might just lull you to sleep if
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the stories didn't keep you in a cold sweat. So
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sit back, relax and enjoy this episode of Their Not Shadows.
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And when you're done, head over to the show notes
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or search Their Not Shadows on your favorite podcasting app
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and give them a subscribe tell them weekly. Spooky Cenya.
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We have four stories today, a mix of the spooky
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and the strange. The first is genuinely taken. The old
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rotary phone, the one we still keep because Sarah likes
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vintage things, sprang to life. I picked it up. Genuinely
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taken aback.
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Hello, you know what you have to do, don't you?
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David?
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Who is this?
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I looked at the receiver, then at Sarah, who was
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scrolling on her phone.
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Well that was a little weird.
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But she didn't seem interested.
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It still rings, sometimes, mostly from salespeople.
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Later that day, we were at the supermarket in the
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produce aisle. A woman in a bright pink tracksuit stopped
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beside me. She leaned in her eyes, glinting.
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Are you still trying to close it?
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David?
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Some doors, once opened can never truly close.
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Excuse me? I felt an actual do I know you?
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But she just walked away, disappearing down the aisle. I
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went down with to Sarah.
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That woman knew my name and said something about a
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door being opened.
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David, what are you talking about.
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The woman wearing pink? You're being weird today. No, she
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just old watermelon. Forget it.
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Let to check out. A young kid with far too
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many piercings scanned down groceries. Just before I tacked my card,
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he looked at me with a strange, knowing smile.
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The door still opened.
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Dude, what did you say?
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I asked? If you had a loyalty card?
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No, you didn't you said something about a door.
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Stop it?
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I didn't, I swear, admit it, David, stop it.
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I'm sorry.
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Let's go.
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On the drive home. I was still trying to process everything.
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I turned on the radio, hoping for a distraction.
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The station with the best music.
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Coming up next on Hits and Oldies eighty nine point seven.
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We got some classic rock and a special shout out
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to David, who I know is listening. When will you
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accept the truth?
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Did you hear that some jibber jabber about classic rock?
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It's my numbing That's why I listened to NPR.
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What was happening to me? Was I losing my mind?
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We put into the.
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Driveway, the silence thick with my unspoken dread. As I
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turned off the ignition, Sarah turned to me, her eyes
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wide and unblinking, her gaze unnervingly direct.
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Time to wake up, David. This isn't your home.
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It never was.
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The world was blurry for a moment, then coalesced into
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the familiarity of my bedroom, the sunlight, gentle and warm,
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filtered through the blinds. It was a dream, just a terrible,
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vivid dream. I found Sarah in the kitchen.
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Hey, rough night.
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I didn't sleep well.
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I began recounting my dream, telling Sarah about my strange
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encounters with the woman in pink, the cashier, and the
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radio DJ.
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And then you said it's time to wake up. This
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is not your home. It never was.
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Sarah looked at me with an expression I couldn't quite decipher.
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David, I didn't say that, you said it to me.
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What then you went back to sleep, Sarah, you're still dreaming, David.
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Sarah, this isn't funny.
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The old rotary phone, the one we still keep because
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Sarah likes vintage things, sprang to life. I picked it up,
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genuinely taken back.
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Hello, David, who is this? Where do you work? David?
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Where did you go to school?
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I don't wait.
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Can you remember anything other than going to the supermarket
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and driving home?
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Well, of course I can. I went to the.
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You know what you have to do, don't you, David?
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No, I really don't. We'll try again tomorrow. Tell me goodbye, David. Please.
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This next one is a soldier's tale. We were on
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night patrol through a string of abandoned villages south of Kandahar,
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ghost towns, places the Soviets had bled in and the
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Taliban had finished emptying. There were six of us in
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my fire team, moving in a staggered file. The cold
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air bit at any exposed skin, a stark contrast to
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the oppressive heat of the day. The world was painted
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in the green and black of our night vision, a
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ghostly ethereal landscape. The buildings were mostly mud brick, what
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they called colat compounds, with high walls and flat roofs.
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They were crumbling, their riches softened by time and the
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relentless wind, looking like melted sand castles under the ghostly
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green of my envygs. Then sniper, one of our guys,
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went down. The rest of us scattered, diving for whatever
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cover we could find. There was another shot from the
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sniper and returned fire from my team. I scrambled into
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what was left of a large building, and when the
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dust settled, I was alone. I was pinned down. The
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sniper had a beat on my position. Every time I
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even thought about leaving the building, another round would thud
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into the wall whole. I backed up, going deeper into
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the darkness of the ruined building. The air inside was
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thick and stagnant, heavy with the smell of dust and
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something old and unsettling.
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Bravo is your position?
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I keyed my mic, pinned down east side of the
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main structure.
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Cannot move, sniper as me zeroed. We're pulling back and
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calling in support.
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Do not repeat, do not leave that building. We'll come you.
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At first light, that.
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Landed like a stone in my gout. First light was
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a couple of hours away. I moved even deeper into
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the building, my M four helped tight against my shoulder.
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The interior was a maze of small, interconnected rooms. The
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floor was littered with debris, the detritus of lives hastily abandoned.
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Moonlight filtered through cracks in the ceiling, casting long, distorted shadows.
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And that's when I heard it, a sound that slid
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into my brain by passing the normal channels of hearing.
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I scanned the room through my envy g's but there
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was nothing, just shadows. The whispers came again, not in
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English or Peshto or any other language I could identify.
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I wasn't a superstitious man. I believed in what I
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could see and what I could shoot. But the feeling
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in that room, it was primal, a kind of fear
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without reason that goes straight for the lizard part of
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your brain. I backed into a smaller room. The whispers
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had stopped, but now there was a smell ozone, like
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a coming storm. I remembered stories our interpreter used to
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tell us, half jokingly around the fire back at base,
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stories about the old ones. These creatures are the gin,
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made of smokeless fire, unseen but always watching, he said.
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They haunted places of ruin and sorrow. Then in the
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far corner, something shifted, but it wasn't a threat that
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I could shoot. It was tall, stretching to the low ceiling,
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a column of shimmering heat, like the mirage you see
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on a hot road, but darker and tinged with a faint,
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ethereal glow. And then it spoke, not with the mouth,
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but inside my head.
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You are a guest in this place of dust and shadows,
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this land of forgotten gods. Tread lightly, warrior, for you
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are not the only one who fights in the darkness.
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My blood ran cold. I could feel the immense power
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of this thing. The air in the room returned to normal.
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It was gone, but the memory of that voice, of
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that shimmering darkness is etched into me. Story number three
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concerns the daily commute hitter boring, pretty doable. The evening
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train is my decompression chamber, a metal tube that hurtles
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me from the day's chaos to the quiet of home.
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I find the rhythmic clacking helps me unwind. I know
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the journey by heart, the lurch of the acceleration, the
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groan of the brakes, and the familiar sequence of stops
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that mark the path home. I was about halfway home,
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scrolling through my phone. Then the rhythm broke. The train slowed,
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the usual rocking motion, easing into a smooth, silent glide.
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I looked up from my screen, annoyed. Unscheduled stops were rare.
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Outside the window, there was no station. I recognized this
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place was ancient. The platform was made of wood. Black
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ivy crept over everything in a slow motion sliver. The
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only signage was the station name morning Gate Morning with
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a ewe. I looked around the carriage to see what
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the remaining three passengers were making of it, but they
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hadn't even noticed. A woman across the aisle was texting,
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a man in a suit was slumped against the window,
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fast asleep, and two rows in front of me, a
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man in a tweed coat sat reading a newspaper. The
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massive broadsheet was completely obscuring his view of the strangeness.
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My brain couldn't reconcile it. I felt like I'd fallen
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asleep and woken up in some one else's nightmare. I
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knew I hadn't got on the wrong train. I've been
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catching the same one for six years, and all the
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other stops were correct. The doors opened, and I turned
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my head to see if any one would get off,
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or god forbid on The platform had been empty, but
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when I looked again, there was some one there, a
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lone man standing beneath one of the gas lamps. He
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was tall and gaunt, dressed in a dark, simple suit.
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It looked like an old photograph come to life. As
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I watched, he lifted his head and his eyes locked
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on to mine. I wanted to turn away, but I
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was transfixed. A sad smile touched his lips, and he
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gave me a nod, as if we were old acquaintances.
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Then he lifted a hand to his throat and drew
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his thumb across it in a long, deliberate line from
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ear to ear, and somehow the flesh parted a clean
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black line opened up in his throat, yet his smile
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never faltered, and his eyes never left mine. He held
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my gaze for another second or two before his knees
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buckled and he collapsed onto the wooden platform, folding in
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on himself like a discarded puppet. My phone was in
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my hand, the camera a single tap away, but the
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thought to use it never even formed. It was like
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watching a silent horror film being played just for me.
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The man in tweed rustled his newspaper, the woman kept texting,
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and the other man kept sleeping. The doors slid shut
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with a soft sigh, and the train began to move,
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pulling away from morning Gate and the body on its platform.
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I pressed my face to the glass until the horrific
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scene was out of sight. The woman was putting her
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phone away, The man in the suit was stretching, waking up,
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and two rows ahead, the old man was folding his newspaper,
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tucking it into a leather briefcase. He hadn't seen a thing,
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None of them had. The weekend was a blur. I
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barely spoke, I barely ate. Every time I closed my
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eyes I saw him, the sad smile, the nod of acknowledgment,
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and of course, the grotesque sight of the gaping wound
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in his throat. I replayed it dozens of times, searching
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for a rational explanation, but there was none. And now
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it's Monday morning. I'm standing on the platform, waiting for
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the train to take me back into the city, and
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a single question pounds in my head with the rhythm
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of an approaching train. We stop at morning Gate. Again.
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Part of me is sick at the thought of it.
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But there's a smaller, darker part of me that was
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strangely beguiled by the horror and did wants to see
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it again.
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The train is now approaching platform one. Please stand clear
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the edge of the platform.
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We have one more. It's titled a Demon's Gifts. We'll
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see you next time. They say about eight percent of
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the population experiences sleep paralysis, a misfire in the brain.
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Your body is asleep, but your mind wakes up and
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you're trapped a prisoner in your own body. It always
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