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Summer horror has a cruel little trick to it. It
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gives you sunshine, fireworks, long afternoons, green fields, vacation roads,
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all the things that make the world feel open, safe,
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and alive. Then it reminds you that the light doesn't
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protect you. Sometimes it just makes the nightmare easier to see.
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This week, horror History crawls out of poisoned swamps, rots
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inside a beautiful mansion, fuses flesh with metal, seals survivors underground,
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and lights candles in rooms where the dead refuse to
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stay quiet, So check the picnic basket for insects, Avoid
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strange family estates, keep your hands away from sharp machinery,
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and if someone tells you the bunker is safe, ask
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who's really in charge down there. Welcome back to This
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Week in Horror History, your weekly time machine through the
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creepiest anniversaries in film, TV, books, and games. I'm your host,
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Enrique Kuto, and tonight we're talking about June twenty ninth
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through July fifth, Coming up. Radioactive ants turn a Florida
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resort into a drive. In Nightmare, a modern Gothic novel
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makes the haunted house feel damp, poisonous, and alive. A
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Japanese cyberpunk cult classic turns the human body into screaming
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scrap metal and George Romero traps the end of the
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world inside a military bunker. Then right after the break
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our Deep Cut Spotlight, an Italian Gothic shocker with Barbara
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Steel medical obsession and a house where love and death
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are way too close together. June twenty ninth, nineteen seventy seven,
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Empire of the Ants opens in New York, and the
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summer creature feature gets wonderfully ridiculous. This is bert I Gordon, who,
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by the way, used to joke that that was his
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name because it spells big doing HG. Wells by way
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of radioactive waste, Florida real estate scams and giant ants
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who seem to understand that the best way to ruin
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a vacation is to become enormous. I mean, I was
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afraid enough of just the real estate scams. It's pulpy,
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strange and deeply drive in Joan Collins, swampy danger, environmental revenge,
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and insects that make the whole outdoors feel like it
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wants its land back. I mean, I have enough trouble
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with camping already, because I'm too close to the dirt.
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This is a little extra for me, but it is
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a classic, and honestly, I love Bert I Gordon movies
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in general. I think he's got a great I don't know,
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he's got a great bit of rudspa when it comes
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to creature features. So I don't think you can go
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wrong with a Bert Eye Gordon film. And if you've
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never seen Empire of the Ants, you need to fix that.
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It's streaming right now with a subscription on MGM Plus,
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and of course you can rent or buy it on
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Amazon Video and Apple TV, maybe Fandango at home, but
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who can say. June thirtieth, two thousand twenty, Sylvia Moreno
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Garcia's Mexican Gothic is published, and modern Gothic horror gets
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a lush and poisonous new Landmark Noami Toboada travels to
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High Place, a remote mansion where her cousin's desperate letters
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suggests something is deeply wrong, and of course something is
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indeed wrong. The house is wrong, the family is wrong. Hell,
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even the air feels wrong. What makes the novel so
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good is how it takes old Gothic ingredients like marriage, inheritance, sickness,
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locked rooms, and family secrets, then lets them bloom into
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something earthy, fungal, and suffocating. This is haunted house horror,
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where the house doesn't seem to just remember the past,
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it digests it. Oh yeah, and in my opinion, the
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Mexican take on Gothic horror has always been underrated, and
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this one is definitely worth adding to your reading list.
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It's available wherever you get your books, whether on kindle
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or paperback. Check out Mexican Gothic. I promise you you
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won't be disappointed, although you might be a little fungusy.
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July one, nineteen eighty nine, Tetsua the Iron Man releases
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in Japan, and body Horror gets thrown into a junkyard blender.
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Chinyasukomoto's cult Nightmare is less a traditional movie than it
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is an attack on your senses. Industrial noise, black and
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white chaos, rust wires, drill panic, and the horrible eye
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idea that the body can stop being yours, one piece
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at a time. If that's not a commentary on aging,
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I don't know what is. It's short, furious, and completely unforgettable.
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The fear here is not that technology will replace humanity, someday,
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it's that the replacement has already started underneath your very
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own flesh. I have always adored Tatsuo the Iron Man,
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and I didn't realize just how much I loved the
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film until Joe Bob Briggs showed it on the Last
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Drive in a couple of years back, and I was
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just so enamored. And I had seen the film many,
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many times in my youth. But man, maybe it just
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hits different when you're pushing forty. I don't know, but
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I love Tatsuo the Iron Man. And if you've never
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seen the film, or if you're a little nervous about subtitles,
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don't worry. People barely talk in this film. It's mostly
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loud and in your face and a little gooey while
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being metallic at the same time. And of course, you
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can watch it streaming on night Flight Plus with your subscription,
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or rent or buy it on Apple TV and Fandango
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at home. On July third, nineteen eighty five, Day of
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the Dead starts in New York as a limited release,
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and George Romero's Zombie Apocalypse moves underground. Night of the
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Living Dead was panic, Dawn of the Dead was consumer satire.
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Day of the Dead is what happens after the argument
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is already lost. This film is notoriously bleak. A handful
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of scientists and soldiers hide in a bunker while the
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dead own the surface entirely. But the real horror isn't
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just outside the fence. It's the shouting, paranoia, the chain
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of command, and the slow realization that the living may
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be even less manageable than the dead. And then, of
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course you can't not mention bub Romero's strange, heartbreaking proof
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that maybe the monsters are learning faster than we are.
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I've always had a soft spot for Day of the Dead.
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Dawn of the Dead is my all time favorite film.
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I think it's not even my all time favorite horror movie.
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Just I love Dawn of the Dead. But the more
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I watch Day of the Dead, the more I appreciate
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it's muted, reserved tone and it's just so nihilistic. It's
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not necessarily a fun watch, but I do enjoy it.
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And they just put out a four k UHD from
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Screen Factory, although there is some controversy about audio issues,
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and oddly enough, some of those audio issues are similar
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to what happened when the DVD came out back in
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two thousand and three, I think it was, so you
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may not want to grab that right now. Hopefully there'll
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be a replacement or something along those lines put out.
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But Day of the Dead is absolutely one you want
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in your horror collection if you are an aficionato. And
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it's streaming on Peacock, Shutter and night Flight Plus with
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your subscription, and of course you can also catch it
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free with ads on the Roku channel, Pluto TV, the
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Shout Factory TV channel, and Midnight Pulp, so lots of
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options to check out because Day of the Dead is
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a classic and you need to give it another watch.
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And I've never really thought about it before, but it
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is kind of summertime coded. Yeah, our summer horror event
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reaches its final play tomorrow on Weekly Spooky Summer of
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the Demon turns Camp Red Feather into a blood soaked
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battlefield of football, revenge, cursed power, and a monster in
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a double zero jersey. Eddie pee Weee Richter thought he
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finally had the answer. Get the jersey off the demon,
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expose the person underneath, and end the curse. But in
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the thrilling conclusion, Eddie learns the nightmare was never that simple.
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Because the Demon was not just one monster. The Jersey
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has passed from hand to hand, feeding on obsession, jealousy, rage,
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and the desperate need to win at any cost. And
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now someone has been hiding in plain sight and they're
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ready to take the power for themselves. The truth behind
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our cast of characters is finally revealed, and when the
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Jersey brings Greg back for one last night of Hell,
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the field becomes a final battleground, one team, one impossible game,
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and one rule, win or be dragged to Hell forever. Now, Eddie, Jessica,
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Charlie and the survivors of Camp Redfeather have to face
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the biggest, meanest, most dangerous version of the Demon yet,
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a monster built from love, madness, revenge, and cure cursed power.
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This is Summer of the Demon, Part five, the final
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part of our summer horror mini series from Rob Fields.
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So make sure you're subscribed on your favorite podcast app
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so you can be here tomorrow to give it a listen.
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The Jersey wants a champion, the Demon wants revenge, and
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tomorrow it's the final game from Hell. All right, spookies,
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let's take a quick breather, but when we come back,
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we're opening the door On June thirtieth, nineteen sixty two.
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A gothic mansion, a dead wife, a new bride, and
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a doctor whose romantic interests are not just unhealthy, they
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are unspeakable. All right, spookies, we're back, so let's get
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into it. Our deep cut spotlight. June thirtieth, nineteen sixty two,
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The Horrible Doctor Hitchcock releases in Italy, and Gothic horror
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gets one of its most morbid house calls. Directed by
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Ricardo Frida, with Barbara Steele bringing the perfect candlelight haunting presence.
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The film is Victorian melodrama pushed into forbidden territory, and
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that's really about how you could refer to nearly any
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Italian Gothic film after the sixties. A doctor remarries after
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the mysterious death of his first wife, but the past
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isn't resting quietly upstairs. It's breathing through the walls, wading
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behind curtains, sitting at the center of a secret so
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ugly the whole mansion feels contaminated. And this is the
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kind of horror that it really doesn't need to run,
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because it glides, it stares from the dark end of
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the hallway until you realize you feel guilty for looking back,
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which is exactly why I wanted to make this deep
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cut Spotlight. It's not just an old dark house atmosphere,
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although there's nothing wrong with that. I adore old dark
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house movies, and the nineteen sixties Italian era of them
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is excellent. But this is about obsession dressed up in lace,
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medicine and mourning, a movie where love has curdled into
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ritual and grief has become something rotten enough to wake
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the dead. When it comes to gothic horror Italy, they
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really knock it out of the park, and Barbara Steel
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always brings that eerie, penetrating hauntingness. I adore this film,
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so if you want to check it out right now,
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you may not have seen this one. It is a
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deep cut Spotlight for a reason. It is available to
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rent or buy on Apple TV, Fandango at Home, and
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Amazon Prime Video. All right, my Spookyes, let's light a
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creepy candle for some horror related birthday. Starting July first,
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nineteen fifty two, when Dan Ackroyd was born comedy legend
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with a major paranormal footprint, not only thanks to Ghostbusters,
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but also his lifelong love of the weird, and believe
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you me, if you haven't listened to Dan Ackroyd just
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go off on tangents about aliens, ghosts, the CIA, et cetera.
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You're missing out. So Happy Birthday, dan Ackroyd. This one
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I debated including but I'm gonna stand by it. Born
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on July second, nineteen forty seven, is Larry David. Yeah
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that Larry David from Seinfeld and Curb your Enthusiasm Now
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hear me out, hear me out. While not exactly horror,
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he is one of the best anxiety machines I've ever
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I've ever witnessed. The man can turn talking to somebody
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to get a gas pump into well, something that'll pump
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your blood instead, and anxiety is half the genre in horror.
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So I say, Happy Birthday, Larry David, prett Day, prett day,
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pretty good. On July third, nineteen sixty two, Tom Cruise
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was born. Now he is one of the biggest stars
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ever in cinema, but his genre adjacent films are highly memorable,
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especially Interview with the Vampire War of the Worlds, which
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if you don't think that's a horror film, just to
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remember the scene with all the red plants, everything's covered
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in that red goop that's from human bodies. That alone
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makes it horror for me. And he has a career
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of running like something terrible is right behind him, so
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I think that's pretty horror accurate. So Happy Birthday. Tom
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Cruise born on July fourth. Born on the fourth of
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July nineteen ten is Gloria Stewart, a classic horror presence
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in the Old Dark House and The Invisible Man, bringing
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Old Dark House atmosphere and mad science pedigree to horror history.
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So I'm very happy to say Happy Birthday, Gloria Stuart
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for our then and now. This week is Horror in
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Summer Disguise nineteen seventy seven gives us Nature striking back,
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Oversized and Radioactive nineteen sixty two gives us Gothic rot,
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where the past is preserved like a corpse in a
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locked room. Nineteen eighty nine gives us the Body as
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Broken Machinery, nineteen eighty five gives us the Apocalypse after
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the Hope has burned off, and twenty twenty reminds us
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that the Haunted House never really goes away, It just
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changes the wallpaper moves to another country, and of course
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finds a new family to poison. Finally, for our weekly recommendation,
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we head back to July fourth, nineteen sixty two, when
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Tales of Terror is released in New York City. If
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you want something classic for your week few Uptales of Terror,
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it's Roger Corman, Edgar Allan Poe and Vincent Price. Already
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a beautiful combination, and it gives you three gothic stories
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with that perfect anthology rhythm. You've got guilt, revenge, madness,
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and of course people making terrible choices in rooms full
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of velvet and shadows. Peter Lorie and Basil Rathbone help
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make it even richer, especially when the film tips from
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elegant dread into wicked little bursts of dark humor. It's
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not only spooky, but cozy, and it's mean in the
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best kind of old school horror way, the kind of
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movie that feels like a candlelit paperback cover with a
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skull just barely visible hiding in the corner. You really
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can't go wrong with any Roger Korman Poe story, but
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this one I always enjoyed because you get three thrills
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00:19:40.480 --> 00:19:43.519
for the price of one, so to speak. And if
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00:19:43.559 --> 00:19:45.839
you want to give this one a watch or a revisit.
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It's free with ads on tub and you can rent
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or buy it on any major retailer like of course,
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Apple TV, Fandango at Home, and Amazon Prime Video. Well,
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my spookies, that's your trip through June twenty ninth to
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July fifth in Horror History. Tomorrow Wednesday, don't miss the
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fifth installment of our summer horror mini series, Summer of
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the Demon. It's fresh and it's waiting for you right
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00:20:18.440 --> 00:20:21.759
here on the weekly Spooky Feed, So make sure you're
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00:20:21.799 --> 00:20:25.559
subscribed on your favorite podcast app, and don't forget our
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00:20:25.599 --> 00:20:29.480
new show, Thursday Thrills brings you something new and creepy
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every Thursday to help you understand what dark corners of
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the world are worth knowing about. There's something scary for
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you every day of the week, so make sure you're subscribed,
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00:20:41.839 --> 00:20:44.599
and of course I'll be right here next week with
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another dose of horror history. So until then, remember our
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days are numbered because that's how we tell them apart.
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See you next week.
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