Feb. 3, 2026
This Week in Horror History | Rings, The Prodigy, The Messengers + In the Mouth of Madness (Feb 2–8)
This Week in Horror History (Feb 2–8) is your weekly horror movie release-date rundown—with where to watch (U.S.), a deep-cut spotlight, and a weekly recommendation built for long winter nights. This week we’re talking cursed media, home-invasion dread, and the kind of slow-burn paranoia that makes you stare at your own hallway a little too long.
Inside this episode
Horror releases from Feb 2–8
🎬 Deep-Cut Spotlight
🎂 Horror birthdays in this window
⭐ Weekly Recommendation
Support the show
This episode is “sponsored by me”—grab merch and support the Weekly Spooky feed at weeklyspooky.com/store
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
Inside this episode
Horror releases from Feb 2–8
- Feb 2, 2007 — The MessengersA glossy studio haunted-house/farm nightmare where the land doesn’t want you there.Where to watch: Tubi (free w/ ads), Prime Video (subscription)
- Feb 3, 2017 — RingsThe modernized curse—fear spreads because people can’t stop clicking.Where to watch: Prime Video (subscription) / MGM+; or rent on Apple TV, YouTube, Fandango at Home
- Feb 6, 2026 — The Strangers: Chapter 3The trilogy payoff—masks, anonymity, and primal “why us?” terror.Where to watch: In theaters (check local listings)
- Feb 8, 2019 — The ProdigyA parent’s worst nightmare: the moment you realize your child might not be only your child anymore.Where to watch: Tubi + The Roku Channel (free w/ ads); or rent/buy on Fandango at Home, Prime Video, Apple TV
🎬 Deep-Cut Spotlight
- Feb 3, 1995 — In the Mouth of MadnessJohn Carpenter turns reality into a trapdoor—fiction vs. belief, and what happens when a story starts rewriting the world.Where to watch: Shudder / AMC+ (subscription), Tubi (free w/ ads), or rent on Apple TV, Fandango at Home, Prime Video
🎂 Horror birthdays in this window
- Feb 4, 1940 — George A. Romero
- Feb 4, 1948 — Alice Cooper
- Feb 6, 1977 — Josh Stewart (and a quick shout to The Collector / The Collection)
⭐ Weekly Recommendation
- Feb 2, 2001 — ValentineGlossy early-2000s slasher comfort food—stylish, mean, and perfect for the season.Where to watch: Tubi + The Roku Channel (free w/ ads), Hoopla (library card), or rent on Prime Video, Fandango at Home, Apple TVCompanion pick: Heart Eyes
Support the show
This episode is “sponsored by me”—grab merch and support the Weekly Spooky feed at weeklyspooky.com/store
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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If you're listening in February, you know the deal. The
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sun checks out early, the air tastes crisp, but not
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in a good way anymore, and every creek in the
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house gets a little louder because the world outside is quiet.
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Winter doesn't just change the weather, it changes your imagination.
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It turns a normal wholeway into a long tunnel. It
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turns your reflection into a stranger if you catch it
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at the wrong angle. And that is why this show exists.
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Because horror history isn't just trivia. It's proof that certain
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fears come back on schedule. A family moves into a
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place that doesn't want them, a curse modernizes itself and
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spreads like a bad link. A kid smiles like an adult,
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and you feel your stomach drop. This week has all
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of that. So let's open up the calendar. I'lbeit carefully.
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Welcome to this Week in Horror History, your weekly tour
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through anniversaries, releases, and genre landmarks that began haunting us
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between February second and February eighth. Coming up, a mid
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two thousand studio spookfest where the Cornfield is patiently waiting
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a revived Jy Horror curse that retools itself for the
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always online era. The third chapter of a modern home
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Invasion trilogy hitting theaters right now, well this weekend, and
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I'm excited about it, and a twenty tens something is
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wrong with the kid thriller that really goes for the throat.
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Then after the break we'll do our deep cut spotlight
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on John Carpenter's reality cracking Nightmare, released this week in
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nineteen ninety five. If you like horror that makes you
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question the rules, well buckle up because we're diving. In
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February second, two thousand and seven, The Messengers was released.
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The Pang Brothers brought a glossy jump scare, friendly studio
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horror vibe to a story that's basically a winter fear
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in disguise. You move somewhere to start over, and the
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place has its own opinion about that. A struggling family
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lands on a remote farm, money's tight, tensions are high,
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and then the house starts showing them things, not just
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spooky silhouettes in doorways, but the kind of unsettling wrongness
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that feels personal. The best part of The Messengers is
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its atmosphere, big empty spaces, long sight lines, and that
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sense that the land itself is well, let's just say
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not on your side. At the box office, it made
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about fifty five point one million dollars worldwide on a
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sixteen million dollar budget. It also helped to establish Kristen Stewart,
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who would later go on to star in Twilight and
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many other films, as a box office draw. Straight up.
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For some reason, this movie had completely shot over my
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head for years and years, but I finally discovered it
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maybe ten years after it came out on a random
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streaming service. Really enjoyed it. Definitely worth a look or
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a revisit, and you can stream it very easily for
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free with ads on two BTV, or check it out
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on Prime Video with your subscription. The prequel I can
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kind of take or leave, but if you love the
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first one, you'll want to check that out too. February third,
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twenty seventeen, Rings hits theaters. Rings is what happens when
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an old curse tries to survive in a new ecosystem.
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The original Ring concept is beautifully analog, a videotape, a
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tube television, and a phone call on a landline. Rings
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drags that legend into a world where everything is shareable.
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Streamable and forwarded without thinking. The movie's core dread isn't
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just the tape kills you in seven days. It's the
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way curiosity spreads. A rumor becomes content, a dare becomes
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a ritual. And the scariest part is how believable that
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chain reaction feels. On a twenty five million dollar budget,
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it brought in eighty three point one million dollars, which
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isn't setting the whole world on fire, but is nothing
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to sneeze at. And I do want to mention I
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saw this film in the theater and I actually really
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liked it. I don't hear people talk a lot about Rings,
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but I think it held up pretty well. It delivered
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some fun scares and some cool concepts and an update
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to the Ring gou concept. I wish more people talked
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about Rings, and I think it's worth a revisit if
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you've already seen it but kind of forgotten a bit
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about it. It's available to watch on Amazon Prime Video
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with your subscription or MGM Plus, and of course you
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can and of course you can rent it on Apple
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TV YouTube or Fandango at Home, among many others. Ooh,
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this one might get a little heated and a little controversial.
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February sixth, twenty twenty six. That's this week The Strangers
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Chapter three will hit theaters. It's the capper to the
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new reboot era trilogy of The Strangers. It's an experiment
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that's been pitched as one long story split into three chapters,
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which is why chapters one and two play like cliffhangers
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instead of clean standalone films. But honestly, I think that's
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kind of forward thinking in some ways, what with streaming
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being what it is. I mean at this point, when
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you watch a lot of these streaming shows, they're damn
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near a feature film as each installment. I mean the
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last season of Stranger Things, some of the episodes were
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knocking on two hours, so I think watching three ninety
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to one hundred minute movies is not a huge stretch.
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Chapter three is positioned as the payoff, the point where
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the tension either collapses into something satisfying or proves the
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whole thing should have stayed a tighter, meaner one and done.
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Either way, It's a big date for modern home invasion horror,
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and this franchise has always been good at one thing,
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and that is making the ordinary feel unsafe. I think
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The Strangers is a phenomenal horror film. I think The
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Strangers Pray at Night is a wild ride that really
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does work. And I have really enjoyed The Strangers chapters
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one and two, and I've heard a lot of mixed
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things all over the internet about those two films. Most
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people saying that their Pedestrian are not the most interesting
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films are criticism that to me, doesn't really make a
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lot of sense. To me, The Strangers very simply is
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a solid horror series meant to scare you, unnerve you,
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and make you question because there's a massive mystery element
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with the killers being masked in a mysterious town full
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of strangers. Ah See, they're even playing the concept up
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even more of strangers the title. Obviously, I'm not here
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to guilt you or tell you you're wrong if you
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didn't like The Strangers chapters one and two. To me,
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chapter one was pretty pretty solid. Chapter two was NonStop
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fun in games, with an incredible amount of suspense and
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a scene involving a wild boar that had me so
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on the edge of my seat. I just had a
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really great time. I didn't have to walk out of
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the theater feeling like a changed person, like after watching
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I don't know, Uncut Gems or Pearl or something like that.
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It was a fun time. I enjoyed my popcorn and
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my movie. I got scared. I got to see some
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freaky horror atmosphere. It was a lot of fun. I
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am totally amped to see where they go with the
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Strangers chapter three personally. So that's just my opinion. And
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as far as where to watch it, it'll be in
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a theater near you. Check your local listings. February eighth,
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twenty nineteen, The Prodigy hit theaters. This one taps into
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a very specific kind of nightmare, the moment a parent
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realizes the child they love might not be only their
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child anymore. The Prodigy leans into the fear that something
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ancient and cruel has slipped behind a sweet face. It's
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not the big, supernatural fireworks that sting. It's the small,
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intimate wrongness, a look that just unnerves you for no reason.
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You can put your finger on a tone that doesn't
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belong in an eight year old mouth, a family dynamic
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rotting from the inside. And I do want to mention
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one of my favorite creepy things in movies and TV
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shows are little children that talk like adults. The cruel
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irony of that is I, growing up was a little
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child that spoke like an adult, so I would creep
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myself out. As far as the box office goes, it
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pulled in twenty one point one million dollars worldwide on
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a six million dollar budget. That's not too shabby for
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a smaller film, although it always feels weird to say
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six million dollars is small. I caught this film in
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the theaters myself, and I remember enjoying it quite a bit.
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Where to catch it is pretty simple. It's free with
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ads on tub and the Roku channel, or you can
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rent it or purchase it on Fandango at home, Amazon
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Prime Video, and what was that last one? Apple TV.
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Today's episode of This Week in Horror History is actually
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brought to you by well Me. If you go to
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means a whole heck of a lot to us, so
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thank you. And when we come back, it's time for
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our deep cut spotline on in the Mouth of Madness,
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John Carpenter's proof that the scariest monster is the story
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that rewrites the world while you are still reading it?
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All right, spookies, back to it, lights down, headphones on.
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And if you see a paperback on your shelf that
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you swear wasn't there yesterday, well maybe don't open it.
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Although I'm not your dad, you can do what you want.
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You're an adult. Do you read? Sutter Kane On February third,
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nineteen ninety five, In the Mouth of Madness hit theaters.
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This is one of those films that feels like it
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was made for people who love horror and love the
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idea that it can bend reality. It's often joked that
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in the Mouth of Madness is the scariest story. H. P.
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Lovecraft never wrote a film that underperformed in its initial release,
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but has become an absolute cult favorite. In fact, I
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already have my pre ordered copy of the soundtrack on
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vinyl courtesy of Terror Vision Records. In the film, we
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follow an insurance investigator played by the incredible Sam Neil,
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practical skeptical train to follow paper trails, sent to locate
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a missing best selling horror author, and immediately the case
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behaves like a mind trap. The clues don't just lead somewhere,
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they reshape the road beneath you, figuratively and literally. Fans
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aren't merely obsessed, they are altered. And the horrific fictional
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town in Sutter Kane's writings appears to be an actual place.
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But which came first, hobbs End or the stories? And
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if the stories came first, what built the town? What
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makes it work is how straightforward Carpenter keeps the presentation.
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He doesn't nod to the camera. He plays it like
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a nightmare. Procedurally, find the man. Read the pages, follow
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the map, except the map is lying, and the pages
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aren't describing the world. They might be replacing it. The
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whole thing builds to a question that lands like a
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cold hand on the back of your neck. If enough
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people believe a story, does that make it true? Or worse,
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does it become inevitable? As far as box office goes,
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it made eight point nine million dollars domestically, and the
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budget was reportedly between eight and fourteen million dollars, depending
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on who you ask. So it was a bomb at
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the box office, but a phenomenal film. I just recently
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watched my four kuhd release of it and it looked stunning.
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So if you want to check it out or revisit it,
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I very much recommend you do. It's streaming on Shutter
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or AMC Plus with a subscription, and also free with
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ads on two BTV. You can, of course, also rent
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it on any VOD platform like Apple TV, Fandango at Home,
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and Amazon Prime Video. So go on, read yourself some
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Sutter Kane. Now, let's light a black candle for the
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horror birthdays that took place during this week in horror history.
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Starting with one of horror's biggest legends. Born on February fourth,
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nineteen forty George A. Romero, the filmmaker who helped define
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the modern zombie genre with his trailblazing film Night of
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the Living Dead, as well as the follow up's Dawn
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of the Dead My possibly favorite movie of all time
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and Day of the Dead, along with a plethora of
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other films. Very much worth your time. Happy birthday, George Romero,
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and you are greatly missed. February fourth, nineteen forty eight.
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Shock rock icon Alice Cooper is born a man who
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basically turned horror esthetics into a touring religion, and not
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only beloved for his music strictly, Alice Cooper is always
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leaned into the horror realm of the world, including playing
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Freddy Krueger's father in Freddie's Dead The Final Nightmare. Happy Birthday,
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gam Gam That was for you, Dave, February sixth, nineteen
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seventy seven. Josh Stewart, best known to horror fans as
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Arkin in The Collector and the Collection, was born. And
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if you've never seen The Collector and the Collection, stop
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what you're doing. Well, okay, finish the podcast and give
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those a watch. The Collector is available to watch on
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Amazon Prime with a subscription to BTV, Pluto Tv, and
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the Rocud channel free with ads, and of course you
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can rent it. And The Collection, which was the massive
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follow up with a bigger budget and a bigger body count,
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is available to rent at the usual suspects like YouTube,
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