April 14, 2026
This Week in Horror History | American Psycho, Amityville Horror, Jakob’s Wife, Sker Ritual & The Lords of Salem
This Week in Horror History for April 13–19 dives into a killer stretch of horror release dates, anniversaries, cult favorites, horror gaming, and one of the most divisive occult fever dreams of the 2010s. We’re talking American Psycho, The Amityville Horror, Jakob’s Wife, Sker Ritual, and a Deep-Cut Spotlight on The Lords of Salem—plus horror birthdays, a Then & Now bite, and a weekly recommendation with Green Room.
Inside this episode
• April 14, 2000 — American Psycho
Mary Harron’s razor-sharp satire and one of modern horror’s great monsters.Where to watch (U.S., this week): Prime Video, Prime Video with Ads; rentable on Apple TV and Fandango at Home
• April 15, 2005 — The Amityville Horror
The Ryan Reynolds remake that hit big during the 2000s horror remake wave.Where to watch (U.S., this week): Prime Video, Prime Video with Ads, The Roku Channel
• April 16, 2021 — Jakob’s Wife
Barbara Crampton brings vampire horror, marriage rot, and bloody liberation together in one of the era’s most underrated genre titles.Where to watch (U.S., this week): AMC+, Shudder, Philo
• April 18, 2024 — Sker Ritual
A round-based co-op survival horror shooter with eerie Welsh folklore DNA and old-school wave-based chaos.Where to play (U.S., this week): Steam, Xbox, PlayStation
Deep-Cut Spotlight — April 19, 2013: The Lords of Salem
Rob Zombie’s hazy, dreamlike Salem nightmare traded mainstream scares for dread, repetition, static, and witchcraft—and grew into a true cult conversation piece.Where to watch (U.S., this week): Prime Video, Fandango at Home Free; rentable on Apple TV
Birthday Roll
Ron Perlman, Jonathan Brandis, Sarah Michelle Gellar, and Abigail Breslin
Weekly Recommendation — Green Room
Jeremy Saulnier’s brutal punk-survival nightmare, released in its April 15, 2016 window, remains one of the nastiest and most effective modern horror thrillers.Where to watch (U.S., this week): Netflix; rentable on Prime Video, Apple TV, Fandango at Home
If you love horror movie anniversaries, cult horror films, horror release dates, where-to-watch picks, and the strange history hiding inside the calendar, this is your weekly stop. Follow the Weekly Spooky feed for more horror every week—new fiction on Wednesday, Cutting Deep into Horror on Friday, and the eerie mystery of Unknown Broadcast on Sunday.
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WEBVTT
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There's something delightfully strange about this stretch of April. On paper,
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it should feel like spring is finally taken hold. The
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air is a little kinder, the days are longer, the
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world is supposed to be thawing out, and yet horror
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keeps using this week to remind us that warm weather
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does not mean safe weather. A time of designer masks
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and collapsing sanity, for cursed houses and bad marriages, for
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multiplayer bloodbaths and witch fog visions that feel like nightmares
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drifting in through an open window. So tonight we're walking
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straight into one of those weeks where horror splinters in
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every direction at once. We have a Wall Street monster
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who smiles better than he feels, a Haunted House remake
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that hit at the box office, a late career Barbara
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Crampton vampire jem that deserves louder love, and a co
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op shooter that proves they're still fresh blood in round
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based horror gaming. So join me as we take a
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look at the cursed calendar. Welcome back to this week
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in horror history. I'm your host, Enrique Kuto, and tonight
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we're talking about April thirteenth through nineteenth, a seven day
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stretch that gave Horror everything from prestige satire to franchise
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adjacent haunted house shocks, from stylish indie vamporism to accult
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mood pieces and modern online era terror. Coming up, a
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yuppie grin hiding a meat cleaver heart, a family moving
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into the wrong house in the worst possible way, a
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marriage that gets a lot more dangerous, wants, appetite enters
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the picture, and a game that drops you into wave
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after wave of screaming Welsh nightmare fuel. Then we hit
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the deep cut spotlight with a film that trades jump
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scares for dread, static and witchcraft. April fourteenth, two thousand,
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American Psycho hits theaters. Mary Herron's adaptation arrived like a
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razor blade tucked inside a business card. Christian Bales Patrick
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Bateman gave Horror one of its great modern monsters, a
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man so obsessed with surfaces that he becomes almost abstract
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until the violence makes everything horribly real again. Financially, this
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one performed well relative to scale, grossing about thirty four
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point three million dollars worldwide on a reported seven million
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dollar budget. This was one that was a huge deal
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in the high school era I grew up in. Everybody
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either wanted to sort of be him or talk about
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how not like him they were. That is the staying
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power of the Patrick Bateman character. You can watch it
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right now on Amazon Prime Video or Prime Video with ads,
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as well as renting it on Apple TV or Fandango
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at home. On April fifteenth, two thousand and five, the
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Amityville Horror opens wide. Not the original, though. The Ryan
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Reynolds remake landed right in the middle of the two
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thousand's remake boom and actually connected with audiences in a
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very big way. Critical affection was mixed, but commercial performance
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was not. It opened strong and finished with about one
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hundred and eight million dollars worldwide against a nineteen million
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dollar budget. That's not just respectable. That is a clear
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studio win. And I think the Amityville Horror remake is
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a bit underrated. I think there's a lot of elements
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to really enjoy in it. And of course I'm a
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big proponent of the belief that two thousand's Horror, especially
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of this era, ages surprisingly well. So if you haven't
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seen it before or you've always said it was not
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as good as the original, which what can be. You
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can give it a watch right now on Prime Video
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with a subscription or Prime Video with ads, and it's
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also available to watch with ads for no money down
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at the Roku channel and two B TV. April sixteenth,
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twenty one, Jacob's Wife arrives in theaters, on demand and digital.
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This is one of those later era horror titles that
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feels even better on a revisit because you can sense
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exactly what makes it special. Barbara Crampton, that's right, the
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Reanimator and From Beyond alumnus who easily wins horror fans
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over with her charm and girl next door demeanor. Over
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the last ten years, she's had quite a big comeback
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in indie horror films with lots of memorable roles, and
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has acted as a producer on most of them. This
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film takes vampire lore and fuses it with middle aged frustration, marriage, drift,
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and body liberation. Her co star is another actor turned producer,
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Larry Fesenden, and he puts in a phenomenal performance as well.
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It's a lot of fun and I'm not even that
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big of a horror comedy guy, but this one, it's messy, funny,
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bloody and sharper than it might first appear. The theatrical
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gross is tiny, but that doesn't really matter because the
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real audience was found from a hybrid release taking advantage
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of video on demand and later on AMC Plus and Shutter,
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which is how I discovered it. So if you want
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to check it out, well, I think we just gave
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away the lead. You can watch it on AMC Plus
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or Shutter, or rent it wherever you rent your horror movies.
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April eighteenth, twoenty twenty four, Skur Ritual launches in Full Wales.
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Interactive took the eerie folklore DNA of Made of Skur
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and spun it into a round based cooperative survival shooter
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That is a risky pivot to say the least, but
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it gave players a horror game that feels old school
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in structure while still carrying a distinctive identity. If you
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miss the ritualized rhythm of surviving just one more wave
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with your friends, this one absolutely belongs on your radar.
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It can be found on Steam, Xbox and PlayStation So
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happy surviving, Isn't it funny? How that's the kind of
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thing that we find fun. We spend our entire human history,
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avoiding dying and having an easier life so that we
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can watch movies and play games where we pretend that
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everything's a lot harder than it really is. Huh, Sorry,
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got a little philosophical. Tomorrow Wednesday, on Weekly Spooky, we
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present a brand new terror tale from Bruce Haney. Jenny
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thinks something is wrong with her house. At first, it's
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little things, a cabinet door opening by itself, that cold,
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crawling feeling that someone is standing just behind you. But
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then the kitchen comes alive, doors begin popping open one
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by one and then all at once. And that is
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only the beginning. Because in her study sits a painting
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she doesn't remember, creating, a haunting image of a woman
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in white, surrounded by old books, strange rooms, and reflections
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that shouldn't be there. The longer she looks at it,
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the more it changes, and the more it changes, the
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more it feels like something inside it is looking back. Tomorrow,
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on Weekly Spooky, we bring you I Painted a Witch,
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a creepy, clever nightmare about art, haunting and the horrifying
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moment you realize the thing in the picture may already
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be in the house with you, So don't miss it.
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When we come back. We head to Salem for a
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film that did not want to play by mainstream horror rules.
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It wanted atmosphere, repetition, dream logic, and the feeling that
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evil could just drift across the radio dial and settle
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inside your apartment walls. Welcome back, my spookees. Let's get weird.
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Our deep cut spotlight Tonight takes us back to April nineteenth,
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twenty thirteen, when The Lords of Salem opens in limited release.
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We're focusing on this tonight because it's exactly the kind
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of horror history title that keeps getting argued over, reevaluated,
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and reclaimed. Rob Zombie had already built a reputation on aggression, grime, brutality, ugliness, noise.
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I mean, his Halloween film and the sequel are very gritty,
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very in the vein of later Texas Chainsaw massacre films
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than Halloween. So when the Lords of Salem arrived, a
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lot of people seem to expect another blunt force nightmare. Instead,
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what they got was a hazy, deliberate, almost narcotic piece
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of folk horror that cared less about body count than mood.
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Sherry Moon Zombie plays Heidi, a Salem radio DJ who
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receives a record from a mysterious group called the Lords.
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From there, the movie slides into visions, repetition, inherited violence,
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and the idea that a city can be spiritually haunted
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by the stories it tells about itself. It's not a
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fast paced film. It's also not a tidy film, but
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that is exactly why it has lasted so long. It
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feels like a bad dream where the soundtrack is the trigger. Commercially,
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this one was not a hit, roughly one point five
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million dollars worldwide on a reported one point five million
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dollar budget, released in limited fashion, making it more of
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a cult underperformer than a theatrical breakout. But the value
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of a movie like this is not opening weekend domination.
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It's the afterlife, and The Lords of Salem has one
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over time. Fans who want atmosphere over handholding have kept
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coming back to it, and in the context of Rob's
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Eyebi's career, it may just be the purest example of
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him following a mood instead of a market. If you
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want to give it a watch or a revisit, well
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it's pretty easy, actually. You can head to Prime Video
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and watch it with your subscription, or head to two
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B TV, Pluto TV, the Roku channel, or Plex to
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watch it free with ads. And of course it's rentable
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on Apple TV and Fandango at home. And now let's
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take a look back at some horror related birthdays. Four
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faces tied to this exact week on the calendar. First up,
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born on April thirteenth, nineteen fifty is Ron Pearlman. Hell
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Boy is fantasy superhero territory, sure, but Pearlman has always
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carried monster energy, and genre fans know how often he
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turns up where things get dark, violent or gloriously strange.
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Of course, I'll always respect his work in one of
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my personal favorite nineties horror films, Sleepwalkers. So happy birthday,
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Ron Pearlman. Born on April thirteenth, nineteen seventy six, Jonathan
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Brandis for a certain generation, mine included. He is forever
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linked to Stephen King's It, and that alone is enough
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to earn a place in this week every single year.
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Jonathan Brandis, We wish you a happy birthday, and you
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are very very missed. Born on April fourteenth, nineteen seventy seven,
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We have Sarah Michelle Geller Buffy alone would lock this in.
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But then you stack on I Know what you did
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last Summer, Scream two and The Grudge, and suddenly you're
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looking at one of the defiance genre faces of her era.
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Happy Birthday, Sarah Michelle Gellar and finally born on April fourteenth,
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nineteen ninety six, Abigail Breslin. From Signs to Zombieland to
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Maggie to Final Girl. She's quietly built a horror resume
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with way more bite than a lot of people give
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her credit for, but we are happy to give it.
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Happy Birthday, Abigail Breslin. This week for our then and
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Now then, in this week of horror history, you could
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watch the genre turn vanity into murder, real estate, fear
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into box office gold, and old vampire mythology into a
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character study about a woman refusing to disappear inside her
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own life. Now horror still does that better than almost
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any genre. It keeps mutating to match whatever makes people
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anxious right now, identity, domestic life, tech dependence, social performance,
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group survival. The costume may change, but the nerves stay
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the same. For our weekly recommendation, we have green Room,
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which began its release run on April fifteenth, twenty sixteen,
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Jeremy Solliner's punk survival Nightmare. It's it's lean, vicious and
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incredibly good at making every bad decision feel both avoidable
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and inevitable. It's not supernatural, but it absolutely feels like
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horror trap. A group in the wrong place with the
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wrong people, and that's enough. It made only about three
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point eight million dollars worldwide on roughly a five million
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dollar budget, so financially it was more of a cult
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favorite than a breakout hit, but its reputation has only grown.
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In fact, I saw it in the theater three times
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because I couldn't believe what a mind blower it was.
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And I was already a huge fan of Jeremy Solliner's
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other films Murder Party and Blue Ruin. This one knocked
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my socks off and the internet buzz people were talking
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about it in such mass with such positive things to
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say that I'm still shocked as I read this that
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it only made three point eight million dollars worldwide, because
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everyone I knew seemed to go and see that one.
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Plus you get to see Captain Bacard himself Patrick Stewart
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in a role no one's ever seen him do before
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or since. If you want to give green Room a
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revisit or a first time watch, I really do recommend
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that you check it out. It's available to stream right
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now with your Netflix subscription and you can all so
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of course rented at Amazon Prime Video, Fandango at Home,
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and Apple TV. That's it for this week in horror history.
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If you like your horror with dates attached, come back
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next Tuesday and we'll do it all again. Don't forget
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Tomorrow on Weekly Spooky, we'll have a brand new terror
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tale from Bruce Haney for you to enjoy. Then on Friday,
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Cutting Deep into Horror is back talking about Creep, a
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film that if you've never watched it, you're gonna want
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to check it out. It's on Netflix right now, and
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I do recommend you give it a watch. And then,
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of course on Sunday, Unknown Broadcast slips into the feed
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again and I still don't know what it is or
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where it comes from, but you all seem to really
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enjoy it. So until next week, I've been Enrique Kuto
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reminding you that our days are numbered, because that's how
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we tell them. Apart
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