Sept. 12, 2025
Cutting Deep into Horror | Fire in the Sky (1993) — Alien Abduction, Trauma & Small-Town Panic

Fire in the Sky (1993) explained — the chilling alien-abduction film based on Travis Walton’s true story. On Cutting Deep into Horror, hosts Henrique Couto and Rachael Redolfi break down why the UFO sequence still shocks, how director Robert Lieberman builds dread, and where movie dramatization diverges from the real Arizona logging-crew case. We compare the film to Walton’s account, spotlight the cast (D.B. Sweeney, Robert Patrick, James Garner), and dig into small-town paranoia, survivor trauma, hypnosis testimony, and the 90s UFO boom.
Inside this episode
Yes. It’s based on Travis Walton’s 1975 abduction claim; the film dramatizes events for storytelling.
Where to watch (U.S.) right now
• Free (with ads): Pluto TV (availability rotates).
• Rent/Buy: Prime Video, Apple TV, Fandango at Home (Vudu), and Paramount Movies.
If you’re into alien-abduction horror, true-story thrillers, and 90s cult classics, queue this episode—sharp analysis, cultural context, and craft talk with a few laughs and plenty of goosebumps.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
Inside this episode
- Fire in the Sky true story vs. film — what’s verified and what’s contested.
- Abduction set-piece breakdown: production design, practical effects, and sound that still terrify.
- Performance notes: Sweeney’s vulnerability, Patrick’s stoicism, Garner as relentless investigator.
- Themes & context: guilt, media pressure, and why the case haunts pop culture.
- Legacy: how a cult classic shaped alien-abduction horror for the 90s and beyond.
Yes. It’s based on Travis Walton’s 1975 abduction claim; the film dramatizes events for storytelling.
Where to watch (U.S.) right now
• Free (with ads): Pluto TV (availability rotates).
• Rent/Buy: Prime Video, Apple TV, Fandango at Home (Vudu), and Paramount Movies.
If you’re into alien-abduction horror, true-story thrillers, and 90s cult classics, queue this episode—sharp analysis, cultural context, and craft talk with a few laughs and plenty of goosebumps.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Greetings Earthling. Oh, I am Valdemar, of the planet Valdemar.
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So you're named after the place or what is.
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Your earth name? Is it Valdemar?
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No?
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Why are you laughing? Why do your people laugh? Why
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do they love? Answer my question?
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I mean the why do we love? Though? That like,
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that's part of the human experience.
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This is too hard. Yeah, I'm going to just cut
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into your eyeball with a needle instead.
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Please tell much easier, No, please stop.
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This podcast is about why horror scares us, what deep
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dark secrets scary cinema shines a light on. The discussions
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are frank and involve conversations about abuse, trauma, and mental health.
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There are also spoilers, so keep that in mind too. Now,
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sharpen your machetes and strap raisers, because this is cutting
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deep into horror.
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Hello, my spookies, and welcome back to Cutting Deep into Horror.
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I know it's been a while, but great sequels are
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worth the weight, Like Freddy versus Jason. That's the only
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example I have of a horror sequel. I waited a
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really long time. Well, okay, phantasm five.
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Yeah, that's a good one though.
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That's debated, but is so is Freddy versus and everything
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is debated with horror movie fans anyway.
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That's why we're here, that's true.
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So for those who are new to the program, I'm
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of course you're your host, Enrique Kuto here with my
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co host Rachel Ridolfi. Hi, everybody, and we love to
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talk about the deeper side of scary cinema. That's that's
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my favorite, one of my favorite pastimes.
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Yeah, well, we do it for fun, so why not
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record ourselves.
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I don't do anything for fun? How dare you?
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That terrible allocation?
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Landeris statement. But we've talked about a lot of great
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horror movies, and sometimes we don't. We go off the
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beaten paths. Sometimes we stick to things that are a
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little bit more mainstream. This one feels like it's a
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little bit of both. Actually, yeah, if you think about it,
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because it was a theatrical film. We're talking about tonight,
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Fire in the Sky from nineteen nine three, and if
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you've never seen Fire in the Sky by Robert Lieberman.
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Oh man, I thought I had the info. It's streaming.
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It's got to be streaming somewhere for free. I apologize,
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I thought I had that ready, but I only had
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the Wikipedia page. I ruined it, okay, So it's available
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to stream right now on Pluto TV, so you can
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watch it for free with ads there as my computer
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tried to just do that instead of lamecy. It's also
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available to rent on Amazon Prime, Apple TV, Fandango at
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Home and things like that. So but Pluto TV is
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where you can get it absolutely free with commercials. We
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try to pick films that people could sit down and
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watch right before the program and hopefully it doesn't cost
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you anything. But you know, shit happens when you party naked,
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as I like to say so. But Fire in the
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Sky is an alien abduction film that had a why
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theatrical release but then didn't do super well theatrically. But
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an entire generation, myself included in that generation, were scarred
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by the film. I don't like how like how happy
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you are by me say I was scarred by the flavor.
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It's like, yes, yes, pain, I know, but no it was.
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It was a very terrifying film to watch because most
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alien movies, and there are exceptions, but most alien films
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are not about the horrors of aliens in that way.
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They may be about the horrors of conflict or the
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horrors of intergalactic war. But they're not shown to you
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like The Exorcist, you know, they're they're shown to you
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like Terminator. Yeah, it's not quite gonna keep you awake
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at night because you watched it, which is bizarre when
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you think about it, because aliens are really a scary concept,
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especially alien abduction. Yeah, the idea of an unknown being
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taking you from your home in the middle of the night,
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taking you into a craft that you don't recognize, and
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doing scientific experiments on you was actually really really scary,
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But we don't see it depicted as that scary that often. Particularly,
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we don't see alien abduction in films very often. If
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you think about it, it's a really strange lack a
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lack of that phenomena in movies.
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Well, because after we had watched this, we were discussing
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it and we were like, you know, there's movies like
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Independance Day, there's movies like Enemy Mine. There are sci
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fi movies where, you know, the Avatar series, there are
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sci fi movies that heavily feature you know, extraterrestrials, but
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it is kind of presented in this like Hoorah, Go
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Earth kind of way sure, Well.
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Because it's generally the realm of science fiction, and generally
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science fiction is in the realm of action adventure exactly. Yeah, but.
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Horror and science fiction also go. You know, there are
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two great tastes that taste great together, and this one
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definitely blends that very very expertly.
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Well. Unfortunately, it also maintains the trope that horror and
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science fiction going together. It doesn't really hit at the
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box office. Yeah, because Event Horizon, we both adore Event Horizon,
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one of the scariest movies there is. That's a space
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horror movie, and it did not do hugely well box
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office receipts, but then very very well loved after the fact,
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much like this film.
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Yeah.
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So that's where it gets tricky, because you know, you
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can't if you make a movie with the goal being
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to be a cult hit, you're that's a dangerous, dangerous
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idea for investors. Yeah, they don't like caring like it'll
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be a cult hit. That means it will fail initially. Well,
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failure is common enough. We don't need help getting to failure, okay.
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Yeah, yeah, so we do not need a guarantee.
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No, no, very few things are guaranteed in life, but
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science fiction horror. And there have been other attempts. There
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was like that Apollo was it Apollo fourteen or Apollo fifteen,
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the Alien on the Moon movie. I mean there have
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been and they were pretty scary, because that's the other
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friggin thing. Space is scary, Space is terrifying. Hence Alien. Yeah,
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Alien is a great example of a science fiction horror
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movie that's well loved. It was really successful, but everything
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it's spawned afterward was pretty much action. Yeah, so and
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I get why. I mean, science fiction is a whole
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other world to play in, so you know, guns and
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spaceships and yeah, there's a lot to play with. So
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I could see why that becomes that became such a
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common trope. But the horror of the unknown is the
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number one horror trope that there is, because no matter
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what you say, you can turn into the horror of
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the unune. Well, it's about a guy with the hockey mask.
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It's about how we don't really know how evil people
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can be. You see, It's always about what you don't know.
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And what I don't know is what I'm going to say.
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After this quick break, All right, we're back, and I
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do want to mention that there has been when it
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comes to the realm of alien abduction horror, there has
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been a bit of a boon in the last twenty
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years fifteen years that there hadn't been before. Twenty thirteen
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was Dark Skies, which was actually a Blumhouse production early
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in the bloomho cycle when they were still doing a
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lot of their quote unquote first run stuff that went
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directly to streaming. It didn't do big theatrical but from
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Dark Skies, which was a kind of like an alien
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alien abduction story, but it was like I saw it,
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so I'm like trying to go off my brain and said,
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just reading the bullshit online. But it was like a
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haunting but it was aliens, you know, like it was
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like Poltergeist, but it was aliens because the aliens were
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causing all the crazy shit to happen in the house
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and terrorizing the people.
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Ooh ooh, I like that.
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Yeah, it was really fun. I highly recommend that one.
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And then was Oh An Extraterrestrial from twenty fourteen, which
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was directed by the same guys who did Grave Encounters,
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and it's kind of like a Cabin in the Wood
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slasher movie, but the killers are aliens and it's gory,
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mean spirited, really weird. And I did enjoy that one.
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The fourth Kind from two thousand and nine, which was
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a fake documentary kind of found footage dramatization thing and
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fly hypnosis and real cottage a quote unquote of alien abductions.
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A lot of people didn't love that one, but I
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thought it was definitely trying to be scary and I
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respect that, and I thought I thought it was at
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least a little scary.
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Yeah.
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Then, of course this is the one that I realized, like,
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I went, oh duh when I saw this list Altered
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from two thousand and six that was directed by Eduardo Sanchez.
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I love that you made that face like you were
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gonna go I, oh yeah, And you don't know who.
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That is, but for some reason I recognized that name.
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But I'm just insane. Well.
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Altered from two thousand and six was a bound footage
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horror movie. I believe it was found footage. Yeah, it
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was about aliens attacking people, and Eduardo Sanchez was one
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of the two directors on the Blair Witch Project.
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That's why I recognized that.
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Yes, okay, maybe so I'm just insane. I mean, they're
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all good options. So, but those are all very recent
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examples of people leaning into that yeah that space And
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then wasn't that was the film we watched on Hulu?
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Is it no One is? No One Will Save You?
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No One? Yeah? I think it was No One Will
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say yeah.
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No One Will Save You from twenty twenty three, which
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had like one line of spoken dialogue the entire film.
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It's currently on Hulu, and I do recommend it. It's
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pretty fun and scary.
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It was very scary and just dripping with with uh suspense,
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suspense and the mood. Yeah, suspense. Is that what you
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tryun to stand him?
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Mike?
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Yeah, no, no, no, no it is. It was really
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really fun, really scary. So that all being said, yeah,
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science fiction and horror. I think I wish it would
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merge together more often, but I could see why often
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it doesn't, at least not in big, big movies. But
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Fire in the Sky became an incredibly known movie to
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older millennials and younger Gen xers because they would be like,
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what was that movie that, uh, my dad rented a
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blockbuster and then I was Afraid of the Sky forever? Yeah,
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and then and then you because somebody asked you that
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one time they said, like, I saw a movie once.
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It freaked me out, and I was like, yeah, it
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was like it had aliens And I was like, was
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it fire in the sky And they're like, I don't know.
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But they tie him to a table and they put
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this weird thing over fire in the sky. It's fire
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and talking about yeah. Oh, And to hit home the
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fact that it left me modestly traumatized when we rewatched it,
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this was your first time watching it. This was my
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first time rewatching it as an adult. Most of the movie,
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I mean, I think the movie's really solid. It's a
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really interesting movie with great characters. The writing makes sense.
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I didn't remember Jack shit of any of that. All
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I remembered, like I would watch it and be like, oh,
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I kind of remember that. Oh I kind of remember,
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like him in that truck and then them getting a fight.
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But then once he's in this, they show him in
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the spaceship and they're like getting ready to dissect him.
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I was like, Okay. Then they put him on the table,
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then they put the thing over him, then they open
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up the slit over his eye, then the thing comes
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down to his eye, then the thing goes in his
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bad I remembered all of it.
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Yeah, yeah, you were giving me like a play by
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play as it was happy, like I remember this part
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and this is going to happen.
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Instantly, I was like, Okay, there's where all the trauma lies. Yes, no,
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without a doubt. So yeah, that was That was the
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That's the the level of memorability that you get with
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Fire in the Sky. So before we jump into it,
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I'll give some pertinent details. Fire in the Sky from
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nineteen ninety three. It was directed by Robert Lieberman. The
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screenplay was written by Tracy Torment. Robert Lieberman had done
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a lot of television. This was one of his few
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forays into film like feature films. Before that, he was
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most known for All I Want for Christmas, the romantic
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comedy with Tom with That's in that I thought I
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could remember off the top of my head, with Thora
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Birch and Leslie Nielsen. Those are the two us to remember.
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Then he did D three The Mighty Ducks right after
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Fire in the Sky. But then he'd stuff like Net Force,
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which was a TV movie, Second String which was a
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TV movie, The Dead Zone TV movie. He was mostly
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