Sept. 7, 2025
Unknown Broadcast | Terror on the Heath and at the Gallows: Four Horror Stories of Murder and Suspense
My dear, the dial glows in a dark room where classic old-time radio horror breathes again—vintage OTR suspense, murder mystery, and supernatural dread from the golden age of radio drama.
🌫️ Terror on the Heath
A moor-side reincarnation riddle from the vintage radio vault—identity, obsession, and a past-life murder mystery that won’t stay buried (hosted by E.G. Marshall).
🚂 Journey into Fear
Eric Ambler’s espionage thriller from Escape (CBS): a hunted man flees Istanbul by night train as an assassin stalks the corridors—pure OTR suspense.
🪦 The Accusing Corpse
A grave, a poison, a name the dead won’t let go—classic old-time radio whodunit where forensics, exhumation, and guilt resurrect the truth.
🪢 The Hangman’s Rope
From The Hall of Fantasy: a cursed relic, a tightening noose, and a creeping supernatural horror that marks its victims before the gallows claims them.
Listen closely, my dear: vintage radio horror may be old… but terror, terror is always new.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
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- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Ah, my dear, so good of you to come back.
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Oh what's that?
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Well?
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I suppose I have been in a good mindset as
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of late, although sometimes I feel a bit morose over
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the idea of missing wide open spaces, places beyond my
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humble habitat, as it were. Please please get comfortable. I'll
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get you a little something to drink, something hot to
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warm your soul and your spirit, while I have already
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found something to chill our old bones. I miss the
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fields and the son, I miss terror on the heat.
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Come in, welcome, I'm e g marshall.
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I'm sure you will agree that almost every religion holds
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that the soul is immortal and recognizes a life after death. However,
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we're going to be telling you about people who believe
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in reincarnation, and they have a somewhat different approach to immortality.
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Those who believe in reincarnation are convinced that your soul
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lives on in another person and his body in a
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later life. Some men and women even claim they remember
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bits and pieces of their former lives. I see a gallows,
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it's a hanging man. I can hear the creak of
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the gibbet and a rattle of chambers. I hear them plainly.
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There are people watching people dress strangely dressed in clothing
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of a different century, some of them agating and drinking.
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They're enjoying watching a man hang, a man like me, me,
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David Matts, who lives today.
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I see them and they're hanging, and I know I
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was there.
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I was there. Our mystery drama Terror on the Heath
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was written especially for the mystery Theater by Murray Burnett
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and stars Shepherd Strudwick.
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The KCBS Mystery Theater, the Theater of the Mind. There's
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always news and more on KCBS.
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Are you a browser, I mean a browser in a bookstore.
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If you are, you will readily acknowledge that bookstores are
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sectioned off with books in various classifications. One of the
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largest sections has become the how to books. On those shelves,
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the reader can find a book that will tell him
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how to do almost anything, from painting or sewing.
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They're making a harpsichord.
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Everything that is, except a book telling a man how
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to explain to his wife that.
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He's leaving her.
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David Darling, I didn't know this was serious, very serious.
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But whatever it is, we'll weather it. We've had quite
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a few ups and downs in ten years of marriage.
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Will handle it together.
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That's just it. This is this is something that you
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will have to handle alone. I don't understand.
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Look, Jan, I don't know any other way of saying this.
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I'm going to leave you.
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You mean that, don't you?
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Yes, I'm sorry, all right, David? Why I can't tell you?
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You can't tell me, David, look at me. I'm the
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woman you loved. But at least I think you love me.
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For ten years You're not.
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Going I still love you, Jan, and I swear, Then
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why are you leaving?
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Because because I have to have to, you won't have
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a thing to worry about. I'll take care of you
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and the children, just as if.
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I were leaving you.
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I just don't believe this whole scene. It's like something
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out of Alice in.
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Wonderland or ed Gallan Pole what.
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I think, twenty five hundred a month should cover everything.
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But if you need you mean about Edgar Allan Poe.
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Nothing is twenty five hundred going.
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To be using words as a smoke screen to hide
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the truth.
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We've never done that. I guess there's no way a
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man can ever tell a woman he's leaving. All I
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want is the reason why you're leaving.
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That's just what I can't tell you. What are you
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going to tell the children?
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Isn't that your job? You're the one who's leaving. Oh David,
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this isn't like you.
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What's happened?
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I wish you was something simple and less cruel, like
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being a to say, Jen, I've fallen in love and
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I want a divorce. But it isn't like that at all?
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And what is it like a horror story?
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No?
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No, no, secretary is going to tell me that Dave
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Mason's not into me.
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He'll see me and he's going to It's all right,
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miss Manners, I'll see miss Dampson coming on. Well, thanks? Now,
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what's this business about? You're leaving?
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Jad?
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All about? I suppose this couldn't be avoided? Why would
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you want to avoid me? Your best friend?
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What is all this stuff about horror stories? Ned Grallan
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Poe or it's just a figure of Oh sure, just
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enough to make you walk away from what I know
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was a good marriage. Thanks long, and you're going to
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tell me why you're doing it, but only only if
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you give me your solemn promise that you won't tell
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Jan or Cicely.
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But that's exactly I know.
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I know, that's exactly why you came to find out
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and try to help to tell Jan.
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But that's the one thing you can't do. Okay, you
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have my word.
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I'd like you to look at these photostatic copies of
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the English newspapers of the eighteen fifties?
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Are you kidding? Breed them?
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Hampstead Heath terror strikes again, vicious killer claims a victim
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nine year old girl, stabbed to death. Look, David, I
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don't see what these want. But these are just more
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of the same police baffled.
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By Heath knifings.
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Inspector Gregory of Scotland yard brands, slasher esadist.
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That's enough to give you the general idea.
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Yes, it's also enough to confuse me thoroughly. What the devil?
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The devil? That's a good word.
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Ever?
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Hear a reincarnation one?
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Oh no, Now, wait a minute. You're not going to
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try to make me believe that you are the twentieth
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century reincarnation of this madman. And that should make it
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obvious why I must leave Jan and cannot tell her
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why And you believe this on the basis of these
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newspaper clipping not quite long. There's more, much more. It
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was incredible to me at first when was first about
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six months ago, I read a book by Robert Ripple,
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a book that was a factual account of the lives
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of three notorious criminals of the nineteenth century. I was
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impressed for the writing and by the author, an assistant
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curator of the nineteenth Century wing of the Museum.
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Of English History.
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There was one criminal in particular that fascinated me. I
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somehow felt I knew him, This Hampstead Heath Knifer right,
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And that was when I had the first dream.
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Dream.
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Yes, I had a few drinks with Bob Ripple before
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coming home and we talked about some changes, and I
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dreamed I saw Hampstead Heath quite clearly.
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It's really a forest, you know.
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And then along a walk outside the forest, I saw
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a woman's figure. I ran after her, and she turned
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to face me with her hands outstretched, not to welcome me,
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long to ward me off. And when I saw a
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face and streaming blood, blood from knife slashes, and then.
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And then I woke up.
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All right, all right, So you had a nightmare. That
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doesn't prove.
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That was only the first.
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They began to come more and more frequently, and in
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greater and more monstrous de tale with women and young
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girls and blood, and I don't want to open it up. Well,
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all right, all right, I'll grant you it's pretty rough, David,
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but still, okay, come on around behind my desk. What
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do you see in the drawer?
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A knife?
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Not just any knife long, that's a switch blade with
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a spring, lethal and illegal.
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Okay, when did you get it and why?
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I don't remember buying it, and I have no idea
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of how it got there, but I distinctly remember the
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first time I saw it there. It was a day
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after I had my face slept by a girl I'd
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never seen in my life and been called a murderer.
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What I was coming back from a lunch with Bob Ripple,
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the author of the book that opened the floodgates, a
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rather attractive girl in her early twenties approached us.
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I don't know exactly how it happened, but.
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Suddenly we found ourselves face to face and started to
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indulge in that ridiculous walls of both stepping the same
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way to get.
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Out of each other's well.
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Oh, I know, I know, Suddenly she looked full at
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me and hissed murderer and fainted right there on the sidewalk.
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Well, she she was sick.
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That was what Bob Ripple kept telling me as he
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hustled me away.
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But why why would she call me a murderer?
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Well, I don't know.
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She's the one with problems. There's nothing wrong with you, Lon.
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Do you think it's possible but that maybe this girl
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was the reincarnation of one of this killer's victims and
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she recognized me as this killer. Oh No, I don't
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think it's possible, but obviously you do.
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It was the next day that I saw the knife
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in my desk. Look, Dave, look, you're in a state.
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How would you like to see a face long, my face,
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my face on the picture of a nineteenth century killer?
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What come with me? And I show it to you, Lon.
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This is Robert Ripple, assistant curator of the nineteenth Century
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wing of this museum.
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Ah, nice meeting you, pleasure.
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Bob and I waited the room with the photographic exhibits.
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Would you fill on in? Glad you This particular exhibit
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started because of my interest in the three notorious criminals
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of the era. Naturally, I collected all the newspaper clipping, stories, drawings,
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and photographs I could find and placed them in the
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room along with other items that I drew them into
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the collection. I hear I exhibited the degeotypes of some
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of the fabulous characters of the period, along with the criminals,
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and heal on can look at this, to Garrett type
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and tell me what you think. Let me see, well,
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good looking guy, nice face. And if you want me
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to say he looks like you, I'll say it. There's
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a great resemblance, all right?
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Who is he? You tell him?
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That man is Charles Mason, otherwise known as the Terror
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of Hampstead Teeth, the killer who was hanged at Tyburn
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December ninth, eighteen forty one.
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I can remember, I can almost hear David.
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Let him go back, Let him remember, you can hurt
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him to try to bring him back.
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Now, I can hear the wind.
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And the creak of the gibbet, and the James and
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the people, the people shaving their eyes against the cool sun,
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looking up to see what kind of monster was suspended
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in air, paying with his life a slashed and bleeding
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bodies of the women he had mutilated.
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God Lord, have you seen him like this before, only once.
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What do we do if it follows the pattern of
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the other time. He'll come out of it soon. He's
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coming around. I'm sorry.
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I guess I made a pool of myself. You couldn't
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help it, Dave weld.
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On, what do you think? Well? I, uh, self hypnosis?
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What self hypnosis? You read Ripple's book. It impressed you.
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You became involved in the several hours you were here.
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You saw that bagheera type that resembles you, and now
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you've hypnotized yourself into believing that you're a reincarnation of
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a murderous madman. I don't blame you for not wanting
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to believe I'm the reincarnation of a killer like Charles
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may Look, what just happened was frightening, but not necessarily
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any proof that you're right, mister Ripple. Did you you
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write about the hanging of Charles Mason?
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Oh?
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Certainly, And there was nothing Dave said that he couldn't
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have gotten from reading your book. Huh, yes, that's right,
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or some of the other books I showed him.
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There have been many graphic descriptions of the hangings of Tyburn. Ah. Well,
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there you are, Dave I wish you were right, Dave.
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