June 8, 2025
Unknown Broadcast | Terrifying Tales of the Dead That Won’t Stay Buried
The grave is meant to be the end… but often it’s only the beginning. Four eerie stories rise from beneath the soil to haunt the living, revealing secrets that refuse to stay buried. These tales explore not just death—but what waits beyond. 🔹 The...
The grave is meant to be the end… but often it’s only the beginning.
Four eerie stories rise from beneath the soil to haunt the living, revealing secrets that refuse to stay buried. These tales explore not just death—but what waits beyond.
🔹 The Graveyard
An old cemetery holds more than bones—it holds memories, warnings… and watchers.
🔹 A Watery Grave
A man with blood on his hands finds out too late that the dead don’t drown quietly.
🔹 Beyond the Grave
Some oaths are stronger than death. When one man returns, it’s not for peace—it’s for justice.
🔹 No Grave Can Hold Me
In a courtroom of the living, a voice from the other side demands to be heard.
These are stories of retribution, unrest, and resurrection—the kind of darkness that clings to your soul long after the final word.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Oh oh, hello, hello, Sorry caught me in kind of
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a compromising position in that well, I didn't see you
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come in. I've been oddly distracted the last few days.
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What was that ho? I'm sure the hustle and bustle
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of the world around it's always pulling us in one
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direction or another another. It's pretty common in this life
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of sorts. So get comfortable and let's take a moment
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just for ourselves, just to feel something a little different
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than that urge to accomplish, that need to get everything
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squared away. In fact, let's take a little stroll as
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you enjoy your hot teeth to the graveyard.
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I mean.
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Well, I.
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The French writers eat them the song live for.
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Only forty three years, getting composure.
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Six novels and over three hundred short stories. One of
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the best things, one of the least well known, entitled
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what is a Dream?
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There's only a little.
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More than two thousand words in length, and a testaments
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of the clarity and economy of the monk song style.
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Why the one love our queerest, the only one being
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of the work, he only one sold in one's mind,
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only one designer in the heart, and only one name
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of the lips A name which comes up continually, rising
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like the water in a spring, from the depth of
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a song to the lips. A name which one repeats
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over and over again, which one whispers siously everywhere, like
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a breath. Oh, I loved her madly.
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Our mystery drama The Graveyard is based on the classic
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short story of Him over the Song, and was written
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especially for the mystery theater by Elpahbeth Eric Stars Norman Rose.
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It is sponsored in part.
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By a Newick Mortar division.
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I'll be back shortly without one. Peter Mortisal lived from
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eighteen hundred and fifty to eighteen hundred.
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And ninety three.
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In the last of these years were spent struggling with
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and ends succoming to madness. That may account for the
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slight touch of morbidefy Than runs through his work. Yet
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the story we dramatize for you now deals with one
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of the most universal of human experiences, the indescribable, almost
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mystical experience of falling in love. Our dramas again inside
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one of the great churches of Paris.
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I was the last of the long line of penitence,
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high positions myself through perfectly or.
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I had a long tale to tell the father before I.
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Could speak of the mouth, A.
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Long confession of love and love and death, the unquestionable
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passion of mad, obsession of grief, unimpassionable. At long beast
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the way was clear, and I found myself in the
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confessional box.
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Bless my father, Yes, my son, bless my father, for
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I have seen since my last confession.
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Master, go on, my son, I don't know how you
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You don't know me? Father? Should I? You don't recognize
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my voice. There is something famidia with spen a long time,
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more than a year before that, you were my confessor.
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More than that, my friend, or so I once thought.
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Continue, I was a faithful.
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Communicant father for many years until until tell me what
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doubled you, my son.
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Ah.
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It's a long story. I have time, and so has gone.
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But it all started. Everything began where I met her m.
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I went to a boar, an elaborate ball given by friends.
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I've been half of mind not to attend a tour
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for months.
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Life that seemed so dreary, so monotonous.
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And then that night, when I was standing with my
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friend Allie, viewing the guests with utter indifference, when she
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she came into the room that changed my life forever.
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I what is it?
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Every suddenly come to life, come to life?
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She is? I have come to like, who is that?
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Dear man? There are at least two hundred people.
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That she is not there, think she just came through
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the door.
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That she's with an older woman wearing blue, blue and
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black stripes.
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They just sitting the Oh that's Madame sil Farm.
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But who is this young girl Silver? And me, simall,
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why did you ask me? Why?
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I didn't care?
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She is my fate.
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Now, my fat sitting on.
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Her hand and not where I will enough to introduce me?
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Couldn't do it?
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Do it anyone?
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Introduction of mad I murmured politeness, requited the pleasure.
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Of the warts and a girl I were living in
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a dream led the young sea boom, took the dance
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floor and took her in my arms. We circled the
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ball room again and again and again. She floated like
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a cloud in my arms, her pale blonde head just
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below my cheek, A tiny hand in its white kid glove,
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resting in mind, A facial body moving and perfect with
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him to my own.
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I did not speak, I could not.
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I was like a man.
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Chatted beneath her spell. I was conscious only for wishing
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the music would never stop. But of course in time
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it did, it stopped.
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He needs me, sir, why, oh, forgive me?
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What did you say?
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You meased me?
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The wolf has ended, the dancing is over.
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Oh your pardon.
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You may take me back to my aunt?
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No, no, why not?
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I I wanted to take you with my arms again.
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I think the music has stopped for certain lengths of time.
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Refreshment.
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Have you served on the verandas would you?
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Would you care for something.
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A glass?
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Would you care for that?
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Would you?
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There's only one thing I care for himself. Everything else
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is of no importance.
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Or whoever and what he said.
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Yourself, that sel, your love. I was not so impetuous
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as a rule. Father. I had a certain position in
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Parisian society. I had met and I had fancied the
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number of girls. But this this was altogether difference of
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totally new experience. It lived at me to such heights
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that my whole life before this faithful meeting scene in
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significant without meaning us yourself, my son, Yes, yes, father,
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yesout trying. I saw her the next day.
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She invited me for tea, and.
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I took flowers, roses and lilies.
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All that I could hold. I think that her aunt
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eyed me with some suspicion, But I thought only of
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the niece whom I adored, to whom.
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I had dedicated my every thought, my every wish, my life,
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myself go on, my son. And the days, the days
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that fathered. How can I describe them? And yet how
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well I remember them. Walks in the luxember gardens, picnics
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in the bois, luncheons and dinners. I moved through all
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this with the certainty of a slow walker. My mind,
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my soul fixed on that not too distant day when
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I would put my heart at her feet and implore
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her to pick it up and hold it close to
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her own. And I knew she would. Here's my son,
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go on at least? But they arrived. I suggested the
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previous evening that she'd come to my house for tea,
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and she had acquiesced My good housekeeper, Terrees, had cleaned
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from attic to cellar with even more than her usual thoroughness.
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Now you will serve everything out here, ter shall sit there,
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don't you think.
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You have to your course? And what she really likes
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press chocolate. I have chocolate.
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No, no, what annoys Meddler, sica and macarola.
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Oh, perfect, perfect, I hope Mademoiselle will be pleased. I'll
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tell he's wait till you see her.
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Wait you see my simon. I am sure she is
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very pretty, monsieur, attractive. There is no one word to
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describe her, to as could you describe an angel. I
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have never seen an angel, and you see one today,
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an angel with the of a wood limp, the grace
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of a dryad. Am I talking wildly to you?
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Are in love?
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Monsieur?
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Yes, yes, I am in love.
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I wouldn't fever awaiting her arrival.
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I thought I was going to be sick.
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I could not.
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I could not stand still. I moved from chair to chair,
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from room to room, and then at last, at last,
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she was there in my house.
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Oh great, beautiful, beautiful.
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You think you really think you live here alone? Yes? Alone?
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Of course, this terres and her husband he tends to
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the gardens.
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You have gotten?
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May I show you? The roses are in blue, yellow,
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pink grass. Now this is the veranda, charmy, would you bear?
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Is it down here? Here? This is a comfortable shad,
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thank you?
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Yet very comfortable?
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What would you like chocolates or tea. Todas will bring it, oh, coffee,
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we have met them. And then then.
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Macaroo, that's so bad, not so bad.
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I'm I'm sorry. I'm so sorry. Really, I'm very all right.
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It's all right, my dear. What is it?
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I've never seen you like this?
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So so.
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It's just that.
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Do you really like the house that I told you?
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I know you told me, But.
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Are you sure that you really like it?
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Yes?
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Yes, yes, yeah, there's anything about it that you that
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you don't like.
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Nothing.
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I think it's perfect.
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I want you to think that it's perfect.
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It's so important what I think.
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You don't know how important it is, because because you know,
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because I want you to share it with me.
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You want me to live here with me?
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You know how I love you. I think that you
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love me. Do you love me?
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Yes?
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As much as I love you? No, don't answer. I
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know that you can't love me the way I love you.
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But but but do you love me?
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Yes?
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Then will you come here to this house to live
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with me, to me love you and protect you, adore you,
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to take care of you.
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Oh, my dear, Yes, yes, my lam oh yes.
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The days and the weeks and the month that followed.
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How can I describe the man? I loved her madly?
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Why does one love father?
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Why does one love? How queer it is to see.
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Only one being in the world. You have only one
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thought in one's mind, only one desire in the heart,
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and only one name on the lips, A name which
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comes up continually from the depths of the soul to
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the lips, A name which one repeats over and over again,
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which one whispers ceaselessly everywhere, like a prayer. I lived
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on her tenderness, on her caresses, in her arms, on
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her words, so completely wrapped up, bound and absorbed in
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everything which came from her. But I no longer cared
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whether it was day or night, so whether I was
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dead or alive on this old earth of ours, in
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all our time together. She asked for only one thing,
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one material thing, and I was happy, deliriously happy to
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buy it for her. I would have bought her the world, sweetheart.
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Could we have a mirror here here, here in the hall,
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a big one.
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I need it, well, then you shall have it.
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I needed to look at myself from head to foot
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before I go out, to see if my toilette looks
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well and is correct.
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Pretty.
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You are always correct, always pretty, ha ha.
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