May 4, 2025
Unknown Broadcast | "Song of the Slasher"
The episode of "Inner Sanctum Mysteries" kicks off with the host, Raymond, presenting a chilling narrative that sets the tone for the evening's story, titled "Song of the Slasher." The show evokes a nostalgic and eerie atmosphere reminiscent of old-time radio thrillers while drawing in the listeners with its engaging dialogue and dark humor interspersed with commercial break mentions of Lipton tea.
Raymond introduces the characters and incites curiosity about the bizarre circumstances surrounding a notorious serial killer known as the "slasher," who has horrified the neighborhood with his gruesome crimes. The tension escalates as the story unfolds, revolving around Detective Dan Miller, portrayed by Arnold Moss. He is tasked with unraveling the mystery behind a series of grisly murders marked by a peculiar tune whistled by the killer.
As the episode proceeds, listeners are thrust into the life of Detective Miller, who grapples with both the threats posed by the slasher and his own personal concerns about his wife, Laura. Their dialogue reveals Miller's determination to protect his wife while also drawing attention to their living situation in the dangerous neighborhood. The atmosphere grows ominous when Laura hears the signature whistling of the slasher, prompting her to venture out, leading to a moment of suspense that keeps listeners on the edge of their seats.
The plot thickens when Miller suspects their eccentric neighbor, Reginald Trevelyan, who is a reclusive musician often heard whistling that same tune. As the detective seeks more information and tries to build a case against Trevelyan, he navigates through various clues, interviews, and misdirections that deepen the intrigue, ultimately revealing a myriad of characters, each with their oddities and potential motives.
Tension peaks when Miller discovers his wife has gone missing. The frantic search leads him to Trevelyan, culminating in a violent confrontation that exposes dark secrets and reveals betrayals. The episode explores themes of paranoia and deception, as personal relationships are tested against the harsh realities of violence.
In an unexpected twist, it is revealed that Sykes, the janitor, is the real slasher, having framed Trevelyan for his own murderous impulses. Miller’s ambition to solve the case and prove his worth as a detective leads to a shocking and ironic denouement where he becomes ensnared in his own web of lies and criminality. The narrative concludes with a darkly humorous moral about the perils of domestic discord, leaving the audience with a chilling yet thought-provoking reflection on the nature of evil.
The show balances horror with wit, and the interplay between characters adds depth to the unfolding drama. Throughout, the connection to Lipton tea serves as both a humorous juxtaposition and a sense of normalcy amidst the sinister events, drawing a stark contrast between the mundane and the macabre. The expertly crafted dialogue, along with the suspenseful sound design, immerses listeners fully in the world where danger lurks behind every corner, making for a captivating auditory experience.
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
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WEBVTT
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Ah, welcome, my dear, so good to have you back.
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Do you ever have a song in your heart? You know,
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something that helps you whistle while you work, makes the
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whole day go by so quickly. Of course, you don't
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want it all to go by too quickly, and believe me,
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it does, Oh my, it does. But tonight we have
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a different kind of tune to enjoy. This is the
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song of the slash Air. I remember hearing this as
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us little boy on the radio idea and being so
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fright and right and excited. And I hope you enjoy
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it too. Now come, come, come, sit by the fire,
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get yourself comfortable, get yourself and let's listen. Listen now.
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Mm hmm, lift and tea, and left them still present
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in a thank the mystery, good evening friends of the Inn,
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I thank them. This is your host, Raymond the Gay Go.
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Friends.
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Would you like to fly through the air with a
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great Do you think you're enjoy being invisible?
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Oh it's easy.
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All you have to do is become a ghosts And
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to become a ghost, all you have to do is
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accentuate the ecto pleasum and eliminate the protopleasant me.
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If that doesn't work.
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We'll introduce you to one of the characters on our show.
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He'll take care of you.
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And that's the truth. What awful people on this show?
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Wherever do you find them?
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Mister Raymond?
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That's simple.
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All you have to do is turn over a rock
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and out they come crawling.
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Hmm. And just suppose you were looking for decent people,
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how would you find them?
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Oh?
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Now, may you were the one who showed me how.
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I just go snooping around houses and peering in the windows,
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and I'd find all the nice people drinking lipt and tea.
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Oh dear, there you go making fun again. You know,
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maybe if you drink Lipton tea you wouldn't be such
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a bitter, unhappy person. Yes, there's something so warming and
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cheerful about Lipton. I guess that's why lots of folks
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drink it not only at meal times, but between meals
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or whenever they get a chance to sit down and
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enjoy Lipton's famous brisk flavor. That word brisk b rs
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K explains a lot when it comes to tea flavor.
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Brisk means that Lipton tea always tastes tangy and bracing.
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It's never flat or wishy washy. That's right. You just
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don't know how good tea can be till you know
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how good Lipton's is.
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All right, Mary, as long as you're in the kitchen,
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you'd better sharpen up a couple of knives, as our
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main character tonight is going to use him. A story
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is called Song of the Slasher. It's an original radio
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play by Milton Lewis and stars Arnold Moss and the
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role of Detective Dan Miller. Are you ready then?
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Get it close and listen.
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You find you're getting too many chills and just sitting
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the fire. And a thick, murky fog hangs like a
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damp veil over the waterfront.
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Streets are deserted.
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The buildings loom like tombstones in a cemetery. No living
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soul can be seen because people who scents stay behind
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locked doors. The slasher has murdered and mutilated his fifth
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victim in eight days. In a dread lonely little room.
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A young woman suddenly looks up.
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When she hears a door c Wow, Well, what's the matter?
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Can't you speak?
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Hey?
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You get away from me?
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Get back up that night?
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What are you doing that night?
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You're a flusher?
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Some one.
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It's the slasher.
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What are you talking about?
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Twelve upstairs?
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I can hear it screaming.
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Now he's wizard.
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I go up with I'm an old man.
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It's the slash, said, he's killing her.
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Hello, this copy of quinn Head Corners.
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Here's the chance you've been waiting for.
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The slash is at twelve Dock Street.
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Right around the corner from him.
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On my way, captain.
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And that's how it started. The detective is asked to
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do some queer things in the line of duty. I
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didn't mind moving down to the dump.
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At the waterfront with my wife if it would help
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catch the slasher.
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So when I got the call, I rushed out of
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my joint and beat it down on twelve Dock Street.
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Oh where is he way to go?
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Hey, hey, listen, I.
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Don't do that.
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I'll get your doc.
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Die yet and listen to me.
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Sister, it was Are they going to sit an ambulance?
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Yeah? Yeah, but I won't do it.
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No good, you were two lace.
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Just see the guy who did it.
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I saw nobody.
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He can't be fine. He was here a minute ago.
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I heard someone go out the back way. When listen,
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coming from that alley down there.
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I'm so thick you can't see two feet out of
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the back wave goes into the audi.
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And it's him. It's the slasher.
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I got out of the alle the radio cars and
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that meant from the precinct were coming. We went through
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that neighborhood with a sieve, but we couldn't.
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Find the guy who whistled that queer tune.
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Get you, Danny, Yeah.
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What happened?
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You shouldn't have got out of bed, baby. I was
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worried he got away.
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He killing us?
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Yeah?
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Yeah, another day it wasn't so foggy. I could have
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seen him. That's how close it was.
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No does speak of.
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Hey, Look, look baby, don't you worry about this. You
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go back and get some sleep.
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I'm frighten. That man is somewhere in this neighborhood and
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I was living here.
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I shouldn't have brought you down here.
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You're going back to our old place tomorrow.
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No, I'm not.
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I don't want you here alone. I want to.
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Listen.
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You hear that, don't you? That ain't something I'm hearing
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in my head?
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Is are you answer me? Answered me? I want to
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make sure I ain't hear I hear it.
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It's someone whistling, But why are you acting like this?
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He the Slasher whistles that tune. Are you sure? Yeah?
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Yeah, I heard him tonight.
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And the killer, the slasher must be somewhere around here.
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I'm going out, baby, locked the doors.
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The whistling was somewhere in the building.
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I listened.
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Where was it coming from?
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It was gone. I looked at my watch. Four thirty
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in the morning.
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I walked down the stairs, listening to the whistle. I
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walked down my toes, listened to the other flats.
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I didn't hear a thing. I went down into the cellar.
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There was someone there, all right, Oh who was there?
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It was Sykes of Janitor. I came closer.
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Oh, it's see you, mister Miller.
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Yeah yeah, mister Sikes. Hey, what's the matter You're you're
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shaking like you got a fever.
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You frightened me. Why I thought you were the slasher? Yeah,
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he's around here. You know, he might be hiding in
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these shadows, might be anywhere.
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Everybody's afraid them.
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Everybody. Yeah, yeah, so I hear.
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Time.
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Did you come down here.
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Four point thirty like I do every morning?
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Why any stranger in the building.
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No, I didn't see anyone who is in the flat
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below us. Mister Pavilion, Reginald Pavilion, funny name. He's a
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funny fella. Never sleeps at night, wanders around the building
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whistling to himself, whistling to himself. Yeah, he writes music
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or something. He got a piano in his place today.
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He talks crazy sometimes.
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I think he's up there now.
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Yeah, he never sleeps. Yeah, twenty dollars. Yeah, yeah, it's
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for you.
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Why are you giving this to me?
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I want you to tell me when mister Trevillion leaves
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his apartment.
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Do you get it? Yeah?
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But why I ain't paying you twenty bucks to ask questions?
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Who's there?
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Miller? Mister Miller?
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Yes, what is it? Mister Miller?
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My wife and I live upstairs. I know it's kind
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of late, but can I come in here for a minute?
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Of course, I hope I'm not disturbing you. Oh, it's
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quite all right. You're the people who moved in a
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few days ago.
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That's right.
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I don't know you.
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My name is Reginald Trevilian, Dan Miller's mine. You've been
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up all night?
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Yes, why do you ask?
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Because maybe you can help me.
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Someone tried to break into our place at about four point.
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Thirty this morning.
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Really, mister Miller, do you think your wife would be
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very annoyed if I play the piano?
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Now?
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No, No, I don't think so. She she likes music.
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She seemed like a charming girl. I noticed her when
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you first moved in. I'm very lucky to have such
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an attractive wife.
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You're worstling yourself like that very often, Yes, especially when
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I'm working on a new composition.
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I think I have it.
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I've been trying to work out that passage all night, which, Miller,
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Please God.
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I want to be alone.
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You are your opinion?
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What are you waiting for me?
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You're crying?
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I've lost it?
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What?
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What?
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What passage?
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You see? What you've done?
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Wait a minute ago?
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Now it's gone, gone?
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Ok?
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It does been lately like keep forgetting things.
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I'm sorry, I was shrewde.
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I didn't mean today, just the midlelight, mister Milla, This
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is really true what it says in the papers about
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the slasher, that he has the whole neighborhood trembling in terror.
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Yes, lovely trembling for their miserable little.
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Lives, worried about that dirty little souls. Sure you fear
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and I wrote your little raffles.
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I knew who the slash was.
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I embrace him and give him everythny of head Why
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because I hate them?
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Because been laugh at.
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Me, because.
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My phone headquarters told him to check on Travallion. Oh
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he was a queer one, all right, so queer.
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I didn't tell Laura about him. I didn't want to
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scare her. I couldn't arrest him. I didn't have anything
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on him yet. I laid down arrest Maybe I heard
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it in my dream, maybe not.
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I heard that whistling again.
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That same tomb. I think that's what whop me.
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I looked around.
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Laura. She was gone and the door was opening. I
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