April 20, 2025

Unknown Broadcast | "Ghost on the Newsreel"

Unknown Broadcast | "Ghost on the Newsreel"
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In this episode, we delve into a captivating narrative titled "Ghost on the Newsreel Negative." As we explore this tale, we are transported back to a time when news was communicated through microfiche and newsreels. The story begins with a discussion about the casual joys of reading, as the narrator enjoys the ironic mix of life and death chronicled in the obituaries and the comedic escapades found in the funny pages. This sets an intriguing tone that invites listeners to gather around as secrets and shadows unfold.

As our protagonists, Martin and Whit, embark on their journey to a seemingly abandoned ghost farm, we follow their playful banter that quickly turns into a more complex investigation of supernatural lore. They're on a mission to capture the essence of supposed hauntings for a newsreel, sparking a rich dialogue about skepticism and faith in the supernatural. The backdrop of the ghost farm, with its desolate house and barn, serves as the perfect setting for the unfolding drama. The humorous exchanges continue as they engage with a quirky local who claims he is the ghost, leaving listeners in suspense and laughter.

A turning point in the narrative reveals Martin and Whit's trials as they attempt to capture a haunting scene on film. The chaotic and tense atmosphere escalates as comedic errors blend with feelings of fear, particularly as they explore a dark house where a mysterious presence is hinted to exist. The story's tone wavers between thrilling and comedic, engaging listeners in an unpredictable ride as they witness the protagonists' interactions and their failures to document the paranormal effectively.

As the episode draws to a close, listeners are compelled to reflect on what truly constitutes a ghost and the deeper connections between reality and the uncanny. The closing conversation brings a sense of warmth, as themes of nostalgia and curiosity intertwine. The listener is left with a lingering sense of wonder about the nature of ghosts and the stories we tell, as the narrator encourages a moment of gratitude and reflection on their own life. This episode not only entertains but also prompts introspection on what we hold dear, wrapping up with an invitation to carry these musings into the night.

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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨‍💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT

1
00:00:09.320 --> 00:00:14.679
Ah, good to see this. I was just distracting myself

2
00:00:14.759 --> 00:00:19.719
with the news of the world. I do enjoy a

3
00:00:19.760 --> 00:00:23.160
good newspaper here and there. It's nice to keep up

4
00:00:23.199 --> 00:00:27.879
with all the life and of course the death of

5
00:00:27.960 --> 00:00:32.079
the world. Yes, what, my dear. Oh no, no, no, no,

6
00:00:32.240 --> 00:00:35.280
don't you worry about that at all. No, no, no,

7
00:00:35.359 --> 00:00:39.640
I'm just enjoying a little reading of the obituaries and

8
00:00:39.679 --> 00:00:44.119
of course the funny pages. And that reminds me of

9
00:00:44.200 --> 00:00:47.079
a story I heard on the radio waves some time

10
00:00:47.119 --> 00:00:51.399
ago that I think you'd enjoy. Please please sit close

11
00:00:51.479 --> 00:00:54.159
to the fire. You need the warmth more than I do.

12
00:00:55.359 --> 00:00:59.439
This one is called ghost on the news, real negative.

13
00:01:00.079 --> 00:01:03.840
Probably too young to remember when newsreels were on microfeach

14
00:01:06.319 --> 00:01:13.040
those Where are the days? Oh, sit back and let's less.

15
00:01:13.120 --> 00:01:27.879
Let's lights out, everybody.

16
00:01:29.040 --> 00:01:35.560
This is the witching hour, the hour when dogs howl

17
00:01:36.439 --> 00:01:39.840
and evil is let loose on the sleeping world.

18
00:01:44.200 --> 00:01:49.040
Sit in the dark house and listen to nights out.

19
00:02:09.000 --> 00:02:10.479
Well where they supposed to be on running?

20
00:02:10.800 --> 00:02:11.919
I don't I know where we are?

21
00:02:12.120 --> 00:02:13.879
Well the driver here, I'm the driver.

22
00:02:14.280 --> 00:02:16.000
Only you're supposed to tell me where you wanna go,

23
00:02:16.080 --> 00:02:17.159
You know, I told you?

24
00:02:17.360 --> 00:02:18.400
Yeah, you know what you said.

25
00:02:18.800 --> 00:02:20.639
You said, we're going to a farm out on round

26
00:02:20.680 --> 00:02:23.879
three thirty, about halfway between Dundee and Algunquin.

27
00:02:24.159 --> 00:02:25.479
I renother yeah, uh huh.

28
00:02:25.479 --> 00:02:27.479
And I'm supposed to be a mind reader. Sure, I

29
00:02:27.879 --> 00:02:28.800
well I would be if.

30
00:02:28.719 --> 00:02:29.639
You had a mind to read.

31
00:02:30.400 --> 00:02:34.120
Nuts, miss m and nuts to you, mister Bynet.

32
00:02:38.319 --> 00:02:39.319
Don't worry about there.

33
00:02:39.840 --> 00:02:40.400
How do I know?

34
00:02:41.159 --> 00:02:44.240
Oh? I should have known that. Well, you're a wife,

35
00:02:44.840 --> 00:02:47.280
you're a great cameraman, you know everything.

36
00:02:47.360 --> 00:02:52.800
Oh shit, Well, look we're about halfway between Dundee and Algonquin.

37
00:02:52.840 --> 00:02:56.000
Now the sign of Dundee said five miles to Algonquin,

38
00:02:56.360 --> 00:02:59.280
and the speedometer said nine three three three one.

39
00:03:00.080 --> 00:03:03.360
It says ninety three three three three.

40
00:03:03.479 --> 00:03:07.840
Now, fruty, you can read well listen, half of five

41
00:03:07.960 --> 00:03:08.680
is two and a half.

42
00:03:09.919 --> 00:03:10.520
Yeah, that's right.

43
00:03:11.039 --> 00:03:14.199
And ninety three thousand, three hundred and thirty one to

44
00:03:14.520 --> 00:03:18.199
ninety three thousand, three hundred and thirty three it's two miles.

45
00:03:18.319 --> 00:03:20.800
Uh yeah.

46
00:03:20.919 --> 00:03:25.159
Therefore, mister Barnett, therefore, I'll bet you that that place

47
00:03:25.319 --> 00:03:28.280
right up there is the place where we're going.

48
00:03:28.360 --> 00:03:29.080
Huh what place?

49
00:03:29.680 --> 00:03:29.919
Oh?

50
00:03:30.039 --> 00:03:30.960
Yeah, yeah, I guess it is.

51
00:03:31.520 --> 00:03:34.560
Now we've got that settled. What are we gonna do

52
00:03:34.639 --> 00:03:36.919
when we get there, I am going to make.

53
00:03:36.840 --> 00:03:39.840
A story and you're gonna catch the noise on it.

54
00:03:41.479 --> 00:03:45.759
You killed you Martin? All right now? Huh No?

55
00:03:46.759 --> 00:03:48.400
I mean what kind of story?

56
00:03:49.599 --> 00:03:50.240
Ghosts?

57
00:03:51.000 --> 00:03:53.400
Ghosts or ghosts?

58
00:03:54.159 --> 00:03:59.879
I know that story? Ghosts? Fee? Do you believe in ghostly?

59
00:04:00.680 --> 00:04:01.120
Well?

60
00:04:02.560 --> 00:04:05.159
I ain't ever seen one. But don't let that worry in.

61
00:04:05.479 --> 00:04:07.280
You're gunn she says you.

62
00:04:07.680 --> 00:04:09.039
I go on driving that group there?

63
00:04:09.840 --> 00:04:10.439
Saw that one?

64
00:04:10.560 --> 00:04:10.879
Dummy?

65
00:04:11.080 --> 00:04:11.719
I got it?

66
00:04:13.599 --> 00:04:14.680
Where's these ghosts?

67
00:04:15.479 --> 00:04:16.720
Thought you ever read the papers?

68
00:04:17.079 --> 00:04:18.839
I don't get enough money to buy papers.

69
00:04:19.959 --> 00:04:21.279
What's it about this?

70
00:04:21.399 --> 00:04:21.560
Hit?

71
00:04:21.800 --> 00:04:21.959
Hey?

72
00:04:21.959 --> 00:04:24.160
Stop right thereingy, This here.

73
00:04:24.000 --> 00:04:24.759
Is the ghost fun?

74
00:04:25.160 --> 00:04:25.639
Yeah?

75
00:04:25.839 --> 00:04:26.120
So what.

76
00:04:27.639 --> 00:04:30.480
So we come to make pictures of the ghosts?

77
00:04:31.199 --> 00:04:31.360
Uh?

78
00:04:31.439 --> 00:04:33.120
Set up a bone here?

79
00:04:33.240 --> 00:04:34.399
I guess where you get?

80
00:04:34.439 --> 00:04:36.279
The old house and a bond.

81
00:04:36.000 --> 00:04:36.600
And a picture?

82
00:04:36.720 --> 00:04:37.160
Ruh.

83
00:04:37.319 --> 00:04:38.199
I I'll go see if I.

84
00:04:38.160 --> 00:04:39.360
Can find anybody there.

85
00:04:39.399 --> 00:04:40.720
Don't seem to be anybody around.

86
00:04:41.000 --> 00:04:44.800
Must be somebody I'll go see.

87
00:04:45.240 --> 00:04:46.399
Don't get fit by a ghost.

88
00:04:47.199 --> 00:04:47.879
I loved.

89
00:04:50.240 --> 00:04:52.160
Hero. Let's make it as snappy as we can. Huh

90
00:04:52.160 --> 00:04:54.360
So we can get back to tome Hm, what's the matter?

91
00:04:54.439 --> 00:04:54.680
Goes?

92
00:04:54.720 --> 00:04:56.839
Get me a poun o?

93
00:04:57.079 --> 00:04:57.399
Kidding?

94
00:04:58.160 --> 00:05:01.560
Do you ever see such a deserted looking dumph.

95
00:05:02.120 --> 00:05:02.720
I wouldn't be.

96
00:05:02.680 --> 00:05:04.720
Surprised if a ghost turns right off part of the

97
00:05:04.800 --> 00:05:07.079
ground where you fellas walk here?

98
00:05:07.120 --> 00:05:16.040
Uh uh yeah, where'd you come from?

99
00:05:16.199 --> 00:05:18.399
I was walking around on the other side of the

100
00:05:18.439 --> 00:05:21.480
wagon where she walked here?

101
00:05:22.480 --> 00:05:23.920
Uh I uh?

102
00:05:24.279 --> 00:05:26.399
I am Martin born at a Tigon news.

103
00:05:26.319 --> 00:05:28.360
Uh this is uh.

104
00:05:28.560 --> 00:05:29.600
Whit my noise patcher?

105
00:05:30.199 --> 00:05:31.120
Uh?

106
00:05:31.120 --> 00:05:33.800
Well, but you walk well?

107
00:05:35.079 --> 00:05:38.079
Is this the uh ghost farm?

108
00:05:38.360 --> 00:05:38.480
Uh?

109
00:05:40.600 --> 00:05:44.160
Ghost five? Where'd she get that idea? Well?

110
00:05:44.759 --> 00:05:45.279
Papers?

111
00:05:45.839 --> 00:05:50.800
Oh yeah, all them silly stories and the papers.

112
00:05:51.639 --> 00:05:57.160
H yeah, I guess this is the place you're looking for.

113
00:05:58.720 --> 00:06:02.160
But you walked well? We uh wanna make some news

114
00:06:02.160 --> 00:06:06.360
reel pictures, you know, movies. I always working for mister

115
00:06:06.439 --> 00:06:07.959
Tracy's crazy.

116
00:06:08.480 --> 00:06:08.680
Yeah.

117
00:06:08.920 --> 00:06:13.199
Try own a place. Oh he here.

118
00:06:14.680 --> 00:06:15.040
He yeah.

119
00:06:16.079 --> 00:06:22.879
Hey no, well, uh maybe this guy, uh gentleman can

120
00:06:22.920 --> 00:06:23.839
tell us smart.

121
00:06:23.800 --> 00:06:28.319
Uh I way yeah, let's say, uh about this ghost business?

122
00:06:28.600 --> 00:06:30.000
Is it a real ghost mister?

123
00:06:30.360 --> 00:06:31.399
Is it a real ghosting?

124
00:06:32.079 --> 00:06:35.160
Do you know anything about it? Do I know anything

125
00:06:35.240 --> 00:06:58.360
about her? I make ghost store like gosh, she scared

126
00:06:58.360 --> 00:06:59.800
me out of six years ago cause he said he

127
00:06:59.920 --> 00:07:03.240
was the ghost man me. I swallowed my chewing tobacco.

128
00:07:03.560 --> 00:07:05.680
It's all gone, old fool. He's got my dirtiest laugh

129
00:07:05.759 --> 00:07:07.000
I ever heard in all my life.

130
00:07:07.160 --> 00:07:10.439
Hey, I wish you'd come back to get to the

131
00:07:10.639 --> 00:07:12.560
story made and get back to count before I get

132
00:07:12.600 --> 00:07:12.879
the dark.

133
00:07:13.120 --> 00:07:14.759
You're better if they're gonna get out a special on

134
00:07:14.879 --> 00:07:15.240
it tonight.

135
00:07:15.519 --> 00:07:15.720
Yeah.

136
00:07:16.040 --> 00:07:18.040
I don't know why I read don't think of East

137
00:07:18.079 --> 00:07:20.759
things soon get these brave stars all of a sudden

138
00:07:20.759 --> 00:07:23.079
you never wanted to get stuff out very finish a

139
00:07:23.160 --> 00:07:26.279
cargo about three o'clock yesterday, after Norman and.

140
00:07:26.519 --> 00:07:28.439
The Great Finette has to go out and shoot him.

141
00:07:29.040 --> 00:07:30.720
So shut up and wind up your kodak.

142
00:07:31.279 --> 00:07:34.839
Oh guys, h oh, it comes old schoolly again. It's

143
00:07:34.839 --> 00:07:38.680
about Hey, yeah, what what exposure would you give out here?

144
00:07:39.079 --> 00:07:39.319
Hmm?

145
00:07:39.720 --> 00:07:44.680
About four or five? I think, uh, it's getting kind

146
00:07:44.720 --> 00:07:47.360
of dark. I think five six are doing You're the

147
00:07:47.439 --> 00:07:47.959
camera man.

148
00:07:48.399 --> 00:07:50.920
If you don't get your shots, it's you red'll murder.

149
00:07:52.279 --> 00:07:56.199
Maybe better be four five? Well, are you ready to

150
00:07:56.319 --> 00:07:57.879
make your movie pitches now?

151
00:07:58.439 --> 00:07:58.600
Yeah?

152
00:07:58.720 --> 00:08:02.680
Yeah, if you are, but you arek me do well first.

153
00:08:02.720 --> 00:08:04.519
I wanna shout at the house in a barn.

154
00:08:04.800 --> 00:08:07.040
Say you better go back and come walking out of

155
00:08:07.079 --> 00:08:07.519
the house and.

156
00:08:07.519 --> 00:08:09.279
I'll pan after you while you walk to the barn.

157
00:08:09.800 --> 00:08:12.519
Then you can come over here and make an interview. Hey,

158
00:08:12.600 --> 00:08:13.279
uh wait, you can.

159
00:08:13.199 --> 00:08:13.600
Talk to him.

160
00:08:13.600 --> 00:08:16.439
I suppose so I don't get paid for it though.

161
00:08:16.600 --> 00:08:20.439
Alright, let's go ahead and mistake. Hey, just walk gather

162
00:08:20.560 --> 00:08:23.279
of the house to the bar and yeah, that's right.

163
00:08:23.480 --> 00:08:31.480
I'll holler for you to come out. Yeah, it's all rights.

164
00:08:31.560 --> 00:08:34.399
That's lasting business enough to scare anybody. Pick no wonder

165
00:08:34.399 --> 00:08:36.759
if people think he's a ghost. He's not even a footcase.

166
00:08:37.000 --> 00:08:39.240
So what so await and we get out of a

167
00:08:39.279 --> 00:08:43.399
news reel business. He's waiting for you a hot shot.

168
00:08:43.639 --> 00:08:46.159
Oh ye. Also, I've been all set for an hour.

169
00:08:46.360 --> 00:08:47.080
Oh alright, all.

170
00:08:47.000 --> 00:08:47.600
Right, here we go.

171
00:08:48.879 --> 00:08:49.840
Alright, had messed up?

172
00:08:54.480 --> 00:08:59.320
Okay, okay, all right, come on back, mister done. If

173
00:08:59.360 --> 00:09:02.559
you don't look like a ghost? Who place looks ghostly

174
00:09:02.639 --> 00:09:05.600
enough for me? Probably grabbing when we get back.

175
00:09:05.480 --> 00:09:06.480
To time, me too?

176
00:09:07.559 --> 00:09:08.200
Did you get it?

177
00:09:09.879 --> 00:09:10.919
You get my picture?

178
00:09:11.320 --> 00:09:11.559
Sure?

179
00:09:11.679 --> 00:09:15.320
We never missed much? What do you want me to do?

180
00:09:15.559 --> 00:09:15.720
Now?

181
00:09:16.559 --> 00:09:16.759
Well?

182
00:09:16.919 --> 00:09:18.519
Look like you stand man?

183
00:09:18.799 --> 00:09:20.279
No, no, no, no, it's there, that's it.

184
00:09:20.879 --> 00:09:22.759
Uh listen, and when I start the camera, you just

185
00:09:22.879 --> 00:09:25.360
telling your own words. How you do this ghost? Doesn't wee?

186
00:09:26.159 --> 00:09:27.240
You want me to talk?

187
00:09:27.639 --> 00:09:28.080
Yeah, that's it.

188
00:09:28.639 --> 00:09:31.440
Uh set the microphone over the closer with yes, mister Binder.

189
00:09:31.559 --> 00:09:32.039
Uh put it on a.

190
00:09:32.039 --> 00:09:32.480
Running for it.

191
00:09:32.639 --> 00:09:36.919
Yes, mister, you just want me to talk. Care that's it.

192
00:09:38.039 --> 00:09:41.919
I just tell uh I'm the ghost, what they do

193
00:09:42.279 --> 00:09:43.559
and everything? Yeah?

194
00:09:44.080 --> 00:09:46.360
Yeah, yeah. And then in a minute or two, mister

195
00:09:46.360 --> 00:09:48.759
Whittle step up alongside you gonna ask you some questions.

196
00:09:48.799 --> 00:09:49.879
All you gotta do is answer you.

197
00:09:49.960 --> 00:09:54.799
See you say what what they just say? Uh? What's

198
00:09:54.919 --> 00:09:57.919
my dad? All motions you with when you're to step in?

199
00:09:58.759 --> 00:09:58.879
Uh?

200
00:09:59.279 --> 00:10:01.440
What li, sir? I don't even think I'm something to say.

201
00:10:01.440 --> 00:10:03.399
You're a smart sound Expert's nuch.

202
00:10:03.759 --> 00:10:04.799
I ain't getting paid for that.

203
00:10:05.120 --> 00:10:07.919
You those your talk, Yes, mister Boner, Yes, mister Barde

204
00:10:08.039 --> 00:10:08.440
got up.

205
00:10:09.600 --> 00:10:10.799
Yeah, yes, mister Bannat.

206
00:10:11.039 --> 00:10:16.600
Uh you're ready, Uh mister yeah, mister yeah, yeah, I'm ready.

207
00:10:17.440 --> 00:10:17.519
Now.

208
00:10:17.639 --> 00:10:21.120
Well okay, uh do that there, dirty laugh of yours?

209
00:10:21.879 --> 00:10:25.360
Go ahead? Nah? No, yeah, n I'm running.

210
00:10:27.399 --> 00:10:34.799
I Yes, yeah, I'm the gross.

211
00:10:36.399 --> 00:10:41.519
I'm the ghost the haunts this hair pace. You want

212
00:10:41.559 --> 00:10:46.639
to know how I do it? Well, see at nine,

213
00:10:46.840 --> 00:10:48.720
I go around and.

214
00:10:48.879 --> 00:10:50.240
Look into windhrse.

215
00:10:51.519 --> 00:10:55.200
When people see me staring in with my eyes all

216
00:10:55.480 --> 00:11:04.679
wide like this and they see they they scream and shiver.

217
00:11:06.039 --> 00:11:14.080
Like the passer. Yes, sir, I'm a ghost, A dull

218
00:11:14.639 --> 00:11:16.679
gum good ghost.

219
00:11:17.200 --> 00:11:22.440
If you last glee glad winter?

220
00:11:24.320 --> 00:11:27.000
And uh, how long have you been haunting this farm?

221
00:11:27.080 --> 00:11:27.679
Mister ghost?

222
00:11:28.320 --> 00:11:31.159
Ha lay years?

223
00:11:31.320 --> 00:11:36.919
And you'd think i'd been a horseman. Yes, sir, is

224
00:11:37.000 --> 00:11:37.399
that's all.

225
00:11:37.960 --> 00:11:40.679
Well. Uh do you suppose you could give us a

226
00:11:40.759 --> 00:11:43.440
sample of your uh very ghostly at lap?

227
00:11:43.960 --> 00:11:45.720
I sure, keep.

228
00:11:53.879 --> 00:11:56.399
You like that, that's fine.

229
00:11:56.960 --> 00:11:57.080
Uh?

230
00:11:57.240 --> 00:11:59.679
And uh do you believe in ghosts?

231
00:11:59.759 --> 00:12:00.279
Your up?

232
00:12:00.799 --> 00:12:14.799
Away away? I am a gross okay, oh okay, that's

233
00:12:14.840 --> 00:12:21.120
an if. My gosh, mister, what's the man? I scare?

234
00:12:23.720 --> 00:12:26.279
I don't scare you see you're going huh what's that

235
00:12:26.399 --> 00:12:26.759
behind you?

236
00:12:28.919 --> 00:12:30.200
I'm talking on your winter?

237
00:12:32.080 --> 00:12:33.360
What's left behind you?

238
00:12:33.879 --> 00:12:34.080
Huh?

239
00:12:40.440 --> 00:12:44.360
I'm sorry, don't, I won't and don't do any more.

240
00:12:44.399 --> 00:12:45.399
That's laughing again, mister.

241
00:12:48.360 --> 00:12:49.440
What's that?

242
00:12:49.840 --> 00:12:50.039
Yah?

243
00:12:52.240 --> 00:12:59.399
That's my sister. He helps the halts the place. Have

244
00:12:59.519 --> 00:12:59.960
you got a s.

245
00:13:01.840 --> 00:13:06.960
She's in the house there, she's bed ridden. No, she

246
00:13:07.039 --> 00:13:10.879
ain't been out of bed for twenty ninety years. She

247
00:13:11.799 --> 00:13:15.080
share Oh, she screamed.

248
00:13:15.320 --> 00:13:17.080
Right, Well enough, don't she.

249
00:13:18.600 --> 00:13:18.639
She?

250
00:13:19.279 --> 00:13:19.960
She sure does?

251
00:13:20.639 --> 00:13:24.159
He martn't huh huh, listen, that would make a swell

252
00:13:24.200 --> 00:13:27.080
shot too, these the old cow and him and that

253
00:13:27.200 --> 00:13:28.200
old rattle trap house.

254
00:13:28.279 --> 00:13:30.039
Yeah yeah, yeah, only how we gonna do it?

255
00:13:30.120 --> 00:13:32.200
Well, I'll put some furtifuds and reflect her and run

256
00:13:32.279 --> 00:13:32.879
him off the battery.

257
00:13:33.000 --> 00:13:33.159
Huh.

258
00:13:33.399 --> 00:13:35.919
Well, yeah, you wanna.

259
00:13:35.720 --> 00:13:37.159
Take some pictures of my sister?

260
00:13:37.679 --> 00:13:41.720
Uh yeah, huh?

261
00:13:42.200 --> 00:13:42.480
What what?

262
00:13:43.879 --> 00:13:44.399
Go ahead?

263
00:13:44.519 --> 00:13:45.559
What sure?

264
00:13:45.639 --> 00:13:49.559
This ought to be a swell sure? Go ahead?

265
00:13:50.200 --> 00:13:53.879
Huh oh h wait till I get the lampshir, Yeah.

266
00:13:54.879 --> 00:13:59.200
She'll be tickled my sister. Well, she had her picture

267
00:13:59.320 --> 00:14:04.559
to stitch you little girl? Yeah, oh gosh, what a

268
00:14:04.679 --> 00:14:06.240
Fred doesn't like this story?

269
00:14:06.360 --> 00:14:06.519
Over?

270
00:14:07.399 --> 00:14:07.519
Uh?

271
00:14:07.840 --> 00:14:10.480
Go ahead, shouchail, I take the sun on this tree.

272
00:14:10.639 --> 00:14:11.399
You might as well?

273
00:14:12.240 --> 00:14:13.360
Ye got along enough line?

274
00:14:13.519 --> 00:14:15.600
Yeah, yeah, you go ahead with the camera.

275
00:14:16.559 --> 00:14:18.600
Step right this way, mister.

276
00:14:21.240 --> 00:14:24.919
H Martin. Suppose the old galsis none of you see this?

277
00:14:25.120 --> 00:14:25.559
Oh am?

278
00:14:25.600 --> 00:14:26.759
I gonna be glad to get out of this.

279
00:14:27.240 --> 00:14:27.840
Yeah, me too.

280
00:14:30.559 --> 00:14:40.919
Careful of the back porch. The board had a rocket, Ellie,

281
00:14:42.600 --> 00:14:46.279
I brung a couple of young fellas. Wants to take

282
00:14:46.360 --> 00:14:47.000
your picture?

283
00:14:47.679 --> 00:14:48.440
That fine?

284
00:14:48.759 --> 00:14:52.799
Stanley, I'll hold the door open and go ahead.

285
00:14:53.399 --> 00:14:59.519
Ear feather had of dark. We got no electric lights?

286
00:15:01.879 --> 00:15:07.080
Which right off in here carefully, you don't fuck yourself?

287
00:15:07.320 --> 00:15:09.840
Yes, where are you with? I'm coming.

288
00:15:11.679 --> 00:15:12.480
The light straw?

289
00:15:12.759 --> 00:15:13.960
Got a darn thing.

290
00:15:15.200 --> 00:15:17.639
Hurry up with them photoplots with I'll be right there.

291
00:15:18.120 --> 00:15:21.120
You bring your own lights, mister, yes, ma'am.

292
00:15:21.480 --> 00:15:22.720
I hope they won't blind you.

293
00:15:22.799 --> 00:15:26.559
That's pretty bright? Shall I set them up here?

294
00:15:26.679 --> 00:15:27.720
Get off my foot?

295
00:15:28.519 --> 00:15:28.879
Your foot?

296
00:15:29.039 --> 00:15:29.840
What do you think it was?

297
00:15:30.360 --> 00:15:31.320
I thought it was a suitcase.

298
00:15:31.559 --> 00:15:34.320
You will be careful now, Stanley, you tell them to

299
00:15:34.399 --> 00:15:35.039
be careful.

300
00:15:35.399 --> 00:15:36.840
I don't want you to set fires.

301
00:15:37.000 --> 00:15:40.120
Enough, they'll be careful. Ellie.

302
00:15:41.039 --> 00:15:43.960
It's just the darkest place I've ever been in my life.

303
00:15:44.360 --> 00:15:48.159
Think I like, where's your lights? Don't step fires? And

304
00:15:49.120 --> 00:15:52.279
we won't just a minute now, can I have my picture?

305
00:15:56.440 --> 00:15:57.799
You can talk class.

306
00:15:57.879 --> 00:15:59.120
They're making the picture.

307
00:15:59.200 --> 00:15:59.519
Ellie.

308
00:16:00.120 --> 00:16:02.039
Gonna make a move and take care of me.

309
00:16:02.879 --> 00:16:10.679
Already, Martin, already turn your whites on? Alright, anybody there?

310
00:16:11.120 --> 00:16:16.480
Oh my, it's beet patient may right?

311
00:16:19.919 --> 00:16:21.440
M sure.

312
00:16:23.759 --> 00:16:25.600
The boy m I've heard her?

313
00:16:26.120 --> 00:16:29.480
You boys worry now, I'm right?

314
00:16:29.919 --> 00:16:33.440
Maybe just to be the ride all he never was

315
00:16:33.559 --> 00:16:36.759
one to shine out very strong, smart.

316
00:16:37.960 --> 00:16:38.679
What are we doing now?

317
00:16:38.840 --> 00:16:39.679
Tell you what I wanted?

318
00:16:40.080 --> 00:16:42.919
Aren't making your picture? That's what you come in here?

319
00:16:43.519 --> 00:16:47.440
Anything that's your watch really of course.

320
00:16:47.679 --> 00:16:51.120
But there's there's nobody, there's.

321
00:16:50.360 --> 00:16:54.159
Very If you don't believe me, uh give her he's covered.

322
00:16:55.039 --> 00:16:57.919
Martn't what those cops space say, says Mo.

323
00:16:58.480 --> 00:17:02.360
Yeah that course, yeah, young man, maybe that don't con y?

324
00:17:03.279 --> 00:17:04.680
Well, what's the genomerally?

325
00:17:05.319 --> 00:17:05.519
Yeah?

326
00:17:05.720 --> 00:17:09.640
Kay, Jammy you might yeah alright, oh.

327
00:17:09.640 --> 00:17:14.000
Yeah, I mean look real pretty look for stuff like

328
00:17:14.119 --> 00:17:19.519
you can sure an mad I believe a patient wanted

329
00:17:19.519 --> 00:17:23.880
to get mean, Yeah, this tatus about stay well.

330
00:17:24.759 --> 00:17:26.640
Think you I don't stand it?

331
00:17:28.039 --> 00:17:31.000
She h just just plain as the nose on your face.

332
00:17:32.440 --> 00:17:35.119
Yeah, plainer in yours though.

333
00:17:36.200 --> 00:17:40.200
Well, but I think you used to live the t

334
00:17:42.359 --> 00:17:46.319
if you the light is a boyded you, he said,

335
00:17:46.759 --> 00:17:51.240
story tat h h No, no, no, no, don't you

336
00:17:52.200 --> 00:17:54.519
uh what you get funny to make me to do

337
00:17:54.759 --> 00:17:55.799
like pun h'em over for six?

338
00:17:56.640 --> 00:17:58.839
But how can I ask questions for someone that doesn't

339
00:17:58.880 --> 00:17:59.319
even there?

340
00:17:59.559 --> 00:17:59.759
Im?

341
00:18:00.039 --> 00:18:01.160
You know you're a young man.

342
00:18:01.440 --> 00:18:03.519
You live a mind which third fife?

343
00:18:05.640 --> 00:18:05.920
Okay?

344
00:18:06.720 --> 00:18:06.960
Boy?

345
00:18:09.559 --> 00:18:18.480
Uh hello, no? Uh would would your name, telling of

346
00:18:18.599 --> 00:18:24.039
your name, I'm sure I would, but uh, well, can

347
00:18:24.359 --> 00:18:26.119
can you tell me just U? How do you go

348
00:18:26.200 --> 00:18:27.559
about this all the business?

349
00:18:27.839 --> 00:18:30.599
No, I don't mind, well, I I.

350
00:18:30.720 --> 00:18:33.039
Mean, uh uh, how do you do it?

351
00:18:33.920 --> 00:18:34.119
Well?

352
00:18:34.640 --> 00:18:34.920
First?

353
00:18:35.119 --> 00:18:37.079
The start off by being invisible?

354
00:18:37.480 --> 00:18:39.240
H you mean like you wanna know me?

355
00:18:39.759 --> 00:18:40.880
They ain't surely had all?

356
00:18:41.160 --> 00:18:44.200
Uh huh No, no, you ain't showing you yes like that?

357
00:18:44.400 --> 00:18:48.000
Then, and there are little things some one I wanna share.

358
00:18:49.079 --> 00:18:51.440
I'll just lift myself syable.

359
00:18:51.319 --> 00:18:51.640
Like this.

360
00:18:54.000 --> 00:18:55.519
And why free like this?

361
00:18:56.200 --> 00:19:17.119
F hey, can't we go in the past it he got.

362
00:19:17.160 --> 00:19:20.119
I couldn't scare myself now thought use that words?

363
00:19:20.559 --> 00:19:21.079
Ah, I.

364
00:19:23.559 --> 00:19:24.319
S'll be back in town.

365
00:19:24.400 --> 00:19:24.519
Huh.

366
00:19:25.680 --> 00:19:27.240
I never thought that they would come, and I'd be

367
00:19:27.279 --> 00:19:28.839
glad to see walk back every day.

368
00:19:29.599 --> 00:19:30.440
What did you think?

369
00:19:30.680 --> 00:19:32.279
I don't know. She screams that I.

370
00:19:32.319 --> 00:19:35.200
Swam up, but I started running fine things.

371
00:19:36.160 --> 00:19:36.759
So what did you do?

372
00:19:37.000 --> 00:19:38.920
I just grabbed the camera, started funing.

373
00:19:39.440 --> 00:19:41.680
Thought was better. Hush, That's why we picked up the camera.

374
00:19:42.960 --> 00:19:44.240
I wouldn't tell me you.

375
00:19:44.440 --> 00:19:47.200
Coulda send me out on another assignment, my kishop, I'll

376
00:19:47.480 --> 00:19:49.920
not quick. And if we don't get a bonus for

377
00:19:50.039 --> 00:19:52.839
this super film out, I'll quit too.

378
00:20:01.119 --> 00:20:10.720
Ye.

379
00:20:07.519 --> 00:20:08.200
Wait for film.

380
00:20:08.680 --> 00:20:09.119
They're red.

381
00:20:10.039 --> 00:20:12.920
They're how cappen from a super nan snappy okay man,

382
00:20:13.640 --> 00:20:15.960
sakay go bout sometime go that.

383
00:20:16.000 --> 00:20:17.640
Way kind uh pick us?

384
00:20:17.720 --> 00:20:18.240
Yeah, I think so?

385
00:20:18.759 --> 00:20:20.960
Yeah, think sol what's double?

386
00:20:21.039 --> 00:20:21.359
And I don't?

387
00:20:21.519 --> 00:20:22.359
I think it is red?

388
00:20:22.480 --> 00:20:25.759
Red? We got a great what's some matter with you too?

389
00:20:25.759 --> 00:20:26.799
A little bit? Yeah?

390
00:20:27.599 --> 00:20:29.200
Do you tell about h or?

391
00:20:29.960 --> 00:20:33.119
Uh? We tell about then you turn that up, pick cap,

392
00:20:33.599 --> 00:20:35.359
go around there. He don't get that film into the

393
00:20:35.440 --> 00:20:36.359
zuba and don't turn out.

394
00:20:36.319 --> 00:20:38.000
Know that life you know that super rights?

395
00:20:38.680 --> 00:20:43.119
Oh here the well speak up?

396
00:20:44.079 --> 00:20:45.000
What's the matter with you?

397
00:20:45.279 --> 00:20:46.160
Isn't the hippo story?

398
00:20:46.519 --> 00:20:46.640
Uh?

399
00:20:47.720 --> 00:20:49.680
I think we got to play you think so?

400
00:20:49.880 --> 00:20:50.799
H we we got it?

401
00:20:50.880 --> 00:20:51.079
Red?

402
00:20:51.200 --> 00:20:51.319
Uh?

403
00:20:51.480 --> 00:20:51.839
We got it?

404
00:20:52.440 --> 00:20:53.759
Uh we have a drink.

405
00:20:54.400 --> 00:20:56.759
There's no water cooler all red?

406
00:20:57.799 --> 00:20:59.240
Oh right, that's about with my.

407
00:20:59.319 --> 00:21:01.480
Guest that come on Wait a minute, wait a minute.

408
00:21:02.279 --> 00:21:03.160
What's that's all about?

409
00:21:03.240 --> 00:21:03.359
Him?

410
00:21:03.480 --> 00:21:08.319
Right that place? He's the w where wint back? Did

411
00:21:08.400 --> 00:21:09.160
you see a ghost?

412
00:21:09.200 --> 00:21:10.519
He bot hear something about?

413
00:21:11.000 --> 00:21:12.680
Cause he sure did? H.

414
00:21:12.759 --> 00:21:15.200
I should say so where that's just dump?

415
00:21:16.079 --> 00:21:16.480
So what.

416
00:21:18.039 --> 00:21:19.519
First th sucking on a bottle?

417
00:21:19.880 --> 00:21:20.680
If you are.

418
00:21:23.519 --> 00:21:25.799
What happened man? Well the first of red on, I'll

419
00:21:25.839 --> 00:21:27.519
tuget that old guy out there?

420
00:21:27.680 --> 00:21:29.079
What old guy out where?

421
00:21:29.400 --> 00:21:30.519
The old guy held?

422
00:21:30.559 --> 00:21:31.359
It's the ghost bud?

423
00:21:32.039 --> 00:21:32.759
Where about him?

424
00:21:33.000 --> 00:21:33.440
He did?

425
00:21:33.440 --> 00:21:37.200
He would tell about uh yeah yeah he he he.

426
00:21:37.400 --> 00:21:39.119
He's the scariest looking gun I ever seen it.

427
00:21:39.559 --> 00:21:41.000
He's an old cruy guy.

428
00:21:41.079 --> 00:21:43.559
He love yet an annoys.

429
00:21:43.240 --> 00:21:47.640
Catch and he's an enforcus never minded religioum go on,

430
00:21:47.920 --> 00:21:50.079
well he he's the go goes around a hundred foo

431
00:21:50.599 --> 00:21:52.160
and it looks just like a real coach.

432
00:21:52.200 --> 00:21:54.480
He's good, the biggest out of the way down one

433
00:21:54.559 --> 00:21:55.240
at a time.

434
00:21:56.559 --> 00:21:57.119
What did he do?

435
00:21:57.519 --> 00:21:58.319
Well, that's the honest thing.

436
00:21:58.359 --> 00:21:59.880
He thought was taking us at the house where he said,

437
00:22:00.079 --> 00:22:02.000
sister West, we could you're talking to him?

438
00:22:02.000 --> 00:22:02.319
Told him?

439
00:22:02.319 --> 00:22:04.160
And when I tell him the life he there was nobody.

440
00:22:04.279 --> 00:22:06.240
Yeah what I can thank bread?

441
00:22:06.319 --> 00:22:07.480
He run out of us or something?

442
00:22:07.680 --> 00:22:08.960
Have you been drinking again?

443
00:22:09.000 --> 00:22:12.279
When I told him writer, it was little tigre know

444
00:22:12.440 --> 00:22:16.319
them a you okay, wait right here you too?

445
00:22:18.079 --> 00:22:19.720
Now a par around?

446
00:22:21.039 --> 00:22:23.839
Oh the breast prop of here?

447
00:22:25.079 --> 00:22:26.200
Oh hold the baby?

448
00:22:27.039 --> 00:22:28.960
Why is that that?

449
00:22:30.319 --> 00:22:30.440
Oh?

450
00:22:30.480 --> 00:22:32.640
They did about here?

451
00:22:32.720 --> 00:22:32.839
Now?

452
00:22:32.960 --> 00:22:33.119
Yeah?

453
00:22:33.200 --> 00:22:34.880
Both sure way?

454
00:22:36.119 --> 00:22:37.759
Where did your birthday? You've been this hamping?

455
00:22:37.839 --> 00:22:39.359
Oh boy, I had the ghost farm, right, I had

456
00:22:39.400 --> 00:22:40.799
the ghost fark just sure about that?

457
00:22:41.599 --> 00:22:41.960
You're really?

458
00:22:42.359 --> 00:22:42.519
Yes?

459
00:22:42.759 --> 00:22:44.359
They say, never the all happened to know this?

460
00:22:44.480 --> 00:22:48.799
The razy a now was only racking about him and

461
00:22:48.799 --> 00:22:49.799
every time I'm gonna find.

462
00:22:49.680 --> 00:22:51.799
Out about you all the gay?

463
00:22:52.480 --> 00:22:56.920
Yeah, now you do at least? What's this all about?

464
00:22:57.279 --> 00:22:59.720
They're trying all rive on me. Oh it's not right there,

465
00:22:59.759 --> 00:23:00.559
But what's the minter?

466
00:23:00.640 --> 00:23:03.119
There a first trace the guy that owns a ghost bin,

467
00:23:03.640 --> 00:23:05.920
he says, the waiting since eleven o'clock for you do

468
00:23:06.079 --> 00:23:06.559
to show up?

469
00:23:07.079 --> 00:23:09.480
And uh, he's been a sign of a newsdrial man

470
00:23:09.519 --> 00:23:10.400
out there all day.

471
00:23:11.400 --> 00:23:12.880
So what's the answer to that one?

472
00:23:27.039 --> 00:23:29.079
But I tell you we were that shure we was there.

473
00:23:29.400 --> 00:23:31.079
We'll find out whether you were there or not in

474
00:23:31.160 --> 00:23:32.000
about two minutes.

475
00:23:32.799 --> 00:23:36.559
You first, just kind of a a how about that self?

476
00:23:36.680 --> 00:23:38.920
It's coming out of the drive right that I have

477
00:23:39.039 --> 00:23:39.920
getting ready for the breeze.

478
00:23:40.039 --> 00:23:41.920
Oh, bring my neckative in here first and run.

479
00:23:41.880 --> 00:23:44.160
Up though the movie own Oh sofore it could have

480
00:23:44.200 --> 00:23:44.880
been at the wrong.

481
00:23:44.759 --> 00:23:46.839
Place, right the old guy study was a coach?

482
00:23:47.039 --> 00:23:47.960
Say that sure?

483
00:23:48.000 --> 00:23:48.279
He said?

484
00:23:48.319 --> 00:23:51.720
He side your proofs the two Yeah, uh, we'll see

485
00:23:51.799 --> 00:23:53.720
why tell your writ you ain't tell him me, no.

486
00:23:54.880 --> 00:23:58.000
Chisten, you make us out of that interior forty s

487
00:23:58.559 --> 00:24:00.799
the interior where you say you're hurt the old lady

488
00:24:00.839 --> 00:24:01.839
and then she was gone.

489
00:24:02.119 --> 00:24:05.400
Oh that didn't gonna make a shout of that. Well yeah, yeah,

490
00:24:05.400 --> 00:24:06.480
we we started to shoot.

491
00:24:06.839 --> 00:24:08.400
We got about fifty feet when.

492
00:24:08.240 --> 00:24:11.000
All of us just go out screamed, Uh, let's gone.

493
00:24:11.480 --> 00:24:13.039
So we just play the equipment that square.

494
00:24:13.119 --> 00:24:13.640
We were scared.

495
00:24:13.720 --> 00:24:15.960
I think the Bolder plus are still there. I don't,

496
00:24:15.960 --> 00:24:17.400
friend of your sake, I hope they ain't.

497
00:24:17.559 --> 00:24:22.480
H uh uh no fa oh yeah, y I try

498
00:24:22.559 --> 00:24:23.119
playing in there.

499
00:24:23.319 --> 00:24:28.920
Oh yeah, yeah, get me there there, you birt. Let's

500
00:24:28.960 --> 00:24:31.839
see kind into the movie old and then they got

501
00:24:31.920 --> 00:24:35.599
out picture home case. But then if you wane, you

502
00:24:36.839 --> 00:24:39.240
better get your half sends couple down that wall.

503
00:24:39.319 --> 00:24:40.359
Just make a picture right out of there.

504
00:24:40.440 --> 00:24:41.440
Well we'll see in a minute.

505
00:24:41.519 --> 00:24:43.640
Well we did play it out, Yeah, yeah, we'll find

506
00:24:43.720 --> 00:24:45.880
out what's right that. Then you trying to talk me

507
00:24:45.920 --> 00:24:49.640
out of this gid b else shut up there, kay, Okay,

508
00:24:51.759 --> 00:24:52.519
Now I turn.

509
00:24:52.440 --> 00:24:58.000
Out for light, right on out uh light, Now we'll see.

510
00:24:59.079 --> 00:24:59.480
Uh h.

511
00:25:04.640 --> 00:25:06.079
Can't you're a skull out of the way till I

512
00:25:06.119 --> 00:25:06.680
can't stay with.

513
00:25:08.799 --> 00:25:10.880
Us a couple.

514
00:25:10.720 --> 00:25:12.039
Of old silts housing.

515
00:25:12.119 --> 00:25:14.079
But your guy help you there in a minute.

516
00:25:14.400 --> 00:25:15.519
Yeah, and I hope so.

517
00:25:18.160 --> 00:25:21.839
And ain some uh house of the five w Yeah,

518
00:25:22.200 --> 00:25:24.680
I don't say nothing yet, but wait.

519
00:25:26.759 --> 00:25:27.920
Yeah stay in now.

520
00:25:29.599 --> 00:25:30.119
Twice a year.

521
00:25:31.240 --> 00:25:35.319
But I don't know float background got a focus now

522
00:25:36.400 --> 00:25:37.240
out folks.

523
00:25:37.000 --> 00:25:39.519
So yeah, yeah, well, well I they.

524
00:25:40.880 --> 00:25:41.400
I don't know that.

525
00:25:41.519 --> 00:25:42.119
Uh uh huh.

526
00:25:42.160 --> 00:25:44.839
If you'll help you then a yeah, yes it is

527
00:25:45.920 --> 00:25:47.759
so before it happened, but I shut it off.

528
00:25:48.039 --> 00:25:50.799
Oh that's a new lugs you would think for one

529
00:25:50.880 --> 00:25:53.200
lolladay minute you can get away with that pun wash.

530
00:25:53.319 --> 00:25:55.640
Yeah yeah, you was were gonna pick.

531
00:25:55.559 --> 00:25:58.359
Together huh well your boat.

532
00:25:58.599 --> 00:26:01.119
Oh yeah yeah, don't get on a night fight to go.

533
00:26:01.400 --> 00:26:04.759
Wait on right, wait, what's the matter the sounds like red?

534
00:26:04.880 --> 00:26:05.519
Well what about it?

535
00:26:05.920 --> 00:26:09.960
There's something no that like let me see thee certain

536
00:26:10.000 --> 00:26:10.880
potions I can jump.

537
00:26:11.240 --> 00:26:12.680
We went quick, red, we win.

538
00:26:13.079 --> 00:26:22.559
You're pulling it alright, have the seeker turn on red

539
00:26:23.119 --> 00:26:25.519
y'a next year out I'll turn it out.

540
00:26:26.319 --> 00:26:28.079
So because that's up, But I look about the hood.

541
00:26:29.119 --> 00:26:31.480
Just trying to chase your sor.

542
00:26:34.720 --> 00:26:35.519
Don't sound yet.

543
00:26:36.359 --> 00:26:39.839
No, that's that's just the market said to follow this

544
00:26:39.920 --> 00:26:41.720
something the us to the barn not m now wait

545
00:26:41.759 --> 00:26:43.200
to look background, I'll try to focus.

546
00:26:43.440 --> 00:26:45.200
That'll be the second scene if you don't die, which

547
00:26:45.240 --> 00:26:54.279
go on wake yeah yeah a let go.

548
00:26:56.119 --> 00:27:01.119
Had it goose this heart this hear me? You ought

549
00:27:01.160 --> 00:27:04.160
to know right there? Oh well.

550
00:27:05.640 --> 00:27:10.119
At wi that girl out the look into the windows

551
00:27:11.359 --> 00:27:11.880
at when.

552
00:27:12.920 --> 00:27:15.079
Now what I wanna know is how your dumb night o?

553
00:27:15.240 --> 00:27:15.880
What got right?

554
00:27:15.880 --> 00:27:18.039
I don't know? Finally know that the post say a

555
00:27:18.200 --> 00:27:20.359
stout eighty feet away? Brother, that's what you said?

556
00:27:21.039 --> 00:27:22.119
Oh what did that?

557
00:27:22.519 --> 00:27:22.640
Right?

558
00:27:26.279 --> 00:27:27.319
Why? Well?

559
00:27:27.599 --> 00:27:28.960
Right open right.

560
00:27:33.759 --> 00:27:37.880
And they see it they scream the him.

561
00:27:39.319 --> 00:27:40.359
Like the pass out.

562
00:27:41.720 --> 00:27:47.279
Ye, and you wanna go the dog?

563
00:27:48.079 --> 00:27:49.519
Uh good.

564
00:27:51.559 --> 00:27:56.839
You have seen go aheadway.

565
00:27:58.039 --> 00:28:01.200
And uh how long have you been something that's farn

566
00:28:01.240 --> 00:28:06.759
as sirl witch huh four years?

567
00:28:07.039 --> 00:28:11.640
Then you think, guys, you know yes yeah if that

568
00:28:11.839 --> 00:28:14.559
till well, I do you suppose you could give as

569
00:28:14.559 --> 00:28:16.440
a table or your sabellies close.

570
00:28:16.200 --> 00:28:17.920
To your class y yeah?

571
00:28:18.240 --> 00:28:21.240
Yeah uh.

572
00:28:26.359 --> 00:28:26.599
Out?

573
00:28:26.799 --> 00:28:32.359
Uh so you get that side you believe it goes

574
00:28:32.440 --> 00:28:32.960
to yourself?

575
00:28:33.480 --> 00:28:33.839
You I.

576
00:28:36.720 --> 00:28:41.240
Right? Uh? Let h.

577
00:28:45.640 --> 00:28:46.200
Did you think that?

578
00:28:48.359 --> 00:28:51.240
I don't believe it? Back h.

579
00:28:53.240 --> 00:28:55.319
Y where the fart of the tree.

580
00:28:57.480 --> 00:28:59.039
Temper for real?

581
00:29:08.440 --> 00:29:08.839
But you.

582
00:29:23.359 --> 00:29:28.039
All right, you can turn the mind now, you're just

583
00:29:28.160 --> 00:29:31.240
hurt liked out how From a revival of the famous

584
00:29:31.279 --> 00:29:35.200
series The Night Story, The sixth in the series was called.

585
00:29:35.400 --> 00:29:37.559
The Thoughts on the Newsreel Next Week.

586
00:29:38.480 --> 00:29:41.000
The bos into that Way was played by Jess Who,

587
00:29:41.720 --> 00:29:44.880
and his asserm of his crowd was played by Harriet

588
00:29:45.000 --> 00:29:48.599
Allen Martin. The cameraman was played by Loukouzman, and his

589
00:29:48.839 --> 00:29:50.480
noise catch and assistant was married.

590
00:29:50.519 --> 00:29:53.079
Poor Brad was portrayed by Boris Hoplin.

591
00:29:55.240 --> 00:29:59.839
Well, I'll tell you that's made me very curious about

592
00:30:00.079 --> 00:30:04.720
so many things. And I'm glad you enjoyed it. I

593
00:30:04.799 --> 00:30:07.680
can tell because you haven't finished your tea, you must

594
00:30:07.720 --> 00:30:10.839
have been quite in frall very good. That's what this

595
00:30:11.000 --> 00:30:13.640
is all about, right, A little bit of little bit

596
00:30:13.720 --> 00:30:18.400
of escape. Of course, I don't know what you could

597
00:30:18.440 --> 00:30:21.880
possibly be running from. You have a wonderful home, you

598
00:30:22.000 --> 00:30:25.519
have a wonderful life. If there's no worry about any

599
00:30:25.599 --> 00:30:30.079
kind of struggle or tentacles or anything that would normally

600
00:30:30.160 --> 00:30:33.319
cause someone trouble. So all my best to you, my

601
00:30:33.480 --> 00:30:36.279
dear turnt out jealous I mean, perhaps I'm jealous in

602
00:30:36.319 --> 00:30:39.680
the most polite way possible. But anyway, I'm off running

603
00:30:39.720 --> 00:30:42.119
on my mouth again. It's time for you to go home.

604
00:30:42.880 --> 00:30:44.920
It's time to get in that cozy bed of yours.

605
00:30:45.799 --> 00:30:49.799
It's time for you to gnawd away, to sleep and remember,

606
00:30:50.799 --> 00:30:55.160
be thankful for what you have. I'll see You'll see

607
00:30:55.640 --> 00:30:56.279
tomorrow at.

608
00:30:56.200 --> 00:31:05.720
A calling in the call, and coming coming, come again.

609
00:31:06.039 --> 00:31:14.319
That's the wrong, bring down, bringing you wrong, bring you mumbling.

610
00:31:14.480 --> 00:31:16.960
I think of bregnant o