June 1, 2025
Unknown Broadcast | Alone with Death: Stories of Solitude and Fear
You hear it, don’t you? The silence. The absence. The breathing space between this world and the next. Tonight, I offer you four stories—not merely of fear… but of isolation, that most intimate form of terror. These are the whispers heard only when...
You hear it, don’t you?
The silence. The absence. The breathing space between this world and the next.
Tonight, I offer you four stories—not merely of fear… but of isolation, that most intimate form of terror. These are the whispers heard only when you are truly alone… when no one is listening… except them.
- In a Lonely PlaceAn empty building. A man on the run. But what he finds in the shadows isn’t refuge… it’s a watcher. A thing made of silence.
- Death Wears a Lonely SmileA nurse with a gift for comfort… and a patient with a secret pact. Death comes quietly—but sometimes, it smiles first.
- The Lonely RoadA midnight detour. A road not found on any map. A journey into the kind of night you don’t return from.
- I Won’t Die AloneA recluse lives in fear of dying without witness… but something is already waiting for him. Something that remembers.
For now.
You know where to find us.
Spotify. Apple Podcasts. Or wherever shadows speak.
And if you, too, have wandered down a road no one else remember... Reach out. I'm always listening.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Ah, good to see you. To be perfectly honest, I
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wasn't entirely sure you were coming. Oh nothing, nothing, nothing
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at all.
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You know.
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Everything's as it should be as far as I can tell.
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What's that? Oh no, no, please have seats. I've been
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thinking about what we should enjoy together all week. I
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have quite a list, it says pertinent as it is lengthy.
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So please put your feet up.
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Feet.
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The tea is almost done steeping. I suppose in the
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back of my mind I knew you were coming. But
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I suppose you could say that I'm finding myself in
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a Lonely Place.
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Suspense Radio's outstanding theater A Frails brings you an hour,
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a full sixty minutes of suspense, directed by Anton em
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Leader and produced by Robert Montgomery, who tonight also stars
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in a play entitled In a Lonely Place by Dorothy B.
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Hughes.
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This is Robert Montgomery. The other day a friend of
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mine repeated a familiar phrase. He indicated the travel folder
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on his desk and said, with a kind of triumph,
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I'm going to get away from at all. He's lucky,
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my friend is. He's going to change the scene. The
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whole scene new horizons, new vistas, new people or no
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people at all, new thoughts or no thoughts at all.
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He has a rendezvous with a cloudless sky and a
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peaceful stream and the easy whisper of the wind. Only
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time stands between him and a fresh beginning. Indeed, he
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has a lonely place where there is no loneliness. Yes,
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my friend's lucky. He can get away from it all
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with a simple change of scene, and he has no
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fear of being alone with his thoughts. It isn't like
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that with Dixon Steel. It isn't like that at all.
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And so with the performance of Robert Montgomery as Dixon Steel,
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and with our play in a Lonely Place by Dorothy B. Hughes,
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we again hope to keep you in suspends.
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I stood there at the foot of sunset, at the
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end of the city of Los Angeles, looking out through
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the evening fog at the Pacific. The swirling mists kept
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lifting themselves like gauzy veils, coming up to touch my face.
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There was something in it like flying, the sense of
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being lifted.
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High above the crawling earth, of being part of the
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wildness of air, and something more of being wrapped tight
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in a strange world of fog and cloud and wind.
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I had liked.
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Flying at night, but the war's ending had finished that.
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Since then it had left me that feeling of power
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and exhilaration and freedom that came from being alone in
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the sky. But here tonight, at the edge of this noisy,
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fog drenched ocean, I had it again. Then I turned away.
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I was already late for my appointment with Brub and
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his new wife. I walked past my coup, parked at
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the curb, and went up the path to the little
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white cottage. The lights from the living room windows made
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little concentric circles in the heavy fog. It would be
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good to see brother Brub again, you old son of
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a secret. What do you mean but not calling us
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before now letting me see you. It's the same boy, Brub.
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I haven't changed a bit, and either of you.
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I was sure I have for the better.
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And this is why, Sylvia, this is Dix Dixon Steel.
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Hello, Dix.
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We're old friends.
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Really, You've been Brubb's favorite topic of conversation as long
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as I've known.
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Oh, we flew together, Sylvia. Brub took care of me
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like a big brother.
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You needed some looking after Colonel Steele.
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Remember the night and save it for later, mister, and
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it's not colonel anymore. The Army made me a gentleman,
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gave me the only mark of distinction I've ever had,
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and then took it away from me. Say why didn't
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you tell me you were married to such a lovely girl?
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Thank you, Dan, tell you called me up five months ago,
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at last April the eighth, to be exact, told me
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you'd just get in and let me know as soon
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as you were located. That's the last I heard. You
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checked out of the Ambassador three days later, and you
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didn't leave a forwarding address.
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How could I tell you anything? Keeping tabs on me,
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bro oh, trying to find you, you crazy love, And
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here I am. It's like being home again.
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We'll brief me, boy, what have you been doing? And
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how's it going?
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Slow? Brob slow. I've got a little apartment in the
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car and the typewriter. That's about it.
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The typewriter is a new touch.
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Try to write a book like ninety percent of the
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other gis a detective novel. My rich uncle Fergus back
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east is taking me for a year to see what
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I can do. He calls it giving me a hand
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over the period of my readjustment.
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So that keeps me busy most of the time and
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the rest of the time. The rest of the time,
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I hardly know what to do with myself. You were
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a hot pilot in England, Dicks, just a kid at
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that sure, just gonna take a little time.
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Did anyone care for something to eat or drink cold beer?
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No, hiks, not at the moment. I'm too relaxed.
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We were a casual generation, Dix, and I put us
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in the middle of something that wasn't very casual.
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There's bound to be a reaction.
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Oh, Brub's always looking for the hidden motive power. That's
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because he's a policeman.
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A policeman or not a policeman now, Darling a detective.
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What happened to you?
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Bro Oh?
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My old buddies ask me why, and I can't help him.
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I don't know why. All I do know is it's
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rotten hard work.
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So the things men do, you with a badge and
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me with a typewriter, And that reminds me I ought
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to be getting back to it.
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Oh, but it's still what's the hurry?
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Dick Brubble wanted his rest Sylvia if he's going to
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dig around for the glory of the La Police Force.
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It is La, isn't it? And it is indeed, and.
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You do need some sleep, plenty of work in La.
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No funny. I'll be seeing you too.
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Good night, Dix.
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We'll expect you to come off.
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Hey, wait a minute, we don't have your number.
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My number.
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Sure we'll want to get in touch.
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Oh yeah, right, Crestview nine eight nine eight nine o
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eight nine eight.
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You'll be hearing from.
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Me, Dix.
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I'd be hearing from Brub, and why not, good old
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Brub with his tired eyes and rumpled hair. Grub had
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been my big brother, but he hadn't known everything there
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was to know. Some things a man keep secret. It's
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amusing to keep something secret. I wondered if they were
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surprised by my quick exit. But I had to get
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out of there. I couldn't stay. I had to figure
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things out. So Brub was a detective now, and he
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had my telephone number. It's something amusing about Brub being
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able to lay his hands on me whenever he wanted.
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Amusing and more than anything that had happened in a
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long time. The Hunter and the Hunted arm in arm,
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the hunt sweetened by danger. I was driving slowly, hugging
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the curb, and then I saw her, a girl, an
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unknown girl, standing alone on the corner of Camden Drive,
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waiting for a bus. And buses didn't run often out
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here at night. I pulled up a block ahead and
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got out, shutting the door so it made no sound,
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and then I walked back toward her. She heard me
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coming in the fox.
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She turned her.
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Face to me, smiling a little, glad to have someone
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to share the darkness and the silence with her. I
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walked up to her slowly, and I was smiling back. Yes, Hello, hello,
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Dick speaking. Oh was it Sylvia? How'd you know recognize
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your voice?
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I've been ringing and ringing.
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Oh, I guess I slept through it. I was up
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late last night working on the book.
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Can you break away long enough to have dinner with
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us tonight?
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Tonight? Oh? Of fine, fine? What time?
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Oh?
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Body almost forgot?
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Don't dress?
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We inform olymp Thanks you had me a little worried
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my dinner coach rank while I was away flying.
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They you gentlemen all together too well.
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All.
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Thanks for calling Sylvia. I had slept late. The day
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was almost gone. The apartment was already in shadows. The
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afternoon paper was on the lawn just outside my window.
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The paper. I threw on a robe and ducked out quickly,
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and I was back in the room, standing in the
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middle of the floor, holding it still folded in my hand,
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listening to the blood hammer in my head. I switched
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on the floor lamp and sank down into an easy chair.
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I lit a cigarette, and I took a deep drag,
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and I unfolded it, and that was all I had
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to do. It lay spread open in my lap. They'd
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found their biggest type for the headline, strangler strikes again.
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Hicks over here, Oh Sylvia, where's.
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Brav He called the last minute to say he'd be detained.
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It's like being married to a doctor.
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Drink meanwhile here he is now, Sorry to be late, darling. Hello,
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Dix brag you could join us.
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You look exhausted, bro all day.
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Haven't you seen the papers?
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No?
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I didn't get a chance.
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Why it's another.
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One, oh brod well, what's it all about?
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Another woman killed the same way.
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Did the commissioner call you in?
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Yeah, the whole department. We've been with him since five.
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We got to stop it, yes, darling. Oh was it
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someone important?
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No?
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No, it never is. Oh I forgot you were just
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a visit her Dix.
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You see.
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The only pattern we can find is in the time schedule.
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They come one a month regularly, must.
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Be star Rob. Would you like to order in a minute?
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Baby?
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I went on wine, have a high ball anyway, Malcolm, Yes,
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missus nikolay three Scotch and sodas Malcolm, Well, order later.
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Cut, ma'am.
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The first one was about four months ago, made to be.
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Exact, May sixteenth, the night before my birthday party.
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There was a girl down on skid Row. She was
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a nice enough kid, dancer in a cheap joint. We
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found her in an alley, strangled, no clues, and that
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was number one.
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Yeah.
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In June, number two we found her in Westlake Park.
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Wasn't any reason for it? A nice, normal girl, young
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and attractive. She'd been killed the same way and no clue.
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And then the others.
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Last night was the fourth, no mode of no connection
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between any of them, and never the same neighborhood. Last
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night Beverly Glen Canyon upward its country. She was lying
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in the brush at the side of the road. We're
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about five hundred car tracks superimposed on that particular stretch,
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so it wouldn't do any good to lift them. And
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but we've got one clue, a great one. We know
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the killer uses a car. How can you tell?
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Bruh?
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Well, her name was Mildred Atkinson, and she'd been playing
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bridge with three girl friends in Beverly. At eleven, she
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and another girl went out to the bus stop together.
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Friend caught a Wiltshire bus and left Mildred behind waiting
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for a Hollywood lit. So how did she get up
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to the canyon where we found her this morning? It's
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a long way. The answer is she went for a ride.
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Where's that drink?
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Just another minute, dawn.
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Los Angeles is too big, too sprawling. You can't patrol
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