March 8, 2026
Unknown Broadcast | Ghosts, Curses, and Deadly Secrets: Four Old-Time Radio Horror Stories
Unknown Broadcast returns, creeping once more through the cracks in the Weekly Spooky feed with four old-time radio horror stories carried in on grief, blood, confession, and candlelight. Tonight’s transmission wanders through classic OTR horror, ghost stories, gothic suspense, and vintage radio nightmares — the sort of tales that do not merely entertain, but wait. Patiently. Like something at the foot of the bed pretending not to breathe.
👻 The Ghost at the Gate
Here, a widow keeps faith with the dead a little too faithfully. She sets a place for memory, pours tea for longing, and opens the door just wide enough for sorrow to step back inside. But the dead are poor houseguests, and poorer rivals. They do so hate being replaced.
🩸 Blood of Cain
Then to New Orleans, where old sins have old roots, and family history is written less in ink than in stain. Some inherit fortunes. Others inherit grudges, curses, and the steady tread of vengeance climbing the stairs. Blood remembers. Blood always remembers.
📝 Statement of Employee Henry Wilson
Next comes a statement, neat and proper on its face, which is often how guilt prefers to dress. A man explains what happened, and with each careful word the air grows colder, the walls draw nearer, and the truth begins to show its teeth. Confession can be such a generous thing… especially when it delivers a soul gift-wrapped to the gallows.
🕯️ Jane Eyre
And at last, a governess arrives at a great dark house full of locked doors, guarded glances, and secrets with the good manners not to introduce themselves right away. Romance flickers in one corridor, dread breathes in another, and the whole place seems to listen when no one is speaking. Which, I think, is terribly rude in a home.
So settle in for a strange little procession of classic radio horror, supernatural suspense, gothic drama, and old-time ghosts who have not yet exhausted their interest in the living. Four tales. Four thresholds. Four chances to decide whether the voice calling from the dark means to warn you… or welcome you home.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
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- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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My dear, so good to see you yet again, what's that? Well?
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I suppose I may be lacking a bit in color.
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I feel a little peaked today, but nothing a hot
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cup of tea and some good company can't persuade. Please
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sit down and relax. I'll make sure you have plenty
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to drink and it's nice and warm by the fire.
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I'll even take a load off myself, although I do
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fancy myself a consummate host. I'll relax and breathe easy.
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I'm sure in no time at all, i'll feel as
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good as the ghost at the gate.
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Come in.
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Welcome, I'm e. G. Marshall.
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Welcome to the terrifying world of your own imagination. I
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would like to offer a few observations on the garys
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of the animal called man. Take the popular saying seeing
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is believing? What idiot first said that? And I idiots
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would since?
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Do you believe in love? Tell me the color of it?
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Do you believe?
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Be eve?
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In truth? Goodness? Mercy?
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What shapes do they come in?
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No, my friends, seeing is not believing.
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Only believing is believing, and we'll prove it to you
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in the story that follows. Our mystery drama The Ghost
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at the Gate was written especially for the mystery theater
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by Elspethic and stars. Beatrice straited with how much ease
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believe we what we wish? An English playwright named Dryden
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wrote that in the year sixteen seventy nine, brilliant man,
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mister Dryden. But wait, listen to this, men freely believe
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that which they desire. Someone else seems to have had
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the same idea, and he wasn't the seventeenth century English playwright.
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He was a Roman emperor named Julius Caesar, proving once
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again that no man in any age has a monopoly
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on wisdom. Now let's get on with our story.
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Come here, Dorothier, your chocolate, missus Emory, Oh good it?
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Shall I light the fire in the fireplace?
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Yes?
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Please, I think it's chilly enough for Oh Dorothy, ma'am,
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you forgot the other cup again? I did. I told
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you to always bring two cups.
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Oh it seems so silly.
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I'll decide what's it's just you to drink it. I've
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explained that to you, Dorothea, more than once. I like
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to drink two cups of chocolate before retiring, and I
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don't like that. Icky sediment in the bottom.
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Of the cup.
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I'll try missus Emory now if that's all? Or do
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you want me to go downstairs and such up another cup?
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Oh no, no, go to bed.
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Oh good night, missus Emmy, good night, Dorothya.
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All right now, Darling, chocolate's all poured, fires lighted, Charles,
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everything's ready now, Come on, Darling, or the chocolate get cold.
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Don't want any chocolate, oh.
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Charles, you love chocolate, You always love chocolate.
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Tastes like mud, but it's very good chocolate.
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You know what good chocolate, Dorothea makes dot. Come on, Charles,
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don't make me wait?
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You want me, want you?
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Oh Charles, How can you ever ask such a thing?
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Why?
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I go through the whole day thinking of you. All
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afternoon at the community chest, I think about you. Why, Darling?
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It's it's torture for me listening to those other women
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whose husbands are are with them in the conventional way.
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I want to scream at them. But I have my child,
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you silly females. Every night he comes to my bedroom
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and he's tall and handsome and brilliant and romantic and
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adorable and manly, and we talked together and he's.
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All right, Alice. That's enough.
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There you are, Oh Charles missed me, Oh Darling, the
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days are so terrible. I can't think of anything but
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this moment when we're together. But you know that, my dear,
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I tell you every single night.
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I need to hear it, Alice. We who have more
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or less left this world can't come back unless we
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are wanted by someone who is still here, wanted a lot. Otherwise,
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we can't make the trip, as it were. We can't
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even purchase the ticket, so to speak, unless we have
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a destination that is vibrant with love and need and desire.
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But I love you, and I need you, I desire you.
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You should know that, Charles.
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Well, it doesn't hurt to hear it.
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Here's your chocolate.
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Try it.
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I don't want it, oh Charles.
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The longer we're away from deserves Alice, the less we
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rely on our senses.
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The senses, in a manner of speaking, start to fade.
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Mashed potatoes begin to taste like cold cream, coffee tastes
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like iodine, and this chocolate tastes like mud.
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They tell me this is quite normal, Charles.
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When you say they, they tell you this, and they
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tell you that you mean.
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I mean them, of course, all those the ones up there.
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It isn't up there, Alice. And it isn't down there either.
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Well, where is it?
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It's simply there, meaning not here? Heavens, I thought you
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knew that.
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Are there a lot of them?
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Of course there are a lot of them.
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It's all so vast, so endless, and so damnably peaceful.
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I know what it is to be lonely, Charles, this
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big house. I couldn't bed to move out of it
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after you weren't here all the time, because I couldn't
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leave the place where you and I had spent so
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many happy years together.
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Why don't you ask us someone to move in with you?
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Move in?
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Why?
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I never thought.
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Such a large house you could have separate quarters. You
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wouldn't be forever buffing into each other.
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But who would want to move in? Who would I
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want to move in?
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Oh?
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Some old good friend?
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Well like who, Charles?
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Oh? Someone like Connie? Maybe Connie Lawrence, Connie Laurence.
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Well, I've certainly known her long enough, we were roommates
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at school. What do you think she'd want.
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To She'll jump at the chats, would be my guest.
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He still lives in that tiny one room apartment. I
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know she's saving for a retirement and with a pay school.
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You just get in this town, Charles. I'll call her tomorrow.
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She gets home from school at three.
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Come in, Dorothea your breakfast, missus Emory.
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Thank you.
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You don't want two cups in the morning.
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Do you? Oh? No, No, coffee doesn't leave that icky
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stuff the way chocolate does. Actually, I think I won't
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have chocolate at night anymore, Dorothya. I feel like trying
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something else, but two cups just the same. Don't forget, yes, ma'am,
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don't go just yet, Dorothy. I want to talk to
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you about something. Sit down, won't you?
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Oh, yes, ma'am Dorothy.
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Do you find the work too hard in this big house? No, ma'am.
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Or we used to have a houseman and an upstairs
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made and a crook.
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Oh, I have no complaints, missus emy. If you don't, oh,
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I don't. This is the only job I've ever had.
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I've worked here for twenty two years.
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I was so fond of both you and mister Emery
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right from the start, and.
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I still am of you.
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And goodness knows, I practically worship this house.
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It's so beautiful. I love taking care of.
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It, and I love living in it.
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Do you still have that little room on the third
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floor in the back. Oh?
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I love that little room, Missus Emory. I can look
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out and see the garden.
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I was thinking, why couldn't we give you all the
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other rooms as well, the rooms the other servants used
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to have all of Why couldn't we knock out the
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partition between your room and what used to be the
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cook's room.
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I'd have I'd have two windows.
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And make one of the other rooms into a really
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big dressing room, and maybe put in some kind of
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a kitchen for you with a hot plate and a refrigerator.
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Oh, missus Hemmy, I.
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Never imagined my wildest.
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Drown It's all settled. Oh, I'm going to stay right
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here in bed all morning and make plans.
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I don't know how to thank you every don't try.
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It's my pleasure. I just hope I deserve all this
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before I forget Dorothea. Yes, last night, while I was
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drinking your lovely chocolate, an idea came to me. You
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and I are are rattling around in this big house.
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Oh, we certainly are.
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And I was wondering, well, how would it be if
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we invited miss Lauren to stay with us. Miss Constance Lawrence,
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do you remember her?
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Isn't she the one who teaches school? Used to come
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to dinner once in a while, and after she'd help
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mister Emory with the double cross steer that Connie.
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Oh, I thought we could open up the two big
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rooms on this floor in the back. In that way,
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she and I would have separate quarters and not be,
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you know, bumping into each other all the time. Of course,
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I imagine she'd expect to take care of her own room.
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Oh, I wouldn't mind.
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What's do more rooms?
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You wouldn't mind cooking for her? Wasn't one more person
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to cook for? Nothing?
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Well, then it's all set.
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My goodness.
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Perhaps will be kind of lively against almost like before.
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Not quite, of course, but well you know what I mean.
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I know what you mean, Dorothea.
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It will be more lively, y Goldie.
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Let me get my code off with you. Then I'll
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scratch your head for you.
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Oh dear, you're just.
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Going to have to wait. I'm sorry, Goldie.
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Hello, honey, this is Alice Emery. Who is who are you?
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Long time? No?
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See?
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Well I don't get out a great deal.
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Maybe we can have dinner some evening. Would you like
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to come here?
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I thought you might like to come here.
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Well, if you'd rather, Heaven knows your dinners are better.
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Than mine, Tony.
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I want you to come here for good.
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I mean to live, to live, to live with you.
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Why not.
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We've known each other practically all our lives, and I've
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got this huge house I got Dorothee had to look
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after us.
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You could have your own quarters overlooking the garden. We
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lived quite independently. Since I'm in the front and you're
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a school till free.
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And by the time you get home, I'll be at.
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The community chest. We'll just meet for dinner.
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Maybe have a little nip together first, Oh, Connie.
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Say you will?
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Oh, Alice, I don't know. I have lived here for so.
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Long, that tiny little place. High time you got out.
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Of it, but I'm used to it. And then there's Goldie,
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you know, my canary.
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Bring Goldie with you. We'll find a nice sunny window.
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Alice, it's all very tempting, but I don't know.
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Think about having two big rooms and vegetables out of
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the garden and being.
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Waited on us and Connie, think of.
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The money, You'll say, well, yes, but all the same,
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just got to say yes, Connie, take the afternoon to
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think about him and call me back.
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Oh will Alice, I'll call you soon.
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Fine, bye, by Alice. Oh dear, it all sounds so luxurious,
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two rooms and fresh vegetables.
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And someone to cook for me. But I can't leave
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this little place.
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I can't give up my afternoons. Why I couldn't live
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without my afternoons. I know this place is small and dark,
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and furniture is dingy, and the bathroom is old fashioned.
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