Feb. 1, 2026
Unknown Broadcast | Four Classic OTR Thrillers of Poison, Trains, and Hidden Greed

Unknown Broadcast slips into your Weekly Spooky feed with classic old-time radio horror stories, radio suspense, and vintage OTR mystery—the kind of tales that start with a simple temptation… and end with someone realizing they should’ve left well enough alone.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
- 💎 Leave Well Enough Alone — A marriage, a growing doubt, and a trail of jewelry that turns love into obsession… until the truth hits like a knife you never saw coming.
- ☠️ The Diary of Doctor Pritchard — A doctor with a reputation… a chemist’s bottle… and a poison that doesn’t forgive. The kind of evil that smiles politely while it pours the dose.
- 🚂 The 415 Express — A cold report, a hot trail, and a train heading out with more than passengers aboard… including the answer to missing money and a name you won’t forget.
- 🪙 Glass Dime — A rare coin vanishes, a reward goes up, and suddenly everyone has a reason to lie. When something’s worth thousands, it can cost you everything.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Ah, my dear, so good to see you again. Oh
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what's that? Well, perhaps we'll just have to wait and see. Now,
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come on, come on, sit down and relax. I know
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it's been so very cold out there. But here by
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the fire with a hot cup of tea, you'll be
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just fine. What's that Well, it is still steeping, but
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a sip or two now to warm up couldn't hurt,
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not at all. Sometimes it feels like everyone's in a
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hurry and no one will leave well enough.
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Alone BS Radio Mystery Theater Presents, come in. Welcome. I'm e. G. Marshall. Diamonds,
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they say, are forever, and are therefore the most lasting
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of all declarations of love. However, being human, it is
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unfortunately true that our sentiments, particularly our amorous ones, are
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frequently subject to change without notice. Therefore, what does a
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poor diamond do when its natural brilliance is no longer
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equaled by the flame of the love that inspired its purchase.
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It all depends on the diamond.
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Henri respects your opinion, Monsieur de Montesson. Because of you,
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he broke his engagement to me.
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It's not for me to decide these things.
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I came up here to get you a blessing, and
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I won't leave without it.
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For what makes you think that I would be willing.
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Monsieur de Montesson, I don't think you will have the
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heart to refuse me.
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Our mystery drama Leave Well Enough Alone, was written especially
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for the Mystery Theater by Sam Dan and stars John Beale.
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I'll be back shortly with that one on. The great
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French writer Gui de Moopisson was intrigued by jewelry. He
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felt that love for precious stones ranked among the highest
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of all human vanities, and to him, human vanity was
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the very staff of his creative life. Indeed, De Moopisson's
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The Necklace is probably the greatest short story ever written.
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Not quite so well known as another demopisontale that deals
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with valuable gems, and just as intriguing as the story
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itself is de Mompison's account of how he came to
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write it. That year, I was living at eighty one
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Rue des Caprissine. My second floor apartment faced the rear.
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Monsieur Ony Lantin occupied the rooms to the front. He
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was a snug little man who held a snug little
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clerkship from some snug little government bureau and he enjoyed
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us snug little income. He was always most polite and
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pleasant every time we would meet. Aha, good morning, Monsieur
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de Moss, Good morning, Monsieur Lort. And how goes the
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art of writing today? Slowly? Ha ha? May I ask
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a question, by all means you writing, fellows, where do
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you get your ideas from life? Life? The life that
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flows ceaselessly all about us. Oh, I look at the
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life that flows all about me, and I don't get
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any ideas at all. Well, perhaps it's because I'm not
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a writer, but also because I'm surrounded by rather quite
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ordinary people. All of us are surrounded by rather quite
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ordinary people. Indeed, rather ordinary people may provide.
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The greatest inspiration of all. Is that a fact?
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You mean that a quite ordinary person such as myself
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could provide you with an inspiration for a story? That's possible?
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And so it would go. He would read my stories
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when they appeared, and compliment me profusely, especially when he
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didn't understand them. But then one day I noticed that
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he had begun to be somewhat nervous in my presence.
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He no longer went out of his way to stop
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for a chat. I wondered, if perhaps I had offended
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him in some way when he suddenly insisted on treating
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me to a glass of wine at.
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The establishment on the street.
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Monsieur de Montesson, May I ask you a question, certainly,
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Monsieur Walter, what do you think of me? Do I
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impress you as a somewhat ridiculous person? Oh? No, how
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would you characterize me? That is, assume me you were
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to put me in a story. Well, I would say
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that you are a most industrious sort of man, intelligent, friendly, sophisticated, pleasant.
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I'm sure you wonder why I'm asking these questions. Yes,
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I'm contemplating a rather radical step, radical Silanta or radical
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that is for me.
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Ah, I.
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I've decided to get married for.
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Her, congratulations.
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I've decided that a man does not live by bread alone.
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Very well put so that's in the Bible. I know
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Deuteronomy eight three, also Matthew four four. But I've been
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doing it doing hall living by bread alone, or or
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I should say four bread alone, Monsieur de Montason. I
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have spent my life working for bread of wa all,
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but I haven't done anything else all day. I'm at
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the office. Do you know what I do there? I
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keep a record of all the ropes, chains and anchors
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that are required for the naval basic to long all
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that seems to be very responsible, important, certainly un necessary activity.
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Missieur de Mouss sured he as a writer, you should
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appreciate the poetic justice of what I've just said. In
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what manner I deal with ropes, chains and anchors. And
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these are all commodities whose function is to confine, to
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hold back, restrict har It seems that all my life
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I've been restricted to my desk at the office and
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my easy chair at home. To be alone is to
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be half alive. Just think of what it means to
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have a pretty wife who waits for you at home,
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who greet you with warm kisses and hot.
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Soup and sounds delicious.
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Ah, to share one's life. I wish you the best
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of fortune in this enterprisements you want, no doubt you've
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already decided on the fortunate young lady. No, as yet
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I don't know who she is, but I've made up
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my mind to look. I see. I shall now devote
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my energies to the problem, and I know I shall
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succeed in my quest. After all, seek and you shall
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find that's very crisply, stated Monsieur Letta. Of course, it's
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from the Bible. The little man was so sincere, so ernest,
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his round, honest face shown with such.
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Goodwill, one was forced to take him seriously.
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And every time we would encounter each other in the
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hallway on the street, he would always advise me of
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his progress, or more accurately, his lack of progress. No,
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Monsieur de Monfassan, she eludes me.
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Still one would imagine.
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There's no shortage of eligible ladies eligible, Yes, special, No,
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And in what way must she be special? In a
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way that she'll make itself apparent the moment I lay
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eyes upon her, I look for her everywhere all the time.
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But so far, don't lose courage, Monsieur Lantin. One day,
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out of a clear blue sky, when you.
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Least expect it, there she will be. And so it
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would go.
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Weeks months went by, and still Monsieur Lantin remained a bachelor.
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Now you mustn't think that I had nothing to do
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but worry about his marital problems, or rather the lack
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of them. But I was impressed by his very deep feelings.
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One day I encounted Monsieur Lantin in the little park
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near our lodgings. Monsieur de Montpissor. I'm very much afraid
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of you. What's this afraid of me? Why you see
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I did find her? Well, this calls for a celebration.
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I don't know how to begin this. The best place
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to begin any story is at the beginning.
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Go forward.
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How old do you think I am? Oh, to be honest, oh,
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forty No, I shall hold nothing back. I'm forty five,
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but a most youthful and vigorous looking forty five. Do
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you really think so? Of course, Well, that really doesn't
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have much to do with it.
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Less a lovely name.
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Celeste is eighteen. Oh yes, I knew you would say. Oh,
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I meant nothing by it. It was merely well, these
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disparities in age are not uncommon. Why did you say disparities?
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Because the word describes a difference, then why didn't you
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say difference? Disparity implies inequality or even incongruity. As a writer,
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surely you must be aware of that. Please forgive me,
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But you've made your point. What point is this? It's
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the point you make In everything you write. You always
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express a cynical attitude toward most human behavior. I admit
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to being a cynic, Monsieur Lonton, but that's only because
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I'm a frustrated romantic. All your stories have a kind
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of sardonic ending. No, say, rather that they try for
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a human ending. You're laughing at me. No, Oh, what
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a fool I must be. She's young enough to be
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my daughter. Come now, Monsieurlanta, you accuse me unfairly. You
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say to yourself, why the old goat? What dangerous delusion
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does he permit himself? You're saying to yourself, why if
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he must marry it all, why why doesn't it you
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so plump widow or all right spinster nearer his own age. Well, well,
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since you have put the question into my mouth, you
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might as well place the answer there too. It's because
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I'm not a stick, not a stone. I have life
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in me. I want youth, I want beauty, I want
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freshness and romance. I want everything I missed. Then, by
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all means.
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Take it.
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Yes, I could settle for an older woman. That would
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be the safe way to do it. But I'm willing
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to take the chance, the chance that you tire of
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me and then laugh at me and finally betray me.
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That's what happens in all marriages like this one, not
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all marriages, in all the ones you write about. Mister Lanton,
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I cannot accept the responsibility for influencing the most important decision.
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Of your life.
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Just talking to you has made it clear to me
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I cannot marry Celeste. I am only a writer of fiction.
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Actually I am. I'm not better qualified to advise no.
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No to marry Celeste. I see it now would be
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to go against my true nature. Are you sure you
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know what your true nature is? No, it would be
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better for both of us. I shall break the engagement. Suddenly,
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here I was the villain of the peace. But perhaps
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it was for the best, and so I thought this
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was the end of the matter. But one afternoon there
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was a lock at my door. Standing at the threshold
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was a tall, dark, slender young lady. She had long,
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lustrous black hair, the face of such radiant beauty that
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at first lips I almost blinked my eyes. She smiled
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at me, a dazzling smile.
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You are Monsieur de beau passant.
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Yes, may I come in?
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I am Celeste Laurier celeuslier Celeste.
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Yes, of course you may come in.
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Mademoiselle, thank you. However, aren't you afraid that you might
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be compromised? Oh?
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No, monsieur, you are, after all a gentleman.
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I don't consider myself a gentleman.
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Well, you have nothing to say about it.
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Your two and two w bb M in Chicago.
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Gentlemen are born. They cannot change their essential natures.
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I'm sure you haven't come here to talk about me.
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Ah, but I have why because I wish to marry
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Monsieur Henri Lante.
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And what have I to do with it?
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Everything?
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I am afraid you make a mistake.
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No, Henre worships you. No, but to him you are
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the font of all wisdom. He broke our engagement because
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you disapproved.
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I assure you, Mademoiselle, I did not disparage the idea.
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Neither did you indorse it. However, let us consider because
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of you he ended the engagement, and because of you
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he can renew it.
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Because of me, how.
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All you need do is give the idea your blessing.
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But Mademoiselle, it is not for me.
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I came up here with every intention of receiving your blessing.
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I shall not depart empty handed, For what makes you
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believe that, I, Monsieur de Montesson. I don't think you
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will have the heart to refuse me.
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I tell you this. If she turned that dazzling smile
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at me, I'm not sure I would have the heart
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to refuse her either. She sounds like a young lady
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who usually guess what she wants. But this time, of course,
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her adversary is a great guidimoca song. But what does
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that have to do with anything? Aren't writers just as
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easily seduced as anyone else. I'll be back soon with
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that too. Will you love me in December as you
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do in May? This sentiment is part of a popular
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song written by, of all people, a former mayor of
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New York City. But what if we have May and
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December to begin with May and December. On the face
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of it, this does not sound like a promising couple. However,
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marriages are said to be made in heaven.
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You have for my blessing?
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Yes?
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And why should I give this affair my blessing?
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Why not? Very well? I know he told me the
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disparity in our ages disparity a rather cutting word.
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