March 9, 2026
Terrifying & True | Castlerock Double Murder (1991): Staged as a Suicide Pact
A locked garage behind a quiet holiday cottage. A car filling with exhaust. And two bodies posed to tell a simple story: a suicide pact between two “betrayed” spouses.
On May 19, 1991, in Castlerock, Northern Ireland, Lesley Howell (31) and Trevor Buchanan (32) are found dead inside a vehicle with a hose running from the exhaust into the car—an apparent double suicide that the community quickly accepts. Lesley is a mother of four. Trevor is a police constable and father. Both are mourned as victims of heartbreak and scandal.
But the truth is darker—and it doesn’t surface for nearly two decades.
Behind the public grief, investigators will later learn, a secret affair and a ruthless plan were allegedly shaping events from the shadows. Colin Howell, a respected dentist and lay preacher, and Hazel Buchanan (later Hazel Stewart) are accused of plotting to remove their spouses and stage the scene to look like a tragic decision. The story moves from a “straightforward” death scene to something far more chilling: sedation, exhaust fumes, meticulous staging, and a lie that holds until January 2009, when Colin Howell finally breaks and confesses—first to church elders, then to police.
The confession reopens everything. Hazel is arrested. In court, the case becomes a battle over what was done, what was admitted, and whether Hazel’s role was coerced or fully complicit. The old garage scene is re-examined with a new question: not why would they do this? but who benefits if everyone believes they did?
Inside this episode
- The discovery in Castlerock and why police initially believed it was a double suicide
- The secret relationship hiding in plain sight inside a tight religious community
- The alleged method: sedatives + exhaust fumes and the “suicide pact” staging
- How the case stayed buried—until a confession detonated it in 2009
- The interrogation dispute: coercion vs. participation
- The courtroom reckoning and the verdict that finally rewrote the official story
This is a true crime nightmare about image, faith, control, and deception—and how a staged scene can trap the truth for years. We’re telling that story tonight.
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They find the car in a locked garage, the hose
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feeding exhaust into the window, and two bodies posed like
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a final embrace. Castle Rock calls it a suicide pact
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and moves on. But the story doesn't end in nineteen
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ninety one because nearly twenty years later, a respected dentist
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walks into a church meeting and confesses.
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What you are about to tet you is burved to
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be based on witness accounts, testimonies and public record. This
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is terrifying and treat.
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Tonight. We have a case from Northern Ireland where a
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quiet seaside village woke to a scene that looked like
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heartbreak and was filed away as tragedy. In the early
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morning hours of May nineteenth, nineteen ninety one, behind a
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holiday cottage in castle Rock, a garage door is opened
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and a car is found sitting in the dim light
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inside or two bodies Leslie Howell, a young mother, and
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Trevor Buchanan, a police constable. A length of hose runs
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from the exhaust pipe toward a cracked window, feeding the
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cabin with fumes. Two investigators it appears to be a
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suicide pact. A grim private decision made by two people
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whose lives had been shaken by betrayal. For nearly two decades,
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that garage in Castle Rock keeps its secret until in
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two thousand and nine, Colin Howells steps forward and makes
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a confession that tears the case wide open. Suddenly, what
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looked like a tragic double death becomes something far more deliberate,
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a stage tableau built to mislead investigators and bury the
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truth in plain sight. We're telling that story tonight. A
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damp dawn broke over the seaside village of Castle Rock
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in northern Ireland on May nineteenth, nineteen ninety one. The
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salty breeze carried an acrid smell that morning, the telltale
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odor of exhaust fumes seeping from a non descript garage
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behind a quiet holiday cottage. Inside that small outbuilding, a
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passerby made a horrific discovery. In a parked car, the
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bodies of two people were locked in a final embrace
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with death. Thirty one year old Leslie Howell lay sprawled
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in the back seat, her fingers still clutching photographs of
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her young children. In the front seat, slumped thirty two
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year old Trevor Buchanan, a police constable A length of
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rubber hose snaked from the car's exhaust pipe into a
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slightly open window, making the scene look at first glance
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painfully straightforward. It looked like a mutual death pact, a
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tragic double suicide. The position of the bodies and that
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hose feeding poisonous gas in the car told a story
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of despair. Leslie and Trevor were both married, but not
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to each other. Rumors had quietly circulated about an affair
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between Leslie's husband and Trevor's wife, and now here were
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the apparent consequences. To the first officers on the scene,
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the tableau suggested two betrayed spouses who had lost all
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hope and made a fatal decision together. By all appearances,
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this was a sorrowful but straightforward case. Two innocent people
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driven by heartbreak had met in secret to end their pain.
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In the immediate aftermath, investigators treated the scene as a
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double suicide because the staging fit a car in a
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locked exhaust fumes and two bodies positioned to suggest a pact.
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That early conclusion matters because it shaped what was and
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wasn't questioned at the time. Years later, when the case
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was revisited after new information surfaced. Detectives re examined the
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same details through a different lens. Not why would they
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do this? But who benefits if everyone believes that they did.
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The community mourned the loss. Leslie Howell was known as
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a devoted mother of four, and Trevor Buchanan, a steadfast
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policeman and father. Their funerals were packed with grieving family,
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friends and fellow church members offering condolences and prayers. Everyone
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believed they understood what had happened in that fume filled
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car by the coast. But as the village grieved what
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they thought was a shared tragedy, a far more sinister
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truth lay hidden beneath that neat narrative. What the community
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believed was a suicide pact would later be revealed as
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something carefully orchestrated, an elaborate lie that held for almost
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two decades. On the surface, Colin Howell and Hazel Buchanan
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later Hazel Stuart, looked like two people with everything to lose.
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Colin was a local dentist and lay preacher. Hazel was
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married to a police constable and active in church life.
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In public, both families projected stability, faith, and respectability, the
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kind of image that made a community assume nothing truly
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dark could be happening behind their smiles, but closed doors
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helped to project a seemingly wholesome world. In reality, temptation
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was taking hold. Colin and Hazel's paths crossed frequently at
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services on Sunday, at prayer meetings, even during their children's
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weekday swimming lessons. A flirtation sparked and then flared into
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a full blown secret romance. They stole kisses in dark
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parking lots after Bible study, and exchanged longing glances across
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crowded church halls. Every illicit rendezvous was cloaked in lies
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told to their unsuspecting spouses. To the outside world. Colin
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remained the attentive husband to Leslie and Hazel the devoted
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wife to Trevor, but in stolen moments, they only had
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eyes for each other. It didn't take long for cracks
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to appear in the facade. Leslie Howell began to sense
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that something was wrong in her marriage. Colin's late nights
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at the clinic or sudden urgency to assist parishioners seemed
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increasingly suspicious. One day, Leslie discovered a trace of the affair,
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a misplaced note, a whisper in the congregation, or perhaps
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just Colin's guilt manifesting in cold distance. Whatever the trigger,
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the revelation hit her hard. Leslie confronted her husband, and
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although Colin brushed off or minimized the infidelity, she was
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left devastated. The once VIVATIONI his young mother fell into despair.
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Friends later recalled how Leslie, normally outgoing, grew quiet and withdrawn.
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In those months, she began self medicating her heartbreak with
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wine and prescription pills. Photographs from that period show her
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smile had faded. The hurt was plain in her eyes,
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even if she tried to keep up appearances. Trevor too
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may have sensed that his wife, Hazel, was growing distant,
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though he never openly voiced suspicions. As a police officer,
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Trevor knew how to notice details, but Hazel was careful.
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If he asked about her occasional absences or the late
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night phone calls she dismissed as wrong numbers, Hazel soothed
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him with practiced reassurances. Inside, however, her nerves afraid the
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dual life she led, loving wife and mother by day
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adulterous lover by night weighed heavily. Each Sunday, Hazel taught
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Bible stories about honesty and fidelity to the children at church,
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then spent weekday afternoons sneaking away to Colin's arms. Guilt
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and fear of exposure loomed over them both. By early
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nineteen ninety one, the situation was precarious. Leslie's depression had deepened,
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and talk of the Howl Buchanan affair quietly swirled among
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a few church gossips. Colin felt cornered his wife's misery
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threatened to spill their secret into the open. Hazel, likewise,
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feared losing everything if the truth came out, the respect
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of her community, even the custody of her children. Divorce
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was anathema in their devout circle and would mean public disgrace.
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Colin began to contemplate a darker way out. In his mind,
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an unthinkable idea took shape. If Leslie and Trevor were
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gone permanently, all of his problems would be solved, the
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affair could continue unfettered, and their religious reputations could remain intact.
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All he needed was for his lover to agree to
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an audacious and deadly plan. According to later accounts, Colin
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Howell's proposition to Hazel was as cold blooded as it
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was audacious. They would kill Leslie and Trevor and make
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it look like a joint suicide. At first, Hazel balked
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the thought of murdering her husband, of murdering anyone sent
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her reeling. But Colin was methodical and persuasive. He painted
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a picture of a life where they could finally be together,
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free from lies and guilt. Divorce, he argued, would ruin
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them in their tight knit community, but if their spouses
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died tragically, they could eventually comfort each other openly without scandal.
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When Hazel hesitated, Colin pressed harder. He hinted at dire
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consequences if she betrayed him or refused to go along.
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Isolated by their secret, and under Colin's tightening grip, Hazel
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finally quiesced. In that moment, their illicit love story warped
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into a deadly conspiracy. From here on, try to keep
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two lanes in mind. What can be proven, what was said,
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what was found, what was admitted, and what's being interpreted.
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Why someone did it, what someone felt, what someone must
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have intended. Prosecutors can argue, motive confessions can describe intent,
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and here we stay honest about the difference. They spent
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weeks refining the plan in whispered discussions and clandestine notes.
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Colin decided they would strike on a night when both
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households were quiet and unsuspecting. He obtained a supply of sedatives,
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intending to dose Leslie and Trevor to ensure they'd be
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subdued or asleep when the time came. So committed was
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he to this plan that Colin even conducted a disturbing
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experiment under the guise of dental work. He sedated Hazel
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in his clinic chair to test the potency of the drugs.
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Hazel awoke, groggy and violated. Colin had allegedly assaulted her
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while she was unconscious, but she said nothing. Whatever the intent,
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the message to Hazel was clear he had total control
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and the plan had to proceed. For the murders, Colin
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chose a method meant to be quiet and hard to
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detect in the moment, one that relied on exhaust fumes
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and a sealed space rather than a weapon that would
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leave a loud, obvious signature. The goal, according to later accounts,
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was to keep the victims incapacitated and avoid any struggle,
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then arrange the scene so it read as a tragic
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decision rather than a crime. Colin selected the location for
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that final tableau with terr. He chose the garage at
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an empty property owned by Leslie's late father, a secluded
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spot where a car could be left running without drawing attention.
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After murdering his wife at the howl Home, Colin would
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drive Leslie's body, and later Trevor's, to this garage in
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Castle Rock. There, he and Hazel would position the two
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victims in a single vehicle. Trevor would be in the
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driver's seat and Leslie in the back. Colin even planned
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to tuck those family photographs into Leslie's lifeless hands a
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point bant touch to reinforce the illusion of a grief
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stricken mother taking her own life. They would insert the
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hose from the exhaust into the car window and let
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the engine run, ensuring the scene looked convincingly like a
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double suicide by carbon monoxide poisoning. Every detail was anticipated.
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Hazel and Colin rehearsed their alibis. They would each pretend
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to discover their spouse missing in the early morning hours
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feigning confusion and concern. If anyone asked, they would express
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shock that Leslie and Trevor might have met up. They
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agreed on how to act grief stricken but not suspicious.
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Hazel would dutifully play the distraught widow, Colin the heartbroken widower,
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and so with chilling calmness, the lovers said their murderous
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plot into motion, waiting for the right night to execute it.
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The night of the plan arrived, moonless and still. Hazel
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later described an eerie sense of detachment as she went
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through her evening routine, tucking her children into bed as
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if it were any ordinary night. Trevor dozed off on
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the living room sofa, unaware that it would be his
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last sleep. Miles away in the whole house, Leslie had
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turned in for the night after checking on her own
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young children. She had no idea her husband was slipping
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lethal ingredients into the cup of hot cocoa, which he
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insisted on making her to help her relax. By one
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a m both target victims were unconscious or in a
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heavy star stupor, and Colin Howell was ready to act.
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Colin stood over his sleeping wife in the darkened bedroom,
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his face lit only by a sliver of street light
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through the window. Leslie lay on her side, breathing deeply
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from the sedatives in her system. In one hand, Colin
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carried the end of a length of hose fitted with
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the rubber nipple from a baby's bottle. Outside. His car
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was already running in the driveway, a long coil of
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hose snaking from the exhaust. Through a window into the bedroom,
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Colin gently pressed the improvised gas mask over Leslie's mouth
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and nose. For a few moments, nothing changed. She continued
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to breathe slowly, a oblivious Then her body gave a
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jolt as the first toxic fumes hid her lungs. She
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coughed and stirred, but Colin held the mask firmly in place.
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Leslie's eyes fluttered open in confusion. Half conscious and sensing
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mortal danger, she tried to pull away, feebly, kicking at
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the bedcovers. A faint whimper escaped her. In her final moments,
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she gasped out the name of her eldest child, a
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plea or a prayer, but there was no saving her.
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Colin's hand did not relent. After a minute or two
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of struggle, Leslie Howel fell, still overcome by the exhaust
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fumes flooding her bloodstream, remained there a moment, watching the
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life drain from his wife's body. The quiet ticking of
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the clock resumed its dominance in the room. He finally
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removed the hose and shut off the car engine. Outside.
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A sickly chemical odor hung in the air as he
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worked quickly. Now knowing he had limited time before dawn.
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He wrapped Leslie's lifeless body in a blanket and hoisted
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her over his shoulder. Colin carried Leslie out to his car.
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The night was silent except for his labored breaths and
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the chirp of distant crickets. He placed her body in
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the trunk and carefully shut it. With Leslie secured, Colin
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slipped into the driver's seat and drove into the darkness
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toward Hazel's house. He had to move swiftly and silently.
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Street lights cast intermittent pools of pale gold on the
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empty road as he covered the few miles to the
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Buchanan home. Hazel was waiting, her heart pounding in her chest.
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She had left a back door unlocked and a window
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slightly ajar for Colin's entry. Her two children were fast
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asleep upstairs, innocent to the horror about to unfold under
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their roof. Colin killed his headlights and rolled to a
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quiet stop in Hazel's driveway. He retrieved the same hose
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