Oct. 20, 2024
Unknown Broadcast | "Vanishing Lady" "The Skull That Walked" "Dead Ernest" "No Hiding Place"
Oh my, don't be afraid. I mean, not of this show. It's not real, at least I don't think it is. My dear, just relax and listen. These ghosts, ghouls, monsters, murderers and more aren't really here to get you, but your ears may lie to you...
Step back in time to the golden age of radio with this thrilling compilation featuring iconic episodes of SUSPENSE, CBS Mystery Theater, Inner Sanctum, and ESCAPE. Discover immersive horror and mystery that captivated listeners and still delivers chills today.
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Well, hello, my dear, it seems to be another beautiful night. Huh.
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It's a wonderful time of year. Yes, yes, still can't
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believe it was just one year ago and I started
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seeing you every so often, that you would wander in
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the dark just to spend a little, a little of
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your tide with me or what's that? Oh no, no,
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I'm very happy about it, and very happy tonight. I
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figure we could sit back and enjoy a little extra
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yet again. So sit down in my favorite chair. Don't worry,
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they can't get in, I promise. This first one is
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is all about what happens when you deal with a
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vanishing lady.
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Tired of the everyday routine, ever dream of a life
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of romantic adventure, want to get away from it all.
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We offer you Escape, Escape designed to free you from
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the four walls of today for a half hour of
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high adventure.
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Tonight, we escape to pre war Paris and the terrifying
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experience of a young English girl who is the victim
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of a gigantic conspiracy of silence. As Alexander Walcott tells
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it in his version of the legend, The Vanishing Lady, a.
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Cup of tea brews no thank you, my dear. I
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think I'll just have a Johnny Walker and soda and
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take a look at the evening stamper.
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I'd like another, please, Mother, all right, Alice, only one sugar, tear.
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We must watch our figures.
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Nonsense.
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A going girl like Alice needs plenty of.
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Sugar, see mother, Daddy of Prune perhaps, but mother is
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still boss.
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Yes, Mother, she certainly, Alice.
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Mother, here's dear, I've been thinking. Here's dear, I've been
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thinking about my grandparents.
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Oh.
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I know all about Daddy's parents. How grandfather Stanley commanded
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a dreadnought at the Battle of Jackland.
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And how it was not a dreadnought, Alice, it was
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a heavy cruiser.
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Or a heavy cruiser and he got the VC. And
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how grandmother Stanley was a volunteer nurse at Westwall Arch
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when the Zeppelins came over. And I know about your
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father too, and how he died in India from his rooms,
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and how gallant he was.
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At the Kuiper Pass.
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But Mother, yes, dear, you never told me anything about
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grandmother Winship. I I haven't no, and I'd like to
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know something.
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About And a child sixteen, I think it's time she knew,
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but Bruce, and you'll probably feel better to get it
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off your chest.
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What Mother, what is it? Oh, my dear, I've never
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talked about your grandmother because well, I've always half believed
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that some day, somehow she would come down our garden
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walk and then I know it sounds silly, but explain
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where she has been for the last twenty years. Why
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what happened to her?
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I don't know.
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I don't suppose I ever will.
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Well I, Cynthia Darling, if it's going to upset, No.
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No, no, Bruce, You're quite right. It would be best
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to get it off my chest, as you put it, Alice.
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As you know, I was born and brought up in India.
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I was about your age. When my father was killed
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in the Cable Campaign. Mother decided to leave India for
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good and returned to her old home in Warwickshire. However,
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it was necessary for her to go to Paris to
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attend to some details of my father's estate. The Great
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Paris Exposition had just opened and the city was jammed
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with visitors from all over the world. You can imagine
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our relief when we arrived at the Grand Hotel Universal
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and heard the clerk say in quite understandable English.
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Ah, Madame, Mademoiselle Wynship, welcome, welcome, You will please to
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sign your register here and.
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Here you have our reservation.
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Indeed, yes, and you are most fortunate, Madame, that you
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telegraphed for I have reserved for you the last room
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in the house.
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Ah.
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I'm so relieved.
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Here, Cynthia, you may as well now to sign a
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register for yourself. Yes, Mama, where do I ride there
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on that line?
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Oh?
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Yes, I see.
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Well you have fatigue from your journey.
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Yes, I shall have the boys show you to your
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wounds at once, Madame, and Mademoiselle Wynship, and you may
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or twas so charan.
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To sweet machine.
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These are your baggage, madam.
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Yes, these six the baggage. Yes, Cynthia, you just carry
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the little one with the medicine in it. Yes, thank you.
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I'll take that one, the little red one.
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Yeah, this sailing is Keep.
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Your eye on that port of Cynthia. I don't trust
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this frenchman. I don't think he'll make off without things. Mama,
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here's the list, you.
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Know what I mean.
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I do wish we could have gone straight on to Southampton,
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but you only have had to come back across the
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channel to see the solicitor. We really save time this way,
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I suppose. I mean, I wish we hadn't had to
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come to Paris at all. It's it's such a sinister place.
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Oh mama, Well.
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They swell ladies the eye and care on Hu's care.
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Ladies.
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What a lovely big group. Oh look, mama, French windows
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and the park out there, and that square with the statues.
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On here, thank you ladies.
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Oh my mind, it's like something out of a book. Yes,
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my dear, that's the trouble with Paris. It's so attractive.
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But underneath it's even the gilt clock, this lovely marble table.
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Oh mamma, everything's so so so French. Well, I'll be
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very glad to be on my way to wear everything's
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English by this time tomorrow. No, come away from that
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window and help me get into something comfortable. There's a
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do yes, yes, mama. I don't know when I've been
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so tired.
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I just can't.
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Seem to catch Mama, Mama, what's the matter. Mama, speak
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to me. Oh here, I'll get you up in the bed. Now,
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let me loose in your corset. Here, mamma, here are
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the smiling, salts breathe deeply. Mama, Oh the telephone. I've
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got to get a doctor. Please hurry, please, hello operator,
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Will you please send a doctor up to room number
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Let me see number three four two. Will you please
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send a doctor to room number three four to two.
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This man was dizzy and doctor, please a doctor, doctor, women.
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I'm quite sure it was not long, although it seemed
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like an eternity before the doctor arrived, accompanied by the
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manager of the hotel. To my great relief, the doctor
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spoke English, he felt mother's poets, took her temperature, did
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the usual things that doctors do, and then he turned
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to the tail coded hotel.
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Manager measured firm doctor force pass. It's you, absolutely, monsieurs,
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she said to Fraserus losco Metre said family to Pando
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the best, and I couldn't reviva wood si less you
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say for tatel, Pierre dust jeer non sa malo tell
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me to Paris bidoracid and us exposes yoursel.
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The talk in this language I couldn't understand. I looked
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from one face to the other, trying to read from
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their expressions how serious my mother's earnest was. They were
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as casual as though they were ordering dinner. Finally I
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could stand no longer. They must please you. You must
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tell me what's the matter with.
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Her, Mademoiselle, your mother, I say, yes, seriously, it is
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a collapse. I do perhaps this train of traveling, however,
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a week or two of absolute rest will work.
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One day, a week or two. Well, we were to
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go on to England tomorrow, Oh, that.
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Would be out of the question.
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Mademoiselle. She cannot be moved for at least several days.
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Right now she must have complete hast. The next twenty
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four hours will be critical. No, no, no, no, Mademoiselle
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Lester right down too. I need your help.
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Yes, yes, of course, doctor.
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Immediately I need some mezine.
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Will you fetch it for me?
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Yes?
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But Melo is more.
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I must not leave your mother for a moment during
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his critical hours. Here I will write down this address
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and a little message to my wife.
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Your wife.
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Yes, I have the medicine already prepared at my home.
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It would be faster to go there for it to
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a pharmacy. There are very few chemists who have the ingredients.
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Couldn't you telephone malus, I have no telephone. Well, here
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is the address. Twenty four piece re volcas and here
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is the message to give to my wife.
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But doctor, I don't know Paris atolla. I'm a total
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stranger here.
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I'm sure the manager here will give the necessary instructions
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to the taximan.
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But certainly if Mademoiselle is ready.
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Before I quite knew what was happening, I was seated
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in a rickety taxicab outside the hotel, the doctor's message
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clutched in my hand, while the hotel manager gave valuable
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directions to the cab.
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Wow, tell stay on taxi to nerf not monsouvenevou brune
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la route la pri Land, conduize la pri Land mont
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posy SUSO can't pret text nou la ramney passisia mondezer camprite.
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It is arranged.
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Mademoiselle Jacques is one of our most trusted chauffeur. He
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will get you to the doctor's house and back in safety.
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Oh, thank you so much, sir, And you'll look after
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my mother. Thank you.
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But of car sab that you may be sure, how
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lazy an tondie siso lappies.
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When we left the hotel, we crossed a huge square
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with statues around it, and turned into a wide avenue,
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which led up a gentle inclined at the top of
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which was a huge arch. But before long we turned
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off to the right into narrower streets. It must have
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been twenty minutes later when we turned into another wide
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boulevard and I saw another huge arch up ahead or
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was it the same Buche haven't we passed that arch before?
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We're mademoiselle, while I lock de trion while I lock.
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Please, I don't want a sightseeing tour. I want to
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go to this address directly. Don't you understand now? Please
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take me there at once.
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Office score blue, Mademoiselle, the sway don't kill eleben said
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by your mail Marta.
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At last we turned into a narrow street and pulled
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up before a grim gray house. The blue and emo
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sign on the wall read number twenty four pieces. I
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jumped out of the cab almost before it stopped, rushed
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up the three stone steps and called at the boss
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dell no, hurry, hurry, hurry, please please hurry monjeu mademoiselle,
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monsieur le doctor by the doc go send me for
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some medicine and be here. Read this please.
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Goodney, sir gianfanmo signor percine.
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De barri membe la france, autrey.
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Thank you. The doctor's wife stood there reading you re,
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reading the note as though she didn't understand it, and
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until I thought I would scream, Oh, please, please hurry,
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give me the medicine. It's my mother. She may be dying.
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I must get back to her. Please hurry, I see you.
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She pointed to a chair and slowly walked down the
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horn and closed the door behind her. I waited and waited,
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and wondered about the time the cab had taken to
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get here, about that arch that looked so familiar, And
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I was torn by the hundred nameless anxieties that taught
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you and your nearest and dearest is ill. And then
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I heard something that throws my blood. A telephone, a
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telephone clearly ring somewhere in the house. But the doctor
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had said he had no telephone. That was the reason
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I must come all this way for the medicine. Oh no, no,
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it couldn't be in this house. It it must be
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next door or across the street. Of course, that's where
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the sound was coming from. But no, it was the
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voice of the doctor's wife answering the phone. Oh no, no,
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what monstrous plot was this? I felt my scalp crawled
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with terror, my brain pondered, my head fellows though it
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would burst. I wanted to scream, to run out of
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this awful house, to run all the way across Paris
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to the bedside of my mother.
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While that meets you, Oh, thank you, thank you.
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