March 9, 2025
Unknown Broadcast | "The Listener"
In this episode, we delve into the haunting tale titled "The Listener," a story that captures the feeling of isolation, fear, and the dark twists of the human psyche. Set in a remote cottage in rural New England, the tension and suspense unfold as we meet Ellen Richards, a woman approaching sixty, who sits alone and fearful, haunted by the memory of her deceased husband, Gregory. As she listens to the wind outside, a sense of dread envelops her, feeling as if she were not alone despite being physically cut off from the world.
Ellen's anxiety reaches a peak as she imagines she can hear the familiar sound of her late husband's cane moving from the depths of the cellar. The narrative reveals her desperation as she tries to summon the presence of her nephew, Leslie Richards. Yet, what follows is a chilling exploration of buried secrets and the trauma tied to a past filled with guilt and fear. Ellen's solitude morphs into a twisted reality as she grapples with her husband's unexpected return, leading listeners through a labyrinth of psychological turmoil.
As the narrative unfolds, we witness the intricate relationships between Ellen, Leslie, and Barbara Morrow, a caretaker devoid of compassion for Ellen's plight. The tension escalates as Leslie's motives come into question, revealing a deep-seated desire for wealth that intertwines with Ellen's desperate need for companionship. The night deepens as the characters confront their hidden truths, leading to mind-bending revelations that reveal not only what lies beneath the floorboards but also the darkness that dwells in their hearts.
The tale climaxes as we explore the depths of betrayal and manipulation, culminating in a shocking confrontation that sees wrongdoings brought to light. Our listeners are left in a state of disbelief, as motives clash and morality is challenged. The episode concludes with a foreboding atmosphere, reminding us that the closure we seek may not always be within reach. As the echoes of secrets resound, we are invited to ponder the true nature of fear, guilt, and what we are willing to do to preserve our sanity.
Join us for this chilling journey into the psyche of fear, as we navigate the thin line separating the living from the dead and the haunting echoes of one's own conscience. This story reminds us that sometimes, the real horrors lie not in the dark corners of our homes, but in the depths of our hearts and minds.
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
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WEBVTT
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Well, hello, I was just thinking about you, believe it
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or not, hoping you'd visit me tonight because I have
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a story that you might identify.
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NI.
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You see, while I set the states, while I get
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the fireplace going, while I make the tea and fluff
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the pillows, you, the listeners, arrived with an open mind
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and an open heart, which I'm very grateful for you.
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So tonight's story is the listener listens, and I hope
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you enjoy it as much as you enjoy your time
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late at night with me with me, because I certainly
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do so. Please get comfortable. The tea is steepest and
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almost ready, and it's nice and wise by the fire.
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We're inning friends that the ceaking dore. This is your
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host to welcome you in the Enna Sanctu. Now for
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another visit with your favorite character. We're back again with
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a familiar subject, murder. Ever want to find out how
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scared you can get? Well, I suppose you hang around
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for a while and when the show's over, i'll cut you.
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Mm hmm.
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All right, Suppose we get down the brass tacks, and
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I do mean the ones that go around the edge
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of a coffin in a tiny cottage lost in a.
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Wild, desolate section of rural New England.
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Ellen Richards sits in his chair listen, approaching sixty, white haired,
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with eyes that dance nervously in the firelight.
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She listens.
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She hears the winds weeping and moaning, grim heralds of
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the bleak.
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Windows, but she listens coming out, good.
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Didd you nosing. I don't sni.
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It's just because I'm alone.
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You will do this to me if I went alone.
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Hello operator, Hello.
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What's the matter with you?
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Hello? Operator?
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I want you during my nephew, Leslie Richard, tell him
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to come home at once, number Ley, I told you
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what the matter with you?
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Don't you understand?
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You must hurry?
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Thank your mind.
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What number do you.
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Wish to call?
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Number?
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Number of hes in town somewhere.
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To the depot. Call him it's the depot.
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Oh, don't you understand?
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I had the booth so pro.
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And the king my husband.
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He's telling about the cellar ship, my ship, and he's
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been gad for five here and.
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Now he's on the landing and now he's opening the door.
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You darling, darling boy, you you and not the.
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Other understand your boy? You must give me. I'm hysterical.
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That's be patiently, I'll be all right in a minute.
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What's wrong? What happens?
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Let me hold your hands. Oh, just knowing that you're
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here makes me feel better.
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Already I thought i'd go out of my mind.
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Now if you'll only tell me wait a moment.
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Do you hear anything?
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Just the wind, that's all. That's all.
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Oh, Leslie, you mustn't.
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Leave me alone ever again.
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I think you can't bear.
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Her to be alone.
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But I just drove to the station to get miss Morrow.
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Darling.
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You're in a terrible said you really must do.
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I'll be all right, hys missus No, she.
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Went through the side entrance in her room.
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I guess I think I'm going to discharge that girl. Why, Oh,
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I don't so.
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I see she doesn't belong here. I don't like strangers about.
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Really, you're being silly.
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You can't bear being alone, and now you want to
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discharge your companion.
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Well, you're here now.
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But I can't be with you all the time, Leslie.
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But you almost never leave the house, and someone must go.
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Out to get things done once in a while.
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Oh.
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Yes, I suppose you're.
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Right, and it won't do you a bit of harm.
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To go out once in a while too, the movies
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in town.
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Or maybe New York for the theater.
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No, no, no, Ellen, don't you dare.
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Suggest that again?
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You but never suggest that again. You're here?
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But why why must you stay here, locked up in
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this house?
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Because because ever since my husband disappeared, I vowed, Oh
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what she wouldn't understand?
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I think I would.
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Oh no, no, you're young and handsome and charming, and.
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There's no oh you was troubling you.
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It's all that.
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I feel ever so much better already. No, dear Leslie,
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you don't know what you've done for me.
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Really, it was horrible living here with just tomorrow until
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you were sweet enough to come and stay with a poor,
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lonely old lady.
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I know it must be trying for yours.
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It's really lots of fun. I'm having a fine time.
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And that talk of your being an old lady is
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just nonsense. Why if Uncle Gregory were here and could
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see you now, he'd fall in love and.
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Marry you all over again. Why do you say that
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just to make you laugh?
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Oh you're very flattering.
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Laugh. You won't go away.
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Ever, will you?
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Quite an ide?
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You are my only living relatives.
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I'll remember your kindness when I'm gone.
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You'll be wealthy, very wealthy here.
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Now, what kind of talk is this when you are gone? Indeed,
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why we're going to have grand times here forever and hour.
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Now you go to.
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Bed and sleep away all that foolishly.
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And here's a kid for a pleasant dream.
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So silly boy, super nightsmorrow forby.
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I'm too tired to wait.
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You're night, Barbra, Baba, don't tell me about it, don't
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say anything, Just just kiss me and hold me.
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T oh dear, oh, listeners. I could hardly bring myself
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to come back here tonight. She's so hateful and cruel, Barbara.
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You may hear you, sorry, but.
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How much more of this do you think I can stand?
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This? Hustle drives mad as she is, Please, dearest.
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All right, all right, don't seem so senseless.
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You say you love me.
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You know I haven't any money, but I'll get some.
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I'll get a great deal. And as soon as I do,
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I want to know, it's win win tonight.
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Perhaps Gregory, no, no, got away, love me nothing one lesson?
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I heard second?
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Listen do you hear it?
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Oh?
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I say, Helen, I'm not the only one.
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What is it Gregory? I know it.
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That's the way he used to walk around the house chat.
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But I know I said did this fare while I
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was alone? He's come back somehow, oh Leslie?
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Come and why should he do this?
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If Uncle Gregory come back, why he'd come right in
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the front door.
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Don't you see he can't he's in dead these five
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years dead?
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He told me. I know.
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I didn't want to shock you, Oh Leslie?
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How much can I trust?
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You? Trust me? Why? And you know there isn't anything
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I wouldn't do for ye?
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Where is it coming from?
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Give me my robe? But I don't see why you
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must get out of bed.
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I must know about this.
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I can't leave this house, Leslie.
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And the food.
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I can't you believe it? You can sell it and
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go away.
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You don't understand.
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Yes, the any room we're going in there, I'm not
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afraid to say anything.
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If you're with me, I'll come very well. See anything.
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There's nothing in the car, but I can see it.
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It's closer.
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There's a living room, not a soul there? So why
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do you pick up that fireplace iron?
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In a moment?
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Can you move the piano up? Rides are pretty heavy?
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But I think I can do it there.
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We got a little shovel from the fireplace.
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I say, I don't understand. What are you doing there?
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What is it some kind of secret trap door on
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the floor.
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You're trying to move that iron?
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Yes, it's over here.
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Let me do it, all right, I think I haven't now.
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There's any but dirt under there. Use the shovels very well.
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I don't know.
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That's stopped.
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Yes, wye, Perhaps this is why, perhaps he wanted me
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to find his body.
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He's still there.
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Look, so that's why you never left his heart?
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Isn't he was lying here all this time, lying here
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where you buried him after you murdered him.
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Isn't that so?
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Now? Who is bleeding? Lie? Oh? Yeah, Auntie Ellen, the
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old darling, just had her nephew dig up her husband
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from under the floor. If you think she kept him
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there to make him stay home night, you're wrong. He'd
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been murdered, and Auntie Ellen's nephew just acute.
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Yes, yes, I killed him, Leslie, you mustn't tell anybody.
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I know you won't tell.
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Oh, it's been horrible.
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Living all these years with him right in the same house.
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I could never leave.
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Someone might find him, you see, and every time I
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heard a noise in the house.
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Oh, it was frightful, I should think.
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So that's why I sent for you.
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I couldn't bear it alone.
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Now you know my secrets and you will help me,
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of course, Dear Leslie, I know.
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You will and.
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Won't you borrow? Don't get hurting. Come in, Barbara. I've
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heard everything, missus Richard, and I know everything. You know.
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You and Leslie, it.
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Was you who made those noises.
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That catting.
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It didn't start until after you came.
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Horrid boy fight?
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Did you?
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How could you do this to me after everything I've
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done for you.
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I thought you loved me.
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I thought it down. I will know it, I said, father,
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get a check book.
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Okay, what are you going to.
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Do, dear? And you are going to write a check
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for fifty thousand dollars?
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Are you for me?
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The book and a pen?
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I see it all.
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Now, what a fool I've been taking the.
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Two of you into my home and now you do
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this to me.
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Just to get my money.
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You killed him for that money.
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You have no right to talk.
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You made him do this, tsy the good boy.
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You found out about this, and you put him.
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Up to it.
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159
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161
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188
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190
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191
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192
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196
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198
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200
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201
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202
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206
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207
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208
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209
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210
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211
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212
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213
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214
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215
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216
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217
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232
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