Nov. 9, 2025
Unknown Broadcast | Graves & Revenants: Classic Horror Stories of Plague, Vengeance, and the Unquiet Dead
In this episode of Mystery Theater, we delve into the sinister world crafted by Wilkie Collins, exploring a chilling tale titled "Shadows from the Grave." The story is introduced by our host, Hyman Brown, who sets the stage for an intriguing exploration of mortality and the supernatural. We meet Xavier Yardley Zenith, a young photographer who inherits a mysterious estate from his Uncle George, who ominously proclaims that he will die within a week.
Uncle George's peculiar insistence on guarding his mausoleum raises the stakes as Xavier learns about the family secrets buried within the estate. As Xavier navigates his new life, the narrative takes a dark turn, unraveling the complexities of his uncle's death, underscored by a mysterious ghostly presence demanding resolution. The episode unfolds through Xavier's nightmarish visions of his uncle's ghost, urging him to seek a blessing for his unblessed grave, raising questions of guilt, a possible murder, and supernatural repercussions of familial ties.
The atmospheric richness of the storytelling becomes palpable as we witness Xavier's struggle against unseen forces that challenge his understanding of reality. Throughout the episode, the tension escalates with every check on the mausoleum’s locks and as Xavier grapples with his wife Catherine’s growing distrust of the ancestral legacy that seems to haunt them. The listener is drawn into the murky depths of human emotions, fear of the unknown, and the morality entwined with death.
Unknown Broadcast slips in with old-time radio horror, classic OTR ghost stories, and radio suspense, my dear. Draw closer—just enough to hear the dirt breathe.
- 🕯️ Shadows from the Grave — A mausoleum sealed, a blessing demanded, a promise the living dare not break. The night keeps the ledger; the grave keeps the pen.
- 🔥 Funeral Fires — Fever runs ahead of mercy, and smoke writes the verdict in the sky. When the torches rise, even the righteous learn to whisper.
- ⚰️ Make Ready My Grave — A name etched before the heart stops beating. Some holes in the earth are not dug for bodies, but for secrets.
- 🪦 No Grave Can Hold Me — Tracks hum, timetables tick, and the dead make their appointments—precise, punctual, inevitable.
Lean close, my dear. This is where classic OTR horror stories keep walking and Unknown Broadcast pretends not to notice.
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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My dear, so good to see you back. I know
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last week got a little interesting. Well now, of course
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I'm back in my home of source and always happy
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to have your visited so late at night. Oh what's that?
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Well?
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I suppose some other time I'll fill you in on
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all the goings on, but let's just say I made
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the most of a glimmer of life. Now, please get comfortable.
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The tea is brewing. This November night is very cold,
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and I'm starting to feel shadows from the gray come in.
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Welcome, Welcome to mystery Theater. I am Hymen Brown. Those
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of you who have attended performances in the mystery theater
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know that there are certain tales that particularly entrance and
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intrigue me. They deal with the unusual, the unfamiliar, the unexplainable.
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So I have turned today to that master of mystery,
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Wilkie Collins, who has a habit of coming up with
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a story that's always making me say, why that's not possible?
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Or is it? Say?
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Say? Can you hear me?
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Yes? I can, Uncle, it's me Xavier. Are you a ghost?
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Why didn't Father Daily bless my coffin?
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I wanted him to Uncle, but he refused absolutely refused.
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Why because he said, you didn't die and natural death.
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You must make him bless the grave. I cannot rest
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until he does.
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Our mystery drama Shadows from the Grave, adapted from a
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story by Rookie Collins, was written especially for the Mystery
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Theater by James Agate Junior and stars Christopher Tabori and
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Fred Gwynn. I'll be back in a moment. With Act
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one one invariably associates mysterious with lonely old houses, strange,
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small inbred towns, peculiar characters, and I have to admit
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this story follows that pattern. The man who told it
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to me is one ex y Zenith. You can imagine
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the comments this poor guy has gone through life with. Nevertheless,
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he didn't seem to mind when I said, XYZ, would
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you tell us about your extraordinary adventure yourself?
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Having been christened Xavier Yardley Zenith and suffered with those
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initials all through school in California, I decided that when
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I got to the job age and became very good
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in photography, to open up a studio of my own.
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Call it Zenith of Hollywood, not an unusual word in Hollywood,
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where everything is the top. The best, the ultimate, the Zenith.
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Two things occurred in April of this year which totally
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changed my life.
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One I planned to marry.
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And two I got a note from my uncle George,
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who lived in Fresno, come see him on what he
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called a matter of some importance.
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Hello, up there, uncle George, it's me Xavier. What are
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you doing up in that tree?
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Xavier, Welcome, my boy. I've just about sealed up this
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hole in the tree. Eh here, give me a hand, steady,
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A pretty sprite A man in my age. Don't you
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think you've never been up this way before?
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Have you saved you since I was a child, Uncle George,
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What happened to this big old oak? Struck by lightning?
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No, it's the woodpeckers and squirrels that make all these holes.
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I've just had it with the noisy beggars. They jump
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from this tree to the top of the porch, and
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then they run along my bedroom window, making the most
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infernal racket you can imagine. So I've just been sealing
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up a few of their nesting places.
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Let them find apartments elsewhere, I say, what about that
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big hole on the other side of the tree.
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Maybe tomorrow and mix up some more cement.
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Say boy, you always go around with two cameras hanging
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around your neck.
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Photography is my business, so I'm always prepared just in case.
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Is there a living in it? You sell your pictures.
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I used to do better, took shots of movie stars
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on location, did a lot of newspaper and magazine work.
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But work is thin that I have a proposition to
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make you, since I gather that picture taking business isn't
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too profitable these days, I think you may be interested.
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Are you married?
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I'm just about to be this coming Saturday, matter of fact?
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Good?
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Then what I have in mind might make an excellent
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wedding present. I'm not a rich man, Xavier, but comfortably
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off fifty nine acres orchards, gardens, this house, and a
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private family vault.
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On the premises you're joking, you're a mausoleum.
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Death is not a joke, Xavier. I am going to
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die in a week.
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You know you're not. You look fit as a fiddle,
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an ill tuned fiddle. Now death is only a few
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days off of me. Would come to this for some time,
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so it's no surprise. I'd like to show you where
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I'm going to be buried. Here we are that's gerarra
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marble and but mon granite. Those two locks on the
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bronze door are an invention of mine.
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Mind if I take a picture of it, not at all.
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There's no one in your private mausoleum, now, is there?
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No?
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There was no no one now, Xavier, I want you
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to pay particular attention. Two keyholes and two separate brass keys.
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There is a very good reason for the two locks.
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When I am laid to rest inside this wal Xavier,
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I don't expect I shall be trying to get out,
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but I do not wish anyone else to get in.
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But why would a person want to?
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It's not necessary for me to explain all that to
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you now, my boy, I turned the handle and so
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not spacious, but not crowded. My final home.
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Uncle, If you don't mind, could we go back to
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the house now. I'm not at my best in mausoleums.
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All right, I've shown you everything.
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We'll sit ourselves on the porch and I'll tell you
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what's on my mind. Have you ever sat in a
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porch swing?
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Xavier? Comfortable?
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I love these old swings, Xavier.
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I have no choice. You are my only living kin.
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There is no one else I'm leaving all my worldly
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possessions in this house, the contents, the grounds, everything to you.
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On one condition.
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You must live here and every day, every single day,
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mind you, you must go to that mausoleum and make
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certain there's been no one tampering with the locks.
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And that's the only condition.
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Uncle, the only one.
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I certainly appreciate your generosity. Can I think it over
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and let you know I'd like to talk it up
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with Catherine.
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Absolutely not, you're going to agree right now. But but what.
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You can have your zenith of Hollywood office right here.
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This place is plenty big enough. You can turn this
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hilarium into a studio if you like. I don't care,
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I won't be here it's all decided, then good. I'll
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have Henley take you to the top of the hill,
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a good view and you can see most of the property.
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Have a tug at that bellpull with Isavia. My dear boy,
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you don't know what a relief this is. My fate
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lies in your hand just a moment.
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Uncle. I haven't agreed to this inheritance yet, But if
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I do and I find someone's been at the locks
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of that mausoleum, what should I do.
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In my desk in the library bottom right hand drawer
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is a letter of instructions.
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The envelope has one word on it.
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Joshua, did you say, Joshua?
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But unless someone has been trying to break in, that
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letter must never be read. You rang, sir, Yes, Henley,
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this is my nephew, Xavier Yardley Zenith. He's going to
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be living here. I want you to acquaint him with
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the property. Very well, sir, goodbye, Xavier. I shall not
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be seeing you again. Have a good walk. Well, my
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dear Joshua, your old friend George Zenith has found a
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way to outwit you.
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Do you hear me, Joshua?
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That's exactly what he said, Catherine. He stood looking out
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of the window at the tree he'd been cementing, talking
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to someone called Joshua.
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Of course wasn't in the tree. It was most uncanny.
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And then I left the room with handling the butler.
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How well do you know your uncle George?
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Only slightly, I'd.
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Say, so, then you have no idea what he meant
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by Joshua. I'm going to outwit you now, not the vegust.
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But the important thing is, Catherine, do we want to
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spend the rest of our lives in a Victorian white
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elephant with a.
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Cook and a butler.
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Our lives.
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Well, that's the deal.
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If I accept, I have to guard that mausoleum every
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single day.
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Darling. Let's forget about this crazy uncle George of yours.
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We're getting married Saturday. That's enough to think about for now.
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If your uncle won to leave us his big old
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house in Fresno, fine, I love old houses, especially when
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it's a free gift. You didn't promise anything, did you?
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No?
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I didn't.
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Saturday, Catherine and I tied the Knot nothing fancy, just
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a few friends at the Registrar's office in Hollywood Boulevard.
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About a dozen of us drove out to Laguna Beach
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for a wedding breakfast, and we just got around to
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toasting one another in California Champagne when my service tracked
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me down and left a message that Uncle George had
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died and would I come back to Fresno.
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I'm father daily, mister Zenith.
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Your uncle came occasionally to our church, father daily. This
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is my wife, Catherine.
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How do you do?
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I'm sorry this sad occasion has brought us together. Not
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a very auspicious first married week.
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Is it.
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It's hard to believe.
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He seems so healthy and when he talked about being
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dead the week or did he?
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Yes?
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I thought it was his macomber sense of humor. How
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do you suppose he.
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Knew or if he intended to take his own life,
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and quite naturally.
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He would know.
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Well, surely no one think of my son. No one
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knows when is the funeral service. There isn't going to
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be one in the strict sense of the word, no funeral.
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But why not? Father?
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I'm afraid mister Zeena's uncle may not have died a
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natural death. The medical examiner said, an overdose of sleeping pills.
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Oh, but couldn't that have been an accident? I mean
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he told me he had a lot of trouble sleeping.
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Well, of course it could have, which is what the
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coroner decided, death by accident. But so long as there's
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the slightest suspicion, which you have rather confirmed just now,
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for me, I cannot bless the grave.
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I could bite my tongue for telling you what he said,
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that he'd be dead in a few days.
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Had you kept your uncle's intentions secret, that indeed would
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have been immortal sin.
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Yes, Henley you wish to see me, I do, sir, cook,
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and I want to leave.
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You wish to leave this house?
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But why will? Your uncle was alive.
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There were some very peculiar things going on, but out
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of loyalty.
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We just couldn't go. Peculiar things that frightened you.
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Oh yes, indeed, sir, Strange voices and goings on, and
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awful shrieks like someone being attacked, terrifying.
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If you ask me, I quite agree with you. Have
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you heard such noises since my uncle passed a win?
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No?
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Well, then I suggest to you the noises died with him.
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Now I'll w salary cooks also, and I don't want
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to hear any more about your leaving.
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You put it that way, sir, we'll be happy to
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stay on.
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Every day I go out and check the locks on
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the family vault. Catherine and I started making over the
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solarium into a studio, and I ordered equipment for a
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dark room. But then one night I had a strange dream.
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Savior, Savior yardly seen.
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It is that you, Uncle George.
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Why didn't Father Daily bless my coffin?
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I wanted him to uncle, but he wouldn't. He said.
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