Nov. 12, 2025

Withdrawal — Cursed Rock-Star Horror Story: Fame, Obsession, and a Deadly Encore

Withdrawal — Cursed Rock-Star Horror Story: Fame, Obsession, and a Deadly Encore
Apple Podcasts podcast player badge
Spotify podcast player badge
Spreaker podcast player badge
Audible podcast player badge
Castro podcast player badge
RSS Feed podcast player badge
Apple Podcasts podcast player icon Spotify podcast player icon Spreaker podcast player icon Audible podcast player icon Castro podcast player icon RSS Feed podcast player icon
Weekly Spooky horror podcast delivers an original cursed song and rock-star possession tale soaked in ’80s fame and occult obsession. When faded idol Sammy Scar surges back to stardom, the crowds chant in perfect unison, a buried B-side resurfaces, and a whisper won’t stop saying, “They’re here for you.”

From Sunset Strip glare to Times Square neon, this celebrity horror spirals toward a deadly encore where the ticket price is breath and blood. If you crave cursed music, occult folklore, and celebrity nightmares, press play—and keep the volume low. New scary stories every Wednesday on Weekly Spooky.

Withdrawal — by John Stoney Cannon.

🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!

🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join

📬 Contact Us / Submit Your Horror Story!

🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨‍💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT

1
00:00:01.080 --> 00:00:06.000
The crowd outside your hotel room starts singing your old hit,

2
00:00:07.000 --> 00:00:12.119
every voice on the exact same breath. The door locks,

3
00:00:12.560 --> 00:00:18.239
the phone rings, A whisper rides the dial tone. They're

4
00:00:18.399 --> 00:00:23.480
here for you. You cover the receiver, but the chorus

5
00:00:24.120 --> 00:00:24.839
keeps going.

6
00:00:26.760 --> 00:00:30.120
What's that You want to be scared?

7
00:00:30.280 --> 00:00:42.280
He come with me. You will experience tales over over

8
00:00:42.920 --> 00:00:44.200
ghosts and.

9
00:00:45.960 --> 00:00:54.759
It is not recommended for the weeded art listeners in

10
00:00:54.880 --> 00:00:57.920
the dark park. It's more funny that way.

11
00:00:58.119 --> 00:00:58.280
Wait.

12
00:00:58.479 --> 00:01:01.719
Wait, this is Weekly Spooky.

13
00:01:08.439 --> 00:01:14.599
Hello my Spookyes, it's Wednesday, and you know what that means.

14
00:01:15.280 --> 00:01:20.719
It's time for a little spooky in your weekly I'm

15
00:01:20.760 --> 00:01:25.480
your host and narrator, Enrique Kuto, and tonight's story is

16
00:01:25.519 --> 00:01:29.719
a little different and a lot of fun, and it's

17
00:01:29.760 --> 00:01:33.200
from a brand new author, so make sure you stick

18
00:01:33.280 --> 00:01:36.640
around and give it a listen. But before we get

19
00:01:36.680 --> 00:01:38.840
to that, I want to say thank you all so

20
00:01:39.000 --> 00:01:42.439
much for joining us as we head out of spooky

21
00:01:42.519 --> 00:01:47.599
season and into winter, which brings about its own spooky

22
00:01:47.760 --> 00:01:52.400
trials and tribulations. We have so much scare to share,

23
00:01:52.599 --> 00:01:57.519
so make sure you're subscribed on your favorite podcasting app. Also,

24
00:01:57.640 --> 00:02:00.359
a huge thank you to everybody who's taking advance of

25
00:02:00.400 --> 00:02:06.079
our new sponsors, especially Cozy Earth. Several of you Spookies

26
00:02:06.120 --> 00:02:09.680
have headed to cozyerth dot com and gotten yourself something

27
00:02:10.120 --> 00:02:13.879
really comfy to enjoy the winter months, whether it's bedding

28
00:02:14.400 --> 00:02:18.560
or loungewear or my favorite bathrobes, and you got forty

29
00:02:18.599 --> 00:02:22.960
one percent off your first order by using promo code Spooky.

30
00:02:23.439 --> 00:02:25.240
Not only do you get to save a bit of

31
00:02:25.280 --> 00:02:30.319
money and get something comfy, but every purchase directly supports

32
00:02:30.319 --> 00:02:34.000
the show. So if you haven't already, check out cozyerth

33
00:02:34.039 --> 00:02:37.080
dot com and if you find something you want, well,

34
00:02:37.439 --> 00:02:41.680
get forty one percent off with promo code Spooky. Thank

35
00:02:41.759 --> 00:02:46.719
you Cozy Earth for supporting the podcast. But now, as

36
00:02:46.759 --> 00:02:51.759
for tonight, Imagine a song you wrote when you were young,

37
00:02:52.639 --> 00:02:58.199
Louder than sleep, brighter than fame. Now picture it coming

38
00:02:58.360 --> 00:03:03.280
back on a cold night, not on the radio, but

39
00:03:03.400 --> 00:03:08.759
from a thousand open mouths beneath your window. What if

40
00:03:08.800 --> 00:03:13.080
the chorus wasn't a memory at all, but a kind

41
00:03:13.120 --> 00:03:19.599
of summoning. What if the encore didn't end until you did.

42
00:03:20.560 --> 00:03:24.319
Tonight we strike a match for a rock legend who

43
00:03:24.439 --> 00:03:31.120
learns that some hits don't fade. In fact, they feed

44
00:03:40.800 --> 00:03:49.479
withdrawal by John Stony Hannah. Some things never change, and

45
00:03:49.599 --> 00:03:56.360
even after every hot minute, the weight always seems to remain. Oh,

46
00:03:56.520 --> 00:04:01.199
the scene has been reset, that's for sure. His lone

47
00:04:01.280 --> 00:04:08.159
platinum single record, adorning a wall once covered with classic albums,

48
00:04:08.199 --> 00:04:12.759
now drenched in the images of pre pubescent teeny bopper

49
00:04:12.879 --> 00:04:17.480
divas that can barely sing their own songs staring back

50
00:04:17.519 --> 00:04:21.639
at him. But the weight, Even when Sammy was at

51
00:04:21.639 --> 00:04:24.879
the top of his game, Sid would make him stew

52
00:04:25.519 --> 00:04:30.000
So why would shit be any different? Decades later, his

53
00:04:30.199 --> 00:04:35.720
sarcastic thought, fading into an internal chuckle, just as Sammy

54
00:04:36.199 --> 00:04:40.199
heard the door open up behind him. Well be still

55
00:04:40.399 --> 00:04:44.279
my once teen hormones. If it isn't the one and

56
00:04:44.480 --> 00:04:50.439
only legendary Sammy Scar, you sure don't sound like Sid,

57
00:04:51.040 --> 00:04:55.439
responded Sammy, without a glance or a hint of interest,

58
00:04:56.319 --> 00:04:59.079
You ship him off to babysit, Vince, Neil or something.

59
00:05:00.399 --> 00:05:04.399
Last name's vain, said the middle aged woman as she

60
00:05:04.560 --> 00:05:08.439
sat on the desk and crossed her mostly bare legs.

61
00:05:09.439 --> 00:05:12.600
But I'm cool if you call me Sherry and Sid

62
00:05:12.680 --> 00:05:18.040
is off babysitting. Your newfound popularity seems that old single

63
00:05:18.120 --> 00:05:21.399
of yours has come back from the dead. No one

64
00:05:21.480 --> 00:05:26.120
really knows why, but since this past Friday, it's suddenly

65
00:05:26.199 --> 00:05:32.959
become the most streamed song of all time streamed, chuckled Sammy,

66
00:05:33.079 --> 00:05:37.160
still looking down. Didn't they piss on my music enough

67
00:05:37.199 --> 00:05:42.079
when they stopped buying my records in nineteen ninety. Well

68
00:05:42.120 --> 00:05:46.519
you know what they say, Sammy, Some scars never ever

69
00:05:46.720 --> 00:05:52.560
go away. Well, actually, miss Vain, they just become scabs

70
00:05:52.600 --> 00:05:56.560
on classic rock radio, to be picked at every once

71
00:05:56.600 --> 00:06:03.199
in a while. Well, actually missed scar, snarled Sherry as

72
00:06:03.199 --> 00:06:08.160
she leaned in dangerously close. The kind of attention you're

73
00:06:08.240 --> 00:06:13.079
suddenly getting again, Sid thinks might be a revival the

74
00:06:13.319 --> 00:06:17.959
likes of Tina Turner or Cher back in the eighties. Well,

75
00:06:18.079 --> 00:06:21.680
I don't think so, share, they both got way better

76
00:06:21.759 --> 00:06:27.040
gams than I do. Besides, I'm currently way more interested

77
00:06:27.079 --> 00:06:30.839
in a long overdue meal at one of my fave haunts.

78
00:06:31.040 --> 00:06:34.879
So for the next couple of hours, pretty sure Sid'll

79
00:06:34.959 --> 00:06:43.439
know where to find me. Spotting his driver through the

80
00:06:43.519 --> 00:06:48.800
lobby window, Sammy stepped out into the afternoon sun, just

81
00:06:48.879 --> 00:06:54.040
in time to find himself overtaken by an obnoxiously crazy

82
00:06:54.160 --> 00:06:57.040
mob it was all he could do to keep his

83
00:06:57.160 --> 00:07:02.839
new Randolph shades attached to his face. A sudden tug

84
00:07:03.279 --> 00:07:08.360
and he found himself bouncing around inside the car. What

85
00:07:08.480 --> 00:07:13.120
the Sammy hissed as he glared at the scratched sunglasses.

86
00:07:13.959 --> 00:07:20.279
These fuckers ain't cheap. They're here for you, said a

87
00:07:20.360 --> 00:07:33.120
voice next to him. Driver to d'antanna's. Now, it had

88
00:07:33.160 --> 00:07:38.079
been a good long while since Sammy had tasted the bracciola,

89
00:07:39.040 --> 00:07:44.360
each bite taking him back in time in the early eighties.

90
00:07:44.839 --> 00:07:49.079
Simply walking through the door was as good as any reservation.

91
00:07:50.279 --> 00:07:53.759
Same out of the way back table, a refuge from

92
00:07:53.759 --> 00:07:58.800
the screaming teenage girls clamoring to hear that one song,

93
00:07:59.680 --> 00:08:05.839
that one fucking song. And while it never fully disappeared

94
00:08:05.920 --> 00:08:10.560
from the airwaves over the years, for some crazy reason,

95
00:08:11.079 --> 00:08:16.839
withdrawal was all the rage once again. Who the fuck

96
00:08:16.920 --> 00:08:21.079
wants to hear that song? Now, mumbled Benny between bites

97
00:08:22.079 --> 00:08:28.600
their granddaughters nostalgia, my friend answered Sid as he sat down.

98
00:08:29.600 --> 00:08:33.159
Same chicks, just older and hanging on to the past

99
00:08:33.240 --> 00:08:37.080
for dear life. I guess woke up Friday and you

100
00:08:37.159 --> 00:08:40.559
were a friendly old radio staple, and by the end

101
00:08:40.600 --> 00:08:43.840
of the day you were the hottest thing in music

102
00:08:44.120 --> 00:08:49.720
all over again. Fuck if I know why this past Friday,

103
00:08:50.279 --> 00:08:56.720
mentioned Sammy the thirteenth. You noticed that too, Sammy, I'm

104
00:08:56.720 --> 00:09:00.679
way ahead of you, already spinning that one to new outlets.

105
00:09:01.480 --> 00:09:05.399
Just a mere mention of a possible tour actually knocked

106
00:09:05.399 --> 00:09:09.840
the ticket site offline for a while. I don't know, Sid,

107
00:09:10.480 --> 00:09:15.440
said Sammy before chewing another bite. It was fun ten

108
00:09:15.559 --> 00:09:19.080
years ago to play those five thousand seat outdoor spots,

109
00:09:19.159 --> 00:09:23.639
but these days royalties almost pay just enough for me

110
00:09:23.679 --> 00:09:27.039
to be able to just sit at home, squat my

111
00:09:27.080 --> 00:09:30.200
bare ass on the terrace and stare at the beach.

112
00:09:31.559 --> 00:09:37.200
Oh silly, Sammy, still the fucking wild man, small amphitheaters.

113
00:09:37.679 --> 00:09:40.840
Hugh kidding me. My phone's been ringing off the hook

114
00:09:40.919 --> 00:09:44.159
for you to play way bigger spots like the Bowl

115
00:09:44.240 --> 00:09:52.600
and the Garden. Maybe bigger, bigger, questioned Sammy. You're fucking nuts, Sid.

116
00:09:53.600 --> 00:09:58.440
A sudden commotion sliced through the conversation as the hostess

117
00:09:58.480 --> 00:10:02.679
nervously walked over include the two men of the growing

118
00:10:02.799 --> 00:10:09.039
congregation outside. See Sammy, this is what I'm talking about,

119
00:10:09.720 --> 00:10:13.600
Sid spit out, before barking into the phone. I need

120
00:10:13.639 --> 00:10:16.879
you to pull around back. Now, let's get mister Scar

121
00:10:17.000 --> 00:10:21.840
to the Sunset immediately. Come on, Sid, I'm not even

122
00:10:21.879 --> 00:10:30.240
done with my brock now, Sammy. Even the updated decor

123
00:10:30.320 --> 00:10:34.840
at the Sunset Marquee didn't keep Sammy from feeling at home,

124
00:10:35.600 --> 00:10:39.440
as if all the cigarette smoke and sexual tension that

125
00:10:39.600 --> 00:10:44.399
over the years seeped into the walls somehow remained the

126
00:10:44.480 --> 00:10:48.600
haunted voices of the past kiss stained into the fabric

127
00:10:49.000 --> 00:10:53.919
of each space, every single sweaty rock and roll orgy

128
00:10:54.559 --> 00:10:58.519
and manic coke binge. Being able to get a room

129
00:10:58.600 --> 00:11:02.480
overlooking the boulevard and the addition of a vintage radio

130
00:11:02.679 --> 00:11:08.919
during the stay only added to the notorious glorious vibe.

131
00:11:08.960 --> 00:11:12.679
Sammy always looked forward to soaking up the decadent aura

132
00:11:13.320 --> 00:11:17.159
and the chance to once again tune in to klos

133
00:11:17.960 --> 00:11:23.120
as station rocking the area since the early seventies, Southern

134
00:11:23.159 --> 00:11:28.000
California's rock and roll radio ninety five point five KLS

135
00:11:28.039 --> 00:11:30.639
and that was the heart of rock and roll. From

136
00:11:30.759 --> 00:11:34.480
Huey Lewis and the News, this is Geno Mitchellini feeding

137
00:11:34.519 --> 00:11:38.279
your withdrawal symptoms with a new track from Sammy Scar.

138
00:11:39.399 --> 00:11:44.600
New track, My ass grumbled, Sammy maybe a new life.

139
00:11:45.279 --> 00:11:47.320
Not even the best song I ever put out for

140
00:11:47.440 --> 00:11:54.360
fucking out loud. Sheesh weird though I thought Gino passed

141
00:11:54.399 --> 00:11:59.799
away last year. Sammy closed his eyes as the old

142
00:11:59.840 --> 00:12:04.639
tunes played on the radio, and he felt himself fade away,

143
00:12:05.559 --> 00:12:11.120
back into nineteen eighty four, just before the big bang

144
00:12:11.200 --> 00:12:14.240
of stardom, when he could walk the half a mile

145
00:12:14.399 --> 00:12:17.480
or so to the whiskey a go go without so

146
00:12:17.720 --> 00:12:21.519
much as a bother, a routine he picked back up

147
00:12:22.120 --> 00:12:25.039
that helped him deal with the bitterness of the glitter

148
00:12:25.240 --> 00:12:30.000
fading in the nineties, the end of his fifteen minutes

149
00:12:30.000 --> 00:12:35.840
of stardom, cushioned by the consolation prize of his returned privacy,

150
00:12:36.879 --> 00:12:40.600
a smile coming across his face as he slid on

151
00:12:40.759 --> 00:12:45.919
his kicks in preparation for the short, breezy track to

152
00:12:46.000 --> 00:12:55.240
the legendary venue. May I help you with anything, asked

153
00:12:55.279 --> 00:12:59.759
the hotel concierge as Sammy stepped out of the elevator.

154
00:13:00.720 --> 00:13:08.000
Restaurant reservations, Perhaps call for transportation anywhere? No thanks, replied Benny,

155
00:13:09.159 --> 00:13:12.639
just gonna walk down to the whiskey. I'm not sure

156
00:13:12.639 --> 00:13:17.360
if that's best, said the concierge, as a shriek filled

157
00:13:17.399 --> 00:13:21.840
the hotel lobby. There's a sizeable group of women trying

158
00:13:21.840 --> 00:13:26.240
to push their way past security out front. What did

159
00:13:26.320 --> 00:13:29.919
somebody tell them, Tommy Lee's cock is staying here or something.

160
00:13:31.080 --> 00:13:37.559
They're here for you, said the voice again. Well, fuck all,

161
00:13:38.200 --> 00:13:40.720
maybe I'll try to sneak out again a little bit later.

162
00:13:41.440 --> 00:13:43.879
Can you send up a nice bottle of cabernet when

163
00:13:43.919 --> 00:13:53.480
you get a chance, Very good, sir, right away. Even

164
00:13:53.559 --> 00:13:56.639
over the sound of the radio, Sammy could hear the

165
00:13:56.720 --> 00:14:01.639
hum coming from the boulevard of what he figured to

166
00:14:01.720 --> 00:14:06.639
be the sunset at night. That energy he longed to

167
00:14:06.720 --> 00:14:11.960
snatch up again, and with every slow, nervous step towards

168
00:14:11.960 --> 00:14:17.759
the window, the hum grew louder and louder. As he

169
00:14:17.879 --> 00:14:21.960
inched his face closer to the window, he could see,

170
00:14:22.039 --> 00:14:26.720
one by one the faces looking up in his direction,

171
00:14:28.039 --> 00:14:33.639
suddenly singing in unison. As he slowly shifted the curtain aside,

172
00:14:34.840 --> 00:14:40.360
wading on the corner where the street lights fade, shadows

173
00:14:40.480 --> 00:14:46.120
drape like curtains on an empty stage. Your footsteps echo,

174
00:14:46.960 --> 00:14:52.279
but they never stay, just whispers in the wild, a

175
00:14:52.440 --> 00:14:58.840
ghost of yesterday. For a brief moment, Sammy could picture

176
00:14:58.919 --> 00:15:03.000
the crowd in their the younger skin and the energy

177
00:15:03.159 --> 00:15:08.720
left his body. Closing the curtains and his eyes. He

178
00:15:08.879 --> 00:15:13.720
stumbled back against the hotel room wall as that voice

179
00:15:14.600 --> 00:15:21.840
slid through his head. They're here for you, Here for you,

180
00:15:27.039 --> 00:15:33.679
They're here for you. Sammy, who's here? Sammy mumbled as

181
00:15:33.679 --> 00:15:37.960
he shook from his sleep. Looking up from his horizontal

182
00:15:38.039 --> 00:15:43.080
spot on the shaggy hotel room floor, Sammy could only

183
00:15:43.159 --> 00:15:47.440
see a pair of bare legs coming down from the

184
00:15:47.480 --> 00:15:53.559
front of the bed, confusing him even further. Brunch time

185
00:15:53.720 --> 00:15:59.840
is here, laughed Sherry, looking down. Sid is waiting down

186
00:16:00.120 --> 00:16:04.759
stairs in Cavatina. There's plotting and scheming to be had.

187
00:16:05.679 --> 00:16:09.000
Think you can get yourself together? Or do I need

188
00:16:09.080 --> 00:16:13.200
to tell Sid? I'll be down in thirty, Miss Vain.

189
00:16:14.480 --> 00:16:19.879
Sure you don't need help in the shower, Just thirty,

190
00:16:20.559 --> 00:16:24.720
grumbled Sammy as he opened the door. Order me a

191
00:16:24.759 --> 00:16:31.200
mimosa if you don't mind, just a glass, or asked Cherry,

192
00:16:31.679 --> 00:16:37.200
holding up the empty wine bottle, drawing no response from Sammy.

193
00:16:38.559 --> 00:16:47.399
One mimosa coming up, Rockstar. As he exited the elevator

194
00:16:47.480 --> 00:16:51.159
into the lobby, it was obvious to Sammy that even

195
00:16:51.440 --> 00:16:56.559
just another day later, something was different. Not only was

196
00:16:56.600 --> 00:17:01.559
there more hotel staff than usual, but after years of

197
00:17:01.639 --> 00:17:06.519
invisible peace, as he walked through crowds this morning, he

198
00:17:06.640 --> 00:17:12.559
found himself nodding endlessly to glances and greetings from everyone

199
00:17:12.680 --> 00:17:17.119
he passed. In his twenties, Sammy would have strutted like

200
00:17:17.160 --> 00:17:21.759
a peacock, but now, at almost sixty, he felt on

201
00:17:21.880 --> 00:17:29.359
the edge of uneasy, fucking, annoyed, actually strange. Even as

202
00:17:29.400 --> 00:17:34.519
he grabbed his seat, Sammy pointed back towards the restaurant entrance.

203
00:17:36.039 --> 00:17:38.680
It's like an episode of the Twilight Zone. Out there.

204
00:17:39.680 --> 00:17:45.279
Twilight Zone, replied Sid. I know it's early, but Sherry,

205
00:17:45.359 --> 00:17:49.720
how about we get this guy a cup of coffee? No, no,

206
00:17:49.799 --> 00:17:54.680
I'm good with this, Sammy mumbled, holding up the glass

207
00:17:54.720 --> 00:17:58.759
of mimosa. Guess I'm just not used to being out

208
00:17:58.799 --> 00:18:02.359
and about early enough for people to say good morning

209
00:18:02.480 --> 00:18:08.960
to me. They're here for you. What's that? Said a

210
00:18:09.039 --> 00:18:13.480
startled Sammy, almost knocking his glass over. Did you guys,

211
00:18:14.160 --> 00:18:18.359
did you hear that? The waitress asked what she could

212
00:18:18.400 --> 00:18:24.480
get for you, smirked Cherry, Yeah, yeah, sorry, stammered Sammy.

213
00:18:25.359 --> 00:18:32.559
Uh steak and eggs medium across the board. Thanks. See,

214
00:18:33.039 --> 00:18:37.240
some things never change. Sid chuckled as he looked at Cherry.

215
00:18:38.279 --> 00:18:43.759
This guy always with the medium steak and eggs. Well, Sid,

216
00:18:43.839 --> 00:18:47.640
I figured it must be a special occasion, you bringing

217
00:18:47.680 --> 00:18:50.880
a date and all funny you bring that up, mister

218
00:18:51.000 --> 00:18:56.640
Scar added Cherry a date. That is why miss Vane

219
00:18:57.200 --> 00:19:01.920
we just met. Look, Sammy, Sid spit out as he

220
00:19:02.000 --> 00:19:06.680
shook his head. For some unholy goddamn reason, you're hot

221
00:19:06.720 --> 00:19:09.440
shit again. Sherry and I are just here to make

222
00:19:09.440 --> 00:19:13.039
sure that you get a piece of this unexpected action

223
00:19:13.279 --> 00:19:19.920
before it turns back into popular culture fertilizer again. Well, Sydney,

224
00:19:20.559 --> 00:19:25.680
chuckled Sammy before taking a bite of steak. At least

225
00:19:25.680 --> 00:19:28.480
I can always count on you to shoot the shit

226
00:19:28.759 --> 00:19:34.319
straight with me. Sammy sat quietly eating his food as

227
00:19:34.400 --> 00:19:39.200
Sid and Sherry babbled on and on about the possibilities

228
00:19:39.319 --> 00:19:43.400
of the hot minute, a full mouthed smile and nod

229
00:19:43.519 --> 00:19:49.519
in response to suggestions like talk show appearances, concerts, even

230
00:19:49.640 --> 00:19:53.960
meetin greets, only nearly choking when the subject of new

231
00:19:54.079 --> 00:20:00.319
music came up. Na uugh, Sammy tried to spit out,

232
00:20:00.759 --> 00:20:04.480
Are you kidding me? New music? No one gives too

233
00:20:04.519 --> 00:20:10.160
shit about any new music for me, Well, not actually new,

234
00:20:10.240 --> 00:20:15.640
Sammy scar music per se, chuckled Sid as Sherry put

235
00:20:15.640 --> 00:20:24.680
her hand on Sammy's knee underneath the table. I was

236
00:20:24.720 --> 00:20:28.400
thinking maybe a new dance duet version of Withdrawal with

237
00:20:29.039 --> 00:20:35.799
Melaura Mahua, asked Sammy as he swatted Sherry's hand away.

238
00:20:37.039 --> 00:20:41.440
Ma Laura, teen pop singer that sings that hit song.

239
00:20:41.960 --> 00:20:46.400
Ya fussin' is bustin'. She totally slayed at the MVA's

240
00:20:46.480 --> 00:20:50.400
this year, added Sid. One of the hottest things going

241
00:20:50.480 --> 00:20:55.599
with the kids at the moment. Yeah no, Dice, snarled Sammy.

242
00:20:56.440 --> 00:21:00.319
My audience, at least what's fucking left of it. Haven't

243
00:21:00.319 --> 00:21:04.759
been kids in about four decades, but there's still kids

244
00:21:04.759 --> 00:21:08.079
at heart, with their own kids and grand That's a

245
00:21:08.160 --> 00:21:12.279
solid No, Sid, I don't care how fussin', tussin' or

246
00:21:12.319 --> 00:21:17.680
whatever kind of ussin she is. She's bustin', snapped Sherry.

247
00:21:18.480 --> 00:21:21.000
She can bust or ass somewhere else for all I care.

248
00:21:21.720 --> 00:21:26.279
Waiter another mimosa please, Well, I guess that means no

249
00:21:26.480 --> 00:21:33.599
new music, Sherry pouted. Well, wait a hot minute, pondered Sammy.

250
00:21:34.680 --> 00:21:38.519
You mentioned doing a remastered Greatest hits kind of thing.

251
00:21:39.279 --> 00:21:43.240
What if I give you guys an unheard, unreleased tune

252
00:21:43.319 --> 00:21:52.039
as a bonus track? Unreleased, asked Sid curiously, Stars and Scars,

253
00:21:52.720 --> 00:21:54.720
you know the song that the label wouldn't let me

254
00:21:54.759 --> 00:21:58.559
release as a follow up single to withdraw. They shit

255
00:21:58.640 --> 00:22:01.000
all over that one. But do you know how many

256
00:22:01.079 --> 00:22:03.599
times over the years someone has tried to get their

257
00:22:03.640 --> 00:22:07.680
hands on the master? What that nutcase you found in

258
00:22:07.720 --> 00:22:14.039
your house? Was looking for? Nutcase? Asked Cherry. Oh yeah,

259
00:22:14.599 --> 00:22:18.519
said Sammy, shaking his head. As the cops and the

260
00:22:18.559 --> 00:22:22.200
white coats were dragging her out, she just kept screaming

261
00:22:22.240 --> 00:22:26.200
over and over by Moon and Star. I claim your light.

262
00:22:27.039 --> 00:22:35.119
Pretty bizarro shit, really, questioned Cherry. Her interest now piqued, really,

263
00:22:35.799 --> 00:22:40.359
replied Sid. Think the headline in the Inquisitor read something

264
00:22:40.519 --> 00:22:45.720
like insane fan puts curse on rock Star. Last we

265
00:22:45.759 --> 00:22:51.119
ever heard from that cuckoo? Probably still locked up or dead,

266
00:22:51.759 --> 00:22:56.440
added Sammy as he glanced at Cherry. Talk about some

267
00:22:56.559 --> 00:23:01.359
throw away the fucking key, crazy ass shit. Oh how

268
00:23:01.839 --> 00:23:12.440
deliciously wicked Time turns the pages, but the stories torn on,

269
00:23:12.680 --> 00:23:17.839
painting memories on a canvas worn. Every second's a needle,

270
00:23:18.359 --> 00:23:23.519
every hour's a thorn. Withdrawal from your love leaves me

271
00:23:23.759 --> 00:23:29.960
battered and torn. Click, God if I never hear that

272
00:23:30.119 --> 00:23:34.880
song on the radio again. While the music business often

273
00:23:35.000 --> 00:23:39.240
left him feeling cold and jaded, returning to his home

274
00:23:39.319 --> 00:23:44.920
on Block Island was anything but for Sammy. Mornings spent

275
00:23:45.079 --> 00:23:49.880
sipping coffee overlooking the ocean from his terrace as the

276
00:23:49.920 --> 00:23:55.240
wind softly massaged his scalp, never once causing him to

277
00:23:55.319 --> 00:24:00.319
feel stir crazy despite his past rock and roll lifestyle.

278
00:24:01.039 --> 00:24:04.920
Fairy access only to the Rhode Island Spot kept the

279
00:24:04.960 --> 00:24:09.319
beaches quiet, with the only passer by being the occasional

280
00:24:09.400 --> 00:24:14.799
resident jogger or dog walker. Often, Sammy would lean his

281
00:24:14.960 --> 00:24:18.880
head back and close his eyes, leaving himself to only

282
00:24:18.960 --> 00:24:22.720
the sound of the ocean and the rhythm of the breeze.

283
00:24:23.319 --> 00:24:27.920
An infinite lullaby, as his Anela would call it as

284
00:24:27.960 --> 00:24:32.039
they cuddled up overlooking the waves while she was still

285
00:24:32.119 --> 00:24:37.319
of this earth. On perfect mornings like this, as Sammy

286
00:24:37.480 --> 00:24:41.519
sat with his eyes sealed, the wind could engulf him

287
00:24:42.079 --> 00:24:44.519
and make him feel like he was sitting with her

288
00:24:45.400 --> 00:24:51.599
arms around him. Still, they're here for you? Who's there?

289
00:24:52.400 --> 00:25:06.839
Spit out a startled Sammy aniela Hello, Sammy answered, Oh, hey, Sid, Yeah, sorry,

290
00:25:06.920 --> 00:25:10.680
I was just daydreaming on the terrace enough to jump

291
00:25:10.680 --> 00:25:14.960
when the phone rang. Yeah, she sure did love it

292
00:25:15.000 --> 00:25:18.640
out there. You should get your old overworked ass a

293
00:25:18.680 --> 00:25:20.960
spot like this and take a break from the rat

294
00:25:21.079 --> 00:25:24.759
race at least every once in a while. Do I

295
00:25:24.839 --> 00:25:29.599
want to be a guest on Espresso yourself with Ava

296
00:25:30.079 --> 00:25:35.000
Big Apple? Sure, said, just shoot me the info. But

297
00:25:35.240 --> 00:25:38.319
I'm telling you, man, you've got to check out this

298
00:25:38.440 --> 00:25:43.279
view hardly ever anyone down on the beach. It's about

299
00:25:43.400 --> 00:25:49.799
damn near perfect this, Sammy, Hey, Sammy, what's that humming noise? Sorry,

300
00:25:49.839 --> 00:25:54.079
said Sammy gasped as he slowly pointed his cell phone

301
00:25:54.319 --> 00:25:59.599
at the beach. It's like outside the hotel. They're all

302
00:25:59.640 --> 00:26:05.759
looking up here and singing together. They're here for you.

303
00:26:07.759 --> 00:26:12.920
What did you say? Said hot for me all over again? Yeah?

304
00:26:12.960 --> 00:26:17.359
I don't know. This shit's kind of it's kind of creepy.

305
00:26:17.400 --> 00:26:20.079
Do you even realize all the shit it takes just

306
00:26:20.119 --> 00:26:25.359
to get out here? Anyways? Feeling a little shaky. Maybe

307
00:26:25.799 --> 00:26:29.559
maybe I made my coffee too strong. Think you can

308
00:26:29.599 --> 00:26:32.880
send me a lift so I can get out of here. Yeah, yeah,

309
00:26:32.920 --> 00:26:39.480
we'll meet up in the city. Over the years, Sammy

310
00:26:39.559 --> 00:26:44.640
had grown weary of talk show appearances, especially those that

311
00:26:44.799 --> 00:26:48.680
consisted of him sitting at what he considered the ass

312
00:26:48.720 --> 00:26:52.279
crack of dawn in a dressing room, sipping ordered up

313
00:26:52.440 --> 00:26:56.799
crap fox coffee as he waited to trade fake chitchat

314
00:26:56.799 --> 00:27:01.440
with some fly by Night host, eventually putting on a

315
00:27:01.480 --> 00:27:04.640
smile to walk out to the screaming sound of what

316
00:27:04.759 --> 00:27:09.240
Sid later in life called a high school English teacher's

317
00:27:09.319 --> 00:27:14.359
convention over middle aged women in way too short bad

318
00:27:14.480 --> 00:27:19.200
haircuts of the opinion that their online knockoff Sammy scar

319
00:27:19.319 --> 00:27:22.839
t shirts somehow fit well with mom jeans or a

320
00:27:22.880 --> 00:27:28.039
long denim skirt and white tennis shoes. But while Sid

321
00:27:28.119 --> 00:27:31.480
thought it a sad attempt to relive their teen years,

322
00:27:32.279 --> 00:27:35.920
Sammy considered it a privilege to be allowed to forever

323
00:27:36.039 --> 00:27:39.319
be a part of their lives, even if it was

324
00:27:39.480 --> 00:27:45.279
mainly for that one damn song. He even eventually well

325
00:27:45.799 --> 00:27:49.359
mostly got over the fact that they stopped buying his

326
00:27:49.400 --> 00:27:53.359
records once the nineties hit, and even if at times

327
00:27:53.440 --> 00:27:56.759
the five thousand cedars were a little more effort than

328
00:27:56.799 --> 00:28:00.559
they were worth money wise, at least over half the

329
00:28:00.640 --> 00:28:04.359
audience was made up of true fans that could even

330
00:28:04.440 --> 00:28:08.400
sing along to the deepest cuts from all of Sammy's

331
00:28:08.400 --> 00:28:14.839
eighties records. But despite all of his appreciation, the sudden

332
00:28:14.960 --> 00:28:20.440
renewed attention had Sammy feeling awkward and at times a

333
00:28:20.480 --> 00:28:25.880
bit paranoid, enough so to question appearing on the already

334
00:28:25.960 --> 00:28:31.240
scheduled talk show, not wanting to see a promotional opportunity

335
00:28:31.319 --> 00:28:36.480
get pissed down the toilet. Sid luckily had just the answer.

336
00:28:37.400 --> 00:28:42.119
Good morning, and welcome to espresso yourself with Ava this morning,

337
00:28:42.119 --> 00:28:45.920
we're going to do something a little different and inside

338
00:28:46.000 --> 00:28:50.920
the recording studio exclusive with our very special guest, Sammy

339
00:28:51.079 --> 00:28:56.880
scar Good morning, Eva said Sammy. I gotta say the

340
00:28:56.960 --> 00:29:02.160
coffee is bueno. Thank you, Thank you, Sammy. As you know,

341
00:29:02.599 --> 00:29:06.119
we usually have a live audience, and we did receive

342
00:29:06.240 --> 00:29:09.559
quite a few calls from fans that were bummed out

343
00:29:09.680 --> 00:29:13.759
that you wouldn't be in our regular studio, but they

344
00:29:13.799 --> 00:29:16.839
all perked up when it was announced that the reason

345
00:29:16.920 --> 00:29:20.359
for interviewing you in here was to catch you on

346
00:29:20.440 --> 00:29:24.240
a quick break while you're rehearsing for your upcoming new tour,

347
00:29:25.359 --> 00:29:28.079
and I, for one, sure do appreciate you taking the

348
00:29:28.119 --> 00:29:31.240
time to make it happen, Eva, the fans of the

349
00:29:31.240 --> 00:29:34.119
reason that the spotlight is pointing my way once again,

350
00:29:34.799 --> 00:29:37.240
we had to rehearse No way I was going to

351
00:29:37.279 --> 00:29:39.880
diss them by taking a half cocked show out on

352
00:29:39.920 --> 00:29:43.519
the road. Well to clue the fans in on all

353
00:29:43.599 --> 00:29:47.799
the hard work, your longtime manager Sid told me that

354
00:29:47.880 --> 00:29:50.759
you're going to not only be doing some songs that

355
00:29:50.799 --> 00:29:54.359
you've never played live before, but a song that's also

356
00:29:54.599 --> 00:30:00.200
considered to be the holy Grail of unreleased Sammy Scar songs.

357
00:30:00.799 --> 00:30:05.039
Oh yeah, diehard fans already know that Stars and Scars

358
00:30:05.200 --> 00:30:08.240
was recorded with the intention to be the follow up

359
00:30:08.279 --> 00:30:12.400
single to Withdraw. The label wasn't interested in it being

360
00:30:12.440 --> 00:30:15.279
the next single, so I refuse to put it on

361
00:30:15.319 --> 00:30:20.680
the album or any album after that. You even turned

362
00:30:20.720 --> 00:30:23.160
down the request to put it on the soundtrack to

363
00:30:23.200 --> 00:30:30.160
the horror cult classic The Corvid. So why release it now? Well, Eva,

364
00:30:30.799 --> 00:30:33.920
it was only created as a follow up single to Withdraw,

365
00:30:34.799 --> 00:30:38.680
and with that song unexpectedly becoming a hit a second time,

366
00:30:39.440 --> 00:30:42.920
Stars and Scars has a second chance to follow it.

367
00:30:43.599 --> 00:30:46.200
So you're saying that it took the fans to make

368
00:30:46.240 --> 00:30:49.079
it possible for them to get the Sammy Scar song

369
00:30:49.480 --> 00:30:53.599
that they've always wanted the most. I guess you're right, Eva,

370
00:30:54.319 --> 00:30:57.640
And not only that, it took the fans to make

371
00:30:57.720 --> 00:31:01.720
the very last Sammy Scar wish come true. But I

372
00:31:01.759 --> 00:31:05.160
gotta tell you, fans may have been chasing this song

373
00:31:05.240 --> 00:31:09.160
for years, but it's actually not the last Scar that's

374
00:31:09.200 --> 00:31:14.400
been kept under wraps. Really, Sammy, do tell, Do tell

375
00:31:15.680 --> 00:31:18.480
in due time, Eva, But would you like me to

376
00:31:18.480 --> 00:31:21.160
play you a little bit of Stars and Scars?

377
00:31:22.119 --> 00:31:22.319
Oh?

378
00:31:22.480 --> 00:31:27.319
I think everybody watching would love that. Sammy strapped on

379
00:31:27.519 --> 00:31:32.039
his acoustic guitar, playing the first verse as he slowly

380
00:31:32.359 --> 00:31:37.240
walked out of the room midnight. Whispers call my name,

381
00:31:38.440 --> 00:31:44.440
Silver shadows play their game. I got stars inside my

382
00:31:44.640 --> 00:31:54.920
veins and scars that sing in the rain. Breaking news

383
00:31:54.960 --> 00:31:58.119
on Big Apple Radio, traffic was brought to a stop

384
00:31:58.160 --> 00:32:01.599
as fans of eighties rock and roll singer Sammy Scarr

385
00:32:01.880 --> 00:32:04.640
gathered to try to catch a glimpse of the rock icon.

386
00:32:05.200 --> 00:32:08.839
Emergency personnel were brought in to attend to several people,

387
00:32:09.160 --> 00:32:13.880
including Scar, who were found dehydrated and dizzy, the singer,

388
00:32:13.920 --> 00:32:17.240
as well as TV personality Eva, who was at the

389
00:32:17.279 --> 00:32:21.400
studio for a live broadcast of Espresso Yourself were safely

390
00:32:21.559 --> 00:32:25.079
escorted out of the building. It's been reported that following

391
00:32:25.119 --> 00:32:30.680
the departure of Sammy Scarr, fans outside seemed confused and delirious.

392
00:32:31.759 --> 00:32:34.960
It was a little after noon the next day when

393
00:32:35.079 --> 00:32:38.680
Sammy checked out of the er and was wheeled out

394
00:32:38.839 --> 00:32:42.559
the employee entrance to avoid the fans lingering in the

395
00:32:42.599 --> 00:32:47.920
hospital lobby. Having proudly tossed aside the cigarettes and heavy

396
00:32:47.960 --> 00:32:52.839
liquor decades ago, the doctor's suggestion to combat his recent

397
00:32:52.960 --> 00:32:57.599
bouts of fatigue and dizziness amounted to nothing more than

398
00:32:57.680 --> 00:33:01.880
Sammy upping his water intake and maybe cutting back on

399
00:33:02.079 --> 00:33:08.240
sugar and caffeine. Sammy regularly walked or jogged on the beach,

400
00:33:08.839 --> 00:33:13.359
and the doctors actually appreciated his occasional glass of wine.

401
00:33:14.039 --> 00:33:16.839
So the best that could be figured is that due

402
00:33:16.839 --> 00:33:20.799
to nearing sixty, Sammy just needed to take a little

403
00:33:20.799 --> 00:33:25.160
better care of himself. Thank you Sid for the lift,

404
00:33:25.839 --> 00:33:29.759
laughed Sammy as he slid into the limo. I'm so

405
00:33:30.079 --> 00:33:36.680
over all the poking and prodding, sid cooed Sherry as

406
00:33:36.680 --> 00:33:40.759
she pressed against Sammy. Kind of weird, but I can

407
00:33:40.799 --> 00:33:44.200
work with weird. Maybe you'd rather be the one doing

408
00:33:44.279 --> 00:33:49.039
the poking and prodding. I appreciate the offer, but I

409
00:33:49.039 --> 00:33:51.559
think I'll just go back in and call a cab.

410
00:33:52.680 --> 00:33:56.799
I don't think that's going to happen, teased Sherry as

411
00:33:56.799 --> 00:34:01.079
she pointed to the faces pressed against the window. But

412
00:34:01.160 --> 00:34:05.559
don't mind them. They can't see us, and there's not

413
00:34:05.599 --> 00:34:09.880
going to be anything to see, sneered Sammy. Hey driver,

414
00:34:10.480 --> 00:34:16.239
get us out of here. They're here for you. That's

415
00:34:16.280 --> 00:34:20.480
what I keep hearing, mumbled Sammy as he stared out

416
00:34:20.519 --> 00:34:26.519
the window. That's what I keep hearing. Sherry playfully pouted

417
00:34:26.599 --> 00:34:30.840
as she scooted away and fixed her skirt while Sammy

418
00:34:30.960 --> 00:34:36.559
twisted the radio dial. He wasn't totally oblivious that, even

419
00:34:36.599 --> 00:34:41.679
at almost fifty, Sherry was a gorgeous woman with legs

420
00:34:41.719 --> 00:34:45.480
for miles. He just didn't have any use for the

421
00:34:45.599 --> 00:34:48.639
drama that even a quick hand job on the rock

422
00:34:48.679 --> 00:34:53.440
and roll clock might create, no use for anything short

423
00:34:53.440 --> 00:34:58.039
of what he shared with Aniela, a love of a

424
00:34:58.039 --> 00:35:04.840
lifetime that he deemed impossible to find ever again. Now

425
00:35:05.400 --> 00:35:08.679
all that was left was for him to give himself

426
00:35:08.800 --> 00:35:13.679
back to rock and roll. Hey, hey, this is roxy

427
00:35:13.800 --> 00:35:16.840
roller on the big A coming at you. Live with

428
00:35:16.920 --> 00:35:20.920
the huge announcement. The world has been waiting for this

429
00:35:21.159 --> 00:35:26.880
Saturday Times Square nine pm in super huge, loud, live

430
00:35:26.920 --> 00:35:31.400
in color, never before heard just before its release, the

431
00:35:31.440 --> 00:35:35.440
world premiere of long sought out nineteen eighty five Sammy

432
00:35:35.480 --> 00:35:40.639
scar song Stars and Scars, and not just the song kitties.

433
00:35:41.239 --> 00:35:44.360
Are you ready for this? Turns out that forty years

434
00:35:44.400 --> 00:35:48.599
ago Sammy and his band secretly filmed a video to

435
00:35:48.679 --> 00:35:52.559
promote the tune Stars and Scars, a video buried so

436
00:35:52.800 --> 00:35:56.360
deep that no one, including the big wigs at the

437
00:35:56.440 --> 00:36:01.719
record label, knew it even existed until till now. Times

438
00:36:01.760 --> 00:36:05.000
Square will be blocked off. So join Big Apple Radio

439
00:36:05.239 --> 00:36:09.119
right there see Sammy, Crash DC and the late BP

440
00:36:09.400 --> 00:36:13.760
men's together again thanks to never before seen footage. And

441
00:36:13.840 --> 00:36:16.400
if you can't make it out, don't whine and pout.

442
00:36:16.719 --> 00:36:19.679
Check your cable provider or streaming service to find out

443
00:36:19.719 --> 00:36:25.239
how you can watch this very special live event. And now, hey, hey,

444
00:36:25.960 --> 00:36:29.559
back to rock and roll on the big A. So

445
00:36:29.760 --> 00:36:33.440
I take it you and Sid worked out some outlandish

446
00:36:33.480 --> 00:36:36.920
plan for us to watch this whole fucking spectacle right

447
00:36:37.800 --> 00:36:42.320
oh you know it. Spit out Sherry a private rooftop

448
00:36:42.440 --> 00:36:46.800
bash overlooking Time Square from where we'll be. You won't

449
00:36:46.840 --> 00:36:49.760
miss a thing, might even be able to see the moon,

450
00:36:50.519 --> 00:36:56.599
every star and all the lights. Nice, mumbled Sammy, turning

451
00:36:56.639 --> 00:37:02.039
back towards the window. Forty years Huh, guess better late

452
00:37:02.079 --> 00:37:08.000
than fucking never. Clockhands move, but the moments repeat like

453
00:37:08.079 --> 00:37:12.639
a broken record stuck on defeat. I trace the outline

454
00:37:12.639 --> 00:37:16.760
where your lips used to meet. Now it's just the

455
00:37:16.840 --> 00:37:25.119
cold and the pulse in my feet. Time Square rocked

456
00:37:25.159 --> 00:37:28.880
with the sound of Big Apple Radio, bolstered by the

457
00:37:28.920 --> 00:37:34.039
addition of an on screen presentation courtesy of Sammy himself.

458
00:37:34.840 --> 00:37:39.360
From high above. Sammy, Sid and Sherry, along with a

459
00:37:39.480 --> 00:37:43.519
cast of label heads and celebs, watched as the energy

460
00:37:43.599 --> 00:37:49.480
of the crowd below intensified until minutes before nine, when

461
00:37:49.519 --> 00:37:54.199
a video package detailing Sammy's rise caused the whole of

462
00:37:54.280 --> 00:38:01.119
Time Square to literally go fucking nuts to a deep

463
00:38:01.239 --> 00:38:06.239
hum as from his perch, Sammy watched his much older

464
00:38:06.400 --> 00:38:12.199
self on the screen the size of a skyscraper. Tonight, Friends,

465
00:38:12.719 --> 00:38:16.719
because of each other, we come clean. Scars that have

466
00:38:16.800 --> 00:38:22.679
been waiting decades to heal. We are ready. Yes. The

467
00:38:22.800 --> 00:38:28.880
crowd roared a yes in response. Stars and scars, they

468
00:38:28.920 --> 00:38:33.239
write My tale light the sky, or burn the sail.

469
00:38:34.000 --> 00:38:39.280
Every wound just shines so bright, like constellations in the night.

470
00:38:40.239 --> 00:38:45.840
I give you now the video premiere of Stars and Scars.

471
00:38:47.000 --> 00:38:50.159
It was all Sammy could do to hold back tears

472
00:38:50.719 --> 00:38:56.679
as times square became eerily silent, broken by the cheers

473
00:38:56.719 --> 00:39:02.639
applauding the image of a young Sammy, a troubadour's risen

474
00:39:02.840 --> 00:39:10.880
serenade falling from his bloody lips. Midnight whispers call my name,

475
00:39:12.079 --> 00:39:17.519
silver shadows play their game. I got stars inside my

476
00:39:17.719 --> 00:39:24.079
veins and scars that sing in the rain, Highway lines

477
00:39:24.360 --> 00:39:31.840
and rusted dreams, broken guitars and kerosene. I danced with fire,

478
00:39:32.480 --> 00:39:39.199
stole the moon. Now I hum a wounded tune. It

479
00:39:39.320 --> 00:39:43.239
was almost as if Sammy blinked once and the moment

480
00:39:43.440 --> 00:39:48.800
was gone, the entirety of the square below erupting as one,

481
00:39:49.320 --> 00:39:53.519
an eruption that felt longer than the video itself, and

482
00:39:53.639 --> 00:39:59.719
as the party above exchanged congratulations, the gathering slowly settled

483
00:39:59.760 --> 00:40:06.559
into yet another hum. Sammy suddenly froze as he looked

484
00:40:06.599 --> 00:40:12.480
down into the square. Hey, Sid called Sammy, without looking

485
00:40:12.559 --> 00:40:16.960
away from the street beneath his sight. Didn't you say that,

486
00:40:17.039 --> 00:40:20.840
my appearance at this whole shindig would be kept secret.

487
00:40:21.519 --> 00:40:25.880
Yeah yeah, Sammy, Sid replied, No one knows we're up here,

488
00:40:26.360 --> 00:40:33.800
No press, paparazzi, nobody. Then what's this? What's what Sammy? That?

489
00:40:34.800 --> 00:40:38.599
Sammy pointed down to a large group turned away from

490
00:40:38.679 --> 00:40:43.800
the video screen and staring up Sammy's way. Why the

491
00:40:43.920 --> 00:40:47.480
fuck are they looking up here? Fuck if I know,

492
00:40:47.639 --> 00:40:54.440
Sammy sneered Sid. They're your fans, They're here for you.

493
00:40:55.840 --> 00:41:00.000
What did you say, Sammy hollered, nearly knocking over cher.

494
00:41:01.039 --> 00:41:06.280
I said, what's wrong with you? Sammy? You look pale.

495
00:41:06.559 --> 00:41:09.559
I don't know. I feel like someone might have put

496
00:41:09.599 --> 00:41:21.079
something in my in my drink. In the two months

497
00:41:21.119 --> 00:41:25.079
since the Times Square video premiere of Stars and Scars,

498
00:41:25.840 --> 00:41:29.960
Sammy was able to rest and rehearse in preparation for

499
00:41:30.000 --> 00:41:34.239
the first night of the tour thanks to SID. Within

500
00:41:34.360 --> 00:41:39.559
a virtual guarded compound in the Canadian countryside, Sammy and

501
00:41:39.639 --> 00:41:44.599
the band began razor tight as the world outside exploded

502
00:41:44.639 --> 00:41:49.079
in the second coming of Sammy Mania, a mania that

503
00:41:49.199 --> 00:41:53.360
prompted SID to cancel all public appearances in order to

504
00:41:53.480 --> 00:41:58.199
keep Sammy safe for the tour, Setting the stage for

505
00:41:58.320 --> 00:42:01.840
the first of thirteen st sold out nights at the

506
00:42:01.880 --> 00:42:07.400
Hollywood Bowl, easily smashing the record of four consecutive sold

507
00:42:07.400 --> 00:42:12.239
out nights set in twenty seventeen. The possibility of even

508
00:42:12.280 --> 00:42:16.559
a single sold out night anywhere for Sammy had long

509
00:42:16.639 --> 00:42:21.880
been considered impossible to ever achieve again. Just the thought

510
00:42:22.360 --> 00:42:26.559
created so much tension within Sammy that he could hardly

511
00:42:26.639 --> 00:42:33.119
sit still backstage. Sammy shouted, Sid, your insane pacing is

512
00:42:33.159 --> 00:42:35.960
going to cause me to have an anxiety attack. Sit

513
00:42:36.000 --> 00:42:41.440
the fuck down already. Oh, leave him alone, Sherry teased.

514
00:42:42.039 --> 00:42:45.000
You should be ecstatic. You locked up a tiger in

515
00:42:45.039 --> 00:42:50.440
its cage for two months and now he's ready to pounce. Well,

516
00:42:50.480 --> 00:42:54.000
can't he pounce once he gets on stage? Sammy, You're

517
00:42:54.039 --> 00:42:58.960
gonna drive me to drink even more. Hush now, chirped

518
00:42:59.039 --> 00:43:05.199
Sherry as she cornered Sammy. He's gonna chew this audience up, right,

519
00:43:05.320 --> 00:43:12.360
tiger er yeah right, mumbled Sammy as he pushed past.

520
00:43:12.800 --> 00:43:18.440
If you don't chew him up first, If only you knew, Sammy, Hey,

521
00:43:18.760 --> 00:43:24.119
what gives? Sherry asked when she spotted Melaura steadily walking

522
00:43:24.320 --> 00:43:29.599
in her direction. Shouldn't you still be on stage? Those

523
00:43:29.679 --> 00:43:33.199
crazy bitches, through just about everything at me, but their

524
00:43:33.239 --> 00:43:38.119
old lady Bras fumed, Melaura, fuck this, Sammy, you can

525
00:43:38.159 --> 00:43:41.480
have that fucking stage. I'm out. Will you take care

526
00:43:41.519 --> 00:43:43.719
of Sammy while I go try to calm her down?

527
00:43:44.480 --> 00:43:49.480
Sid pleaded with Sherry fucking nutcases. If it's not one thing,

528
00:43:49.519 --> 00:43:55.400
it's another, Sure, Sure, okay, Tiger, you ready to meet

529
00:43:55.440 --> 00:44:02.960
your fanatical audience? Fanatical? Like a boxer being led to

530
00:44:03.039 --> 00:44:08.119
the ring, Sammy stalked toward the stage, head down, toward

531
00:44:08.199 --> 00:44:11.920
a moment he never would have imagined in a million years.

532
00:44:12.880 --> 00:44:16.639
He wondered, just like he did that night in Times Square,

533
00:44:17.519 --> 00:44:21.679
what his Anela would think of all of this, kissing

534
00:44:21.719 --> 00:44:25.079
the cross around his neck that she had gifted him

535
00:44:25.079 --> 00:44:28.639
on their wedding night. As he reached for his guitar,

536
00:44:33.599 --> 00:44:40.440
Everyone good, Sammy asked the band heads down, Go get him, Tiger,

537
00:44:41.000 --> 00:44:45.440
snarled Sherry as Sammy started his rock and roll prep talk,

538
00:44:45.920 --> 00:44:49.920
Go get him. Never thought we'd be here again, and

539
00:44:50.000 --> 00:44:52.360
I'm grateful for those of you who stuck around to

540
00:44:52.400 --> 00:44:55.519
see it, and excited for those of you who only

541
00:44:55.559 --> 00:44:59.599
heard the stories and now get to experience it. We're

542
00:44:59.639 --> 00:45:02.840
here to because of the people right out there that

543
00:45:02.920 --> 00:45:06.280
we're about to come face to face with Let's show

544
00:45:06.320 --> 00:45:08.480
them our thanks, with all that we have to give.

545
00:45:09.400 --> 00:45:14.239
Let's leave every ounce of blood, sweat and tears on

546
00:45:14.360 --> 00:45:24.119
the stage tonight, every ounce. Sherry whispered, every fucking ounce,

547
00:45:25.199 --> 00:45:30.239
And with that, Sammy scar and his band hit the stage,

548
00:45:30.280 --> 00:45:33.960
partly to keep his fans from waiting, partly to get

549
00:45:33.960 --> 00:45:37.280
it out of the way. Sammy kicked straight into his

550
00:45:37.400 --> 00:45:41.719
signature song, caught up in emotion until it was time

551
00:45:41.840 --> 00:45:45.400
to call on his faithful fans to sing the chorus

552
00:45:45.519 --> 00:45:49.119
back to him, And just as the crowd was about

553
00:45:49.159 --> 00:45:54.280
to lose their collective minds, Sammy closed his eyes and

554
00:45:54.480 --> 00:46:00.239
led the way Withdrawal. The ache in my veins, a

555
00:46:00.360 --> 00:46:04.480
hunger so deep, but it's you. I can't tame. The

556
00:46:04.639 --> 00:46:11.760
silence screams louder than thunderous rain, Withdrawal, I'm drowning in

557
00:46:11.880 --> 00:46:16.599
your name, over and over and over in time to

558
00:46:16.679 --> 00:46:22.920
the drums, until Sammy finally opened his eyes. Suddenly, the

559
00:46:23.000 --> 00:46:29.719
audience looked revived and young again as they continued to chant. Shaken,

560
00:46:30.199 --> 00:46:34.199
Sammy caught a glance of his bloody fingers, but as

561
00:46:34.239 --> 00:46:38.480
he stopped playing, a pain shot through his arm, pushing

562
00:46:38.559 --> 00:46:43.239
him to strike back at his guitar, the pain only

563
00:46:43.320 --> 00:46:47.679
returning when he forced himself to try and stop again,

564
00:46:48.760 --> 00:46:52.239
reappearing as he ran towards the side of the stage

565
00:46:52.760 --> 00:46:58.239
and yelled at Sherry. There's something wrong. You eat him up, Tiger,

566
00:46:58.920 --> 00:47:04.360
laughed Sherry as she sang along. No, you don't understand,

567
00:47:05.039 --> 00:47:08.679
Sammy cried as he pointed his head at the rabid audience.

568
00:47:09.840 --> 00:47:13.519
I think they're doing something to me, Sherry. But they're

569
00:47:13.519 --> 00:47:18.360
here for you, Sammy laughed Sherry, causing him to stop

570
00:47:18.480 --> 00:47:23.599
dead in his tracks. Make them feel young again. They're

571
00:47:23.719 --> 00:47:29.519
here for you, And on and on. The endless dance

572
00:47:29.599 --> 00:47:35.840
between Sammy and his faithful followers continued, Sammy's face showing

573
00:47:36.000 --> 00:47:42.519
further defeat with each pass made to seek relief from Sherry. Please, Sherry,

574
00:47:42.599 --> 00:47:46.480
please get me out of this hell. And as it

575
00:47:46.519 --> 00:47:51.000
approached midnight, the audience found itself back in the heart

576
00:47:51.440 --> 00:47:56.760
of time. Sherry looked at Sammy, pointed to the sky

577
00:47:57.599 --> 00:48:01.880
and laughed out loud. They may be here for you,

578
00:48:02.519 --> 00:48:07.199
but by moon and star, I claim your light.

579
00:48:25.679 --> 00:48:30.960
Wearing on the corner where the street lights feed.

580
00:48:32.639 --> 00:48:40.079
Shadows dry black curtains on an empty stage, your footstep circle,

581
00:48:41.480 --> 00:48:42.119
but they.

582
00:48:42.119 --> 00:48:50.239
Never stay, just whispers in the wind, a ghost of yesterday,

583
00:48:51.559 --> 00:48:55.199
sometimes the vags, But the story start. I'll be the

584
00:48:55.320 --> 00:48:58.519
memories on the canls on every second, and he a

585
00:48:58.960 --> 00:49:02.760
very on the wind from your love leads be bad

586
00:49:02.760 --> 00:49:09.159
into wait troll, be aching my.

587
00:49:09.360 --> 00:49:11.199
Bases on the soul deep.

588
00:49:11.280 --> 00:49:16.119
But you I can't say the silent screamstowner, then thunderous.

589
00:49:15.559 --> 00:49:26.079
Main way troll. I'm dropping in your I'm driving in yarney.

590
00:49:31.880 --> 00:49:33.000
Clock hands more.

591
00:49:33.119 --> 00:49:36.960
But the moment's repet like a broken record. Stuff going

592
00:49:37.039 --> 00:49:40.159
to feet. I trace the yeutline where you look used

593
00:49:40.199 --> 00:49:42.960
to me. Now it's just the code and the pulse

594
00:49:43.079 --> 00:49:47.119
in my feet. So the pes not the story is told.

595
00:49:47.679 --> 00:49:51.119
I'm breeding memories on my canns born every seconds, a

596
00:49:51.239 --> 00:49:54.760
needle every hours of thought, a wedrawing.

597
00:49:54.119 --> 00:50:01.800
From your d Lea's be bad when oh be aching

598
00:50:01.960 --> 00:50:04.199
my Vea's a hung of salt deep.

599
00:50:04.239 --> 00:50:07.320
But if you I can't take the style of screams ouder,

600
00:50:07.440 --> 00:50:11.880
then under the rainway t I'm trouting.

601
00:50:11.559 --> 00:50:27.360
In short whack spills through the cracks in the door,

602
00:50:28.039 --> 00:50:31.079
riding your name on the dust of the floor. If

603
00:50:31.159 --> 00:50:34.679
lo is the true, then I'll pour soap ball beggings

604
00:50:34.679 --> 00:50:42.360
over the doors. But your card right so me aching

605
00:50:42.519 --> 00:50:44.719
my base off the salteeth.

606
00:50:44.760 --> 00:50:47.880
But if you I can't say the stop screams louder

607
00:50:47.960 --> 00:50:49.679
then sounder roust rainway.

608
00:50:51.039 --> 00:50:52.320
I'm drafted.

609
00:51:03.480 --> 00:52:16.519
Round round order, midnight of whispers called my name, silver shadows,

610
00:52:16.599 --> 00:52:26.280
please there again. I got stars inside my vain the

611
00:52:26.400 --> 00:52:29.239
scars it sings in the.

612
00:52:29.440 --> 00:52:47.159
Rain, how it lies in rustic dreams. Rule can get

613
00:52:47.320 --> 00:52:48.840
tars and cares sing.

614
00:52:50.960 --> 00:52:55.159
I danced with fire, stole the moon.

615
00:52:55.800 --> 00:53:08.400
Now stars and scar they ride my tail, slide the sky,

616
00:53:08.800 --> 00:53:09.840
burn the seil.

617
00:53:12.559 --> 00:53:16.119
Everyone just shine right.

618
00:53:17.800 --> 00:53:19.360
Like a s.

619
00:53:21.559 --> 00:53:22.760
The night.

620
00:53:33.920 --> 00:53:40.239
O the clock could take so slow, dusty records play

621
00:53:40.320 --> 00:53:49.920
the show all the ghost They come and go, leaving

622
00:53:50.000 --> 00:54:11.159
marks with roses, groove, cigarette smooth fills in old regrets

623
00:54:11.199 --> 00:54:12.320
and threats to wear.

624
00:54:15.119 --> 00:54:18.639
I traded love for a lonesome run.

625
00:54:20.880 --> 00:54:22.360
Now the stars.

626
00:54:21.960 --> 00:54:28.159
Keep still in time, footsteps inch down a hall.

627
00:54:30.760 --> 00:54:33.639
Fall, don't grasp begin to fall.

628
00:54:36.039 --> 00:54:44.079
Every frame of chap too longs they the price for still.

629
00:54:44.079 --> 00:54:52.360
Look Stars and scars It ride my tail line the

630
00:54:52.480 --> 00:54:54.519
sky burned the sail.

631
00:54:57.000 --> 00:54:57.760
Very long.

632
00:54:58.239 --> 00:55:09.280
Just shine sou blacky stars SCOI.

633
00:55:09.199 --> 00:55:21.000
My tale live, the scour and the seal. He just shoo.

634
00:55:22.840 --> 00:55:46.840
Black and that My Spookies was withdrawn. Huge thanks to

635
00:55:46.960 --> 00:55:51.360
John Stony Cannon for his first tale on Weekly Spooky.

636
00:55:52.039 --> 00:55:55.239
Welcome to the club, John, and if you listening have

637
00:55:55.320 --> 00:55:57.280
a story you'd like us to take a look at,

638
00:55:57.719 --> 00:56:02.360
send it over to Weekly Spooky at gmail dot com.

639
00:56:02.400 --> 00:56:06.159
And if you dug Tonight's Cursed Encore, share the show

640
00:56:06.159 --> 00:56:08.639
with a friend who still has their old tour t

641
00:56:08.800 --> 00:56:12.639
shirts and maybe keep the volume down for a little while.

642
00:56:13.440 --> 00:56:17.079
Also My Spookies. This Friday, we switch gears on cutting

643
00:56:17.159 --> 00:56:21.239
deep into horror as Rachel and I carve into Bitter

644
00:56:21.480 --> 00:56:26.679
Feast from twenty ten, perfectly timed for Thanksgiving. It's a

645
00:56:26.760 --> 00:56:31.159
sharp food fueled thriller with revenge on the menu. We'll

646
00:56:31.199 --> 00:56:35.280
talk all about culinary carnage, kitchen nightmares and whether it

647
00:56:35.360 --> 00:56:40.199
pairs best with leftovers or takeout. So subscribe so you

648
00:56:40.239 --> 00:56:43.719
don't miss a bite. And next Monday we'll have a

649
00:56:43.840 --> 00:56:48.360
very special, terrifying and true about the deep seated spiritual

650
00:56:48.480 --> 00:56:52.840
fears of the Pilgrims and the Indians. And I want

651
00:56:52.840 --> 00:56:55.280
to say an extra special thank you to our Patreon

652
00:56:55.360 --> 00:56:58.800
podcast boosters folks who had to Weekly Spooky dot Com

653
00:56:58.800 --> 00:57:01.599
slash join and sign up and pay a little extra

654
00:57:01.960 --> 00:57:03.679
to hear their names at the end of the show,

655
00:57:03.840 --> 00:57:07.119
and they are Johnny Nicks, Kate and Lulu, Jessica Fuller,

656
00:57:07.199 --> 00:57:10.719
Mike A. Shkuey, Jenny Green, Amber Hansford, Karen we Met,

657
00:57:10.840 --> 00:57:13.920
Jack Kerr and Craig Cohen. Thank you all so much,

658
00:57:14.239 --> 00:57:17.360
And if you head to Weekly Spooky dot Com slash

659
00:57:17.440 --> 00:57:20.079
join right now for as little as one dollar a month,

660
00:57:20.119 --> 00:57:23.960
you get two bonus episodes every single month and so

661
00:57:24.079 --> 00:57:27.440
much more over five years of creepypasta readings and audio

662
00:57:27.440 --> 00:57:31.840
books just for you at Weeklyspooky dot Com slash Join.

663
00:57:32.199 --> 00:57:33.559
But now it's time for me to get out of

664
00:57:33.599 --> 00:57:35.920
here because I've got so much more in store, and

665
00:57:36.000 --> 00:57:38.519
Christmas is coming right up, So for myself, for my

666
00:57:38.599 --> 00:57:42.119
executive producers Rob Fields and Babbletopia dot com by producer

667
00:57:42.199 --> 00:57:45.519
Dan Wilder, and of course my composer Ray Maddis, I'll

668
00:57:45.559 --> 00:57:47.119
talk at you next time.

669
00:57:47.800 --> 00:57:48.880
Thank you for listening.

670
00:57:49.960 --> 00:57:53.679
Make sure to find your way back next week, but

671
00:57:53.840 --> 00:57:55.159
for now

672
00:57:55.599 --> 00:57:58.519
You are safe, trust me.