Oct. 12, 2024
Murders in the Rue Morgue by Edgar Allan Poe

Discover the dark and mysterious world of Murders in the Rue Morgue by Edgar Allan Poe, the story that revolutionized detective fiction.
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One of my favorite memories of scaring myself as a
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child was getting a compilation book of Edgar Allan Poe's
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stories from my elementary school library. It brought me so
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much fear and so much excitement. I remember running home
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from school with that book in my backpack as the
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sky was dark and a storm was coming. I was
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in my childhood living room, but I wasn't alone. I
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had a pizza and the books of Poe. Every so
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often I'll bring you a tale of Poe, and I
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hope it gives you that scary fun sense, just the
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same as it does for me. So listen to these
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words from our sponsors, and when the clock strikes midnight,
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the story will begin. The Murders in the Room Morgue
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by Edgar Allan Poe, Part one, Paris. In Paris, it
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was in the summer of eighteen forty there I first
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met that strange and interesting young fellow, August Dupin. Dupin
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was the last member of a well known family, a
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family which had once been rich and famous. He himself, however,
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was far from rich. He cared little about money. He
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had enough to buy the most necessary things of life
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and a few books. He did not trouble himself about
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the rest, just books with books. He was happy. We
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first met when we were both trying to find the
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same book, as it was a book which few had
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ever heard of. This chance brought us together in an
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old bookstore. Later we met again in the same store,
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then again in another bookstore. Soon we began to talk.
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I was deeply interested in the family history he told me.
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I was surprised at how much much and how widely
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he had read. More important, the force of his busy
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mind was like a bright light in my soul. I
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felt that the friendship of such a man would be
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for me riches without price. I therefore told him of
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my feelings toward him, and he agreed to come and
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live with me. He would have, I thought, the joy
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of using my many fine books, and I would have
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the pleasure of having someone with me, for I was
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not happy alone. We passed the days reading, writing, and talking.
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But Dupin was a lover of the night, and at night,
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often with only the light of the stars to show
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us the way, we walked the streets of Paris, sometimes talking,
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sometimes quiet, always thinking. I soon noticed a special reasoning power.
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He had an unusual reasoning using it gave him great pleasure.
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He told me once, with a soft and quiet laugh,
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that most men have windows over their hearts. Through these
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he could see into their souls. Then he surprised me
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by telling what he knew about my own soul, and
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I found that he knew things about me that I
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had thought only I could possibly know. His manner at
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these moments was cold and distant, His eyes looked empty
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and far away, and his voice became high and nervous.
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At such times it seemed to me that I saw
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not just Dupin, but two Dupins, one who coldly put
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things together, and another who just as coldly took them apart.
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One night, we were walking down one of Paris's long
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and dirty streets. Both of us were busy with our
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thought thoughts. Neither had spoken for perhaps fifteen minutes. It
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seemed as if we had each forgotten that the other
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was there at his side. I soon learned that Dupin
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had not forgotten me. However, Suddenly he said, you're right.
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He is a very little fellow, that's true, and he
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would be more successful if he acted in lighter, less
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serious plays. Yes, there can be no doubt of that,
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I said at first I saw nothing strange in this.
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Dupin had agreed with me with my own thoughts. This,
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of course, seemed to be quite natural. For a few seconds.
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I continued walking and thinking. But suddenly I realized that
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Dupin had agreed with something which was only a thought.
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I had not spoken a single word. I stopped walking
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and turned to my friend Dupin. I said, Dupin, this
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is beyond my understanding. How could you know what I
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was thinking of? Here? I stopped in order to test him,
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to learn if he really did know my unspoken thoughts.
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How did I know you were thinking of Chantilly? Why
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do you stop? You were thinking that Chantilly is too
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small for the plays in which he acts. That is
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indeed what I was thinking. But tell me, in Heaven's name,
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the method, if method, there is by which you have
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been able to see into my soul in this manner.
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It was the fruit seller. Fruit seller, I know no
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fruit seller. I mean the man who ran into you
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as we entered this street. It may have been ten
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or fifteen minutes ago, perhaps less. Yes, yes, that's true.
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I remember now. A fruit seller carrying a large basket
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of apples on his head almost threw me down, But
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I don't understand why the fruit seller should make me
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think of Chantilly, or if he did, how you can
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know that I will explain. Listen closely. Now let us
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follow your thoughts from the fruit seller to the play
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actor Shantilli. Those thoughts must have gone like this, from
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the fruit seller to the cobblestones, from the cobblestones to
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the stereotomy, and from the stereotomy to the Epicurius, to O'Brien,
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and then to Chantilly. As we turned into this street,
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the fruit seller, walking very quickly past us, ran against
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you and made you step up on some cobblestones which
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had not been put down evenly, and I could see
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that the stones had hurt your foot. You spoke a
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few angry words to yourself and continued walking, but you
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kept looking down down at the cobblestones in the street,
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so I knew you were still thinking of stones. Then
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we came to a small street where they are putting
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down street stones, which they have cut in a new
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and very special way. Here your face became brighter, and
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I saw your lips move. I could not doubt that
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you were saying the word stereotomy, the name of this
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new way of cutting stones. It is a strange word,
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isn't it, But you will remember that we read about
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it in the newspaper only yesterday. I thought that word
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stereotomy must make you think of that old Greek writer
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named Epicurius, who wrote of something he called atoms. He
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believed that the world and everything in the heavens above
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are made of these atoms. Not long ago, you and
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I were talking about Epicurius and his idea as his atoms,
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ideas which Epicurius wrote about more than two thousand years ago.
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We were talking about how much those old ideas are
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like today's ideas about the earth and the stars and
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the sky. I felt sure that you would look up
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to the sky. You did look up. Now. I was
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certain that I had been following your thoughts as they
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had in fact come into your mind. I too looked
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up and saw that the group of stars we call
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Orian is very bright and clear. Tonight, I knew you
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would notice this and think about the name Oriyan. Now
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follow my thoughts carefully. Only yesterday in the newspaper there
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was an article about the actor Chantilly, an article which
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was not friendly to Chantilly, not friendly at all. We
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noticed that the writer of the article had used some
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words taken from a book we both had read. These
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words were about Ryan, So I knew you would put
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together the two ideas of Oriyan and Shantilly. I saw
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you smile, remembering that article and the hard words in it.
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Then I saw you stand straighter, as tall as you
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could make yourself. I was sure you were thinking of
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Chantilly's size, and especially his height. He is small, he
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is short, and so I spoke saying that he is
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indeed a very little fellow, this Chantilly, and he would
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be more successful if he acted in lighter, less serious plays.
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I will not say that I was surprised. I was
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more than surprised. I was astonished. Dupin was right, as
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right as he could be. Those were, in fact my thoughts,
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my unspoken thoughts, as my mind moved from one thought
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to the next. But if I was astonished by this,
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I would soon be more more than astonished. One morning,
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this strangely interesting man showed me once again his unusual
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reasoning power. We heard that an old woman had been
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killed by unknown persons. The killer or the killers had
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cut her head off and escaped into the night. Who
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was this killer, this murderer the police had no answer.
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They had looked everywhere and found nothing that helped them.
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They did not know what to do next, and so
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they did nothing. But not Dupin. He knew what to do.
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Part two. It was in Paris, in the summer of
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eighteen forty that I met August Dupin. He was an
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unusually interesting young man with a busy, forceful mind. This
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mind could, it seemed, look right through a man's body,
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into his soul, and uncover his deepest thoughts. Sometimes he
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seemed to be not one but two people, one who
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could coldly put things together, and another who just as
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coldly took them apart. One morning, in the heat of
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the summer, dupe and showed me once again his special
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reasoning power. We read in the newspaper about a terrible killing.
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An old woman and her daughter living alone in an
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old house in the Room Morgue had been killed in
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the middle of the night, Paris, July seventh, eighteen forty.
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In the early morning today, the people in the western
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part of the city were awakened from their sleep by
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cries of terror, which came, it seemed, from a house
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in the street called the Room. More the only persons
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living in the house were an old woman, missus Lespaigna,
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and her daughter. Several neighbors and a policeman ran toward
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the house, but by the time they reached it, the
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cries had stopped. When no one answered their calls, they
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forced the door open. As they rushed in, they heard voices,
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two voices. They seemed to come from above. The group
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hurried from room to room, but they found nothing until
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they reached the fourth floor. There they found a door
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that was firmly closed, locked with the key inside. Quickly
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they forced the door open and they saw spread before
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them a bloody, sickening scene, a scene of horror. The
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room was in the wildest possible order. Broken chairs and
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tables were lying all around the room. There was only
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one bed, and from it everything had been taken and
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thrown into the middle of the floor. There was blood
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everywhere on the floor, on the bed, on the walls.
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A sharp knife covered with blood was lying on the floor.
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In front of the fireplace. There was some long gray hair,
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also bloody. It seemed to have been pulled from a
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human head. On the floor were four pieces of gold,
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an earring, several objects made of silver, and two bags
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containing a large amount of money in gold clothes had
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been thrown around the room. A box was found under
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the bed covers. It was open and held only a
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few old letters and papers. There was no one there,
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or so it seemed. Above the fireplace they found the
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dead body of the daughter. It had been put up
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into the opening where the smoke escapes to the sky.
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The body was still warm. There was blood on the
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face and on the neck. There were dark, deep marks
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which seemed to have been made by strong fingers. These
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marks surely show how the daughter was killed. After hunting
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in every part of the house without finding anything more,
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the group went outside. Behind the building. They found the
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body of the old woman. Her neck was almost cut through,
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and when they tried to lift her up, her head
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fell off. The next day the newspaper offered to its
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readers these new facts, the murders in the Room Morgue, Paris,
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July eighth, eighteen forty. The police have talked with many
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people about the terrible killings in the old house on
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the Room Morgue, but nothing has been learned to answer
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the question of who the killers were. Pauline duborg, a washwoman,
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says she has known both of the dead women for
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more than three years, and has washed their clothes during
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that period. The old lady and her daughter seemed to
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love each other dearly. They always paid her well. She
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did not know where their money came from. She said
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she never met anyone in the house. Only the two
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women lived on the fourth floor. Pierre Moreau, a shopkeeper,
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says missus Laspanna had bought food at his shop for
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nearly four years. She owned the house and had lived
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in it for more than six years. People said they
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had money. He never saw anyone enter the door except
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the old lady and her daughter, and a doctor eight
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or ten times. Perhaps many other persons neighbors said the
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same thing. Almost no one ever went into the house,
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and missus Laspanna and her daughter were not often seen.
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Jules Minaud, a banker, says that missus Laspagna had put
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money in his bank beginning eight years before. Three days
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before her death, she took out of the bank a
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large amount of money in gold. A man from the
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bank carried it for her to her house. Isidore Mussey,
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a policeman, says that he was with the group that
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first entered the house. While he was going up the
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stairs he heard two voices, one low and soft and
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one hard, high and very strange, the voice of someone
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who was certainly not French, the voice of a foreigner Spanish.
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Perhaps it was not a woman's voice. He could not
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understand what it said. But the low voice, the softer voice,
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said in French, my God. Alfonso Garcia, who is Spanish
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and lives on the Rooe Morgue, says he entered the
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134
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135
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136
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137
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138
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139
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141
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147
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148
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149
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159
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160
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161
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171
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190
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191
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192
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196
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197
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198
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199
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201
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