Dec. 23, 2025
Terror at Christmas: Jack Scratch’s Hellish Holiday!

Weekly Spooky unleashes a Christmas horror anthology where the lights are twinkling… and the afterlife is weaponized. When Jack Scratch throws open the curtains on Hell’s “operations,” you don’t get fire-and-brimstone pageantry—you get clipboards, procedures, and punishments dressed up in tinsel.
Tonight’s holiday horrors include:
If you love scary Christmas stories, holiday horror, and supernatural nightmares with a wicked edge, lock the door, kill the lights, and join us. What happens when Hell tries to control everything… and Christmas slips through anyway?
Terror at Christmas — by Keith Tomlin
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
Tonight’s holiday horrors include:
- The Santa Experiment — a confused man wakes in a dying Christmas postcard town… and a Santa with an axe starts closing the distance.
- Christmas Bones — at the peak of a mountain made of skulls, demons guard a glowing doorway to Heaven… until forgotten Christmas memories start breaking the system.
- The Furnace — Hell’s intake line runs like a factory—until a calm, impossible “soul” walks in and turns tormentors into terrified children, forcing a desperate overseer to gamble on an ancient weapon that can erase a soul forever.
If you love scary Christmas stories, holiday horror, and supernatural nightmares with a wicked edge, lock the door, kill the lights, and join us. What happens when Hell tries to control everything… and Christmas slips through anyway?
Terror at Christmas — by Keith Tomlin
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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The street is empty, the Christmas lights hume like they
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are alive. You don't remember your name until you find
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a photo in your pocket. Here ho ho ho, dragging
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closer through the snow. Then you realize the worst part
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isn't the dying, and that's just one of three? How
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did you get in here? Ho ho ho? What's that
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You want to be scared? Come with me? This is
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Weekly Spooky. Hello, my spooks. It's Tuesday, Yes, I know,
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but it's almost Christmas and I have so many gifts
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left to give you, so don't worry. If you're a
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big fan of this Week in Horror History, that will
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be dropping on the feed in just a few hours.
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But right now I have a very very special visit
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from Jack Scratch for this Christmas. Three terrifying tales to
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keep you enthralled and in the holiday spirit. But before
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we get to that, I want to say thank you
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all so much. This has been the most successful Weekly
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Spooky Holiday season ever. So many new folks have joined
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us in October, November, and and I'm just honored to
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bring you a little bit of entertainment, even if my
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throat does not love all the extra work. And make
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sure you're subscribed if you're not already, Because the holidays
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are not where Weekly Spooky ends. We bring you something
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terrifying multiple times a week, all year long. So click
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that subscribe button and leave us a five star rating
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on your favorite podcasting app. It helps us out a lot,
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And if you really want to support us, you can
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head to Weeklyspooky dot com slash join and find out
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how for as little as one dollar a month you
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can get two bonus episodes every single month. And of course,
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my undying gratitude. But now I'm too excited. I want
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to unwrap the gifts now, and they come in threes,
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so pull in close. What if Christmas did an end
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when you died? What if it followed you down past
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the clouds, past the dirt, past the last prayer, and
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into a place where paperwork is sacred, hope is a trap,
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and the decorations are just camouflage for something rotten. Because
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tonight we're not just telling stories. We're opening a door,
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a door to Hell's holiday season, where a man in
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a red suit isn't here to give gifts, where a
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mountain of bones glows with a promise you're never meant
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to reach, and wear one machine that can erase you.
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Forever waits, silent, hungry, and overdo for a test. So
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if you're ready, toss another log on the fire, and
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whatever you do, do not, under any circumstance, trust the
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laughter you hear in the dark Terror at Christmas by
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Keith Tomlin. The air warped and a small, cluttered office
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faded into view. A tall, very thin man sat behind
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a desk, dressed in simple black pants and a billowing
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white shirt. His hand moved impossibly fast as he wrote
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a list of names on old parchment, the quill scratching
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like a rat in the walls. When the page was full,
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he capped the quill and put a stopper in the ink.
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He sat both down with the careful reverence of a
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man who considered paperwork holy. He then stretched bones, popping
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and bending to impossible angles. The man sat still for
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one more heartbeat, then he exploded into motion. He leapt
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onto the chair. It spun faster and faster, until the
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man became a blur of black and white. Red streaked
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through the spin like blood in water. A bright flash
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filled the room. When it faded, Jack Scratch stood there,
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in all his glory, dressed in ring master attire. His
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top hat sat at an impossible angle. His red jacket
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was immaculate. A green vest could be seen beneath it,
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as though paying tribute to the season or mocking it.
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His grin was too wide to be trusted. The walls,
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which were plane and empty a few seconds ago, were
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now adorned with Christmas decorations. But upon closer inspection, the
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corruption could be seen. Debauchery tucked into the garland, corruption
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peeking out from behind the tinsel vice, woven right into
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the holiday scenes, like it belonged there. Little cherubs with
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sharpened teeth, a wreath hung with something that wasn't missiletone,
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a stocking that twitched when no one touched it. Jack
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raised his cane, arms spreading wide, and hopped down from
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the chair as if stepping onto a stage. Welcome, he said, brightly,
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and thank you for accepting my invitation that you had
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a choice. Spinning his cane at breathtaking speeds, he continued,
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I thought it would be amusing to give a few
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mortals a glance, just a mere glimpse at Hell in
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all of its glory. His smile sharpened. Also, I was
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born the cane stopped spinning as quickly as it started.
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No worries, my friends, no one can see or hear you.
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He lowered the cane and pointed down. A few of
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my colleagues may suspect mortals are about, but you should
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be fine. Probably, He held up one finger, suddenly serious,
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or at least the closest thing Jack had to serious. First,
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I want to show you that we take our business seriously.
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I've spent the last few hundred years trying to drag
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this organization out of the Stone Age, in spite of
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a few reactionaries who insist on maintaining the status quo.
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His grin returned, warm and wrong. Jack snapped his fingers,
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and the air shimmered the Santa experiment. The man opened
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his eyes, squinting from the glare of the Christmas lights
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strung across the awning above him. The bulbs hummed faintly,
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a wavering tone that one could sense in their dental fillings.
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He sat up, confused, blinking flakes of snow from his eyelashes.
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A thin white layer covered the ground. The falling snow
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seemed to hang in the air for too long before
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drifting down, each flake catching the yellow glow of the
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street lamp until the whole night shimmered like a shaken
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snow globe. Struggling to his feet, he shivered as a
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cold wind slid beneath his damp shirt and pressed against
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his spine. He took a moment to steady himself before
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looking around. He was standing on a narrow sidewalk before
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a brick building with Fanny's Used book store painted in
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fading gold across the front window. The other storefronts near by,
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Henson's Hardware, Cherry's Cafe, a barber shop where the name
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on the window was too faded to read in the
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dim light, were all one or two stories high, their
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windows dark but trimmed in strings of colored bulbs. At
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first glance, it was a postcard scene. Then he saw
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the rot bricks bowed and crumbled. A few of the
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lights blinked a rhythmically, as though dying. A Mannikin in
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a boutique window stared out through a frost patterned pane,
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its plastic smile cracked, one blue glass eye turned slightly askew.
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The air smelled faintly of pine, with something sour underneath,
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like spoiled fruit. A single bulb overhead flickered, buzzed, and
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went dark. The sudden absence of light made him realize
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how few bulbs still burned. He looked up and down
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the street. The dark road stretched empty in both directions,
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No cars, no footsteps, just the faint sound of something
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metallic creaking, a sign swaying on a chain somewhere beyond sight.
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He thought he heard a bell, quick and distant, but
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when he turned toward it, there was only the whisper
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of the wind moving through tinsel. He tore his eyes
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from the street and looked down at himself, trying to
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find something, anything, that could identify him. He was a
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rubber band pulled to its breaking point. The tension ratcheted
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up to ten. He didn't know his name, he didn't
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know what had happened, didn't even know what he should feel, panic,
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maybe helplessness. He felt too tired to feel anything, numb
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all over. Who am I? It was such a small
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question with a huge impact. A thousand little details were gone.
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The way he took his coffee, whether he had anyone
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who'd miss him, did he like pineapple on his pizza?
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Humans he thought were made of memories. Without them, what
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was left just a shape that moved and breathed, pretending
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to be someone. He shook his head as if he
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could rattle something loose, no pain, no wounds. He looked
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down at his clothes, a tweed jacket much too thin
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for the cold, a scarf, a flat cap pulled low,
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corduroy pants, and loafers caked with slush. He looked respectable,
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maybe even scholarly, like a man who gave lectures on
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things that didn't matter anymore. He checked his pockets empty,
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his chest tightened, his pulse started to climb. He patted
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himself down again, desperate, half expecting to feel something that
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proved he existed nothing. A hollow laugh scraped his throat perfect,
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he muttered, his voice hoarse. Then, on a hunch, he
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slipped his hand into his inside jacket pocket again. His
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fingers brushed paper thin and soft from where a photograph.
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He drew it out carefully, the edges worn and creased
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from being handled too much. He stared at the image
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until the colors began to swim. A woman with long,
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dark hair and two small children in her lap. The
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woman's smile was tight, forced, as if she wanted whoever
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held the camera to hurry up. The boy, maybe five
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or six, had been crying, his cheeks puffy, one eye swollen.
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The little girl no older than three, was laughing so
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hard her face was a blur. The sight hit him
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in the chest, a pulse of warmth and grief all
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at once. Something stirred in the back of his skull,
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the faintest whisper of familiarity, and then her laugh. He
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could hear it, bright, infectious, spilling through the air. He
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could hear his own voice, silly, high pitched, doing that
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Elmo impression that always made her squeal with delight. That
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was it. The memory cracked open, and the past came
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rushing in the picnic. Ellen, his wife, had packed sandwiches
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and a checkered blanket. The boy, Nikki, had been stung
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by a bee and was in a full meltdown when
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Ellen tried to soothe him and keep Becca from running
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toward the pond. He remembered laughing camera in his hand,
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as Ellen glared at him over the chaos. Stephen Thomas Franklin.
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She snapped, half exasperated, half smiling, you have three seconds
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to take the picture, or I'll make you hold the
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kids while I do it. He laughed out loud, now,
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right there in the empty street. The sound startled him.
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It was too sharp, too alive. His breath fogged the air,
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and for a moment, the lights around him seemed brighter, kinder.
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He felt like someone waking from a long dream. Stephen
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Thomas Franklin. That was his name, A husband, a father.
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The picnic took place at the college where he was
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a professor of philosophy. Of all things, the details of
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his life beyond that picnic were still hidden, blurred at
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the edges, like the faces of strangers. But that one
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memory burned bright and perfect, a single island of light
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in the dark. He pressed the photo to his chest
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and let out a long, shaky breath. I remember, he whispered,
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almost laughing. I remember somewhere behind him there was a laugh,
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just a quick chuckle, but it echoed in the night air.
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The laugh was a reminder that even if he did
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get a small portion of his life back, there were
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other things in the darkness that he still needed to
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deal with. Putting the picture back in his pocket, he
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walked past the run down shops and boarded up townhouses,
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some with strings of holiday lights with bulbs missing, but
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most were dark holes in the night. The wind kicked
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up again, and he shivered, pulling his jacket tighter around him.
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A sound was carried by the wind, faint at first,
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but it grew louder. It was a sarcastic, almost mocking
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mantra of ho ho Ho. Stephen began to move faster,
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looking around, trying to pinpoint where the sound was coming from.
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Looking behind him, a few blocks away, he saw a
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tall man dressed as Santa Claus step out of a
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dark doorway. He strolled to the middle of the street
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and turned to stare at Stephen. He stopped and stared back,
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feeling like a deer caught in headlights. He watched as
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Santa moved the arm that was behind his back, revealing
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a large fireman's axe, Ho ho ho. The head of
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the axe bounced slightly when it hit the ground. Santa,
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still holding the weapon by the handle, strolled forward like
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he didn't have a care in the world, the head
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of the axe making a scraping sound as Santa dragged
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it behind him. Stephen felt the photo through his jacket
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pocket and thought, I need to get back to my family.
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With that thought, he turned and ran. Santa let out aloud,
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Ho ho ho, followed by maniacal laughter. The laughter seemed
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to surround Stephen as he ran. Christmas lights flashed by
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as Stephen went, no music, no street sounds, nothing except
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for the wind and the sound of his feet hitting
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the pavement. When his chest burned and he was gasping
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for breath, he finally stopped and leaned against a street light.
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As he caught his wind, he could hear something metal
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being dragged across the ground. He looked behind him and
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saw Santa strolling towards him, the axe still trailing behind
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Ho ho ho. Stephen thought, how could he be back there?
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That's not possible. He started to run again, past windows
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decorated with strands of Christmas lights, past doorways strung with garland,
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oblivious to all except moving one foot in front of
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the other. After countless minutes, he turned a corner, gasping
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for breath. Seeing a dark alleyway, he ducked into it.
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The alley had tall buildings on each side, blocking out
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the moonlight. Pausing to finish catching his breath, Stephen peered
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around the corner and right into Santa's gaze. He couldn't
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see it because of the beard, but Stephen knew that
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Santa was smiling from over a block away. He raised
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the axe and threw it one handed. Caught in the
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light of the street lamp, the axe twinkled like a star,
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flying right at Stephen. Stunned, he watched it twirl through
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the air and slam into the brick wall next to
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