Nov. 16, 2025
Unknown Broadcast | Echoes at Midnight: Stories of Dreams, Corpses, and the Old Country
Ah, hello, my dear. You’ve wandered into Unknown Broadcast—your little doorway to old-time radio horror stories, classic OTR chills, and the hush of radio suspense that never quite died. Tonight, the dial slips and the past answers. Don’t fret if the voice sounds close; some things sit beside you when you press play. My dear, listen very carefully.
- 🧳 The Old Country — A son returns across oceans and years, and the land remembers him better than he remembers himself. Roots grip deeper than bones; the soil keeps its own ledger of debts unpaid.
- 🏃♀️ I Saw Myself Running — A dream catches you by the wrist and won’t let go; you are both the hunter and the hunted, the echo and the scream. If you wake, who exactly wakes with you?
- 🌘 Nightmare — Midnight keeps an account of what you deny in daylight. The mind fractures, the hour stretches, and the dark helpfully supplies what you fear most.
- 🚃 The Visiting Corpse — A traveler arrives who should not travel; a guest calls who should not call. Some visits, my dear, are not to be returned.
Lean in. Unknown Broadcast draws its signal from the static between stations—vintage radio horror, ghost stories, mystery theater—all the strange company you secretly crave. When the knocks come in threes, don’t answer on the third. Not tonight, my dear.
Stay with me in the glow of the dial—classic OTR horror stories still breathe here, and they remember your name.
In this lecture, we explore the complex narrative surrounding Gabriel Carson, a successful strategic planner navigating the intersections of identity, legacy, and familial ties. The story opens with a dynamic interplay between Gabriel and his mother, revealing the generation gap and the cultural rift stemming from their immigrant backgrounds. Gabriel’s internal conflict emerges as his mother yearns for her past, presenting a contrasting perspective to his modern, corporate lifestyle filled with accolades and anonymity.
The dialogue transitions into a deeper examination of Gabriel's roots, tracing back to his origins as Gavri Kaja. This transformation is pivotal, suggesting a desire to distance himself from his past as he climbs the corporate ladder. However, through conversations with his mother, who remains deeply connected to her heritage, we observe a tension between his ambitions and the silent call of his ancestry. Her insistence on him understanding their lineage highlights a significant theme: the inescapable pull of one’s heritage.
As the narrative unfolds, Gabriel is swept away into a series of surreal experiences upon his arrival in Trieste, marked by encounters with mysterious figures like Volk, who appear to be tethered to his forgotten past. The atmosphere grows heavier with suspense as Gabriel is thrust into a historical context, paralleling the war-ridden backdrop of the past with his present-day dilemmas. These encounters force Gabriel to confront his identity and the unresolved issues regarding his father, Gavri Kaja, and the sacrifices made for survival and connection during turbulent times.
The plot thickens as Gabriel finds himself entangled in a web of intrigue involving German soldiers and the village of Gorvan, his father's home. An unexpected twist brings forth questions about loyalty, betrayal, and the cyclical nature of history as Gabriel grapples with his father's legacy. The tension escalates with Gabriel being coerced into a position where he must either assert his newfound identity or succumb to the shadows of his ancestral influences.
In the climax, Gabriel's internal struggle culminates in an allegorical confrontation with his past, leading him to recognize that his father's spirit lives on within him. The resolution prompts a transformative decision as he contemplates the weight of his choices and their impact on his future. The intricate tapestry woven throughout the lecture leaves listeners contemplating their own connections to heritage, identity, and the legacies they carry.
Ultimately, this lecture serves not only as a narrative experience but as a profound exploration of self-discovery and the overarching themes of belonging that resonate through generations. Gabriel's journey reinforces the significance of understanding one’s roots while adapting to modernity, sparking a compelling discussion on the narratives that shape our identities and the familial bonds that persist through time.
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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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Ah, hello, my dear, so good to see you again.
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I suppose I'm thankful for it. Oh, what's that? Well,
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I suppose I am getting a little bit ready for
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the big day. Oh no, please do not do not
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touch the cornucopia. I'm not sure it's house trained yet,
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now that I mention it, maybe don't make a direct
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eye contact with it either. Well, as time moves forward,
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the way it always does, as you come to my
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humble abode to enjoy something scary, as we think about
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the food and friends and thankfulness, I can't help recall
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with a smile the old country.
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Gabriel Carson is thirty two years old and probably makes
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two or three thousand dollars for each year of his age,
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and for all I know even more, what with stock
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options and bonuses and expense accounts, plus all the other
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perks of modern business.
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He is part of a new breed, or.
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Maybe a contemporary aspect of an old one shop, adaptable, perceptive,
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and predatory, And of course he holds today's charismatic passport
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to financial success, an MBA degree from a prestigious university
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and no one at International Acceptance Corporation, perhaps the world's
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largest conglomerate knows that he was born Cultra and that
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his mother still lives in what is described as an
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ethnic neighborhood, or your information.
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I have never lied about my origins. If I never
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told anyone, it's because, quite simply, it never occurred to
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anyone to ask. And I visit my mother every Sunday.
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Oh it's you.
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Oh hi.
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I would have come earlier, Mama, but I knew you'd
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be at church. So how are you feeling?
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All right?
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Good?
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I'd feel better if I had a son who would
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come early on a Sunday and take his mother to nast.
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Mama, as soon as I get a chance, I'll do that, So.
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Do it next Sunday.
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Oh ok, sorry, I can't next Sunday.
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Uh huh.
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And this time watch the excuse.
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Well, they're sending me to Europe.
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Why what do you know about Europe?
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The company has opened a branch in Trieste.
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Trieste, Well, it's only two hundred miles from your father's village.
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Oh listen, Gavy White, Please, it's a business trip.
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I really have.
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No time, but it would have made your father so happy.
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Mamma.
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I have absolutely no interest in or curiosity about the
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old country.
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Oh God, I wish I could tell you how wrong?
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If it was so wonderful, why did you leave it?
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H you know that I think about it. Maybe you
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never did leave it. I mean this neighborhood, it's it's
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like part of the old Country. And you married a
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young man who lived next door.
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You're saying I shouldn't have married your papa.
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I'm saying this neighborhood has been your whole life. You
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never left it.
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Why should I leave it?
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All my friends, all the people from my old village
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are here. Come sit down at the table. Look, I
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have your dinner almost ready.
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Mamma.
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When you eat at noon, it's called lunch. Besides, I'm
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not hungry. I should just give me a glass of
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water so I can take this pill.
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A pills again for what this time?
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First to take a pill that would make you sleep,
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then you take a pill to keep you awake. The
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Old country ever heard of pills?
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A man was a man.
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He liked to eat, to drink, play music, dance, enjoy life.
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Tell me, Gaverick, do you enjoy life?
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Sure?
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I enjoy life.
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So how can you.
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Enjoy life if you don't have a family.
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Mama, Please, I'm really too busy.
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What do you do that you should be so busy?
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You know?
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Why can't I see the busy? Your papa when he
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was busy, I could see it. He was building a house.
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What do you do?
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I create situations?
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But where is the house? The pair of shoes?
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And I'm not a carpenter. I'm not a shoemaker.
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What are you?
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I'm a strategic.
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Planner, whatever that is. You don't look happy. A mother knows,
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and the mother knows why you don't have a woman
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of your own.
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Mamma, I could have a dozen women.
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Ah, those are women who could belong to anybody.
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I mean a woman who belongs to you.
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Modern women don't want to belong to a man.
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I understand.
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Therefore, you should marry an old fashioned woman, a girl
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from the old country. And I found her for you.
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Now.
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She came here a few years ago. She's even been
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to college, just like you, and it hasn't spoiled her.
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She teaches school and here she is now. Neda, come in,
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my child, Uncle Adam said you wanted the shoes right away,
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So oh, ned Neda. I want you to meet my son, Garley, Garley.
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This is Neda Neda banker.
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How do you do?
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How do you do? Mister Carson? No, no, no, no,
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that is not his name. What is it you call yourself?
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Gary Carson?
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Oh, mister Carson Neda come please sit down. You have
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some dinner with us. Oh, I have to prepare lunch
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for uncle my land. It was nice meeting you, mister Bye.
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Mama.
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Did you tell that girl I would be here?
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Why should I tell her? Did I tell you?
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You placed both of us in an extremely embarrassing situation.
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I did it for a reason. I wanted you to
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fall in love.
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I simply don't understand you.
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Sometimes when two people meet without warning, see each other
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for the first time, it says this lightning strive Mama.
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I she fell in love with you. I could tell
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by the way she turned color.
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Oh, and there was a look in her eyes. She
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has beautiful blue eyes. No, you see, she's very modest,
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and that is why she ran away.
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Did you fall in love with her?
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Of course not.
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Are you sure I objected to this old country custom.
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Of parents arranging a match.
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You know it? That's a way.
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Oh, we've had this argument before.
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I am not going to marry miss Benko, and that's
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the end of it.
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Maybe you say you're going to triest Gay visit your
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papa's villy.
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I already told her.
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But you're not proud of your papa.
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Yes, Mama, but he was. He was from another time.
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Another work.
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Look, mamma, it's.
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Getting late, all right, all right, before you go eat.
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Something here, come on, give me a plate. I take
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it easy, Gay.
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Do you think maybe you can find time to.
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Visit your papa's villy? Mamma, I a pity. It might
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do you some good.
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And that's how it would go.
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Each time I would visit my mother, there was usually
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a girl who she would have maneuvered into the apartment
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somehow in one pretext or another.
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Hello.
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I must admit that Nedda Bengko was really the best
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looking of the lot. She did have the deepest, bluest eyes.
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Okay, she was so obviously wrong for me.
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Well, I had enough to do getting ready for my
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trip to Triesque. But finally I got squared away and
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got there ready to work. But the night I arrived,
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for some reason I can't explain, I found myself.
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Out walking near the docks.
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Clouds obscured the moon, There was a mist, a fine rain.
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It was hard to see anything, and then I heard
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the voice gaverriy yes, yes, yes, that's my name.
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I can see you on Gavri, Gaverri, Gavcha. How did
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you know? You look just like your picture? What picture? So, Gavrie?
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Tell me?
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Where are you going?
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Well? You tell me?
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Why is it your affair?
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It is my affair because my name is Vulk and
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I'm concerned with these things. Also because with this revolver
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I can kill you in the brink of an eye.
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Oh is this a robbery?
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The word came from Gorvan that you might be here, Goanna, Gorna.
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What that's the village.
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It's my father's village, and his father's before him, and
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his father and back for more than a thousand years. Yes,
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but what about gonna walk in front of me quietly?
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If but prare for me? Patrols are out patrol, Perhaps
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you'd better explain this tell you and making too much
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noise as it is, Turn here to your left, listener
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a patrol what silence threaten yourselffateaginst the wall. In this fog,
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they may not see a swim make a singer sound
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and had of being able to make sure of you.
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Hi language, Come here, Schmid. What language was that? What
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the language? Do you think?
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German? Yes, yes, that's what it sounded like.
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But why would they be German soldiers?
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Here? And triesque? Are you sure you're all right? Here?
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Who are you?
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I'm voke poke? Suddenly I heard a loud burst of music.
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It blared at me from the open door of a
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waterfront cafe. The rain had stopped, the pavement was dry,
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the mist disappeared, as if by magic. All about me
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were with bright lights and laughter, music. Crowds of people
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were Where was the man who had somehow materialized out
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of the though, the man who called himself Roke? He
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was nowhere to be seen. Who wasn't had I imagined it? Probably?
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Well?
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Next morning I was in our office with our local manager,
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Francesca Danilo.
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I hope you're satisfied with our progress here.
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Mister Carson, and my report on the whole is favorable.
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I know that with the proper supervision, you could very
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well become our outstanding overseas branch.
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Thank you, mister Castle.
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Yes, I must say I hadn't expected to find a
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woman branch manager.
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It's probably due to the war, mister Carson.
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The war, I think that was such a long time ago.
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So many men were killed, especially in this part of
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the world, it became necessary and natural for women to
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take over.
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Yes, yes, of.
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Course, I'll be leaving for home the day after tomorrow.
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Shall I have my secretary make the travel arrangement? Oh,
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thank you, it's no trouble at all. Tell me, miss Danilo.
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Have you ever heard of a town called Gorvan?
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No, I mean it's in the Castendel Valley.
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Oh, oh, yes, there was very heavy fighting there during
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the war.
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Yes. Have you ever heard of a man called Gavrie Karja.
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Oh?
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Yes, he was quite a legendary hero. Are you interested
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in the history of this part of.
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The world, mister Castle, Well, we were in business here.
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It's good to know as much as possible about the people,
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the customs, so forth.
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Wouldn't you agree?
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Oh?
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Yes, about this Gavrie Karja.
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The Germans at a trap for him, but he escaped somehow.
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He later went to the United States, where he married
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and raised a family. I believe I understand he died
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some years ago. I could find out more if you're interested.
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No, no, no, thank you. I was just mildly curious.
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The next night was my last entriestue. I had some
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