Feb. 18, 2025
Do You Even Movie? | Blue Ruin (2013) The Brutality of Revenge
That’s what bullets do.” This week, Henrique and David take a violent detour into one of the most realistic revenge thrillers ever put to film—Blue Ruin (2013). When a quiet drifter returns to his childhood home seeking vengeance, his actions spiral...
That’s what bullets do.”
This week, Henrique and David take a violent detour into one of the most realistic revenge thrillers ever put to film—Blue Ruin (2013). When a quiet drifter returns to his childhood home seeking vengeance, his actions spiral into a brutal fight to protect his estranged family. But what makes this film’s take on revenge so raw and unforgettable?
In This Episode:
🎬 Blue Ruin – A deep dive into Jeremy Saulnier’s indie masterpiece 🔪 Is this Macon Blair’s greatest performance? 💥 How does the film’s stark realism elevate its violence? 📽️ Where does Blue Ruin fit in Saulnier’s impressive filmography?
Plus:
❤️ Full reviews of Heart Eyes & Love Hurts 🍿 Can horror bring audiences back to theaters? ⚔️ Our picks for the most underrated revenge movies!
Watch Blue Ruin for Free on Tubi:
🔗 Click Here
💻 Visit Us: DoYouEvenMovie.com
📩 Email: doyouevenmoviepod@gmail.com
👍 Facebook: Do You Even Movie? - Podcast
📸 Instagram: @DoYouEvenMoviePod
🐦 Twitter/X: @dyempod
🎧 Subscribe & Leave a Review! Don’t miss our weekly deep dives into the best (and weirdest) cinema has to offer!
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
This week, Henrique and David take a violent detour into one of the most realistic revenge thrillers ever put to film—Blue Ruin (2013). When a quiet drifter returns to his childhood home seeking vengeance, his actions spiral into a brutal fight to protect his estranged family. But what makes this film’s take on revenge so raw and unforgettable?
In This Episode:
🎬 Blue Ruin – A deep dive into Jeremy Saulnier’s indie masterpiece 🔪 Is this Macon Blair’s greatest performance? 💥 How does the film’s stark realism elevate its violence? 📽️ Where does Blue Ruin fit in Saulnier’s impressive filmography?
Plus:
❤️ Full reviews of Heart Eyes & Love Hurts 🍿 Can horror bring audiences back to theaters? ⚔️ Our picks for the most underrated revenge movies!
Watch Blue Ruin for Free on Tubi:
🔗 Click Here
💻 Visit Us: DoYouEvenMovie.com
📩 Email: doyouevenmoviepod@gmail.com
👍 Facebook: Do You Even Movie? - Podcast
📸 Instagram: @DoYouEvenMoviePod
🐦 Twitter/X: @dyempod
🎧 Subscribe & Leave a Review! Don’t miss our weekly deep dives into the best (and weirdest) cinema has to offer!
🎧 LISTEN NOW and subscribe for spine-tingling horror stories every week!
🎉 Unlock exclusive bonus episodes and support the show on Patreon!
👉 WeeklySpooky.com/Join
📬 Contact Us / Submit Your Horror Story!
- Twitter: @WeeklySpooky
- Facebook: facebook.com/WeeklySpooky
- Email: WeeklySpooky@gmail.com
🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT
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I apologize for the mystery. You're not any trouble. I
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just thought you should be somewhere safe when you found
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out everything's fine. You'll be fine.
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Two, three, four.
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It's an awful thing he did to them. Three if
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I don't mean to scare you, I'm just gonna hold
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you here for a little.
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While and like you breathed.
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In a world where podcasts reign supreme. Two friends dare
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to ask?
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Do you even?
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Movie?
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Hosted by filmmaker Enrique Kuto and movie aficionado David Denier.
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Spoiler alert, So David, so, hen, how's the Lonely Hearts Club?
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Lonely and heartful? What does that mean?
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I don't even know.
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That's good.
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That's good.
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It's best that it be ambiguous.
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Ambiguous are empty at this point?
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Well, that got fucking dark. Yeah you're welcome. Yeah, great job, great,
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good way to go with the movie Tonight though, well,
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I mean Tonight's movie is a story about true love
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and where it'll take you.
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Yeah.
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Yeah, yeah, that's it. I mean, it is, it is,
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so it is. But yeah, but before we talk about that, geez,
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we just saw love hurts, Yes, we did, which you know,
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I mean, we're recording this right before actual Valentine's Day. Yeah,
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and uh yeah, there were a lot of couples at
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the theater in line there was, and none of them
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for Companion. It looked like, yeah, they were all going
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to Companion. Yeah, a lot of really young folks.
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Which I think honestly that I think we've seen every
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single Valentine's Day available in theaters now because we've seen Companion,
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Hard Eyes and Love Hurts.
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Yeah. I think you're right. Yeah, yeah. So as far
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as Love Hurts goes action comedy, absolutely in theory, romance
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is somewhat. Yes.
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Uh I. My biggest issue with Love Hurts was it
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the title. The title made sense, but the romance aspect
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of it did not. It didn't hit I would say,
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oh yeah, I didn't think.
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So, Oh hateful Dave.
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You've said the same thing in the car, what are
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you talk about?
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Well, no, my problem with Love Hurts and I hate
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being harsh, but the whole film came off as really
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really half baked, unbalanced. Well I mean totally exactly, like
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what happens when something's half baked, Like some of it's
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all mushy and still whatever, and then the other parts
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splengy and nice. Yeah, it didn't seem like it was
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very comfortable being a comedy or an action movie and
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infinitely uncomfortable being a romance story. Entirely zero chemistry between
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the lead and his romantic interest, although it's not like
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they had a chance. They were like the room together
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like three times. And yeah, there's not a lot going
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on there.
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I mean, it's basically that the classic story of you
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don't know who you're messing with again, but at the
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same time, like it's it's a story we've seen a
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thousand times before.
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Well, but but this version is a little different. Like
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he's not hiding because he's a former hit man. Yeah,
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but he's not like hiding from the people he used
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to work with. They know that he's out. Yeah, they
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let him, they leave or whatever his life. Yeah, but uh,
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he gets dragged back in because the woman he loves
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was he was ordered to kill her. Yeah, and although
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I guess they weren't.
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Dating, they weren't dating. There was just ever in love
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with really any hints of romance. It was basically that
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he let her go spoiler alert, he let her go.
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Oh that's like we already we know that pretty much
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immediately he let her go.
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I mean, you really can't spoil the movie except for
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like the one death that actually affected us.
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Yeah. Yeah, well, and that's kind of my point about
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it being kind of half baked, Like it's kind of
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like you ever listen to interviews where Jackie Chan says,
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like what movies he says no to? It's very much
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the kind of movie Jackie Chan would say no to. Yeah,
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Jackie Chan often says like, I don't want movies that
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are overly violent. I don't want movies that are overly
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you know, like they're overly violent, too much murder or whatever,
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too much base.
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I think he says, for the most part, like murder
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for murder's sake, like there's no there, like it's just
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basically just up a body count.
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Well, and if you watch a Jackie Chan movie, I mean,
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for the most part, if anybody dies, it's a big
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deal in a Jackie Chan movie. Aside from like that
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movie where he played the villain or whatever, those are
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very different. We're talking for The Foreigner, which I liked
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The Foreigner. It was good, it was dark, it was
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cool seeing him play a villain, but he was a
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but he was also like a for lack of a
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better term of righteous villain. Yeah, he had been horribly wronged.
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His daughter I believe had been killed. Yeah, and he
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was basically on a war path for vengeance. Yeah. That
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was self destructive on purpose. Yeah, and he knew it.
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And it's not a It wasn't a surprise to the audience.
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No, And it really wasn't an action film either. Had
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action sequences.
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Yeah no, no, I mean it has a few stunt scenes there.
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But with Love hurts. I wanted to like it a ton,
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but it felt like the components they had were sparks.
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They were just like, we want what's his name of
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the actor. They wanted him to star in an action movie,
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and they wanted him to be a badass. And then
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and they got a well known stunt fight coordinator to
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be the director for his feature film debut, guy by
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the name of Jonathan I don't know. But so you
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have Ti Kwang and he's this kind of dorky average guy,
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which he's really great at playing. I mean, I mean,
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I mean he this is like the this is the
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worst thing we're gonna get from everything everywhere, all at
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once being a hit. Yeah, and I mean that with
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love because everything everywhere at once was amazing, and it
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showed what an incredible actor he was. It showed how
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endearing he could be and what rain she could have.
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But then you watch love Hurts, and I guess the
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biggest problem, if I had to really dig into my psyche,
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would be the love interest is very unlikable because the
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whole concept is that she was allowed to not get assassinated,
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and then what does she do? She comes back a
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while later and shows up in his life. Is like,
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I can't keep hiding and you shouldn't hide from your
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brother either, money and she wants to money. Although there's
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more to it, well kind of, but but what ends
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up happening is she shows up in his life and
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literally starts, and it starts just ruining people's lives unrelated.
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There's an immense amount of very being degrees of collateral damage.
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Some are we're very out of place in a comedy.
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It was one of those movies where you you have
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amazing action sequences. I mean, some of those fights are
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are incredible and insanely brutal, but then your murder count
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for like actual like main characters is like two.
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Yeah, and only the characters that are nice yeah, like
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only the characters that literally did nothing.
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Our villain spoilers technically doesn't get murdered on screen at least.
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Yeah. Well, from the way the first fight scene, when
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I assumed just nobody was gonna get murdered, that was
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gonna be one of those, which is very Jackie Chan
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asked that, like, you just don't kill anybody. But then
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so then this whole thing where his love interest is
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like I want the real you to come out or whatever,
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and then she's so happy when he starts.
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Like becoming vicious, well because he.
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Kills like Henchman, yeah toward the end, and she's like
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so happy, and I'm all thinking, is like I thought
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that our whole his whole character development was that that
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was bad. Yeah, and he hated that, but now it's like,
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I'm so glad you're back, Like that's who I needed,
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the vicious murderer. She Yeah, she was, cause she came
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off really unlikable because all she did was show up
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at wreck everything.
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No, I agree. I think my biggest issue with it
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was it just it didn't feel like it really ever
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gave us anything that we didn't get in like the
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first ten minutes.
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Well, and if they wanted to to get that across
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in a way that was a little bit more entertaining. Yeah,
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they could have had it be one sided, like he's
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really in love with her and she's callous. That could
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have been a good like growth moment if it was like,
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you know, he realizes, like you don't care about me
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very much, do you? But no, it's supposed to be
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a love story. They're supposed to actually be in love. Yeah,
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And all I could think the whole movie was, man,
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his life was so great. He like I remember about
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halfway through the film when is because his brother turns
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out his brother again not a big spoiler. His brother
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is the person who's like, uh running yeah, knuckles, he's
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running the organization he used to work at. Once you
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start to see what's going on and all this, my
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first thought was, really, like, man, this like our main character.
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He would have been. He would have had such a good
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life if you just murdered that woman probably and apparently
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he had killed dozens before as a hitman. Well.
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That was the thing too, was you had so many
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different main villains to stack up to your actual top dog,
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and it was just and I didn't have an issue
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with that in regards of just like learning who those
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people were. But it was just like they amounted to nothing.
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They were just they were just names for.
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The most part. I mean we had a few that
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got some development, but that.
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Everybody was against everybody, like.
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Yeah, it wasn't a terrible movie. Yeah it was a
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fun time.
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Eighty eighty two eighty three minutes. You mean you're you're
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in and out for one.
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Yeah, but I could, I could definitely understand why audiences
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were not coming to see Love Hurts in the theater.
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They were there to see companions like you.
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And I said, it's a movie where you can definitely
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tell studio involvement heavily, because I don't think an eighty
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three minute movie was the original idea.
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I mean, have been Mitos in.
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Do You Even? Movie? Will be right back, welcome back
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to Do You Even?
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Movie.
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The other thing was that there was a lot of
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moments that were predicated by voiceover, which made me feel
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like maybe the movie was a big mess and they
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were trying to make it make sense.
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Yeah, and not just one voiceover, multiple character voiceovers.
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It was just him and the woman.
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There was Knuckles had a couple two.
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Oh okay, no, no, you're right right, he did. Yeah,
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but they were kind of he was like in a
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room with somebody. It didn't feel quite as like as
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opposed to like the leading man and the leading lady
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were like laying in bed, and it's just kind of
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it felt more like a voice over as opposed to
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like a monologue.
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Genuinely, I would have probably probably enjoyed it just a
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little bit more if the first ten minutes would have
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been him telling the story that we kind of saw
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spread throughout the movie. I think if we would have
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been like, you know, I like I used to do
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this blah blah blah blah, and like go through all
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his run ins and everything like that, and then it's
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just like, but now I live this quiet life.
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Well, I think that what they were going for was
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the like you find out as we go and I don't.
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I think because he's so likable and because he seemed
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to be a legitimately changed person, because that's the other thing.
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It wasn't like those other you don't know you're messing
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with movies where it's like, oh, the like the badness
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was always still in me and it always wanted to
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get out. Yeah, Like there was never a moment when
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he was working as a mild manner real estate agent
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where like he like resisted the urge to like punch
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somebody or like or like tackled somebody and like or
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or got even got or even raised his voice.
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Shit, I just realized something. The big death that we've
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