Jan. 13, 2025

Best of 2024 | Slasher: Valentine Screams - When Movies Get DEADLY

Best of 2024 | Slasher: Valentine Screams - When Movies Get DEADLY
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In this thrilling episode of Weekly Spooky, host and narrator Henrique Couto invites you into a world of blood-soaked horror and captivating tales. Join him as he celebrates the past year's twisted accomplishments in the realm of horror. The star of the night is the novella-length episode, "Slasher Valentine Screams," penned by the brilliant Rob Fields, a revered figure in the genre and the mastermind behind the Strickfield Universe. If you’ve missed this spine-chilling narrative, now's your perfect chance for a heart-pounding return.

As we dive into "Slasher Valentine Screams," we meet Vicki Valentine—the quintessential scream queen—who reflects on her rise from the world of adult films to the dominant figure of late-night horror. With her striking black ball gown and blood-red locks, Vicki embodies the perfect blend of allure and terror as she prepares to unveil the newest installment of her horror hosting career. But things take a sinister turn as she and her girlfriend, Bethany Mirren, grapple with memories of a harrowing encounter involving real ghouls while filming their previous slasher flick, Slasher 2.

As the story unfolds, we follow Vicki and Bethany to the St. Valentine's Day Massacre Horror Convention. The anticipation builds as they prepare to premiere "Slasher Valentine Screams." However, a shocking twist occurs: they discover that the specter of danger still looms over them! With horror icons and unexpected visitors from their past resurfacing, Vicki and Bethany’s weekend promises much more than just conventional thrills.

The narrative bursts with action as twinges of romantic tension and unanticipated curveballs keep listeners on the edge of their seats. As Bethany grapples with her fading relationship and Vicki confronts her own demons, the episode explores not only the horror genre but also the complexities of love in a chaotic world. Henrique's vivid and suspenseful storytelling grips you, enticing you with macabre details and characters that leap from the shadows.

As they navigate throughout the favorably chaotic convention, the lines blur between fantasy and reality. When the group encounters an unexpected giant lizard monster, our fearless characters are thrust into a fight for survival. Each encounter is both a comically unsettling commentary on their experiences in horror film sets and an exhilarating testament to the depths of their friendship and love.

As the episode draws to a dramatic close, revelations emerge regarding curses wrapped around golden lizard figurines and the emotional baggage that follows fame. This episode serves up a feast of frights that culminate in a spectacular twist, promising that the horror is not merely a linear experience but a cyclical one. With tongues-in-cheek humor, horrific events, and romantic undertones, "Slasher Valentine Screams" leaves listeners not only afraid but questioning what lurks beneath the surface of their own relationships.

Join Henrique as he delves deep into this unique blend of horror and heart, you won't want to miss how it all unfolds and the powerful message it leaves at the end. Prepare to be thrilled, entertained, and perhaps a little haunted as you tune into another unforgettable episode of Weekly Spooky.

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🎵 Music by Ray Mattis 👉 Check out Ray’s incredible work here !
👨‍💼 Executive Producers: Rob Fields, Bobbletopia.com
🎥 Produced by: Daniel Wilder
🌐 Explore more terrifying tales at: WeeklySpooky.com
WEBVTT

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Hello, my spookys. It's your host and narrator Enrique Kuto here,

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and I'm excited to celebrate all of the accomplishments and

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scares we've made in the last year. So I'm presenting

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to you something I picked special as one of the

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best episodes of twenty twenty four. This one is Slasher

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Valentine Screams. It's a novella length episode written by Rob Fields,

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the man behind stric Field and so much more, including

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our current mini series running right now called Spin the Bottle.

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If you missed this one, you're gonna really enjoy it.

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It's full of bloody mayhem and monstrous murder, the kind

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of thing you like if you like being here. So

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whether it's new to you or you're revisiting, enjoy the story.

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Slasher Valentine Screams by Rob Fields. Perspective Vicky Valentine. I'm

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sitting on my throne on my set at Channel sixty

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one in North Ridgeway. Who'd have thought I'd go from

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being the Queen of porn to being both a high

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profile scream queen and the Queen of the night. Seriously,

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if you'd have told me years ago that I'd be

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a premier horror movie star, I'd have asked you what

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you were smoking and where I could get some. Of course,

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we all know i'd have eaten those words. Huh. Anyway,

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I'm sitting here in my black ball gown and blood

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colored hair dyed that makes me look like an evil

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version of Jessica Rabbit if you don't know Googler. I

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first started playing my Friday Night character in the original

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Veranda Queen of the Night, which was made by the

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Eerie City players from their university. That movie became such

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a hit that Channel sixty one out of North Ridgeway

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sat down with the players and worked out an agreement

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to get the rights to Veranda for a weekly horror

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host program. Next, Channel sixty one contacted me and asked

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if I'd consider reprising Veranda every Friday Night to feature

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a horror movie. At our in person meeting, they presented

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me with a very generous contract and the rest was history.

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I'm currently filming the segments for the Valentines episode where

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I'm presenting Lover's Lane. Yeah, that movie that had Anna

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Ferris before anybody knew who she was from her scary

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movie franchise fame. My contract was originally for one year,

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but Channel sixty one has since signed me to an

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extension to continue hosting Up All Night with Veranda. In fact,

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my show's gotten so popular that I'm doing too every

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Friday night now. I already did my segments for the

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first movie, which was Valentine. After I finished my final segment,

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my director's happy with my performance. As always, this time,

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my girlfriend Bethany Miron accompanied me. You see, after I

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finished taking a shower and putting on street clothes, my

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honey and I will be driving to Ridgeway Heights to

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attend the Saint Valentine's Day Massacre Horror Convention, where the

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world premiere of Slasher Valentine's Screams will be screening. When

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we filmed the original Slasher, it was just a college

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project that the Corgan twins Jesse and Jenny put together.

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The movie was a movie within a movie. Last year,

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we filmed scenes at the convention for Slasher two Valentine's Day.

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Along the way, Bethany and me encountered people from the

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backwoods of Strickfield in the form of ghouls. No shit,

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ghules are very real. Victoria, the matriarch of her family,

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had this giant of a son named Flint. Apparently he

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fell in love with me while watching me on Channel

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sixty one, believing me to really be Veranda. Long story short,

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I was kidnapped and taken to their mansion in the

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backwoods of Strickfield, where Victoria damn near turned me into

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a ghoul myself. Fortunately, Bethany and the Corgan twins came

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to my rescue. Afterwards. We showed those ghouls that you

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never mess with people who make slasher movies for a living. Now,

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the third movie in the Slasher series will have its

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world premiere at the Saint Valentine's Day Massacre Horror Con.

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It's already got a theatrical run lined up with regular showtimes.

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Come on, you just knew there would be another Slasher,

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right as long as the movies keep making money, I said,

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Bethany and me are gonna be heading to Ridgeway Heights

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to spend the weekend at the con to be guests

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and sign autographs and sit through the new Slasher screening.

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I'll even be wearing my black ball gown to be Verandah.

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As soon as Bethany and me arrive at the Hilton,

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We're already checked in thanks to our smartphone apps, and

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our phones also double as our room keys. As we're

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about to turn and head to our room, Vicky Bethany,

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a familiar voice calls out. We both turn to see

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the Corgan Twins coming toward us. We put our bags

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down in exchange hugs. Now, normally Bethany and me like

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to just have some alone time on Thursday nights since

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we both have very busy schedules. I'm going around and

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making more and more horror movies and Bethany's been busy

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in my old profession as a porn star. Looks like

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tonight we're going to make an exception. After Bethany and

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me put our bags in our room, we meet up

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with everybody in the hotel bar to hang out. Thursday

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nights are the calm before the storm, if you will. Yeah,

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there are horror fans who come on Thursday night to

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party and meet up with people they know. Dealers come

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to set up in the Big Room, which is where

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many of us will be sitting and doing our meet

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and greets and photos. The Corgan Twins tell everybody that

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drinks are on them tonight. Anyway, this is the present.

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What I'm sure all of you want to know is

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what happened during the filming of slasher Valentine's Screams. I'm

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sure we're all going to be hanging out in the

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hotel bar for quite a while, So let's go back

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in time, shall we. Last year, I'm finishing a scene

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from my latest movie, Spoiled Brat, another slasher from The

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Corgan Twins. In this one, I play this bored housewife

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who's just so unhappy with my husband. Forget that he

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gives me whatever I want, so I go out and

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have a few affairs. Next thing I know, bodies are

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piling up because of them. Now I'm in the final

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scene where the killer you know what. No, I'm not

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going to say how this ends. That wouldn't be fair

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to all of you planning on seeing it, especially after

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both Fangoria and Room Org magazine did big write ups

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on it. After we wrap, I'm taking a shower and

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washing off all the fake blood and makeup. When I finish,

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I get dressed and come out to find my girlfriend

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Bethany Mirain waiting for me as she's talking with the

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Corgan Twins. And then things are about to get a

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little odd because now I'm seeing Enrique Kuto's here too.

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In case you've never heard of this guy, He's an

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independent filmmaker from Dayton, Ohio. What's he done? Ever hear

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of Babysitter Massacre? How about Scare Waves or the Haunted

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House on Sorty Row? Maybe his Found footage series. He

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also directed Boggy Creek the series. Okay, there's a good

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chance some of you have at least heard about Babysitter Massacre.

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I know Bethany and me both have. In fact, the

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two of us have a little bit of a history

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with mister Kuto. It was around the time when Slasher

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two opened in theaters that Bethany and me were filming

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Babysitter Massacre Daddy's Little Killer Together. Yeah. Enrique Cuto took

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the first book in the series, written by David O'Hanlon,

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and turned it into a full length feature film. I

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played Larkin Combs and Bethany played Aaron Mercer. Let's just

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say Enrique got his money's worth out of both of us.

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Not to mention significant screen time in our sexy birthday suits.

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Bethany sees me and gives me that look that says

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I'm probably not gonna like, what's coming? What's going on?

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I asked the twins. We're still gonna shoot Slasher three? Right? Oh, definitely,

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Jesse Corgan assures us. In fact, after our little pow

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wow here, we're all going to be taking off and

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heading to Ridgeway Heights. Okay, cool, I tell her. Then

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I point to Enrique. But what's he doing here? Jenny

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Corgan smiles, Well, that's what this pow wow's about. There's

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going to be a little change. We're not going to

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be directing Slasher three like we originally planned. After all.

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Oh does that ever get Bethany's head in a whirl?

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Excuse me what? Jenny and Jesse both look regretful a little. Yeah.

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It turns out the special effects we're planning for this

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movie are going to be some of my best work yet.

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And with the new creature suit we're using for the movie,

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I'm gonna need Jesse's help to get everything off smoothly.

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Bethany and me look at each other. When we did

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our Babysitter Massacre film with Enrique Kuto, the Corgan twins

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did the special effects. Actually Jenny did them and Jesse assisted.

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I mean, Enrique really wanted some great effects for his movie.

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He'd seen what Jenny could do for many of the

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Corgan's movies and had a meeting with them. The hen

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Man got his money's worth, no two ways about it.

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Getting back to now, Jesse says, since it'll take the

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both of us to do Jenny's special effects for the

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new Slasher, we hired Enrique to direct it. You both

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okay with that, Jenny finishes. Bethany and me look at

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each other again. Yeah, we're both gonna be in a

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world of shit.

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Don't go away, weekly, spooky, We'll be right back.

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Perspective. Bethany, Mirren, Vicky and I are still looking at

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each other. Then we turn back to look at Enrique.

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Hell no, we both say together. Enrique's jaw drops. Oh

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come on, don't tell me you're both still sore about

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all those rewrites for Daddy's Little Killer. I point right

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at him. For your information. Vicky and I both read

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David O'Hanlon's original book. Nowhere is it written that Larkin

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or Aaron are both naked in any way. Okay, I

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get that I was supposed to make like I was

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giving my hubby movie theater Head, which was in the book,

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But the book never had anything about Aaron having a

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full on sex scene with britt Let alone a few

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of them, or Larkin having a few fuck arounds with

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a few of the other guys in the story. Vicky adds,

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although kudos on making one of them Larkin's new boyfriend.

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I did like that. Enrique raises his finger. Correct me

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if I'm wrong, But I never once heard either of

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you tell me no, He lowers his finger. Besides, how

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many times have you two been naked in front of

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a camera before doing my movie? He laughs a little.

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Vicky Valentine, you're an ex adult film star Bethany Mirren

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also known as Belinda Barnett, you're a current one, and

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you two are in a relationship, so being naked should

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feel natural to the both of you. Vicky points sharply

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at him. Then why don't you get naked on camera?

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Because I damn sure ain't as sexy as you two

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fine ladies, He answers without hesitation. Also, you should know

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by now that movies don't always emulate their books. One

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for one to describe Enrique Kuto, He's one of the

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most unusual people you'll ever meet. He always wears a

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Hawaiian shirt open with a black horror T shirt underneath,

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usually something with Joe Bob Briggs, weird pants that I

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think his mom must have made for him, and crocs.

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He's got long hair, wears circular lensed glasses with bright

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green frames, has a swashbuckler's mustache, and his beard hairs

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braided to make it points straight out. Oh, but I

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ain't letting Enrique off so fast. Okay, you're directing Slasher three,

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but I wouldn't put it past you to rewrite the

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Corgan Twins script to make sure we show even more skin.

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He laughs. My contract specifically states I can't change the

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scenes that the Corgans have already written. Vicky glares at

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him now, but you're up to something. I just know it.

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Enrique sighs. Look, you've both been paid. I've been paid now.

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We just need to make the movie, and we're gonna

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do that. At the con, he quickly raises his finger.

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Oh I almost forgot. The Corgan's told me we actually

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have an Academy Award winner working with us on this movie.

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Oh bullshit, I groan. No, it's true, Jesse says. Remember

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Lizzie Jones from the original Slasher. I believe she goes

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by Elizabeth Jones. Now Jenny corrects her. Enrique takes over. Well,

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I think we all know she's won two Oscars for

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Best Actress. Then what the fuck's she doing shooting Slasher

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three with us? I ask she didn't want anything to

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00:14:10.279 --> 00:14:12.919
do with us again once Hollywood signed her. My agent

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told me she didn't want to be involved with Slasher

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two since a porn star was involved and I wasn't

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even acting in the goddamn movie. Hello, Bethany's acting in

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this next movie, now, Vicky reminds everybody. Then she raises

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her finger. I got it from a few reliable sources.

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Lizzy turned out to be another Hollywood diva who thought

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she could write her own paychecks since she won her Oscars,

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Except she ain't been in Hollywood long enough and didn't

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have enough movies under her belt. So Jesse nods. Sounds

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about right. As for what Lizzie's doing in our movie,

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her agent negotiated with us to get her a part

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in it. Lizzie even signed her contract. Jenny adds. Supposedly,

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if Lizzie does Slash her three, that can put her

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back on the map for some bigger movies because she'd

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be starring with you. Vicky, Let's face it, you're actually

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a bigger name than Lizzie Jones. Right now, I thought

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Vicky always was. I say, hell, Vicky here had top

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billing in the original movie. I point to Enrique. I

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00:15:15.360 --> 00:15:20.000
still say, he plans on hijacking your script again. Enrique

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cannot rewrite our movie in any way. Jesse reminds us Hey,

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come on, ladies, Enrique says, in a suave tone, how

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bad do you think I really am? Vicky and I

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00:15:32.000 --> 00:15:36.559
both look at each other again. Yeah, we're totally fucked.

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After the meeting's over, we leave the house where Spoiled

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Brat just wrapped and get in our cars to leave Strickfield.

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I already packed mine in Vicky's bags so we wouldn't

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have to stop by our apartment at Strickfield Cove. After

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a drive, we're in Ridgeway Heights and pulling in at

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the Hilton where the Saint Valentine's Day massacre horror con

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is going to be taking place this Valentine's weekend. Valentine's

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Day itself is Sunday. On the way, Vicky and I

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checked into the hotel on our apps. We're ready to

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hit our room and skip the front desk completely. As

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soon as Vicky and I reach our room, we go

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in and put our bags down. Vicki falls back on

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our bed and stretches herself. I really want to get

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drunk tonight, especially after finding out Kuto's directing our new slasher.

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I get on the bed with the love of my

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life and look deep into her eyes. We're easing our

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arms around each other before I savor those sweet, delicious

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lips of hers. This coming Valentine's Day will be one

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year that Vicki and I have been together as a

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full on couple. Ironic huh. Vicki and I practically hated

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each other when we first did slash her. How the

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fuck did the two of us ever lower the walls

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and even become friends? How did we even become roommates?

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Like I said, we're still living in our apartment together

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at Strickfield Cove. Fuck. It really hurts in the pit

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of my tummy whenever Vicky's near me. I can't believe

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how much I've fallen for her. I wanted her so bad.

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I tried convincing her to come back into porn with me.

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Then she showed me that wasn't necessary. You okay, I

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ask her. When we stop kissing, she gazes at me.

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I am now you always know how to keep me

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away from the hotel bar. Well, if you really want

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to get drunk, I'm sure we can go. I start

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to say. Our eyes meet again. Then Vicki and I

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kiss with more passion and hunger. Before long, our clothes

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are coming off. At least, the sex my honey and

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I have is completely honest, as in no cameras, no scripts,

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and pure emotions. I know I'm Vicky's first real relationship,

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and I'm always trying to do right with her. I

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don't want her to ever regret being with me. She

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told me she trusts me completely and doesn't care in

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the slightest that getting laid is my day job. I'm

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the one you always come home to at the end

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of the day, she said, and she's a thousand percent

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Right After Vicki and I fuck a couple of times,

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we're under the covers and holding each other. I still say, Enriquet,

285
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Kuto's got something up his sleeve for Slasher three, Vicky says,

286
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I laugh a little. I don't doubt it. The question

287
00:18:25.279 --> 00:18:29.000
is what exactly will he do? He probably already knows

288
00:18:29.039 --> 00:18:31.519
how he's getting more nudity out of us. I'm sure.

289
00:18:32.359 --> 00:18:36.079
Then we both hear chimes on our smartphones. Vicky reaches

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00:18:36.119 --> 00:18:40.279
over and picks up hers. It's Kuto already. He wants

291
00:18:40.319 --> 00:18:45.279
to start filming some scenes tonight. Fucking hell, I groan.

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I was hoping to have a nice, quiet night with

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00:18:48.519 --> 00:18:52.319
you before the storm. This weekend will be okay, baby,

294
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Vicky assures me. I groan as we both get out

295
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of bed and put our clothes back on before we leave.

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I ease Vicky to me so we can share one

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more kiss before heading out.

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You're not safe yet, Weekly Spooky will be right back.

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Perspective, Elizabeth Jones. I'm here in one of the conference

300
00:19:21.640 --> 00:19:24.799
rooms reserved for the Slasher people and arguing with Enrique

301
00:19:24.920 --> 00:19:28.720
Kuto about the script. My agent, Doug Ben's is standing

302
00:19:28.720 --> 00:19:32.559
here with me. I don't care what this motherfucking script,

303
00:19:32.599 --> 00:19:36.480
says Kuto. I yell, I will absolutely not be doing

304
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any nude scenes whatsoever. I already showed my bouncing boobies

305
00:19:40.920 --> 00:19:44.079
in the original Slasher. You want me fully naked, then

306
00:19:44.119 --> 00:19:48.400
get a fucking body double. Yes, Kuto still wants to

307
00:19:48.480 --> 00:19:54.079
fuck with me one more time. Read your contract. According

308
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to the Corgans, everybody who signed a contract for this

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movie agreed to do nudity. I'm pretty sure I don't

310
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have any any body doubles that resemble you, Catherine Heigel.

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I put my finger right in his face. Oh you

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watch who you're talking to, Buddy, I'll have you cleaning

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shitouses for a living instead of directing movies. Then I

314
00:20:13.440 --> 00:20:17.240
see Vicky Valentine and Bethany Mirren. How about you get

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one of those bitches right there to do my nudity,

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00:20:19.920 --> 00:20:23.200
because again, I ain't taking my mother fucking clothes off,

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00:20:23.240 --> 00:20:29.880
and you can't make me. Kuto sighs. Look, Lizzie, Elizabeth,

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00:20:30.200 --> 00:20:34.960
you will call me Elizabeth Jones. I yell, and last time,

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00:20:35.240 --> 00:20:39.960
I ain't doing any fucking nudity. He turns away from

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00:20:39.960 --> 00:20:43.519
me to address those two porn sluts? Are you even

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00:20:43.640 --> 00:20:47.680
listening to me? As Kuto starts talking to Vicki and Bethany,

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I lash out and shove him. You will not turn

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00:20:51.480 --> 00:20:53.839
your back on me when I'm talking to you. I'm

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00:20:53.960 --> 00:20:59.240
Elizabeth Jones. You hear me, Elizabeth Jones. Kuto suddenly turns

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00:20:59.240 --> 00:21:02.680
his attention back to me. I don't care if you're

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00:21:02.720 --> 00:21:07.119
Angelina Jolie. He points right at me. Now, everybody here

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signed contracts for this movie. Every actor here is doing

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nudity in the New Slasher. I'm gonna lay this out

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for you in simple terms. You don't fulfill the terms

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of your contract, then I'm sure the Corgan Twins will

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be seeing you in court. It's called breach of contract.

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Kuto points to Doug. Your agent here should be telling

333
00:21:30.240 --> 00:21:33.839
you what I'm telling you. Speaking of talking, you realize

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00:21:33.839 --> 00:21:35.960
everything you said to me was a waste of time,

335
00:21:36.079 --> 00:21:39.279
right or weren't you listening when I mentioned the Corgan Twins.

336
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They wrote the New Slasher and had the contracts drawn

337
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up again. Everybody signed them, including you, before I was

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even involved. The Corgan Twins come and stand with Enrique.

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That's right, Jenny says. We watched you sign yours together.

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Maybe you should have read your contract first. Couldn't have

341
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said it better myself, Jesse agrees. Then she turns to Kuto. Sorry,

342
00:22:04.599 --> 00:22:06.839
we're late. We had to make sure we were good

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for the scene. You said you wanted to shoot first.

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We're ready when you are, Director, Kuto nods. Then I

345
00:22:13.880 --> 00:22:16.680
turned to Doug. Is that all you're gonna do is

346
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just stand there? What the fuck am I even paying

347
00:22:19.319 --> 00:22:22.839
you for? I growl and walk away from everybody and

348
00:22:22.920 --> 00:22:26.519
slip into the dealer room. Doug follows behind me, trying

349
00:22:26.559 --> 00:22:34.000
to talk to me. What a fucking weasel perspective, Enrique Cuto.

350
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Lizzie Jones ain't the first prima donna I've had to

351
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work with, and she won't be the last. At least

352
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now I know what I'll be covering on my next

353
00:22:42.680 --> 00:22:46.680
episode of the Working Filmmaker podcast. Now, I'm just waiting

354
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for everybody to get into their costumes soon. Vicky and

355
00:22:50.119 --> 00:22:54.400
Bethany show up in theirs. For the record, Vicky Valentine's

356
00:22:54.440 --> 00:22:57.400
not playing the scream Queen killer. In fact, she's not

357
00:22:57.519 --> 00:23:00.640
in this movie this time. However, her skin tight white

358
00:23:00.759 --> 00:23:03.440
dress is an homage to her being the screen queen

359
00:23:03.720 --> 00:23:08.079
in the second movie, and it's much shorter. Before the

360
00:23:08.200 --> 00:23:10.440
dress went down to her knees. Now it's short enough

361
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to wear. All she has to do is bend over

362
00:23:12.680 --> 00:23:15.559
enough and you can see her underwear if she's even

363
00:23:15.920 --> 00:23:20.119
wearing any. Not only that, that dress literally clings to

364
00:23:20.200 --> 00:23:23.680
her body. She has matching stiletto heels on She's playing

365
00:23:23.680 --> 00:23:28.440
a character named Candy Graham. Bethany's playing a character named

366
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Roxy Willis. After reading the Corgan's script, it turns out

367
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the new Slasher is going to be a creature feature

368
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and not an actual slasher movie. Guess that's why many

369
00:23:38.960 --> 00:23:40.799
of the actors who died off in the first two

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00:23:40.839 --> 00:23:43.720
movies are back for this one. Oh and the three

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00:23:43.880 --> 00:23:47.640
is being dropped from the title entirely. Is everything okay,

372
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Bethany asks, I shrug, Hey, I told Lizzie what I

373
00:23:52.799 --> 00:23:56.079
needed to tell her. Bethany's wearing a pair of tight

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fitting jeans, sandals, and a tight top. I can tell you.

375
00:24:00.119 --> 00:24:04.680
The Corgans are promising more blood, more gore, more gruesome kills,

376
00:24:04.720 --> 00:24:08.960
and more skin. Seeing many of their movies, the Corgans

377
00:24:08.960 --> 00:24:12.279
have no filter when it comes to exploitation. In fact,

378
00:24:12.319 --> 00:24:15.519
the late Great Russ Meyer is their role model and inspiration.

379
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Enrique wants to shoot one of the kills. Jenny says,

380
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you said you got it all set up, I asked

381
00:24:22.640 --> 00:24:27.240
the twins. See for yourself. Jesse replies. We all head

382
00:24:27.240 --> 00:24:29.480
to one of the conference rooms the Corgan's reserved for

383
00:24:29.559 --> 00:24:32.920
us to shoot the movie. We go in and I

384
00:24:33.119 --> 00:24:38.359
am loving what I'm seeing. Nice. It's also here where

385
00:24:38.359 --> 00:24:41.119
we find a few of the other actors waiting, and

386
00:24:41.200 --> 00:24:46.160
then the look on Bethany's face when she sees him Cody.

387
00:24:46.839 --> 00:24:50.279
She says like her stomach just dropped long time, No

388
00:24:50.400 --> 00:24:55.079
see Belinda Barnett. Cody King sneers. He's from the original

389
00:24:55.119 --> 00:24:59.319
movie too. He's still sneering when he nods. But I

390
00:24:59.359 --> 00:25:01.680
can see you whenever I want, since I'm one of

391
00:25:01.720 --> 00:25:05.519
your biggest fans. Loved your work in things that come

392
00:25:05.599 --> 00:25:09.759
in threes. You do all your own stunts. Vicky's about

393
00:25:09.759 --> 00:25:12.519
to come to her defense, but Bethany stops her and

394
00:25:12.559 --> 00:25:16.920
steps up to Cody. Fuck you, asshole. You had your

395
00:25:17.000 --> 00:25:19.599
chance with me, but you decided I wasn't good enough

396
00:25:19.599 --> 00:25:21.839
for you. And what I do with my life is

397
00:25:22.000 --> 00:25:25.000
just that my life. I'm a porn star now and

398
00:25:25.079 --> 00:25:29.559
fucking proud of it. Then she sneers herself. Did you

399
00:25:29.599 --> 00:25:32.680
bring your little slut bitch with you or did she

400
00:25:32.839 --> 00:25:34.920
catch you getting head from another girl the way I

401
00:25:35.000 --> 00:25:38.920
caught you and dumped your ass. Jenny points right at Cody.

402
00:25:39.799 --> 00:25:42.599
We talked about this. If you can't be professional around

403
00:25:42.640 --> 00:25:46.000
Bethany or Vicky. Then you can take a walk and

404
00:25:46.160 --> 00:25:49.880
forfeit your paycheck. Enrique can play your part if necessary.

405
00:25:50.440 --> 00:25:54.640
Cody's still sneering, but he raises his hand. Nah, we're good.

406
00:25:54.960 --> 00:25:57.680
It's all water under the bridge. Like I said, I'm

407
00:25:57.680 --> 00:26:00.799
a big fan of these two chicks. Now I get

408
00:26:00.799 --> 00:26:05.839
everybody's attention. Okay, people. Then I explain the scene and

409
00:26:05.920 --> 00:26:09.079
what I expect from my actors. After that, I let

410
00:26:09.079 --> 00:26:11.839
the Corgans explain what they're doing to make the effects

411
00:26:11.839 --> 00:26:16.559
for the first scene work. I nod approvingly. Love it. Okay,

412
00:26:17.039 --> 00:26:26.079
places everyone. Cody's still going to be in other parts

413
00:26:26.079 --> 00:26:28.599
of the movie, but I'm really itching to see what

414
00:26:28.640 --> 00:26:32.480
the Corgans do with these next level practical effects Jenny

415
00:26:32.519 --> 00:26:35.920
came up with, especially that new lizard suit she's been

416
00:26:35.920 --> 00:26:39.119
working on for the past year. When I'm sure everybody's

417
00:26:39.119 --> 00:26:43.240
where they need to be, I call out action. Bethany

418
00:26:43.279 --> 00:26:45.880
and VICKI both have a little blood spattered on them

419
00:26:46.079 --> 00:26:49.599
after running into the lizard monster. They're acting all scared

420
00:26:49.680 --> 00:26:52.519
after narrowly escaping in an earlier scene. We have to

421
00:26:52.559 --> 00:26:57.119
shoot yet, probably tomorrow. After the Slasher two screening anyway,

422
00:26:57.559 --> 00:27:00.400
the girls know nobody here at the Saint Valentine's Day

423
00:27:00.440 --> 00:27:03.799
Massacre Horror con can help them. The lizard monster can

424
00:27:03.839 --> 00:27:06.440
easily be right out in the open, since a lot

425
00:27:06.440 --> 00:27:09.720
of people like to cosplay at these cons. You should

426
00:27:09.759 --> 00:27:13.640
see Cinema Wasteland over in Cleveland twice a year. Wow,

427
00:27:14.119 --> 00:27:16.359
that sweat Jenny made up and sprayed the girls with

428
00:27:16.519 --> 00:27:19.640
is amazing. Getting the Corgan twins to do the effects

429
00:27:19.680 --> 00:27:22.400
for Babysitter Massacre Daddy's a Little Killer sure made that

430
00:27:22.480 --> 00:27:26.039
movie a hit. Then Bethany and VICKI see the lizard

431
00:27:26.119 --> 00:27:29.279
monster that got into the convention after escaping from a

432
00:27:29.319 --> 00:27:32.920
government convoy. I already shot those scenes with the Corgans

433
00:27:32.960 --> 00:27:35.680
before we went to pick up Vicky and Bethany. The

434
00:27:35.759 --> 00:27:38.960
creatures got realistic looking blood on the teeth and claws,

435
00:27:39.519 --> 00:27:43.480
especially on the chest man. Just seeing Vicky Valentine running

436
00:27:43.480 --> 00:27:46.680
in those heels, it's like she's running in tennis shoes.

437
00:27:47.400 --> 00:27:52.359
Goddamn you get away. Bethany screams at the monster. Get fucked,

438
00:27:52.680 --> 00:27:56.640
Vicky ads leave us alone. The girls just stand there

439
00:27:56.640 --> 00:28:00.839
and look really scared when the monster roars. Just seeing

440
00:28:00.880 --> 00:28:03.960
them makes me want a shiver. The girls turn and

441
00:28:04.039 --> 00:28:07.720
run again. Soon Cody snatches their arms and pulls them

442
00:28:07.720 --> 00:28:11.319
into a room. Not the kill one yet, I've been

443
00:28:11.359 --> 00:28:14.960
looking all over this fucking hotel for you, too, Cody rumbles.

444
00:28:15.640 --> 00:28:21.960
Sam's dead. Bethany gasps Cody looking stupid. Now, huh that

445
00:28:22.079 --> 00:28:27.440
fucking lizard monster thing got her. Vicky tries telling him bullshit,

446
00:28:27.519 --> 00:28:31.799
there ain't no fucking giant lizard walking around here. Cody

447
00:28:31.839 --> 00:28:34.960
fires back, don't think I didn't see you bitches getting

448
00:28:35.039 --> 00:28:38.720
high outside the main doors earlier. Bethany and VICKI soon

449
00:28:38.799 --> 00:28:43.119
turn him around. Then Bethany points and demands, then, what

450
00:28:43.160 --> 00:28:46.480
the fuck is that? When one of the hotel staff

451
00:28:46.480 --> 00:28:50.480
approaches the lizard creature, it quickly slashes four big marks

452
00:28:50.519 --> 00:28:54.720
down his chest. After screaming, blood and organs drop fast,

453
00:28:55.079 --> 00:28:59.960
the staff person groans and falls over dead. Jenny's practical

454
00:29:00.200 --> 00:29:03.839
effects are spot on so far. Cody and the girls

455
00:29:03.920 --> 00:29:07.000
run where they're supposed to. They think they've lost the

456
00:29:07.000 --> 00:29:11.000
lizard creature. Soon they all run into the indicated room.

457
00:29:11.160 --> 00:29:14.839
As Cody tries to slam the doors, the creature practically

458
00:29:14.920 --> 00:29:18.640
runs him, over coming in. Cody screams when the lizard

459
00:29:18.720 --> 00:29:22.039
quickly slashes him with its claws. Then it slashes at

460
00:29:22.119 --> 00:29:25.559
him a few more times. Cody acts really hurt and

461
00:29:25.680 --> 00:29:28.279
falls onto the table in what's supposed to be a

462
00:29:28.319 --> 00:29:32.000
conference room. The girls scream and try to help Cody,

463
00:29:32.039 --> 00:29:35.559
but Vicky gets knocked on her ass. After Bethany helps

464
00:29:35.640 --> 00:29:38.079
Vicky up, the girls have to step away from Cody

465
00:29:38.599 --> 00:29:42.359
to save themselves. Cody keeps backing up on the table,

466
00:29:42.559 --> 00:29:45.240
blood running out of his wounds and collecting on the

467
00:29:45.279 --> 00:29:49.599
floor first, then the table. I gotta call a quick

468
00:29:49.640 --> 00:29:52.960
cut for the Corgans to switch to practical effects. When

469
00:29:52.960 --> 00:29:57.119
everything's ready, I call action again. The lizard monster jumps

470
00:29:57.200 --> 00:30:00.519
up on the table, landing on its hind feet. Then

471
00:30:00.599 --> 00:30:03.400
it grabs Cody's arms and pulls him up to where

472
00:30:03.440 --> 00:30:07.039
it can look him right in the eyes. Suddenly, the

473
00:30:07.119 --> 00:30:11.000
monster opens its mouth and brings its whole jaws right

474
00:30:11.119 --> 00:30:15.440
down over Cody's head. The big chump will be added

475
00:30:15.440 --> 00:30:19.279
in post production. The creature shakes the fake body to

476
00:30:19.319 --> 00:30:22.440
make it look like Cody's struggling before it draws back

477
00:30:22.720 --> 00:30:25.680
to rip the head clean off and drop the body.

478
00:30:26.359 --> 00:30:29.119
Blood squirts out of the neck until the body lands

479
00:30:29.160 --> 00:30:33.000
on its back. From there, more fake blood starts pouring

480
00:30:33.079 --> 00:30:37.400
out of the neck. The creature swallows Cody's entire head

481
00:30:37.720 --> 00:30:42.039
in one easy gulp. The sound will also be added

482
00:30:42.079 --> 00:30:46.480
in post Jesus Christ. That thing fucking ate Cody's head.

483
00:30:46.960 --> 00:30:51.039
Vicky whimpers, Bethany screams, and her pants are now getting wet.

484
00:30:51.079 --> 00:30:53.559
In a hurry. Both of the girls scream when they

485
00:30:53.599 --> 00:30:57.279
realize Cody's blood just got on them. To end the scene,

486
00:30:57.359 --> 00:31:00.759
the girls scream like they've never screamed and run past

487
00:31:00.799 --> 00:31:04.319
the creature to escape the room. Then the creature licks

488
00:31:04.359 --> 00:31:08.279
its entire mouth clean before jumping off the table and

489
00:31:08.400 --> 00:31:12.920
back into the hallway to pursue the girls again and

490
00:31:13.039 --> 00:31:17.319
cut I yell excitedly. Jenny Corgan comes out from under

491
00:31:17.359 --> 00:31:20.200
the table. Jesse had to be inside the lizard suit

492
00:31:20.319 --> 00:31:23.599
to make those effects work. Cody himself came out from

493
00:31:23.680 --> 00:31:27.640
under the table head still intact. We need to do

494
00:31:27.680 --> 00:31:31.960
another take, Bethany asks, when her and Vicky come back in. Nope,

495
00:31:32.000 --> 00:31:35.680
we got it, I say, now I'm staring right at Vicky.

496
00:31:36.480 --> 00:31:41.960
What she stammers, um, honey. Bethany tries to tell her,

497
00:31:43.079 --> 00:31:46.799
love seeing your big, beautiful tits in the flesh. Vicky

498
00:31:47.200 --> 00:31:52.200
Cody sneers approvingly. Like I've said before, I definitely fuck you.

499
00:31:52.440 --> 00:31:56.640
Jenny Purrs then laughs. Bethany points right at her. You

500
00:31:56.799 --> 00:32:00.440
keep dreaming. Vicky looks down and sees the top of

501
00:32:00.440 --> 00:32:04.599
her dress came down just enough to fully expose her breasts.

502
00:32:05.119 --> 00:32:07.559
Then I noticed the two camera guys I brought with

503
00:32:07.599 --> 00:32:11.400
me are still filming. Well, I sure ain't gonna say nothing.

504
00:32:12.319 --> 00:32:15.640
After Vicky repacks her breasts, we leave to let everybody

505
00:32:15.640 --> 00:32:19.400
clean up and get ready for the next scene.

506
00:32:20.079 --> 00:32:23.720
Don't go away, Weekly, Spooky will be right back.

507
00:32:29.440 --> 00:32:36.000
Perspective, Elizabeth Jones. I'm walking around the dealer room. Doug

508
00:32:36.119 --> 00:32:38.880
keeps trying to tell me I can possibly be sued

509
00:32:38.920 --> 00:32:42.799
if I don't agree to fulfill my obligations and take

510
00:32:42.839 --> 00:32:46.480
my clothes off for my scenes. I told you I

511
00:32:46.559 --> 00:32:49.839
wanted to negotiate a no nudity clause in my contract.

512
00:32:50.039 --> 00:32:53.079
I snap, what part about that? Did you have a

513
00:32:53.119 --> 00:32:57.880
hard time understanding, you fucking weasel. I'm listening to him

514
00:32:57.920 --> 00:33:01.440
and his pathetic excuses, and then one of the dealers

515
00:33:01.480 --> 00:33:06.079
is unpacking Some are these real gold and jewelry? I

516
00:33:06.160 --> 00:33:09.440
asked the man. The man of probably fifty turns and

517
00:33:09.480 --> 00:33:13.599
looks at me. Yes, yes they are. I pick up

518
00:33:13.640 --> 00:33:15.839
the piece that looks like some kind of a lizard.

519
00:33:15.880 --> 00:33:19.279
Man looks similar to that shit creature being used in

520
00:33:19.319 --> 00:33:22.680
the movie. I can't believe they're making the new slasher

521
00:33:22.759 --> 00:33:26.720
a creature feature instead of the traditional slasher movies those

522
00:33:27.039 --> 00:33:31.839
stupid horror fans love so much. Anyway, this lizard's really

523
00:33:31.960 --> 00:33:35.480
shiny gold with emerald green eyes and ruby red teeth

524
00:33:35.480 --> 00:33:38.559
and claws. I don't know what it is about this thing,

525
00:33:38.640 --> 00:33:42.519
but I really want it. What are you asking for this?

526
00:33:42.880 --> 00:33:47.400
I ask? The man looks at me. Are you Are

527
00:33:47.400 --> 00:33:52.319
you Elizabeth Jones? I try smiling for him. Why, yes,

528
00:33:52.480 --> 00:33:55.640
yes I am. I saw you in that movie My

529
00:33:55.839 --> 00:33:59.160
Summer of Love. The man tells me, I never knew

530
00:33:59.160 --> 00:34:03.240
you spoke such fluent French. Very well done. You deserve

531
00:34:03.279 --> 00:34:07.880
to win that Oscar for your performance. Thanks, I managed

532
00:34:07.920 --> 00:34:11.719
to say. You don't seem too proud. Is something wrong?

533
00:34:12.440 --> 00:34:16.800
He asks? I sigh. I just don't consider that movie

534
00:34:16.840 --> 00:34:20.280
to be my crowning achievement. I guess the Academy of

535
00:34:20.320 --> 00:34:24.119
Motion Picture Arts and Sciences thought different. I never got

536
00:34:24.159 --> 00:34:27.599
nominated for a single other award, so why would I

537
00:34:27.599 --> 00:34:31.440
get nominated for Best Actress at the Oscars, right, so

538
00:34:31.559 --> 00:34:34.880
I go. I didn't even have an acceptance speech prepared

539
00:34:35.199 --> 00:34:37.440
because I knew I didn't have a snowball's chance in

540
00:34:37.559 --> 00:34:41.000
hell of winning that statue. Brad Pitt actually had to

541
00:34:41.000 --> 00:34:42.960
smack my arm to get me to snap out of

542
00:34:42.960 --> 00:34:46.079
it and go on stage to get my award. I'm

543
00:34:46.079 --> 00:34:49.000
glad you liked the movie and everything, sir, but I

544
00:34:49.039 --> 00:34:51.639
could have won both my Oscars for better movies than

545
00:34:51.679 --> 00:34:55.159
the two I won for. Sorry. When I put the

546
00:34:55.199 --> 00:34:57.960
Golden Lizard back on the table, the man picks it

547
00:34:58.000 --> 00:35:01.960
back up and hands it to me. No charge. I

548
00:35:02.039 --> 00:35:05.719
shake my head quickly. No, I can't take this from you, sir.

549
00:35:06.239 --> 00:35:07.960
At least tell me how much you want for it.

550
00:35:08.000 --> 00:35:11.440
I promise you I can afford it, no charge, The

551
00:35:11.480 --> 00:35:15.239
man repeats again. I insist, it's not every day I

552
00:35:15.320 --> 00:35:19.280
meet a celebrity such as yourself, Miss Jones. Please I

553
00:35:19.360 --> 00:35:23.360
nod once and accept the golden lizard. Thank you so much,

554
00:35:24.039 --> 00:35:28.679
he smiles. Isley Tinker at your service. Turns out I

555
00:35:28.719 --> 00:35:31.320
had some wares that I felt would potentially sell at

556
00:35:31.320 --> 00:35:34.440
this convention, so I bought a few tables to set

557
00:35:34.519 --> 00:35:37.360
up here. And I have the privilege of having Elizabeth

558
00:35:37.480 --> 00:35:41.480
Jones as my first customer here, even though the convention

559
00:35:41.599 --> 00:35:45.000
hasn't officially opened yet. I give him a little smile.

560
00:35:45.719 --> 00:35:48.920
At least let me give you an autograph. Mister Tinker

561
00:35:48.960 --> 00:35:52.760
brightens up. In that case, I would consider that a

562
00:35:52.840 --> 00:35:56.719
fair trade. He gives me a convention flyer to sign.

563
00:35:57.239 --> 00:35:59.119
I even let him get a few pictures with me.

564
00:35:59.639 --> 00:36:01.760
We talk for a little bit longer before I let

565
00:36:01.840 --> 00:36:04.079
him get back to work. I tell him I'll be

566
00:36:04.159 --> 00:36:07.440
at the convention all weekend long. As I'm dropping the

567
00:36:07.440 --> 00:36:10.800
Golden Lizard into my purse, I feel a sharp prick

568
00:36:10.880 --> 00:36:13.400
on my finger and see that one of the sharp

569
00:36:13.480 --> 00:36:18.679
ruby teeth cut me. Mister Tinker asks if I'm okay,

570
00:36:19.239 --> 00:36:21.760
Seeing it's not a serious injury, I tell him I'm

571
00:36:21.800 --> 00:36:26.639
fine and leave. Doug starts talking to me again, Seriously,

572
00:36:27.079 --> 00:36:29.400
why do you hate the fact that you won your oscars?

573
00:36:29.960 --> 00:36:34.360
I grown hard because my Summer of Love and Sophie

574
00:36:34.440 --> 00:36:36.639
were both films I had to get fully naked and

575
00:36:36.679 --> 00:36:40.159
do lots of sex scenes for I swear to fucking Christ,

576
00:36:40.199 --> 00:36:42.280
the only jobs you ever get for me anymore are

577
00:36:42.360 --> 00:36:44.800
ones where I have to be in all my naked

578
00:36:44.840 --> 00:36:48.920
glory for the whole world. Doug silent for a little bit,

579
00:36:49.679 --> 00:36:52.880
then he says, but look at all the millions of

580
00:36:53.000 --> 00:36:55.719
dollars you made. If it wasn't for those movies and

581
00:36:55.800 --> 00:36:57.880
all the others I got for you, you wouldn't be living

582
00:36:57.960 --> 00:37:01.280
large right now. I grown again and storm out of

583
00:37:01.280 --> 00:37:04.519
the dealer room. As Enrique Kuto is calling out for me,

584
00:37:04.559 --> 00:37:08.039
I raise my middle finger to him without even acknowledging him,

585
00:37:08.280 --> 00:37:11.960
and march straight to my room. You better be talking

586
00:37:11.960 --> 00:37:14.719
to her agent, man. I hear one of those Corgan

587
00:37:14.840 --> 00:37:18.280
bitches yelling. I keep right on going. As Doug is

588
00:37:18.320 --> 00:37:20.760
back to telling me the Corgan twins will take me

589
00:37:20.840 --> 00:37:23.519
to court over my not doing the nude scenes in

590
00:37:23.559 --> 00:37:26.599
their movie, I tell him to fuck off and go

591
00:37:26.639 --> 00:37:29.800
spend the night somewhere else tonight. As soon as I

592
00:37:29.880 --> 00:37:32.639
open my door to my room, Doug shoves me inside

593
00:37:32.679 --> 00:37:35.519
and comes in with me. After slamming the door. He

594
00:37:35.599 --> 00:37:39.639
points right at me. You are the most ungrateful bitch

595
00:37:39.719 --> 00:37:44.039
I have ever had the misfortune to represent. He yells,

596
00:37:44.519 --> 00:37:46.519
you asked me to get you a movie where no

597
00:37:46.599 --> 00:37:49.280
one would know you all that? Well, the best I

598
00:37:49.320 --> 00:37:52.880
could get you was this midwestern horror movie, and I

599
00:37:53.079 --> 00:37:57.599
told you I wasn't taking my fucking clothes off, I

600
00:37:57.719 --> 00:38:01.000
remind him. But you never thought Tony negotiate that no

601
00:38:01.199 --> 00:38:06.320
nudity clause, did you. I'm really frustrated. Now again, what

602
00:38:06.559 --> 00:38:09.559
in the actual fuck am I paying you for? If

603
00:38:09.559 --> 00:38:12.679
you're not going to do what I say? I drop

604
00:38:12.760 --> 00:38:15.360
my purse on the bed. You didn't even read that

605
00:38:15.440 --> 00:38:18.920
motherfucking script, did you. It's not just me shaking my

606
00:38:19.000 --> 00:38:22.960
bouncing globes for one scene like in the original Slasher. No,

607
00:38:23.360 --> 00:38:26.639
I have to be full tits, ass and cooch. I

608
00:38:26.760 --> 00:38:30.199
raise my finger, and I'm also supposed to be naked

609
00:38:30.199 --> 00:38:34.199
with a guy for two scenes, two scenes. I roar

610
00:38:34.280 --> 00:38:38.639
and shove Dug back. Now, just fuck you, get out

611
00:38:38.679 --> 00:38:43.119
of my room now. Suddenly Doug shoves me again. Then

612
00:38:43.199 --> 00:38:45.639
he comes at me and forces me down on the bed.

613
00:38:46.480 --> 00:38:48.599
The next thing I know, he's right on top of me.

614
00:38:49.440 --> 00:38:52.199
Before I can react, he rips my blouse and braw

615
00:38:52.280 --> 00:38:56.239
open together to expose my huge breasts. Then he takes

616
00:38:56.280 --> 00:38:59.000
hold of my miniskirt and yanks both it and my

617
00:38:59.159 --> 00:39:04.440
panties away. You bastard, I shriek. He quickly gets on

618
00:39:04.480 --> 00:39:09.079
top of me and inside me. I hate this fucking

619
00:39:09.079 --> 00:39:15.000
weasel so much, yet I married him. I'm reminded of

620
00:39:15.000 --> 00:39:16.920
that when he fucks me the way he knows I

621
00:39:17.000 --> 00:39:20.119
need to be fucked, reminding me of why I'll probably

622
00:39:20.159 --> 00:39:23.320
never be able to divorce him. But Doug fucked up

623
00:39:23.320 --> 00:39:26.400
big time with this movie, so I quickly turn him

624
00:39:26.440 --> 00:39:28.840
over and sit on him. I'm going to vent my

625
00:39:28.960 --> 00:39:34.480
aggression and fuck his goddamn brains out. Okay, you fucking weasel.

626
00:39:34.920 --> 00:39:38.039
I glare down at him. I'll do that slasher movie.

627
00:39:38.599 --> 00:39:41.840
But oh, you're gonna owe me real big for this one.

628
00:39:42.599 --> 00:39:44.800
He tries to get me on my back again, but

629
00:39:44.880 --> 00:39:48.360
I stay right where I am. No way, Doug, I'm

630
00:39:48.360 --> 00:39:50.679
gonna fuck you within an inch of your life. I

631
00:39:50.800 --> 00:39:55.800
fucking hate you so goddamn much. No, I ain't lying

632
00:39:55.880 --> 00:39:59.639
about hating Doug, but he's so fucking good in bed.

633
00:40:01.440 --> 00:40:05.679
More scares to come weekly, Spooky, We'll be right back.

634
00:40:09.679 --> 00:40:15.719
Perspective Bethany Mirn. Enrique asks us to shoot one more

635
00:40:15.760 --> 00:40:18.320
scene tonight. At first I thought it was the end

636
00:40:18.360 --> 00:40:21.280
for me, since I was supposed to die horribly on

637
00:40:21.360 --> 00:40:26.480
the convention floor. Two things prevented that one, the convention's

638
00:40:26.519 --> 00:40:31.079
not officially open until tomorrow, and two the Corgans forgot

639
00:40:31.119 --> 00:40:34.039
to give me a copy of the updated script. I

640
00:40:34.119 --> 00:40:37.039
had to hear from Enrique that I've now been elevated

641
00:40:37.039 --> 00:40:40.440
from being the rich, big titted bimbo to being the

642
00:40:40.559 --> 00:40:45.360
lead and the final girl. So the Corgans suggested Enrique

643
00:40:45.440 --> 00:40:48.000
shoot the scene where Cody and I are supposed to fuck.

644
00:40:48.679 --> 00:40:52.280
This way we can finish his big scenes tonight. Before

645
00:40:52.280 --> 00:40:54.880
we shoot it, the Corgans ask me if I'm going

646
00:40:54.920 --> 00:40:58.079
to be okay doing the nudity with him. Even Vicky

647
00:40:58.199 --> 00:41:01.480
asks me, I quickly turn to her and take her hand.

648
00:41:02.239 --> 00:41:04.760
It's not what you think, baby. I don't love him,

649
00:41:05.000 --> 00:41:09.199
not anymore, not after what he did. I love you, Vicky,

650
00:41:09.800 --> 00:41:13.159
only you. Every time I tell Vicky I love her

651
00:41:13.440 --> 00:41:15.920
or how much I love her, it makes her cry

652
00:41:15.960 --> 00:41:18.760
a little. It's very hard for her to say she

653
00:41:18.800 --> 00:41:23.039
loves me back, but the tears are her way. Personally,

654
00:41:23.760 --> 00:41:27.679
I'm quite okay with that. I positively will not do

655
00:41:27.760 --> 00:41:30.199
the scene if you're not okay with it, I tell her.

656
00:41:30.960 --> 00:41:35.360
Vicky leans in and kisses me. Then she says, you

657
00:41:35.400 --> 00:41:38.400
think I don't trust you? By now? Bethany, we'll be

658
00:41:38.480 --> 00:41:41.840
together for one full year this Sunday. She cries a

659
00:41:41.840 --> 00:41:46.119
little again. Then I hug her to me. I love you.

660
00:41:47.519 --> 00:41:50.159
She squeezes me back before we let go of each other.

661
00:41:50.719 --> 00:41:53.840
I tell the Corgans i'll shoot the scene. According to

662
00:41:53.840 --> 00:41:57.039
the script, we're supposed to fuck after getting really drunk

663
00:41:57.400 --> 00:42:00.920
before that mutant lizard shows up to kill us. We

664
00:42:01.000 --> 00:42:03.039
go to one of the hotel rooms where we're shooting

665
00:42:03.039 --> 00:42:06.119
the scene. Cody and I act like we've been doing

666
00:42:06.119 --> 00:42:10.039
some heavy partying and got really smashed. I can tell

667
00:42:10.039 --> 00:42:13.760
Cody's really looking forward to getting naked with me again

668
00:42:13.840 --> 00:42:17.239
after all this time. Sure I could get Cody to

669
00:42:17.280 --> 00:42:20.519
fuck me for real to really sell the scene. I mean,

670
00:42:21.280 --> 00:42:24.679
making adult movies is my day job, right, But I

671
00:42:24.800 --> 00:42:28.519
refuse to give Cody the satisfaction. If he truly didn't

672
00:42:28.559 --> 00:42:30.960
know what he had when he was with me, then

673
00:42:31.039 --> 00:42:34.960
that's his big loss. Cody and I drink another fake

674
00:42:35.039 --> 00:42:38.960
cocktail before we start kissing hot and heavy. Before long,

675
00:42:39.039 --> 00:42:42.079
we have each other naked. When I feel Cody's trying

676
00:42:42.079 --> 00:42:45.239
to go into me, I quickly switch positions. I managed

677
00:42:45.239 --> 00:42:47.400
to last long enough for the mutant lizard to show

678
00:42:47.480 --> 00:42:49.800
up and come at us. It cuts me on the

679
00:42:49.920 --> 00:42:52.639
arm before Cody and I escape and run in different

680
00:42:52.679 --> 00:42:57.480
directions no clothes. Once Enrique calls cut, we both come

681
00:42:57.519 --> 00:42:59.559
back into the room and get our clothes back on.

682
00:43:00.199 --> 00:43:03.360
Cody sneers at me again as I'm getting dressed. Oh,

683
00:43:03.400 --> 00:43:05.719
he's definitely pissed at me since he didn't get what

684
00:43:05.760 --> 00:43:09.360
he wanted. Fuck him. I take VICKI and leave when

685
00:43:09.360 --> 00:43:14.760
Erique says it's a wrap for tonight. Vicky and I

686
00:43:14.920 --> 00:43:17.880
enter our room and I lock the door. I need

687
00:43:17.880 --> 00:43:20.159
my girl so badly right now that I grab her

688
00:43:20.239 --> 00:43:24.000
to me and kiss her passionately. Vicky's really shaking in

689
00:43:24.039 --> 00:43:28.239
my arms, telling me she's crying again. When we stop,

690
00:43:28.320 --> 00:43:31.800
she sniffles and lowers herself to unclasp and remove her heels.

691
00:43:32.559 --> 00:43:36.280
She's still crying softly when she stands up and waits

692
00:43:36.280 --> 00:43:38.599
for me to come to her. The top of her

693
00:43:38.639 --> 00:43:42.440
skin tight white dress is already down again, exposing her

694
00:43:42.480 --> 00:43:46.360
beautiful breasts. Vicky and I kiss with even more fire

695
00:43:46.440 --> 00:43:50.480
and passion as we work to undress each other. Go figure,

696
00:43:50.880 --> 00:43:53.480
I'm fucking lots of guys and girls alike when I'm

697
00:43:53.519 --> 00:43:57.199
on porn sets, but that's all. They are, just very

698
00:43:57.239 --> 00:44:01.480
fat paychecks and complimentary copies of the finish movies. But

699
00:44:01.559 --> 00:44:05.280
I never ever feel the fire and electricity I get

700
00:44:05.480 --> 00:44:08.719
when I'm intimate with VICKI soon we both get on

701
00:44:08.760 --> 00:44:10.920
the bed where we have all the time in the

702
00:44:10.960 --> 00:44:14.559
world now, well, at least until eight in the morning,

703
00:44:14.599 --> 00:44:21.800
when we have to show up and shoot some more scenes. Perspective,

704
00:44:22.360 --> 00:44:26.840
Elizabeth Jones. I'm waking up when I feel I'm stiff

705
00:44:26.880 --> 00:44:30.079
as a board. I'm trying to turn myself so I

706
00:44:30.079 --> 00:44:32.000
can drop my feet on the floor and head to

707
00:44:32.039 --> 00:44:35.079
the bathroom and pee. I can hear Doug on my

708
00:44:35.280 --> 00:44:38.679
side and feel his arm draped over me. Yeah, he'll

709
00:44:38.719 --> 00:44:42.719
be dead tired until morning. Hey, he really pissed me off,

710
00:44:43.000 --> 00:44:45.320
so I made him pay by giving him more of

711
00:44:45.360 --> 00:44:48.400
me than he could handle. I wouldn't get off until

712
00:44:48.480 --> 00:44:53.679
I was completely satisfied. What the fuck? Why do I

713
00:44:53.719 --> 00:44:57.280
feel like I'm being held back? Doug ain't strong enough

714
00:44:57.280 --> 00:44:59.719
to keep me all to himself. He's a fucking whimp.

715
00:45:00.440 --> 00:45:03.760
I finally force myself to turn over and PLoP right

716
00:45:03.880 --> 00:45:07.199
onto the floor. I want to start yelling again, but

717
00:45:07.800 --> 00:45:12.079
I'm finding I can't say a damn thing. I'm trying

718
00:45:12.079 --> 00:45:14.440
to turn onto my ripe ass and sit up. But

719
00:45:15.639 --> 00:45:20.599
why do I feel so goddamn stiff? Just then I

720
00:45:20.679 --> 00:45:23.480
hear some groaning and see Doug trying to sit up.

721
00:45:24.039 --> 00:45:27.519
He groans again and manages to get up. He turns

722
00:45:27.559 --> 00:45:30.920
on the lamp and yawns. He's just wearing his boxers

723
00:45:30.920 --> 00:45:33.639
as he turns to look at me, expecting me to

724
00:45:33.719 --> 00:45:38.679
be sleeping. Then Doug utters an ultra high pitch scream.

725
00:45:39.360 --> 00:45:41.800
I mean, I'm supposed to be the one who does that.

726
00:45:42.239 --> 00:45:44.480
It's part of my job when it's in the script, right,

727
00:45:44.960 --> 00:45:48.000
But Doug's literally screaming like a high school girl in

728
00:45:48.039 --> 00:45:51.719
some stupid horror movie. I put my hands on the

729
00:45:51.719 --> 00:45:55.360
bed to pull myself up. Holy Jesus Christ, what the

730
00:45:55.400 --> 00:46:01.760
fuck I got these big ass hands? If they're even

731
00:46:01.880 --> 00:46:06.599
hands at all, they look more like claws. Maybe I

732
00:46:06.639 --> 00:46:10.320
feel like I'm heavy as fuck. Hey, I usually eat good,

733
00:46:10.360 --> 00:46:13.760
since I only eat one huge meal a day. Even then,

734
00:46:13.840 --> 00:46:17.119
I still have my girlish figure. When I pull myself

735
00:46:17.119 --> 00:46:19.760
to my feet, Doug screams like a little bitch again

736
00:46:19.840 --> 00:46:22.360
and goes to the door. He throws it open and

737
00:46:22.400 --> 00:46:25.280
makes more whiny bitch screams when he runs out into

738
00:46:25.320 --> 00:46:28.920
the hallway. Now I'm able to better move myself. So

739
00:46:29.039 --> 00:46:33.719
I are those my feet and what the fuck is

740
00:46:33.760 --> 00:46:37.639
that wagging I feel at my ass? Then there's the

741
00:46:37.719 --> 00:46:42.159
fact that I'm all scaly and my head's hitting the ceiling.

742
00:46:43.079 --> 00:46:45.679
The next thing I know, I'm squeezing myself out into

743
00:46:45.679 --> 00:46:49.320
the hallway. Now I'm hearing more people crying out and

744
00:46:49.400 --> 00:46:53.159
screaming when they see me. I'm trying to speak again,

745
00:46:53.719 --> 00:46:58.639
all that keeps coming out is this hissing noise. Seriously,

746
00:46:58.760 --> 00:47:02.039
what in the actual fuck is going on here? Then

747
00:47:02.079 --> 00:47:04.159
I see one of the side doors to the hotel

748
00:47:04.239 --> 00:47:06.840
and turn to it. I have to pass by one

749
00:47:06.880 --> 00:47:09.880
of the elevators to reach it, wouldn't you know it,

750
00:47:10.519 --> 00:47:14.199
The fucking elevator door opens up and these people come out.

751
00:47:14.239 --> 00:47:17.400
One of them almost walks right into me. Now I'm

752
00:47:17.440 --> 00:47:19.320
looking down at them as they look up at me.

753
00:47:20.760 --> 00:47:24.920
Then the people laugh. All I have to do is

754
00:47:24.960 --> 00:47:27.559
see the cans and bottles of beer and know these

755
00:47:27.599 --> 00:47:30.920
are convention people getting their drunk on on Thursday night.

756
00:47:31.800 --> 00:47:35.119
One of them turns to his group, Hey, this is

757
00:47:35.199 --> 00:47:39.480
a horror convention, right is this place even pet friendly.

758
00:47:39.800 --> 00:47:43.719
A chick asks, yeah, Jenny's got her little chihuahua in

759
00:47:43.760 --> 00:47:46.960
her room. Another guy answers. Then one of the fuck

760
00:47:47.000 --> 00:47:51.760
tards points a shaky finger at me. Ah haha, nice costume.

761
00:47:52.079 --> 00:47:54.920
You're in that movie being filmed here, ain't you. I

762
00:47:55.000 --> 00:47:58.920
open my mouth and hiss loudly at them. Then I

763
00:47:58.960 --> 00:48:01.920
start moving my now huge ass and head to the door.

764
00:48:02.880 --> 00:48:05.840
Now one of them laughs and tries grabbing me from behind.

765
00:48:06.239 --> 00:48:08.679
I quickly make my new tail swing to give that

766
00:48:08.760 --> 00:48:12.199
idiot the message. When he backs off, I finally reach

767
00:48:12.280 --> 00:48:16.800
the door and find it's locked. This might be a

768
00:48:16.840 --> 00:48:19.400
good sign, though I don't want to run away from

769
00:48:19.400 --> 00:48:22.480
the hotel. No, I need to find somebody who can

770
00:48:22.519 --> 00:48:25.639
help me. But do I want to try looking for Doug?

771
00:48:25.960 --> 00:48:31.519
Did he really scream like a girl? What a fucking weasel?

772
00:48:32.400 --> 00:48:35.480
Just the same, I better find the fucker. I make

773
00:48:35.519 --> 00:48:38.559
myself turn around in the hallway. When I do, those

774
00:48:38.639 --> 00:48:41.599
drunks are still looking right at me. When I hiss

775
00:48:41.719 --> 00:48:45.000
loudly at them again, they step aside and let me walk.

776
00:48:45.599 --> 00:48:48.119
I'm going to have to walk this hotel until I

777
00:48:48.159 --> 00:48:51.280
can find Doug or somebody else who might be able

778
00:48:51.320 --> 00:48:54.519
to help me. I just know I can't go on

779
00:48:54.760 --> 00:48:59.280
like this. Still, I'm thinking I should be okay since

780
00:48:59.320 --> 00:49:01.679
people think it's someone in a lizard suit for the

781
00:49:01.719 --> 00:49:05.480
new Slasher movie. Better use that to my advantage like

782
00:49:05.519 --> 00:49:08.320
I do with my sexuality.

783
00:49:09.320 --> 00:49:11.800
Did you hear that? Better check the locks on your

784
00:49:11.840 --> 00:49:15.320
doors weekly, spooky, We'll be right back.

785
00:49:19.039 --> 00:49:25.039
Perspective Vicky Valentine. I'm waking up more as Bethanie and

786
00:49:25.079 --> 00:49:28.639
me are showering together. I just know I need some coffee.

787
00:49:29.199 --> 00:49:31.880
Bethany and me share plenty of kisses as we wash

788
00:49:31.960 --> 00:49:35.000
each other. I remember doing scenes like this back in

789
00:49:35.079 --> 00:49:39.119
my porn days. It feels so much different with Bethany, though,

790
00:49:39.960 --> 00:49:42.599
to be honest, I never really thought Bethany and me

791
00:49:42.760 --> 00:49:46.000
would make it to one year in our relationship. I

792
00:49:46.039 --> 00:49:49.679
remember my friends back in high school telling me shit like, oh,

793
00:49:49.760 --> 00:49:53.000
you never want to marry your first relationship. Even my

794
00:49:53.079 --> 00:49:56.000
mom told me her first relationship didn't last one year.

795
00:49:57.000 --> 00:49:59.360
But Bethanie and me are coming up on one year

796
00:49:59.400 --> 00:50:04.480
on Valentine Day this Sunday. When Bethany and I stop kissing,

797
00:50:04.679 --> 00:50:07.679
she says to my lips, I love you so much.

798
00:50:08.760 --> 00:50:13.039
Then she wipes my fresh tears away. Very few times

799
00:50:13.039 --> 00:50:16.199
have I ever been able to verbally tell Bethany that

800
00:50:16.239 --> 00:50:21.079
I love her back. It's okay, baby, Bethany whispers and

801
00:50:21.199 --> 00:50:24.360
kisses me again. We get out of the shower and

802
00:50:24.400 --> 00:50:28.079
get dressed. It's going on twenty minutes to eight. One

803
00:50:28.119 --> 00:50:30.400
thing I can tell you about Enrique Kuto right now

804
00:50:30.440 --> 00:50:33.239
is that you never show up late to set unless

805
00:50:33.239 --> 00:50:36.280
you've got a goddamn good reason for it. To him,

806
00:50:36.639 --> 00:50:40.159
you showing up late to set is disrespect. I saw

807
00:50:40.239 --> 00:50:42.039
him go off on some guy who was late for

808
00:50:42.079 --> 00:50:46.280
three days straight in Babysitter Massacre Daddy's Little Killer. Hen

809
00:50:46.320 --> 00:50:48.719
it had enough and let them know about it. On

810
00:50:48.800 --> 00:50:52.840
no uncertain terms. Let's just say the guy was never

811
00:50:52.920 --> 00:50:57.079
late again after that. In fact, it's ten minutes to

812
00:50:57.119 --> 00:50:59.000
eight when Bethany and me make it to the room

813
00:50:59.000 --> 00:51:03.599
where we shot Cody's death scene, and the shit is

814
00:51:03.679 --> 00:51:08.280
gonna hit the fan. Enrique points right at Doug. Where

815
00:51:08.360 --> 00:51:11.760
the hell is Lizzie? He marches right over to him.

816
00:51:12.320 --> 00:51:14.639
You're supposed to be her agent, and you can't get

817
00:51:14.639 --> 00:51:17.360
her to both honor her contract or show up on

818
00:51:17.480 --> 00:51:21.360
time to set. I'm closing my eyes and bowing my head.

819
00:51:21.960 --> 00:51:23.960
I really don't need to hear this shit first thing

820
00:51:24.000 --> 00:51:28.079
in the morning, especially not without my coffee. I'd even

821
00:51:28.159 --> 00:51:31.159
consider going out to the gas station and buying some smokes,

822
00:51:31.159 --> 00:51:35.239
but Bethany convinced me to quit smoking. No, I can't

823
00:51:35.239 --> 00:51:38.599
do that to her. As if God himself heard my please,

824
00:51:38.760 --> 00:51:42.199
help has arrived, I feel Bethany take firm hold of

825
00:51:42.239 --> 00:51:45.360
my wrist and ease a large hot cup of coffee

826
00:51:45.400 --> 00:51:48.519
into my hand. I open my eyes fully and see

827
00:51:48.559 --> 00:51:52.400
the Corgan twins smiling as they're passing out Starbucks to everybody.

828
00:51:53.159 --> 00:51:56.079
I take those first couple of SIPs of that wonderful

829
00:51:56.199 --> 00:51:59.679
caffeine juice, and no things are gonna be good already.

830
00:52:00.360 --> 00:52:03.800
Then I mouth my gratitude to the Corgans. Jenny gives

831
00:52:03.840 --> 00:52:07.760
me one of her flirting winks again. Truthfully, I know

832
00:52:07.880 --> 00:52:10.360
she's flirting with me just to give Bethany shit because

833
00:52:10.719 --> 00:52:14.360
my girlfriend's pointing sharply at her. What the hell are

834
00:52:14.400 --> 00:52:16.960
you talking about a giant lizard thing in your room?

835
00:52:17.280 --> 00:52:21.519
Enrique yells, there's a lizard creature in our movie. Didn't

836
00:52:21.519 --> 00:52:25.239
you read the goddamn script. Then he gets really frustrated

837
00:52:25.360 --> 00:52:27.760
and goes to the script for a minute then he

838
00:52:27.840 --> 00:52:30.400
tells us we're going to shoot the later scenes Lizzie's

839
00:52:30.400 --> 00:52:33.519
not in. I walk into another one of the small

840
00:52:33.599 --> 00:52:36.360
conference rooms with Bethany so we can enjoy our coffees

841
00:52:36.599 --> 00:52:39.960
before the Corgans have to apply our makeup. The Corgans

842
00:52:40.000 --> 00:52:42.719
also gave me a new dress to change into, one

843
00:52:42.760 --> 00:52:45.519
that doesn't have the fake blood on it. It sure

844
00:52:45.599 --> 00:52:48.519
was tough trying to keep my big naturals packed inside

845
00:52:48.519 --> 00:52:51.920
my dress last night. I know what to expect in

846
00:52:51.960 --> 00:52:55.199
corgan Twin's movies by now, and that means lots of

847
00:52:55.280 --> 00:52:59.840
TNA sex sells. Right, just as I finish packing my

848
00:53:00.039 --> 00:53:03.079
tits in the new dress, I feel something behind me,

849
00:53:03.719 --> 00:53:06.760
and it damn sure ain't Bethany, especially since I can

850
00:53:06.800 --> 00:53:09.599
hear her right in front of me. Then I see

851
00:53:09.599 --> 00:53:16.199
my honey's scared face. Holy fucking shit, Vicky. I turn

852
00:53:16.280 --> 00:53:21.239
around and see see Bethany and me both see that

853
00:53:21.400 --> 00:53:25.800
fucking giant lizard in here with us. Real nice, Jenny,

854
00:53:26.079 --> 00:53:28.920
I mutter. Decide to sneak in here so you can

855
00:53:28.960 --> 00:53:31.920
see me naked again. Tell you what, how about I

856
00:53:31.960 --> 00:53:34.199
let Bethany snap some titty picks of me so she

857
00:53:34.239 --> 00:53:39.639
can send them to your phone, m honey. The Corgan

858
00:53:39.679 --> 00:53:41.760
twins were the ones handing out the coffees in the

859
00:53:41.800 --> 00:53:46.199
other room. Bethany reminds me, so how could Jenny be

860
00:53:46.280 --> 00:53:50.159
in here with us right now? When I realize she's right,

861
00:53:50.599 --> 00:53:53.079
I quickly pick up my coffee and take another drink.

862
00:53:53.559 --> 00:53:58.719
I gotta fucking wake up. We both turn to the lizard. Now, okay, asshole,

863
00:53:58.960 --> 00:54:03.239
I snap, who the fuck are you? Bethany points right

864
00:54:03.280 --> 00:54:06.559
at the lizard Cody. That better not be you inside

865
00:54:06.559 --> 00:54:09.079
that suit, you shit heel. I mean it. I will

866
00:54:09.159 --> 00:54:13.199
kick your fucking ass all over this convention. But the

867
00:54:13.199 --> 00:54:17.719
lizard suddenly picks Bethany up real easy and hisses loudly

868
00:54:17.840 --> 00:54:24.159
right in her face. Oh god, your breath reeks, Bethany groans.

869
00:54:24.679 --> 00:54:28.119
It doesn't take long before Bethany and me know this

870
00:54:28.239 --> 00:54:33.039
person ain't wearing no costume. It really is a lizard monster.

871
00:54:33.920 --> 00:54:36.119
Bethany and me scream, and I drop the rest of

872
00:54:36.119 --> 00:54:38.599
my coffee. Then I kick the monster's shin to make

873
00:54:38.639 --> 00:54:42.840
it let go of Bethany forgetting I'm barefoot. Oh god,

874
00:54:42.960 --> 00:54:46.000
damn it. When that thing drops her, we turn and

875
00:54:46.079 --> 00:54:48.880
run like hell. It ain't long before we're both turning

876
00:54:48.880 --> 00:54:51.800
the corner and running Enrique down. We quickly stop and

877
00:54:51.840 --> 00:54:54.840
turn around to watch him get up fast. I've heard

878
00:54:54.880 --> 00:54:57.519
of falling for sexy girls, but this ain't what I

879
00:54:57.559 --> 00:55:00.679
had in mind, he tells us, then points to me,

880
00:55:01.559 --> 00:55:04.079
and why don't you got your heels on, Vicky. We're

881
00:55:04.079 --> 00:55:06.079
getting ready to shoot the next kill scene with you.

882
00:55:06.760 --> 00:55:12.760
Bethany points behind him in gulps. There's, there's, there's. There's

883
00:55:12.800 --> 00:55:14.760
a giant lizard in that room where Bethany and me

884
00:55:14.840 --> 00:55:18.039
were changing. I finish for her, a real one, not

885
00:55:18.199 --> 00:55:21.800
Jesse wearing that suit Jenny rigged up and Rique shakes

886
00:55:21.800 --> 00:55:25.119
his head slowly. I told you girls, it wasn't a

887
00:55:25.159 --> 00:55:27.480
good idea to be drinking when we finished last night.

888
00:55:28.000 --> 00:55:31.679
We didn't, I protest, We didn't even get high. And

889
00:55:31.800 --> 00:55:35.280
Rique throws up his arms. Okay, fine, let's go look

890
00:55:35.280 --> 00:55:38.480
at this giant lizard. Then we follow Enrique back to

891
00:55:38.519 --> 00:55:41.199
the room. When we're right outside the double doors, we

892
00:55:41.320 --> 00:55:45.199
tell him to be careful. Enrique throws all caution to

893
00:55:45.280 --> 00:55:48.480
the wind and throws open the doors. He goes inside

894
00:55:48.480 --> 00:55:52.360
and walks all the way around the table and chairs. Yeah,

895
00:55:52.519 --> 00:55:56.199
there's a really big lizard monster in here, he mocks.

896
00:55:56.920 --> 00:55:59.400
Guess we'd better get the hotel manager involved and have

897
00:55:59.480 --> 00:56:02.440
him call the exterminator. While we're at it, why don't

898
00:56:02.480 --> 00:56:04.159
we call the police and have him send over a

899
00:56:04.159 --> 00:56:07.159
sketch artist so you can give him a description. I mean,

900
00:56:07.320 --> 00:56:10.960
this will be a matter of national security here. Then

901
00:56:11.079 --> 00:56:14.519
he loses his shit. Are you fucking kidding me? Here?

902
00:56:16.079 --> 00:56:19.639
Then I lose my shit. Look you reject from the

903
00:56:19.639 --> 00:56:22.480
funny Farm. Bethany and me both know what we saw.

904
00:56:22.639 --> 00:56:25.559
We weren't drinking, and we weren't taking any hits. We

905
00:56:25.719 --> 00:56:29.960
really did see a fucking giant lizard man in this room. Again,

906
00:56:30.360 --> 00:56:35.199
not Jesse Corgan wearing that costume. Enrique just looks at us.

907
00:56:35.639 --> 00:56:40.039
Then he takes a deep breath. Okay. Then he points

908
00:56:40.039 --> 00:56:43.320
to my bare legs and feet. Would you please just

909
00:56:43.400 --> 00:56:46.159
put your heels on so we can do the next scene.

910
00:56:47.039 --> 00:56:50.400
Then he points further up at me and definitely repack

911
00:56:50.519 --> 00:56:53.719
those before you come back out. I look down and

912
00:56:53.760 --> 00:56:57.400
see my boobs are looking right at Enrique. God damn it.

913
00:56:58.039 --> 00:57:01.880
Enrique walks right past us places in five minutes people.

914
00:57:02.880 --> 00:57:05.559
As soon as he leaves, I tighten my fists and growl.

915
00:57:06.320 --> 00:57:09.039
It's too early for this shit, and I lost my

916
00:57:09.159 --> 00:57:13.599
fucking coffee. If it's any consolation, baby, I believe you.

917
00:57:13.960 --> 00:57:18.280
Bethany says I saw it too. Hurry up and repack those,

918
00:57:18.599 --> 00:57:22.239
then we'll get you another coffee in the lobby. Something

919
00:57:22.360 --> 00:57:29.400
told me we'd be seeing that lizard again before too long. Perspective,

920
00:57:29.920 --> 00:57:35.760
Bethany Mirren, it's now Saturday morning. Shooting continues with Vicky

921
00:57:35.760 --> 00:57:38.599
and me in the next scene. This time, Nellie trist

922
00:57:38.679 --> 00:57:41.920
and Ben Devers from Slasher two are with us. They

923
00:57:41.960 --> 00:57:46.360
were also with us Enrique's latest babysitter Massacre. Nelli played

924
00:57:46.400 --> 00:57:49.880
Mercedes and Ben played Hunter. I know for Ben playing

925
00:57:49.920 --> 00:57:52.239
a piece of shit like Hunter was a challenge since

926
00:57:52.599 --> 00:57:56.000
he's normally type casted to play nice guys. He just

927
00:57:56.079 --> 00:57:58.559
has that kind of a face. In fact, he and

928
00:57:58.599 --> 00:58:00.840
Nelly are playing a couple at time, hending the con

929
00:58:01.320 --> 00:58:04.679
even though they are a real couple. The two of

930
00:58:04.719 --> 00:58:07.199
them run into Vicki and me. There are plenty of

931
00:58:07.199 --> 00:58:09.760
people in the dealer room. Note that they are all

932
00:58:09.800 --> 00:58:12.599
people who paid to get the VIP passes, which gets

933
00:58:12.639 --> 00:58:15.679
them the privilege of being extras in the movie, just

934
00:58:15.800 --> 00:58:19.039
like in Slasher two, which we'll be screening here just

935
00:58:19.079 --> 00:58:22.880
this afternoon. We're all talking for a little bit. Note

936
00:58:22.880 --> 00:58:26.400
that this scene takes place after Cody was killed. I know,

937
00:58:26.519 --> 00:58:28.400
Vicky and I are supposed to think we're safe in

938
00:58:28.440 --> 00:58:31.800
the dealer room itself. After several minutes of going through

939
00:58:31.800 --> 00:58:35.440
our lines, we hear some of the VIPs screaming. Vicky

940
00:58:35.480 --> 00:58:37.800
and I both look like we're ready to pee ourselves

941
00:58:38.079 --> 00:58:40.960
when we see the lizard creature coming into the dealer room.

942
00:58:41.280 --> 00:58:43.960
It slashes people who are unfortunate enough to be in

943
00:58:44.000 --> 00:58:48.400
its way. Run, I yell, but the creature sees us

944
00:58:48.679 --> 00:58:51.599
and is on us. Then it grabs hold of Vicky's

945
00:58:51.639 --> 00:58:56.159
hair and pulls her back. No, I scream, knowing people

946
00:58:56.199 --> 00:58:58.960
are about to see why Vicky was spending some quality

947
00:58:59.000 --> 00:59:02.960
time much earlier this morning with the Corgan Twins. We

948
00:59:02.960 --> 00:59:06.199
were supposed to shoot Vicky's death scene yesterday, but some

949
00:59:06.239 --> 00:59:09.920
technical difficulties came up. But she's in full makeup and

950
00:59:10.039 --> 00:59:13.920
ready this morning. And now Vicki's screaming and begging and

951
00:59:13.960 --> 00:59:16.239
pleading for us to help her, but the creature is

952
00:59:16.280 --> 00:59:20.039
already making her bleed from her head fast. Everybody's seeing

953
00:59:20.039 --> 00:59:23.559
this and screaming and gasping. When the creature starts peeling

954
00:59:23.599 --> 00:59:27.119
the very flesh from Vicky's head. I'm just glancing over

955
00:59:27.159 --> 00:59:30.360
at Enrique and seeing he's loving every bit of these

956
00:59:30.400 --> 00:59:34.039
special effects. Jesse in the lizard costume is working the

957
00:59:34.079 --> 00:59:38.039
skin applications off Vicki. Then Vicky lets off one loud

958
00:59:38.320 --> 00:59:42.159
and long and final, blood curdling scream as she tries

959
00:59:42.280 --> 00:59:45.360
running from the creature. The problem here is that when

960
00:59:45.360 --> 00:59:48.079
she runs, she loses the rest of her skin and

961
00:59:48.199 --> 00:59:52.719
clothes in the process. Now Vicky's truly naked, since she's

962
00:59:52.760 --> 00:59:55.320
nothing but blood and muscles.

963
00:59:56.360 --> 01:00:01.679
Are you afraid, good, weakly, Bookie, We'll be right back.

964
01:00:03.039 --> 01:00:05.440
When the Corgan Twins said they were going all out

965
01:00:05.480 --> 01:00:09.840
for this movie, they really meant it. Vicky's really hysterical

966
01:00:09.880 --> 01:00:13.559
now and runs smack into the wall. Then she falls

967
01:00:13.599 --> 01:00:15.679
flat on her back and doesn't know where the fuck

968
01:00:15.760 --> 01:00:18.719
she's at. The creature swings an arm and makes us

969
01:00:18.760 --> 01:00:22.719
get back. Then it goes even further still and opens

970
01:00:22.840 --> 01:00:26.440
Vicky up to remove her intestines. Vicky acts like she's

971
01:00:26.480 --> 01:00:29.320
in so much pain and agony. The creature bites the

972
01:00:29.360 --> 01:00:35.000
intestines in its hand until they snap. Now Vicky's character's

973
01:00:35.039 --> 01:00:39.000
officially dead and gone. From there, the creature lowers itself

974
01:00:39.360 --> 01:00:43.280
and begins to snack on her further. Enrique calls cut.

975
01:00:43.719 --> 01:00:46.239
I think we're all impressed at how far Jenny's come

976
01:00:46.320 --> 01:00:50.239
with her elevated special effects. Hen's really excited at how

977
01:00:50.280 --> 01:00:53.840
well the scene went off, but that excitement doesn't last

978
01:00:53.920 --> 01:00:57.960
long when Lizzie still ain't nowhere to be found. The

979
01:00:57.960 --> 01:01:00.880
Corgan twins are aware of this too, but they've got

980
01:01:00.880 --> 01:01:03.079
to take care of getting all the makeup and appliances

981
01:01:03.119 --> 01:01:07.199
off VICKI, which Enrique understands. I just want to shoot

982
01:01:07.199 --> 01:01:11.440
the scenes that don't require effects. Enrique groans, But Lizzie

983
01:01:11.559 --> 01:01:14.559
is supposed to be in those scenes, He turns to us.

984
01:01:15.159 --> 01:01:18.440
She'd better have some Oscar winning performances when the Corgan

985
01:01:18.480 --> 01:01:21.760
Twins take her to court. That's all I gotta say

986
01:01:21.800 --> 01:01:26.320
on that. I raise my hands in front of me. Listen, Enrique,

987
01:01:26.800 --> 01:01:29.440
how about me? Nellie and Ben go and look for her.

988
01:01:30.320 --> 01:01:32.519
Ben and I both know what room she's staying in.

989
01:01:32.760 --> 01:01:35.840
Nellie says, yeah, her room's only a few doors down

990
01:01:35.880 --> 01:01:40.599
from us, Ben adds. Enrique nods quickly. If you don't mind,

991
01:01:40.719 --> 01:01:43.079
we can't get much else done. At the moment he

992
01:01:43.159 --> 01:01:45.960
looks at his clipboard. I definitely can't get any more

993
01:01:46.000 --> 01:01:49.480
scenes shot without Lizzie. He looks up at us. Just

994
01:01:49.719 --> 01:01:53.800
find her, please, he quickly raises his finger. And don't

995
01:01:53.800 --> 01:01:57.079
forget about the Slasher two screening. We know we're part

996
01:01:57.079 --> 01:02:00.239
of the panel for that, Ben tells him. Then of

997
01:02:00.320 --> 01:02:02.199
us turn and look around the dealer room a couple

998
01:02:02.239 --> 01:02:05.280
of times. Of course, Lizzie's not going to be in here,

999
01:02:05.719 --> 01:02:08.840
but we had to make sure. When Ben suggests going

1000
01:02:08.920 --> 01:02:11.239
to Lizzie's room, we leave the dealer room and head

1001
01:02:11.239 --> 01:02:14.960
into the first floor hallway. We walk past several rooms

1002
01:02:15.000 --> 01:02:18.239
before we come to Lizzie's room. Nellie knocks on the door.

1003
01:02:18.760 --> 01:02:22.760
It ain't long before it opens up. Imagine our disappointment

1004
01:02:23.079 --> 01:02:27.239
when we see it's Doug, her agent. Lizzie's not here.

1005
01:02:27.599 --> 01:02:31.280
He quickly tells us, you know where she is? Ben asks,

1006
01:02:31.840 --> 01:02:36.119
He shakes his head quickly. Lizzie's not here. I take

1007
01:02:36.119 --> 01:02:38.840
a pretty big risk and push right past this woos

1008
01:02:39.000 --> 01:02:41.679
and go into the room. Hey, you can't come in here,

1009
01:02:42.079 --> 01:02:46.159
Doug protests, fuck off, I quickly tell him. Then I

1010
01:02:46.239 --> 01:02:49.159
go to the bathroom and push the door open. Okay,

1011
01:02:49.239 --> 01:02:52.280
she's not in here either. Again, had to be sure.

1012
01:02:52.800 --> 01:02:54.679
I turn to look at Doug and point at him.

1013
01:02:55.159 --> 01:02:57.880
Why do I get the feeling you know something about Lizzie.

1014
01:02:58.519 --> 01:03:00.360
Doug puts his hands up in front of him and

1015
01:03:00.360 --> 01:03:06.079
shakes his head. I I don't know anything. I go

1016
01:03:06.159 --> 01:03:09.800
right to him, and you're a lying woos. Then I

1017
01:03:09.880 --> 01:03:13.079
catch him looking at my naked cleavage. I grin and

1018
01:03:13.119 --> 01:03:16.880
almost laugh. Either you start spilling it or I'll suffocate

1019
01:03:16.920 --> 01:03:20.360
you with my thirty j's. He doesn't think I'll do it.

1020
01:03:20.800 --> 01:03:23.239
One thing people soon find out is that you never

1021
01:03:23.679 --> 01:03:26.320
want to test me. I may be a very proud

1022
01:03:26.360 --> 01:03:30.079
porn star with some surgically enhanced ample bounty, but at

1023
01:03:30.079 --> 01:03:33.519
the end of the day, I'm still very much a mirror,

1024
01:03:33.880 --> 01:03:38.159
and we mirans always get what we want. Doug cries

1025
01:03:38.199 --> 01:03:39.880
out when I grab hold of him and shove his

1026
01:03:39.920 --> 01:03:42.559
face right into my cleavage. I hold him there and

1027
01:03:42.599 --> 01:03:45.960
shake myself, making some sexy noises to really rattle him up.

1028
01:03:46.400 --> 01:03:48.599
Nellie and Ben are holding their hands over their mouths

1029
01:03:48.679 --> 01:03:52.599
to keep from laughing. Doug quickly taps my shoulder. Like

1030
01:03:52.639 --> 01:03:56.599
I said, he's a woos. Also, he definitely can't breathe.

1031
01:03:57.039 --> 01:03:59.199
When I let him go, he's all scared of me.

1032
01:03:59.280 --> 01:04:02.880
Now talk, I snap, or I'll stuff you right back

1033
01:04:02.920 --> 01:04:05.079
in and keep you there, and I won't let go.

1034
01:04:05.119 --> 01:04:08.599
When you tap out again, he telegraphs he's going to

1035
01:04:08.639 --> 01:04:10.800
make a run for it. I quickly go at him

1036
01:04:10.840 --> 01:04:12.920
and take him down to the bed. Then I get

1037
01:04:12.960 --> 01:04:16.239
on top of him. Enjoy motor boating me again. You

1038
01:04:16.519 --> 01:04:20.280
piss aunt. No, no, stop, stop, Doug yells, get off me.

1039
01:04:20.320 --> 01:04:23.880
I'll talk, I'll talk. Nelly and Ben were losing their

1040
01:04:23.920 --> 01:04:27.159
shit the entire time. Well, you can't really blame them

1041
01:04:27.199 --> 01:04:29.880
for laughing it up, I suppose. Then again, I think

1042
01:04:29.920 --> 01:04:32.000
I made a lot of people laugh during Daddy's Little

1043
01:04:32.079 --> 01:04:35.800
Killer with how spontaneous and unpredictable I can be. I

1044
01:04:35.880 --> 01:04:38.920
smile to myself when I know Vicky appreciates that about me.

1045
01:04:39.519 --> 01:04:43.960
Doug points past me. Look on the table. Nellie's still

1046
01:04:44.039 --> 01:04:46.239
laughing when she moves around the bed and picks up

1047
01:04:46.280 --> 01:04:49.880
a golden lizard figure off the table. She starts getting

1048
01:04:49.920 --> 01:04:54.599
serious when she examines it. Then she looks at Doug. Okay,

1049
01:04:55.199 --> 01:04:58.760
what about it? Doug tells us how Lizzie was given

1050
01:04:58.800 --> 01:05:00.960
this figure from some old old man in the dealer

1051
01:05:01.039 --> 01:05:03.800
room on Thursday night after her blow up with Enrique.

1052
01:05:04.400 --> 01:05:06.960
He explains how one of the ruby teeth pricked her

1053
01:05:06.960 --> 01:05:11.960
finger the next morning, yesterday morning, she was this giant

1054
01:05:12.039 --> 01:05:15.679
lizard thing. I really don't know how else to explain it,

1055
01:05:15.960 --> 01:05:19.400
Doug mutters, since Vicky and I both saw the creature

1056
01:05:19.440 --> 01:05:23.480
ourselves and felt and smelled its awful breath and spit

1057
01:05:23.599 --> 01:05:27.199
on us. You know what, Vicky, me and the Corgan

1058
01:05:27.239 --> 01:05:29.840
twins had that run in with some actual ghules during

1059
01:05:29.840 --> 01:05:32.800
the filming of Slasher two, and that was just last year.

1060
01:05:33.440 --> 01:05:37.280
We all know ghules are one thousand percent fucking real, right,

1061
01:05:38.119 --> 01:05:41.599
So why not that lizard creature that totally wasn't Jesse Corgan.

1062
01:05:42.800 --> 01:05:46.480
I sigh and tell Doug I believe you. Now, do

1063
01:05:46.559 --> 01:05:49.679
you know where Lizzie might be? Maybe we can help her?

1064
01:05:50.039 --> 01:05:53.119
I raise my finger. Oh you don't want to talk.

1065
01:05:53.760 --> 01:05:56.199
All I gotta do is start caressing my inner boob

1066
01:05:56.519 --> 01:05:59.880
to make him start spilling his guts. I really love

1067
01:06:00.119 --> 01:06:07.000
my babies perspective, Vicky Valentine. It didn't take the Corgan

1068
01:06:07.039 --> 01:06:09.719
twins nearly as long to get the special effects makeup

1069
01:06:09.719 --> 01:06:12.000
off as it took for them to apply it. I

1070
01:06:12.039 --> 01:06:13.960
really think it's going to be a matter of time

1071
01:06:14.000 --> 01:06:17.840
before Jenny gets snatched up by Hollywood. Maybe Jesse too.

1072
01:06:18.639 --> 01:06:21.679
Jesse's a creative genius with her scripts, and Jenny's got

1073
01:06:21.679 --> 01:06:25.159
the gift for makeup and other practical effects. I think

1074
01:06:25.199 --> 01:06:27.800
that maybe another reason why I keep doing any and

1075
01:06:27.840 --> 01:06:30.840
all movies the Corgans want to cast me for. I

1076
01:06:30.880 --> 01:06:34.559
really love working with those twins. Between them, Bethany and me,

1077
01:06:35.320 --> 01:06:37.920
we're a family. I'm on my way back to my

1078
01:06:38.039 --> 01:06:40.239
room to shower up and go sit at my table

1079
01:06:40.280 --> 01:06:42.199
in the dealer room for a little while before the

1080
01:06:42.239 --> 01:06:46.039
Slasher two screening and panel. Then I get a text

1081
01:06:46.079 --> 01:06:49.280
from Bethany. She wants me to meet her, Nellie, and

1082
01:06:49.320 --> 01:06:53.280
Ben at Lizzie's room and includes the number. When I

1083
01:06:53.280 --> 01:06:55.119
get to the room, I knock and am let in

1084
01:06:55.199 --> 01:06:59.559
by Bethany. What's going on? I ask, seeing Doug, Lizzie's agent,

1085
01:06:59.639 --> 01:07:04.320
is there too. We finally found Lizzie, Bethany tells me,

1086
01:07:05.239 --> 01:07:08.239
but we can't bring her back to Enrique. Come with us,

1087
01:07:08.280 --> 01:07:11.960
and you'll understand. I've seen that look on Bethany's face

1088
01:07:12.039 --> 01:07:14.960
plenty of times in our relationship to know what she's

1089
01:07:14.960 --> 01:07:17.719
gonna show me ain't gonna be good. We leave the

1090
01:07:17.800 --> 01:07:20.239
room and have to be real sneaky. When we slip

1091
01:07:20.280 --> 01:07:23.639
into the door leading down into the hotel basement, I

1092
01:07:23.760 --> 01:07:26.719
gasp when I see the hulking form of the lizard creature,

1093
01:07:27.239 --> 01:07:31.119
the real one standing there. When I point a shanky

1094
01:07:31.199 --> 01:07:37.280
finger at it, Bethany nods slowly. This is Lizzy, she

1095
01:07:37.360 --> 01:07:41.199
assures me. Bethany tells me how she became the giant

1096
01:07:41.239 --> 01:07:44.880
lizard and shows me the little golden lizard figurine with

1097
01:07:44.920 --> 01:07:49.119
some jewels on it. At first, I'm skeptical. Then Ben

1098
01:07:49.239 --> 01:07:51.559
hands me a notebook and tells me Lizzie wrote the

1099
01:07:51.559 --> 01:07:55.079
words I'm seeing. The writing looks a little shaky, but

1100
01:07:55.159 --> 01:08:00.280
he assures me it's hers. I'm Lizzy, help me please.

1101
01:08:01.400 --> 01:08:03.599
At first I ain't sure whether to believe it, but

1102
01:08:04.320 --> 01:08:08.079
Bethany would never lie to me. Also, I remember the

1103
01:08:08.079 --> 01:08:11.440
ghouls from when we filmed Slash Her two. I also

1104
01:08:11.519 --> 01:08:14.400
remember how Bethany and me were both scared shitless when

1105
01:08:14.440 --> 01:08:19.399
Lizzy first came to us like this yesterday. Okay, what

1106
01:08:19.520 --> 01:08:22.479
do we do? I ask? How do we help Lizzie?

1107
01:08:23.479 --> 01:08:26.800
Then Lizzie points to Doug. He turns the page in

1108
01:08:26.840 --> 01:08:29.560
the notebook and hands it to her. She snatches it

1109
01:08:29.600 --> 01:08:32.319
and writes something with her pen, holding it between her

1110
01:08:32.359 --> 01:08:37.239
pointy finger and her thumb, sort of. When she finished,

1111
01:08:37.560 --> 01:08:41.119
she hands the notebook to Bethany. Old man in dealer

1112
01:08:41.239 --> 01:08:46.399
room tinker. Then, I say to Lizzie, problem there is

1113
01:08:46.439 --> 01:08:48.680
Bethany and me have seen enough older men in the

1114
01:08:48.680 --> 01:08:50.640
dealer room. You'd have to point him out to us.

1115
01:08:51.359 --> 01:08:54.039
As Lizzie motions for Doug to flip another page in

1116
01:08:54.079 --> 01:08:57.840
the notebook, I have an idea. Why don't you just

1117
01:08:57.880 --> 01:09:00.319
show us yourself. People will think you're in the Corean's

1118
01:09:00.319 --> 01:09:05.239
Lizard costume. Nobody will know the difference. Lizzie shakes her head.

1119
01:09:05.680 --> 01:09:09.079
Bethany backs me up. Lizzie, if we have to go

1120
01:09:09.199 --> 01:09:11.279
up and search for him ourselves, we may not find

1121
01:09:11.319 --> 01:09:14.239
the right guy. You heard, VICKI, We've seen plenty of

1122
01:09:14.319 --> 01:09:17.479
vendors who fit your description of the man. Just come

1123
01:09:17.520 --> 01:09:19.720
with us. We'll all go with you. The sooner we

1124
01:09:19.800 --> 01:09:21.600
find your man, the sooner we may be able to

1125
01:09:21.600 --> 01:09:26.479
get you back to normal. Lizzie reluctantly agrees. From there,

1126
01:09:26.520 --> 01:09:29.239
we sneak back out of the basement. That's when a

1127
01:09:29.279 --> 01:09:32.119
member of the hotel staff catches us and tells us

1128
01:09:32.119 --> 01:09:34.680
he's going to get the manager on us. When he

1129
01:09:34.720 --> 01:09:38.159
sees Lizzie behind us, he remembers we're the people making

1130
01:09:38.159 --> 01:09:42.039
the next slasher movie and steps aside. As we're walking

1131
01:09:42.079 --> 01:09:46.399
the hallways. I glance over my shoulder, see Lizzie. Nobody

1132
01:09:46.439 --> 01:09:49.399
knows the difference. They really do think you're somebody in

1133
01:09:49.439 --> 01:09:52.720
the Corgan's lizard suit. When we come back out into

1134
01:09:52.800 --> 01:09:55.359
the lobby the convention in the dealer room, we're officially

1135
01:09:55.399 --> 01:09:59.479
open for the day, and Enrique is right there. Let

1136
01:09:59.520 --> 01:10:04.279
me guess none of you found Lizzie, he snaps. Apparently

1137
01:10:04.319 --> 01:10:07.359
Lizzie's still pissed off at Enrique. She steps up to

1138
01:10:07.439 --> 01:10:10.359
him and hisses right in his face. Then Nellie quickly

1139
01:10:10.359 --> 01:10:13.720
gets in between them. No, no, no, she tells Lizzie

1140
01:10:14.199 --> 01:10:17.920
it's not time for another lizard scene. Then she glances

1141
01:10:17.960 --> 01:10:21.640
at Enrique. Is it? Enrique is just giving all of

1142
01:10:21.720 --> 01:10:25.159
us evil stares. Now, let me put this to you

1143
01:10:25.279 --> 01:10:28.119
kids in the simplest way I can spell it out

1144
01:10:28.159 --> 01:10:31.079
for you. Then he gives us a wicked smile before

1145
01:10:31.119 --> 01:10:39.439
he erupts, I want Lizzie Jones, I finally had enough. Okay, then, Enrique,

1146
01:10:39.600 --> 01:10:43.439
fuck you. I gesture right to Lizzie like I'm presenting

1147
01:10:43.479 --> 01:10:47.600
her on a game show. Here she is. Lizzie again

1148
01:10:47.760 --> 01:10:50.880
hisses loudly at Enrique. If I didn't know better, she

1149
01:10:50.960 --> 01:10:52.920
looks ready to pick him up and stick him down

1150
01:10:52.960 --> 01:10:56.000
her gullet. U, sh it.

1151
01:10:56.119 --> 01:11:01.039
Was only the wind. You're safe, Weekly, Spooky'll be right back.

1152
01:11:02.479 --> 01:11:05.680
I remember seeing videos about various lizards just before I

1153
01:11:05.760 --> 01:11:09.399
graduated from Strickfield University, after we filmed the first Slasher.

1154
01:11:10.000 --> 01:11:13.119
If anything, Lizzy looks like a cross breed between a

1155
01:11:13.199 --> 01:11:16.439
humanoid and a Komodo dragon, a member of the monitor

1156
01:11:16.479 --> 01:11:20.640
lizard family. I know Komodo dragons are definitely the deadliest

1157
01:11:20.640 --> 01:11:24.279
of the monitor lizard species. For the record, I wanted

1158
01:11:24.279 --> 01:11:27.159
to leave porn and go into zoology. I've got my

1159
01:11:27.239 --> 01:11:30.279
degree to at least get me started. It'll be something

1160
01:11:30.319 --> 01:11:33.399
to fall back on if my acting career ever goes south.

1161
01:11:34.039 --> 01:11:36.359
Based on all the horror movie and convention offers, I

1162
01:11:36.439 --> 01:11:40.000
keep getting not to mention my weekly gig with up

1163
01:11:40.000 --> 01:11:42.880
All Night with Veronica. That ain't gonna happen at least

1164
01:11:42.920 --> 01:11:48.479
anytime soon. Nellie again has to calm Lizzy down. No, no, no, Lizzy,

1165
01:11:48.760 --> 01:11:53.439
and Rique's not food anyway, he'd probably give you bad indigestion.

1166
01:11:54.239 --> 01:11:57.880
Enrique tightens his fists and points right at Lizzie. Get

1167
01:11:57.920 --> 01:12:00.960
out of that suit right now. In fact, you're going

1168
01:12:00.960 --> 01:12:03.159
to do your scenes right here and now in your

1169
01:12:03.199 --> 01:12:06.239
birthday suit, like in your contract. I am not giving

1170
01:12:06.319 --> 01:12:09.680
back my paycheck because you're too much of a Suddenly,

1171
01:12:09.760 --> 01:12:12.319
Lizzie grabs Enrique and lifts him right off the floor.

1172
01:12:12.680 --> 01:12:16.000
Then she looks him right in the face. He leans

1173
01:12:16.039 --> 01:12:19.359
in and gives her just as much of a mean look. Hey,

1174
01:12:19.760 --> 01:12:22.840
we can keep doing this dance all day, he tells her,

1175
01:12:23.239 --> 01:12:26.079
but you will be on full display for the cameras

1176
01:12:26.239 --> 01:12:29.479
one way or another. I'm about ready to laugh if

1177
01:12:29.479 --> 01:12:32.960
only Henrique knew just how naked Lizzie really is. Right

1178
01:12:33.000 --> 01:12:37.199
this second, Ben steps in to help Nelly. Lizzy, the

1179
01:12:37.239 --> 01:12:40.479
dealer's room's right here. Remember what you wanted to show us.

1180
01:12:41.439 --> 01:12:45.520
Lizzie slowly puts Enrique down. Then she turns and leads

1181
01:12:45.600 --> 01:12:48.680
us into the dealer room. Now Enrique's hanging with us

1182
01:12:48.720 --> 01:12:52.199
and giving Lizzie more shit. Get it straight, you are

1183
01:12:52.279 --> 01:12:54.720
not going to be Lizzy the lizard in this movie.

1184
01:12:55.079 --> 01:12:57.279
He tells her, if I got to stick to you

1185
01:12:57.399 --> 01:12:59.600
like glue, if I got to go across the whole

1186
01:12:59.600 --> 01:13:01.760
country with you, if I got to move in with you,

1187
01:13:01.920 --> 01:13:04.319
if I gotta chain myself to you, you will be

1188
01:13:04.479 --> 01:13:08.600
doing your scenes. In that script, we finally get to

1189
01:13:08.640 --> 01:13:12.760
the table Lizzie wants to show us. However, did the

1190
01:13:12.760 --> 01:13:15.760
dealer just pack up and leave? Ben asks in a

1191
01:13:15.800 --> 01:13:20.760
dumbfounded tone, It's true. All there is are two empty tables.

1192
01:13:21.479 --> 01:13:24.840
Lizzie tightens her fists and hisses loudly up at the ceiling.

1193
01:13:25.239 --> 01:13:27.920
The convention goers who see her are thinking it's the

1194
01:13:27.920 --> 01:13:33.439
corgan suit and are loving Lizzie's performance. Then Lizzie puts

1195
01:13:33.439 --> 01:13:36.560
her hands to her head. God, she must really be

1196
01:13:36.640 --> 01:13:39.880
at her emotional lowest right now. I can't begin to

1197
01:13:39.960 --> 01:13:42.560
imagine what she must be feeling. I can only think

1198
01:13:42.600 --> 01:13:46.039
of what might have happened if Victoria, the matriarch of

1199
01:13:46.039 --> 01:13:49.279
her Ghoul family, had injected me with her blood and

1200
01:13:49.359 --> 01:13:52.560
brought me into her family. Maybe that's why I cry

1201
01:13:52.640 --> 01:13:55.880
whenever Bethany tells me she loves me, because I was

1202
01:13:55.920 --> 01:14:00.319
so close to losing her forever that night. I just

1203
01:14:00.399 --> 01:14:03.840
can't imagine my life without her in it. Now. Now

1204
01:14:03.880 --> 01:14:07.079
Lizzie's looking at us as if asking what she's gonna do.

1205
01:14:07.920 --> 01:14:10.960
As Enrique keeps giving Lizzie a hard time, I remember

1206
01:14:11.000 --> 01:14:14.159
I have the Golden Lizard figurine on me. Then I

1207
01:14:14.239 --> 01:14:17.840
quickly turned to Enrique. Hey, I got a brilliant idea.

1208
01:14:18.439 --> 01:14:21.520
You got your phone on you? Enrique glares at me. Now,

1209
01:14:22.199 --> 01:14:26.960
are you even serious right now? VICKI? Well, we all

1210
01:14:27.039 --> 01:14:29.880
left our phones in our rooms. Bethanie tells him the

1211
01:14:29.880 --> 01:14:33.359
corgan said, no phone's on set. You, being the director,

1212
01:14:33.479 --> 01:14:36.920
I'm sure you got yours. I show Enrique the figurine.

1213
01:14:38.119 --> 01:14:42.239
Please google this thing and see if there's anything on it.

1214
01:14:43.279 --> 01:14:46.239
I ain't got time for that, he fires back, We

1215
01:14:46.359 --> 01:14:50.199
got these scenes to shoot. Do you understand time is money?

1216
01:14:51.680 --> 01:14:53.840
Or did you never learn that from all the movies

1217
01:14:53.880 --> 01:14:56.720
you made. I take a deep breath and look Enrique

1218
01:14:56.800 --> 01:14:59.920
in the face. What will it take for you to

1219
01:15:00.119 --> 01:15:03.840
do this one favor for me? Enrique, don't waste no time,

1220
01:15:04.479 --> 01:15:07.880
some alone time with you and my camera. I want

1221
01:15:07.920 --> 01:15:11.640
some good quality picks of you for my Patreon. I

1222
01:15:11.720 --> 01:15:16.119
take another deep breath. Done, then I raise my finger.

1223
01:15:16.600 --> 01:15:19.880
If you can find info on this figurine. I lower

1224
01:15:19.960 --> 01:15:24.399
my hand and sperk no find no time. Enrique is

1225
01:15:24.439 --> 01:15:27.199
that determined to get those nudes of me for his Patreon.

1226
01:15:27.920 --> 01:15:30.920
To be fair, I've seen the NSFW picks he's taken

1227
01:15:30.960 --> 01:15:33.880
on his Patreon. He's a great photographer. I must say.

1228
01:15:34.399 --> 01:15:36.880
He's been trying to get a hundred Patreon backers for

1229
01:15:36.960 --> 01:15:39.520
quite a while now. For the last few years, he's

1230
01:15:39.560 --> 01:15:43.640
come close. Anyway, hen pulls his smartphone out and starts

1231
01:15:43.680 --> 01:15:52.159
doing some digging on the web. Perspective, Enrique Kuto, Seriously,

1232
01:15:52.479 --> 01:15:55.079
I'll never understand why I put up with actors and

1233
01:15:55.119 --> 01:15:58.079
their weird requests. I have to ask for a little

1234
01:15:58.119 --> 01:16:01.159
help and text Rachel back in Dayton. I even send

1235
01:16:01.199 --> 01:16:03.920
her a pick of the Golden Lizard statue Vicky's holding

1236
01:16:03.960 --> 01:16:06.880
on to it. Would be so much easier if Rachel

1237
01:16:06.960 --> 01:16:09.279
was here with me, but she couldn't come since she

1238
01:16:09.319 --> 01:16:12.520
had family commitments she couldn't get out of it. Takes

1239
01:16:12.600 --> 01:16:15.800
a little time, but eventually Rachel finally sends me a link.

1240
01:16:16.359 --> 01:16:18.319
I tap on it and see a pick that looks

1241
01:16:18.880 --> 01:16:22.439
exactly like the little lizard statue. I read the text

1242
01:16:22.479 --> 01:16:25.159
on it to myself. I think I'm gonna have to

1243
01:16:25.199 --> 01:16:27.640
talk about this on Monthly Spooky in a few weeks

1244
01:16:27.640 --> 01:16:31.079
with Michelle Antisocial. I turn my phone around to show

1245
01:16:31.119 --> 01:16:34.319
the others. Vicky takes my phone and compares the pick

1246
01:16:34.359 --> 01:16:37.520
to the little gold statue. I think this is it,

1247
01:16:38.000 --> 01:16:41.159
Vicky tells the others. I watch Vicky move her mouth

1248
01:16:41.159 --> 01:16:44.520
as she's reading it. Next thing, she looks like someone

1249
01:16:44.680 --> 01:16:48.479
just punched her in the gut. What I ask? She

1250
01:16:48.600 --> 01:16:51.479
looks at me first, then she looks at the others.

1251
01:16:52.279 --> 01:16:55.680
Not here. I motion for us to leave the dealer room.

1252
01:16:56.039 --> 01:16:58.760
They follow me into our meeting room. We go in

1253
01:16:58.800 --> 01:17:03.840
and see the Corgan's working on their lizard suit. Then

1254
01:17:03.880 --> 01:17:08.800
if that's the actual lizard suit. The Corgans are just

1255
01:17:08.840 --> 01:17:11.119
as shocked as me when they see the big lizard

1256
01:17:11.159 --> 01:17:15.960
come in with us. What's going on here? Jesse asks

1257
01:17:16.000 --> 01:17:18.920
all of us. Did you order up another lizard suit

1258
01:17:18.960 --> 01:17:23.039
and didn't tell us? Hen? Jenny asks, just me. Bethany

1259
01:17:23.119 --> 01:17:26.600
closes the doors behind us. Then she says, to the Corgans,

1260
01:17:27.159 --> 01:17:31.479
remember how we found out ghoules were real last year? Well,

1261
01:17:32.159 --> 01:17:36.920
this is actually Lizzy. Vicky holds up the little statue

1262
01:17:37.439 --> 01:17:41.039
Bethany points to it. This thing turned Vicky into what

1263
01:17:41.279 --> 01:17:45.079
you're seeing right now. The Corgans just look at Lizzy

1264
01:17:45.159 --> 01:17:48.840
in amazement. Now, for the record, she can understand you,

1265
01:17:49.199 --> 01:17:52.520
Nellie says, she just can't speak the way we speak.

1266
01:17:53.079 --> 01:17:59.359
Fortunately she can still write, kind of. I point to Vicky, Okay,

1267
01:17:59.439 --> 01:18:01.680
you read something on that site I gave you. What

1268
01:18:01.880 --> 01:18:06.239
is it? Vicky sighs. If this article is correct, and

1269
01:18:06.319 --> 01:18:08.840
I don't know why it wouldn't be. I mean, the

1270
01:18:08.840 --> 01:18:13.239
web page is on National Geographic. Apparently, this little golden

1271
01:18:13.239 --> 01:18:16.760
lizard is supposed to be cursed. You become afflicted with

1272
01:18:16.800 --> 01:18:20.840
it if you're very selfish and conceited. Lizzy, the lizard

1273
01:18:20.880 --> 01:18:25.760
makes this weird noise, like she's gasping or something. Vicky adds,

1274
01:18:26.520 --> 01:18:28.640
the only way to break the curse is for someone

1275
01:18:28.680 --> 01:18:31.600
else to get pricked by this thing who's willing and

1276
01:18:31.680 --> 01:18:36.399
ain't selfish and conceited. She looks at everybody. I think

1277
01:18:36.439 --> 01:18:38.760
that means one of us gets pricked with the teeth

1278
01:18:38.840 --> 01:18:41.079
to free Lizzie, that's willing to put their ass on

1279
01:18:41.119 --> 01:18:45.680
the line. Vicky shakes her head and starts crying. It

1280
01:18:45.720 --> 01:18:49.279
ain't me. I'm much too selfish. When it comes to Bethany,

1281
01:18:49.359 --> 01:18:51.359
I can't bear to be without her, and I won't

1282
01:18:51.399 --> 01:18:55.680
leave her alone in this fucked up world. Bethany sighs

1283
01:18:55.720 --> 01:18:59.279
and says Vicky's right. Also for the same reason, Bethany

1284
01:18:59.319 --> 01:19:03.000
says it can't be her. Nelly and Ben reveal they're

1285
01:19:03.039 --> 01:19:06.159
married and feel the same way as Vicky and Bethany.

1286
01:19:06.199 --> 01:19:09.640
Even the Corgans admit the same thing, which I guess

1287
01:19:09.720 --> 01:19:14.479
I can understand since they're identical twin sisters. I'll do it.

1288
01:19:14.800 --> 01:19:18.000
I finally say, I ain't too sure I believe in

1289
01:19:18.039 --> 01:19:21.279
all this. Then I look at Lizzie, but I guess

1290
01:19:21.319 --> 01:19:24.079
I really am seeing a giant lizard right here in

1291
01:19:24.079 --> 01:19:28.000
front of me. I sigh and shake my head. Boy,

1292
01:19:28.119 --> 01:19:30.359
Rachel and Dave are never gonna believe this. When I

1293
01:19:30.399 --> 01:19:34.680
get home to Dayton. Now everybody's looking at me. Are

1294
01:19:34.720 --> 01:19:39.159
you really sure? Nellie asks, what if after Lizzie turns back,

1295
01:19:39.359 --> 01:19:43.319
you turn into a lizard. I look at Vicky. Does

1296
01:19:43.359 --> 01:19:47.640
the article say anything about that? Vicky shakes her head.

1297
01:19:48.479 --> 01:19:51.479
I read the article to myself four times. I'm thinking,

1298
01:19:51.520 --> 01:19:54.760
you become a lizard if you're truly conceited and selfish.

1299
01:19:55.159 --> 01:19:58.800
Then I'll just do it ow. My finger bleeds a

1300
01:19:58.840 --> 01:20:00.760
little after I poke it on one of the Golden

1301
01:20:00.840 --> 01:20:05.119
Lizard's teeth. Everybody else is looking worried. Now we sit

1302
01:20:05.199 --> 01:20:08.560
in the meeting room and wait and wait and wait.

1303
01:20:11.000 --> 01:20:14.079
Lizzie didn't turn right away after she was pricked herself.

1304
01:20:14.399 --> 01:20:18.079
Doug pipes up. Damn, I forgot he was even with us.

1305
01:20:18.680 --> 01:20:22.079
Must have been hiding behind Lizzie the whole time. One

1306
01:20:22.119 --> 01:20:25.920
of the Corgan's points right past me. Look. We all

1307
01:20:25.960 --> 01:20:30.399
turn to see Lizzie shrinking down changing. Soon, Lizzie's herself

1308
01:20:30.439 --> 01:20:34.720
again naked, but she's Lizzie Jones again. One of the

1309
01:20:34.760 --> 01:20:37.399
twins picks up a drop cloth and brings it to

1310
01:20:37.439 --> 01:20:43.359
cover Lizzie. Am I am I really back, Lizzie says

1311
01:20:43.399 --> 01:20:47.119
in her own voice. Looks like you're still you. Hen

1312
01:20:47.560 --> 01:20:51.239
Ben tells me, I have to admit I'm a little

1313
01:20:51.239 --> 01:20:54.880
worried now. I guess we'll see in the morning. Lizzie

1314
01:20:54.920 --> 01:20:58.600
starts crying. Now, I've been such a bitch. I made

1315
01:20:58.640 --> 01:21:01.479
everything about me ever since I made it big in Hollywood,

1316
01:21:02.199 --> 01:21:06.319
I've never been happy even then. She looks my way

1317
01:21:06.399 --> 01:21:10.159
now and drops the cloth. Enrique, let's get this over

1318
01:21:10.239 --> 01:21:13.319
with and shoot those scenes. I think the Corgans are

1319
01:21:13.359 --> 01:21:16.000
relieved they won't have to take Lizzie to court after all.

1320
01:21:16.920 --> 01:21:20.199
You sure you're up for it, I ask, She sighs.

1321
01:21:20.680 --> 01:21:23.880
I don't really want to, but I signed my contract

1322
01:21:23.920 --> 01:21:27.359
and got paid. I get my phone back from Vicky

1323
01:21:27.439 --> 01:21:30.239
and text everyone else who isn't here that shooting's going

1324
01:21:30.279 --> 01:21:34.079
to continue after the Slasher two movie and panel right now.

1325
01:21:34.119 --> 01:21:37.920
Everybody involved with that movie has to go there. This

1326
01:21:38.079 --> 01:21:40.119
is turning out to be one hell of a weekend

1327
01:21:40.159 --> 01:21:44.079
here at Ridgeway Heights. Like I said, Rachel and Dave

1328
01:21:44.079 --> 01:21:46.319
are never gonna believe my story. When I get back

1329
01:21:46.319 --> 01:21:47.439
home to Dayton.

1330
01:21:48.279 --> 01:21:51.920
Don't go away weekly, Spooky will be right back.

1331
01:21:54.840 --> 01:22:02.319
Epilogue, Present day perspective, Vicky Valentine. The screening of Slasher

1332
01:22:02.399 --> 01:22:06.000
Valentine's Screams went over pretty well. It ended up being

1333
01:22:06.079 --> 01:22:09.760
standing room only. Some of the convention goers there complained

1334
01:22:09.800 --> 01:22:12.560
that the Scream Queen wasn't in it. When we did

1335
01:22:12.560 --> 01:22:15.840
the Q and A afterwards, that was the first question asked.

1336
01:22:16.279 --> 01:22:19.079
Jesse said when she wrote the script, she intended for

1337
01:22:19.159 --> 01:22:21.640
this movie to kind of be an homage to Halloween

1338
01:22:21.720 --> 01:22:24.880
three in the fact that Michael Myers wasn't actually in it.

1339
01:22:25.399 --> 01:22:28.520
That and the Corgans really wanted a reason to use

1340
01:22:28.560 --> 01:22:31.720
the lizard suit. Jenny worked so hard on between Slasher

1341
01:22:31.760 --> 01:22:35.520
two and this movie, and get this, some of the

1342
01:22:35.560 --> 01:22:39.000
people who really did enjoy Slasher Valentine's screams are calling

1343
01:22:39.039 --> 01:22:43.760
the Lizard Monster simply Slash, a name that just went viral.

1344
01:22:44.479 --> 01:22:48.560
Enrique also answered questions and talked about directing the movie.

1345
01:22:48.600 --> 01:22:50.560
For the record, not one of us so much as

1346
01:22:50.600 --> 01:22:54.039
brought up Lizzy the Lizard. I'm still surprised that Lizzie

1347
01:22:54.079 --> 01:22:57.000
and Doug actually came to the screening, or that Lizzy

1348
01:22:57.079 --> 01:23:00.279
agreed to be part of the panel. Last Bethidy and

1349
01:23:00.319 --> 01:23:03.600
Me checked, Lizzie had just won another Oscar prior to

1350
01:23:03.640 --> 01:23:06.560
coming to this year's convention. Again, it was for a

1351
01:23:06.640 --> 01:23:09.800
drama where she did a lot of nudity and sex.

1352
01:23:10.600 --> 01:23:13.319
I also read Lizzie's starring and some other dramas coming

1353
01:23:13.359 --> 01:23:16.680
out later in the year, so she's definitely back in

1354
01:23:16.720 --> 01:23:20.920
the Hollywood spotlight again. When the panel's over, we all

1355
01:23:20.960 --> 01:23:23.640
go back into the dealer room and finish out the weekend.

1356
01:23:24.119 --> 01:23:26.319
At the end of the convention, Bethany and me stay

1357
01:23:26.359 --> 01:23:29.119
in Ridgeway Heights on Sunday night so we can start

1358
01:23:29.159 --> 01:23:34.520
celebrating Valentine's Day, which would actually be Monday. Bethany surprises

1359
01:23:34.560 --> 01:23:37.439
me by having a bouquet of mixed red and black

1360
01:23:37.560 --> 01:23:40.600
roses together on the bed. We go out to a

1361
01:23:40.600 --> 01:23:44.279
special dinner at a fancy restaurant to celebrate. Bethany and

1362
01:23:44.319 --> 01:23:47.239
me have been together for two years now, but we've

1363
01:23:47.279 --> 01:23:50.119
known each other for three. When we get back to

1364
01:23:50.199 --> 01:23:53.199
our room, Bethany has one more surprise for me that

1365
01:23:53.359 --> 01:23:57.079
completely catches me off guard. First, she tells me she

1366
01:23:57.199 --> 01:24:00.520
knows we've known each other for three years, so says

1367
01:24:00.560 --> 01:24:04.359
she knows I'm the one. I kind of feel where

1368
01:24:04.399 --> 01:24:07.359
this is going, but it's still great shock value to

1369
01:24:07.399 --> 01:24:10.560
me when Bethany gets on one knee and asks me

1370
01:24:10.640 --> 01:24:13.840
to marry her. She even presents me with a ruby

1371
01:24:13.920 --> 01:24:17.720
engagement ring. Bethany always hurts me deep when she says

1372
01:24:17.760 --> 01:24:21.760
she loves me, but she truly made me come apart.

1373
01:24:22.840 --> 01:24:26.760
I'm a fucking scream queen, and only this beautiful, amazing

1374
01:24:26.840 --> 01:24:30.520
woman can keep bringing me to tears. I don't even

1375
01:24:30.560 --> 01:24:33.960
have to answer Bethany, that's how much she really knows me.

1376
01:24:34.840 --> 01:24:37.279
I let her put the ring on my finger. Like

1377
01:24:37.319 --> 01:24:40.560
I said, people have told me, never marry your first relationship,

1378
01:24:41.279 --> 01:24:44.439
but I honestly don't give a fuck about that now. Yes,

1379
01:24:44.520 --> 01:24:48.760
Bethany mehrns both my first love and my first real relationship,

1380
01:24:48.800 --> 01:24:52.319
but I honestly can't see myself with anybody else. If

1381
01:24:52.399 --> 01:24:55.159
by chance, Bethany and me fall apart later in life,

1382
01:24:55.560 --> 01:24:58.840
then we fall apart. I just know I can't know

1383
01:24:58.960 --> 01:25:02.800
for sure since I can't predict the future. Bethany and

1384
01:25:02.840 --> 01:25:04.840
me have always been there for each other since we

1385
01:25:04.920 --> 01:25:10.079
became friends. Fuck it, I'm going for it. We immediately

1386
01:25:10.119 --> 01:25:13.439
set our wedding date for next Valentine's Day. She even

1387
01:25:13.479 --> 01:25:16.119
gives me one more surprise when she shows me the

1388
01:25:16.159 --> 01:25:19.720
Corgan Twins next script for the continuation of the original

1389
01:25:19.760 --> 01:25:23.399
timeline and the Slasher series following the first two movies.

1390
01:25:24.279 --> 01:25:26.720
You're definitely going to be back as the scream Queen,

1391
01:25:27.159 --> 01:25:30.319
Bethany tells me. I look at the script and see

1392
01:25:30.359 --> 01:25:36.239
the title Slasher Valentine. Hell, I really don't care how

1393
01:25:36.239 --> 01:25:39.159
many Slasher movies Bethany and me do together. I just

1394
01:25:39.239 --> 01:25:40.960
know I want to spend the rest of my life

1395
01:25:41.760 --> 01:25:44.760
with Bethany. I want to grow old and die with

1396
01:25:44.840 --> 01:25:48.560
her again. You just never know unless you go for it.

1397
01:25:49.680 --> 01:25:52.520
Speaking of never knowing, you want to know what's been

1398
01:25:52.560 --> 01:25:56.640
bugging me since last year's con. That Golden Lizard statue

1399
01:25:56.680 --> 01:25:59.640
just disappeared right after we restored Lizzie back to her

1400
01:26:00.119 --> 01:26:03.479
and form. I told Bethany about it. It's just as

1401
01:26:03.520 --> 01:26:05.840
much a mystery to her too, because she don't know

1402
01:26:05.880 --> 01:26:09.000
what happened to it either. Well, I guess there's really

1403
01:26:09.039 --> 01:26:12.279
no point in worrying about it, huh. Enrique Kuto's still

1404
01:26:12.359 --> 01:26:15.520
human and doing okay. I mean he made it to

1405
01:26:15.560 --> 01:26:18.960
this weekend's con. Right. Also, I suppose as long as

1406
01:26:19.199 --> 01:26:22.079
none of us are walking around as a giant Komodo dragon,

1407
01:26:22.479 --> 01:26:27.079
that's all that matters. Right. Speaking of Enrique Kuto, Bethany

1408
01:26:27.119 --> 01:26:30.159
and me actually got scripts for a sequel to Babysitter

1409
01:26:30.199 --> 01:26:33.920
Massacre Daddy's Little Killer. We can't believe he really wrote

1410
01:26:33.920 --> 01:26:37.159
a sequel. Sounds like the fans are demanding the return

1411
01:26:37.199 --> 01:26:41.159
of Larkin Combs, so that means Aaron Mercer is also returning.

1412
01:26:41.840 --> 01:26:46.680
Looks like we're doing Babysitter Massacre this little Piggy very soon.

1413
01:26:47.920 --> 01:26:52.239
But for tonight and tomorrow, those movies can wait. All

1414
01:26:52.279 --> 01:26:55.119
that matters to me right now is Bethany Miren, and

1415
01:26:55.199 --> 01:26:57.960
I focus all of my attention and energy on her

1416
01:26:58.479 --> 01:27:03.119
as we undress and consummate both our anniversary and our engagement.

1417
01:27:04.239 --> 01:27:06.199
I guess you'll have to wait until the next sequel

1418
01:27:06.239 --> 01:27:12.399
to see what happens from here. Happy Valentine's Day Aftermath perspective,

1419
01:27:12.560 --> 01:27:16.439
Elizabeth Jones. Doug and I stay for one more night

1420
01:27:16.479 --> 01:27:20.640
after the convention's over. It's Monday and Valentine's Day. We

1421
01:27:20.680 --> 01:27:22.680
went out and had dinner and then to a theater

1422
01:27:22.800 --> 01:27:26.399
to see my latest OSCAR winning movie. There was quite

1423
01:27:26.439 --> 01:27:30.640
the attendance in our screening of Island Paradise. After the screening,

1424
01:27:30.880 --> 01:27:33.039
we returned to the Hilton and go back to our room.

1425
01:27:33.760 --> 01:27:37.359
Once we're inside, I close and lock the door. I

1426
01:27:37.479 --> 01:27:39.920
turn my attention to my husband and go to him.

1427
01:27:40.399 --> 01:27:42.680
I let him touch me and kiss me as much

1428
01:27:42.680 --> 01:27:46.000
as he wants. I suppose I owe him something after

1429
01:27:46.039 --> 01:27:50.000
I won yet another Oscar. I let Doug undress me

1430
01:27:50.039 --> 01:27:54.479
and have his heart's desire this Valentine's Day. Doug looks

1431
01:27:54.520 --> 01:27:56.920
ready to be done with our fuck marathon, but I

1432
01:27:57.079 --> 01:27:59.239
move and put him on his back and sit on him,

1433
01:27:59.479 --> 01:28:02.880
taking him inside me again. Now I look down at him.

1434
01:28:03.640 --> 01:28:06.720
You know, Doug, I do understand that we've been married

1435
01:28:06.760 --> 01:28:09.760
for three years now, I tell him as I caress

1436
01:28:09.840 --> 01:28:13.640
my gorgeous breasts. I keep wondering when you'd finally ever

1437
01:28:13.720 --> 01:28:16.600
realize that I've never once told you I loved you,

1438
01:28:17.079 --> 01:28:20.520
no matter how many times you've told me. Doug looks

1439
01:28:20.560 --> 01:28:26.319
at me, funny. Now, is everything okay, Elizabeth? I shake

1440
01:28:26.359 --> 01:28:29.800
my head a little. I suppose I appreciate you getting

1441
01:28:29.840 --> 01:28:32.600
me back on top in the Hollywood scene again. You

1442
01:28:32.720 --> 01:28:35.760
got me another Oscar winning movie for my growing resume.

1443
01:28:36.399 --> 01:28:38.640
But the only jobs I'm still getting are ones where

1444
01:28:38.640 --> 01:28:41.800
I'm still having to take all my clothes off. All

1445
01:28:41.840 --> 01:28:44.319
I'm ever going to be known for is my naked body.

1446
01:28:44.960 --> 01:28:48.560
I push up on my overripe breasts. I know now

1447
01:28:48.600 --> 01:28:51.520
that I'll never be taken seriously as an actress, even

1448
01:28:51.600 --> 01:28:55.520
after winning three Best Actress Oscars. I reach under the

1449
01:28:55.560 --> 01:28:59.439
pillow next to him and pull up the Golden Lizard statue.

1450
01:29:00.319 --> 01:29:02.520
I'm just going to give it to you straight. I

1451
01:29:02.600 --> 01:29:05.640
fucking hate you with all my heart, Doug, I say,

1452
01:29:05.720 --> 01:29:09.000
with nothing but the utmost contempt and scorn in my voice.

1453
01:29:09.600 --> 01:29:12.119
I'm afraid your last night being both my agent and

1454
01:29:12.159 --> 01:29:17.159
my husband, will be tonight in this bed. He screeches

1455
01:29:17.199 --> 01:29:19.680
like a whiny little bitch when he sees my eyes

1456
01:29:19.760 --> 01:29:23.239
glowing as green as the ones on the little statue.

1457
01:29:23.279 --> 01:29:28.000
In other words, Doug, You're fired untill death do us part?

1458
01:29:28.399 --> 01:29:32.960
Is right fucking now, I tell him with finality. I

1459
01:29:33.039 --> 01:29:35.960
don't morph back into a full lizard like I did before,

1460
01:29:36.239 --> 01:29:39.119
but my hatred fuels me enough to ease my claws

1461
01:29:39.119 --> 01:29:43.640
into Doug's skin like knives through butter. From there I

1462
01:29:43.760 --> 01:29:48.880
finally claim his life. Yes, I do wholeheartedly admit I

1463
01:29:48.920 --> 01:29:52.960
am very selfish and conceited. That's why I'll be keeping

1464
01:29:53.000 --> 01:29:57.319
this little golden lizard with me. I will own my curse.

1465
01:29:58.159 --> 01:30:01.119
Starting tomorrow, I'll find myself in new agent or manager

1466
01:30:01.319 --> 01:30:03.760
who can hopefully guide my career to where I want

1467
01:30:03.800 --> 01:30:07.359
to be. If my next agent fails, then I'll keep

1468
01:30:07.359 --> 01:30:10.159
claiming their souls until I find one who can truly

1469
01:30:10.279 --> 01:30:13.920
satisfy me. After I take a shower and wash all

1470
01:30:13.960 --> 01:30:17.159
of Doug's blood off me, I get dressed and grab

1471
01:30:17.199 --> 01:30:20.600
my bags. From there, I leave what's left of my

1472
01:30:20.760 --> 01:30:26.359
former husband and agent, lying in a mess on the bed. Goodbye,

1473
01:30:26.399 --> 01:30:30.479
Doug and fuck you, I say before I close the

1474
01:30:30.520 --> 01:30:34.239
door on him and this chapter of my life for

1475
01:30:34.319 --> 01:30:35.279
the last time.